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"Barbara Oakley's professional biography does not suggest that she was once a struggling math and science student: She is an engineering professor, author of A Mind For Numbers: How to Excel at Math and Science and Mindshift: Break Through Obstacles to Learning and Discover Your Hidden Potential (which is not affiliated with this MindShift). Oakley co-created Coursera's most popular course, "Learning How to Learn," with Terrence Sejnowski, which has enrolled nearly 2 million students.  But Oakley is a self-described "former math flunky" who "retooled" her brain - and who has since made it her life's work to help others learn how to learn by explaining some key principles from modern neuroscience. "

"It's hard to feel connected to someone who's gone through a static photo. So a company called MyHeritage who provides automatic AI-powered photo enhancements is now offering a new service that can animate people in old photos creating a short video that looks like it was recorded while they posed and prepped for the portrait. Called Deep Nostalgia, the resulting videos are reminiscent of the Live Photos feature in iOS and iPadOS where several seconds of video are recorded and saved before and after the camera app's shutter is pressed. But where Live Photos is intended to be used to find the perfect shot and framing that may have been missed the exact second the shutter was pressed, Deep Nostalgia is instead meant to bring still shots, even those not captured on a modern smartphone, to life."

"A full third of the world's population -- 2.6 billion people -- play video games, plugging into massive networks of interaction that have opened up opportunities well beyond entertainment. In a talk about the future of the medium, entrepreneur Herman Narula makes the case for a new understanding of gaming -- one that includes the power to create new worlds, connect people and shape the economy."

"Angela Stockman, author of Make Writing: 5 Strategies that Turn Writer's Workshop Into a Makerspace, has what many creative types can only dream of-a studio. Better yet, that studio is filled with young tinkering kiddos who are lucky enough to be learning to write from a truly innovative educator. She is the owner of Western New York Education Associates and Western New York Young Writers' Studio. After reading her book, I really wanted to understand what exactly happened at her "studio." The book is important for several reasons, but one of the most noteworthy is that it is a marriage of two eccentrics: writing workshop and Makerspace."

"Arts education is often an afterthought in schools, but Erica Rosenfeld Halverson, Professor and Chair of the Department of Curriculum & Instruction at the University of Wisconsin-Madison, thinks we've got it all wrong. In her new book, "How the Arts Can Save Education: Transforming Teaching, Learning and Instruction," Halverson argues not only do the arts belong in schools, but the core tenets of arts learning belong in every classroom. Education should use the arts-and especially the process of how artists create their work-as a blueprint to re-make more effective learning. "

"I love educational technology. When technologies were first available online, I was an early adopter, and often got brutally criticized by administrators and colleagues in my K-6 settings for having students use the internet for research, use web tools, create webpages in wikis, and work virtually with schools in other states and countries (for example, see their work from 2008 at http://weewebwonders.pbworks.com/). Now, similar work is often seen as innovative by colleagues. Boy, have times thankfully changed, but I have not. I still am an early adopter of technologies in that I believe many can benefit students in their learning. As many in education know, commentary about ChatGPT is appearing on the news, social media, and the internet. As I always do, I am exploring its use in my classes (elementary-level gifted education). This post describes its use in education from the perspectives of ChatGPT, itself, and from a handful of educators. Later, I describe and show the work of my students. I conclude with tools for detecting machine-generated text, and provide a parting shot."

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