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Weiye Loh

Balderdash: Anne Rice on writing about Others - 0 views

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    "The bottom line is, you go where the intensity is for you as a writer; you give birth to characters for deep, complex reasons. And this should never be politicized by anyone. Your challenge is to do a fine and honest and effective job. Don't ever let anyone insist you give up without even trying. Two of the greatest novels about women that I've ever read, Anna Karenina and Madame Bovary were written by men. One of the finest novels about men that I've ever read, The Last of the Wine, was written by a woman. That was Mary Renault. And her novel, The Persian Boy, about a Persian eunuch is a classic. The vital literature we possess today was created by men and women of immense imagination, personal courage and personal drive. Ignore all attempts to politicize or police your imagination and your literary ambition."
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    It's actually pretty cool, and I found out about a lot of interesting literature on a number of subjects, including geography. I discovered an cheap essay writing service https://order.studentshare.org/ , which you may peruse, study, and, of course, strive to improve as much as possible. I already know that these articles are superb, and that you will gain a lot from them, both academically and in terms of your personal development in this or that field.
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    To write even an ordinary essay is not enough effort. And at the university there are quite voluminous tasks. So I decided to turn for help with capstone project https://www.capstoneproject.net/ and my dissertation. I can imagine if I was given the task to write a book. It would be a nightmare. I wouldn't have done it.
Weiye Loh

It's Okay to "Forget" What You Read - The Polymath Project - Medium - 0 views

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    ""Reading and experience train your model of the world. And even if you forget the experience or what you read, its effect on your model of the world persists. Your mind is like a compiled program you've lost the source of. It works, but you don't know why.""
Weiye Loh

Why I Am Teaching a Course Called "Wasting Time on the Internet" - The New Yorker - 0 views

  • The vast amount of the Web’s language is perfect raw material for literature. Disjunctive, compressed, decontextualized, and, most important, cut-and-pastable, it’s easily reassembled into works of art.
  • What they’ve been surreptitiously doing throughout their academic career—patchwriting, cutting-and-pasting, lifting—must now be done in the open, where they are accountable for their decisions. Suddenly, new questions arise: What is it that I’m lifting? And why? What do my choices about what to appropriate tell me about myself? My emotions? My history? My biases and passions? The critiques turn toward formal improvement: Could I have swiped better material? Could my methods in constructing these texts have been better? Not surprisingly, they thrive. What I’ve learned from these years in the classroom is that no matter what we do, we can’t help but express ourselves.
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    "Web surfing as a form of self-expression. Every click is indicative of who we are: indicative of our likes, our dislikes, our emotions, our politics, our world view. Of course, marketers have long recognized this, but literature hasn't yet learned to treasure-and exploit-this situation. The idea for this class arose from my frustration with reading endless indictments of the Web for making us dumber. I've been feeling just the opposite. We're reading and writing more than we have in a generation, but we are reading and writing differently-skimming, parsing, grazing, bookmarking, forwarding, retweeting, reblogging, and spamming language-in ways that aren't yet recognized as literary."
Weiye Loh

Our Greatest Political Novelist? : The New Yorker - 0 views

  • Science fiction is an inherently political genre, in that any future or alternate history it imagines is a wish about How Things Should Be (even if it’s reflected darkly in a warning about how they might turn out). And How Things Should Be is the central question and struggle of politics. It is also, I’d argue, an inherently liberal genre (its many conservative practitioners notwithstanding), in that it sees the status quo as contingent, a historical accident, whereas conservatism holds it to be inevitable, natural, and therefore just. The meta-premise of all science fiction is that nothing can be taken for granted. That it’s still anybody’s ballgame.
  • Robinson argues that, now that climate change has become a matter of life and death for the species, it’s time for scientists to abandon their scrupulous neutrality and enter into the messy arena of politics. Essentially, Robinson attempts to apply scientific thinking to politics, approaching it less like pure physics, in which one infallible equation / ideology explains and answers everything, than like engineering—a process of what F.D.R. once called “bold, persistent experimentation,” finding out what works and combining successful elements to synthesize something new.
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    "When we call literary writers "political" today, we're usually talking about identity politics. If historians or critics fifty years from now were to read most of our contemporary literary fiction, they might well infer that our main societal problems were issues with our parents, bad relationships, and death. If they were looking for any indication that we were even dimly aware of the burgeoning global conflict between democracy and capitalism, or of the abyssal catastrophe our civilization was just beginning to spill over the brink of, they might need to turn to books that have that embarrassing little Saturn-and-spaceship sticker on the spine. That is, to science fiction.2"
Weiye Loh

