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John Evans

Songza: Music for the Moment | iPad.AppStorm - 0 views

ipad.appstorm.net/...songza-music-for-the-moment

music moment ipad

shared by John Evans on 15 Oct 12 - No Cached
  • John Evans on 15 Oct 12
     
    "Songza is a music discovery service designed to play the perfect tune for whatever mood or activity you are doing. Think about Pandora and how it designs its stations based off of other artists and songs. Songza does the same thing, but bases its music off of activities such as "Relaxing at Home" or "Cooking." Let's find out more after the jump."
John Evans

Reboot: 5 Resources for Teacher Inspiration | Edutopia - 2 views

www.edutopia.org/...acher-inspiration-monica-burns

inspiration teacher Edutopia

shared by John Evans on 18 May 16 - No Cached
  • John Evans on 18 May 16
     
    "Is the school year winding down? Do you need a reboot to help get through a challenging month? Inspiration can come from many places. From the smile on a student's face, to a great conversation with parents, to an episode of a favorite television show that provides an idea for the next day's lesson, small moments can be game changers when we need to reboot and recharge. When I was a classroom teacher, those days after a long break or in the midst of a period without a moment to catch my breath could make it hard to find inspiration in everyday moments. In this list of resources for teacher inspiration, you'll find a handful of different websites and apps to energize your lesson, lighten your mood, and inspire you to persevere through a challenging part of the school year. These might become part of your daily or weekly routine, or something that you turn to for a dose of inspiration to reboot during a tough time of year. If you've tried one of my favorites or have another to add to the list, share your top resources for finding inspiration in the comments at the end of this post."
John Evans

Why Play Should Be a Priority for Every Adult's Life | The Creativity Post - 1 views

www.creativitypost.com/...priority_for_every_adults_life

play adults life

shared by John Evans on 19 Apr 16 - No Cached
  • John Evans on 19 Apr 16
     
    "Play is abundant in the lives of those considered to be creative. It facilitates social bonding, boosts productivity and enhances your mood. As positive psychologist Christopher E. Peterson put it, play is "…a robust predictor of how satisfied we are with our lives." "We should consider every day lost on which we have not danced at least once." - Friedrich Nietzsche  I have two left feet, so I'm glad Nietzsche wrote metaphorically. With this quote, I think he was saying something true and profound about the importance of play-that it's an essential part of living a good and balanced life. What I hope to convey are some philosophical, scientific, and personal reasons for why we should all get serious about messing around. I hope that by reading this, you'll feel compelled to actually pencil in some time for more frivolity."
John Evans

Free Technology for Teachers: On YouTube You Can Now Find Free Music to Legally Downloa... - 4 views

www.freetech4teachers.com/...u-can-now-find-free-music.html

youtube bacjground music

shared by John Evans on 26 Sep 13 - No Cached
  • John Evans on 26 Sep 13
     
    "For the last couple of years Vimeo has offered free music to download and re-use in your video projects. Now YouTube is offering the same thing through the YouTube Audio Library. This library is slightly different than the free music available when you use the YouTube slideshow creation tool. The music in the YouTube Audio Library is music that you can download to use in projects online and offline. You can search the library of music according to genre, mood, instrument, or duration. You can listen to the tracks before downloading them as MP3 files."
John Evans

7 Ways School Leaders Can Use Teacher Observations More Effectively - 0 views

www.teachthought.com/...-observations-more-effectively

school leaders teacher observations

shared by John Evans on 30 Apr 15 - No Cached
  • John Evans on 30 Apr 15
     
    "Whilst observations are certainly not the whole picture of a teacher's skill, they can provide excellent opportunities for teachers to reflect on their practice. If my last article How Your Teacher Observation Can Help You Grow convinced teachers of the benefits of observations, the onus is now placed on school leaders to provide the necessary conditions for such a culture to survive, and thrive. The key word here is culture. The atmosphere or mood of a school is imperative if teachers are to embrace observation. And while that culture is the responsibility of every employee in a school, school leaders have the most influence in shaping it."
John Evans

Apps for Happy Learning - Teachers With Apps - 2 views

www.teacherswithapps.com/12-apps-for-happy-learning

apps learning teachers students joy

shared by John Evans on 22 Apr 15 - No Cached
  • John Evans on 22 Apr 15
     
    "This post was motivated by my return to the north and the frigid temps. I realized on the second leg of my travels that no one was even remotely happy about anything. They were all connected to another world with a pair of headphones or earbuds, tuned out and removed. I love to fly and it used to be a very social activity and rather than be disappointed I threw myself into a happy app kind of mood and this is the result. My other intention was to point anyone with children toward exceptional downloads laden with abundant and diverse content for their children. Not just to keep them sharp when away from school and traveling, but go-to apps that are always an educational delight! Here is my list of 12 developers whose apps make for HAPPY learning; they are sure to develop your child's/student's sense of joy and wonder."
John Evans

Writing Your Way to Happiness - NYTimes.com - 0 views

well.blogs.nytimes.com/...writing-your-way-to-happiness

writing way happiness nytimes ELA

shared by John Evans on 21 Jan 15 - No Cached
  • John Evans on 21 Jan 15
     
    "The scientific research on the benefits of so-called expressive writing is surprisingly vast. Studies have shown that writing about oneself and personal experiences can improve mood disorders, help reduce symptoms among cancer patients, improve a person's health after a heart attack, reduce doctor visits and even boost memory. Now researchers are studying whether the power of writing - and then rewriting - your personal story can lead to behavioral changes and improve happiness."
John Evans

Sleep Deprivation Is Killing You and Your Career - 1 views

www.forbes.com/...ipping-sleep-is-career-suicide

sleep deprivation health wellness

shared by John Evans on 03 Dec 14 - No Cached
  • John Evans on 03 Dec 14
     
    "The next time you tell yourself that you'll sleep when you're dead, realize that you're making a decision that can make that day come much sooner. Pushing late into the night is a health and productivity killer. According to the Division of Sleep Medicine at the Harvard Medical School, the short-term productivity gains from skipping sleep to work are quickly washed away by the detrimental effects of sleep deprivation on your mood, ability to focus, and access to higher-level brain functions for days to come. The negative effects of sleep deprivation are so great that people who are drunk outperform those lacking sleep."
Phil Taylor

The Fischbowl: Is It Okay To Be A Technologically Illiterate Teacher? - 11 views

thefischbowl.blogspot.com/...kay-to-be-technologically.html

fischbowl digital education teachers

shared by Phil Taylor on 30 Jul 10 - Cached
  • Warning: Grumpy blogger alert. Do not read the rest of this (especially if you’re on my staff) unless you’re in the mood to be provoked.
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 7 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Best Practice Fair Use literacy CC copyright guide guidelines

shared by Clint Hamada on 07 Apr 10 - Cached
  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

A Digital Diet: Drop (Calls, Texting, Web) and Give Me 28 (Days of Peace) | E... - 2 views

www.wired.com/...a-digital-diet

digital diet book

shared by John Evans on 29 May 11 - No Cached
  • You’re having a lovely conversation, but think nothing of breaking the mood by grabbing your smartphone to confirm (more likely dispute) something. You’re having a lovely, relaxing cup of coffee at your neighborhood hangout, but can’t sit still when the WiFi dies.
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