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African Theatre and Performance WG will work to further the understanding and appreciation of African Theatre and Performance by facilitating and maintaining scholarly discourse and collaborative research in the fields of African theatre and performance.

African Arts is devoted to the study and discussion of traditional, contemporary, and popular African arts and expressive cultures. Since 1967, African Arts readers have enjoyed high-quality visual depictions, cutting-edge explorations of theory and practice, and critical dialogue. Each issue features a core of peer-reviewed scholarly articles concerning the world's second largest continent and its diasporas, and provides a host of resources - book and museum exhibition reviews, exhibition previews, features on collections, artist portfolios, dialogue and editorial columns. The journal promotes investigation of the connections between the arts and anthropology, history, language, literature, politics, religion, and sociology.

ACASA, the Arts Council of the African Studies Association, promotes greater understanding of African material and expressive culture in all its many forms, and encourages contact and collaboration with African and Diaspora artists and scholars.

As studies of African and Afro-Caribbean performance have acquired a wider relevance during the last decade, it is now time to examine the diverse critical approaches currently being practiced within these fields. How are African and Afro-Caribbean cultures being constructed, analyzed, and re-imagined by recent discussions about theatricality, transnationalism, diaspora, translation, Circum-Atlantic exchanges, or cyberspaces? The conference's program will bring together a diverse array of presenters from Africa, the Caribbean, Europe, and the United States who deal with topics that include--among others--dance, drama, community theater, the links between social justice and performance, rituals, religious events, diasporas, carnival, and intercultural barterings.

ADAD is a (UK) national organisation that supports the practice and appreciation of dance of the African Diaspora. We want dance of the African Diaspora to be visible and valued as part of the British cultural experience.

This new programme offers a composite coverage of the socio-historical contexts and philosophical bases of drama, performance and theatre practices and traditions in Africa. The programme will involve you in a study of indigenous performance and theatre practices, colonial and postcolonial literary drama and theatre, popular performances, theatre-for-development, television drama, and video drama/movie.

The Arterial Network is an informal, dynamic network of individuals, institutions and funding partners working to support the effectiveness and growth of African arts and culture in civil society and to enhance the sustainability of creative industries in Africa.

The Institute for Music and Development (IMD) welcomes you to its unique world of learning experiences, adventure and cultural excitement.\nIMD intends to serve a need for those who wish to go beyond the obvious events of everyday life into the very fabric of the psyche of traditional peoples, their worldview, the creative arts and the various structures that constitute what they perceive as their world. Above all, IMD's philosophy is guided by the importance of authenticity and credibility in its activities.\nOur scope encompasses advocacy and the development of the music industry within the context of an African Music Network. As educators, our interest in youth development, projects and programs is paramount in and integral to our work. Therefore we welcome educators, students, researchers, and music professionals to this site.

ICACD Secretariat was established in 2005 as an advocacy body committed to pushing forward cultural considerations into the policy development framework of Africa.