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Danish Center for Culture and Development (DCCD) promotes cultural co-operation between Denmark and the developing countries in Africa, Asia, the Caribbean, Latin America, and the Middle East through: * Presentation of art and culture from the developing countries in cooperation with partners in Denmark and abroad * Information and advice about cultural exchange and cooperation * Allocation of funds for Danish cultural cooperation with developing countries * Co-ordination and implementation of festivals in Denmark for the developing world's cultures * Facilitation of capacity building within the cultural sector in the developing countries as well as presentation of Danish art and culture. The center provides the framework for large initiatives such as the Images festivals and information projects.

The Institute for Music and Development (IMD) welcomes you to its unique world of learning experiences, adventure and cultural excitement.\nIMD intends to serve a need for those who wish to go beyond the obvious events of everyday life into the very fabric of the psyche of traditional peoples, their worldview, the creative arts and the various structures that constitute what they perceive as their world. Above all, IMD's philosophy is guided by the importance of authenticity and credibility in its activities.\nOur scope encompasses advocacy and the development of the music industry within the context of an African Music Network. As educators, our interest in youth development, projects and programs is paramount in and integral to our work. Therefore we welcome educators, students, researchers, and music professionals to this site.

The EU gives culture an important place in development cooperation by: * systematically integrating the cultural aspect in all its policies, projects and programmes, * funding the preservation of cultural heritage and the emergence of viable cultural industries, * covering living culture and cultural heritage - both important for growth, jobs and cultural identity, * encouraging its partners to include culture in their own poverty reduction strategies and national development plans. Unlike other donors, the EC gives priority to promoting and supporting its partners' culture rather than focusing on the promotion of its own culture.

ICACD Secretariat was established in 2005 as an advocacy body committed to pushing forward cultural considerations into the policy development framework of Africa.

The Cultural Development Trust (Cuhede) was established in 2001 mainly to help both emerging and established artists be it as individuals artist or as a group with finding information and assistance and training in all aspects of Management, Financial and other administrative processes in the Arts & Cultural Sector.

Since its inception, one mission of the AACM has been to provide an atmosphere conducive to the development of its member artists and to continue the AACM legacy of providing leadership and vision for the development of creative music. The AACM first coined the phrase Great Black Music to describe its unique direction in music. The AACM pays homage to the diverse styles of expression within the body of Black Music in the USA, Africa and throughout the world. This experience extends from the ancient musics of Africa to the music of the future.

The Louisiana Cultural Economy Foundation was founded as a catalyst for growth within the state's burgeoning cultural economy. Its primary mission is to support the development and enhancement of the unique cultural industries of Louisiana.

The Ghana Cultural Fund (GCF) is governed by a framework between the Royal Danish Embassy in Ghana and the Danish Centre for Culture and Development (DCCD) in Denmark. The GCF has a total budget of 5.65 million GH Cedis and it is scheduled to run for three years 2007 - 2009. The objective of the fund is to strengthen inter cultural relations, mutual understanding and promotion of democratic values among the people of Ghana through inter-cultural expressions and interactions. It is also to foster Ghanaian/Danish collaborations through the contemporary Arts and the preservation of our shared cultural heritage.

This new programme offers a composite coverage of the socio-historical contexts and philosophical bases of drama, performance and theatre practices and traditions in Africa. The programme will involve you in a study of indigenous performance and theatre practices, colonial and postcolonial literary drama and theatre, popular performances, theatre-for-development, television drama, and video drama/movie.

The Canadian Dance Assembly (CDA) is a national arts service organization dedicated to serving the professional dance community in Canada.\n\nThe CDA exists to facilitate the dynamic exchange of information relevant to Canadian professional dance of all forms and aesthetics.\n\nWe strive to cultivate a strong national voice for Canadian professional dance and to support the development of resources for this field of artistic expression.

ISPA is a not-for-profit international organization (founded 1949) of over 600 executives and directors of concert and performance halls, festivals, performing companies, and artist competitions; government cultural officials; artists' managers; and other interested parties with a professional involvement in the performing arts from more than 50 countries in every region of the world, and in every arts discipline.\n\nThe purpose of ISPA is to develop, nurture, energize and educate an international network of arts leaders and professionals who are dedicated to advancing the field of the performing arts.

The Foundation for Community Dance is the UK development agency for access, participation and progression in dance for all.

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