Skepticblog » Why are textbooks so expensive? - 0 views

  • In some cases, the costs are driven up because the market has gotten highly competitive with more and expensive features, like pricey full color throughout, and lots of ancillaries (website for the book, CD-ROM of Powerpoints or images, study guide for students, instructor’s guide, test banks, and many other extras). In the high-volume markets, like the introductory courses taken by hundreds of non-majors, these silly extras seem to make a big difference in enticing faculty to change their preferences and adopt a different book, so publishers must pull out all the stops on these expensive frills or lose in a highly competitive market. And, like any other market, the cost per unit is a function of how many you sell. In the huge introductory markets, there are tens of thousands of copies sold, and they can afford to keep their prices competitive but still must add every possible bell and whistle to lure instructors to adopt them. But in the upper-level undergraduate or the graduate courses, where there may only be a few hundred or a few thousand copies sold each year, they cannot afford expensive color, and each copy must be priced to match the anticipated sales. Low volume = higher individual cost per unit. It’s simple economics.
  • the real culprit is something most students don’t suspect: used book recyclers, and students’ own preferences for used books that are cheaper and already marked with someone else’s highlighter marker!
  • As an author, I’ve seen how the sales histories of textbooks work. Typically they have a big spike of sales for the first 1-2 years after they are introduced, and that’s when most the new copies are sold and most of the publisher’s money is made. But by year 3  (and sometimes sooner), the sales plunge and within another year or two, the sales are miniscule. The publishers have only a few options in a situation like this. One option: they can price the book so that the first two years’ worth of sales will pay their costs back before the used copies wipe out their market, which is the major reason new copies cost so much. Another option (especially with high-volume introductory textbooks) is to revise it within 2-3 years after the previous edition, so the new edition will drive all the used copies off the shelves for another two years or so. This is also a common strategy. For my most popular books, the publisher expected me to be working on a new edition almost as soon as the previous edition came out, and 2-3 years later, the new edition (with a distinctive new cover, and sometimes with significant new content as well) starts the sales curve cycle all over again. One of my books is in its eighth edition, but there are introductory textbooks that are in the 15th or 20th edition.
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  • For over 20 years now, I’ve heard all sorts of prophets saying that paper textbooks are dead, and predicting that all textbooks would be electronic within a few years. Year after year, I  hear this prediction—and paper textbooks continue to sell just fine, thank you.  Certainly, electronic editions of mass market best-sellers, novels and mysteries (usually cheaply produced with few illustrations) seem to do fine as Kindle editions or eBooks, and that market is well established. But electronic textbooks have never taken off, at least in science textbooks, despite numerous attempts to make them work. Watching students study, I have a few thoughts as to why this is: Students seem to feel that they haven’t “studied” unless they’ve covered their textbook with yellow highlighter markings. Although there are electronic equivalents of the highlighter marker pen, most of today’s students seem to prefer physically marking on a real paper book. Textbooks (especially science books) are heavy with color photographs and other images that don’t often look good on a tiny screen, don’t print out on ordinary paper well, but raise the price of the book. Even an eBook is going to be a lot more expensive with lots of images compared to a mass-market book with no art whatsoever. I’ve watched my students study, and they like the flexibility of being able to use their book just about anywhere—in bright light outdoors away from a power supply especially. Although eBooks are getting better, most still have screens that are hard to read in bright light, and eventually their battery will run out, whether you’re near a power supply or not. Finally, if  you drop your eBook or get it wet, you have a disaster. A textbook won’t even be dented by hard usage, and unless it’s totally soaked and cannot be dried, it does a lot better when wet than any electronic book.
  • A recent study found that digital textbooks were no panacea after all. Only one-third of the students said they were comfortable reading e-textbooks, and three-fourths preferred a paper textbook to an e-textbook if the costs were equal. And the costs have hidden jokers in the deck: e-textbooks may seem cheaper, but they tend to have built-in expiration dates and cannot be resold, so they may be priced below paper textbooks but end up costing about the same. E-textbooks are not that much cheaper for publishers, either, since the writing, editing, art manuscript, promotion, etc., all cost the publisher the same whether the final book is in paper or electronic. The only cost difference is printing and binding and shipping and storage vs. creating the electronic version.
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    But in the 1980s and 1990s, the market changed drastically with the expansion of used book recyclers. They set up shop at the bookstore door near the end of the semester and bought students' new copies for pennies on the dollar. They would show up in my office uninvited and ask if I want to sell any of the free adopter's copies that I get from publishers trying to entice me. If you walk through any campus bookstore, nearly all the new copies have been replaced by used copies, usually very tattered and with broken spines. The students naturally gravitate to the cheaper used books (and some prefer them because they like it if a previous owner has highlighted the important stuff). In many bookstores, there are no new copies at all, or just a few that go unsold. What these bargain hunters don't realize is that every used copy purchased means a new copy unsold. Used copies pay nothing to the publisher (or the author, either), so to recoup their costs, publishers must price their new copies to offset the loss of sales by used copies. And so the vicious circle begins-publisher raises the price on the book again, more students buy used copies, so a new copy keeps climbing in price.
Weiye Loh

Battle of the Book | Conservation Magazine - 1 views

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    So, how many volumes do you need to read on your e-reader to break even? With respect to fossil fuels, water use, and mineral consumption, the impact of one e-reader payback equals roughly 40 to 50 books. When it comes to global warming, though, it's 100 books; with human health consequences, it's somewhere in between. All in all, the most ecologically virtuous way to read a book starts by walking to your local library. ♣
Weiye Loh

Kamila Shamsie on the perils and delights of translation | Books | The Guardian - 0 views

  • When it comes to books of high merit, the translated sentence that fails to relay some nuance or music of the original, is tinged with loss; the translated sentence that doesn't understand the nuance or music to begin with is negligent; the untranslated sentence is a terrible deprivation.
  • "translated" and "foreign" are two separate things – sometimes a translated world can feel far more familiar than the foreign worlds I might find in a novel of the English language; and as a reader I am at home with both familiarity and foreignness.
Weiye Loh

The Mechanic Muse - What Is Distant Reading? - NYTimes.com - 1 views

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    We need distant reading, Moretti argues, because its opposite, close reading, can't uncover the true scope and nature of literature. Let's say you pick up a copy of "Jude the Obscure," become obsessed with Victorian fiction and somehow manage to make your way through all 200-odd books generally considered part of that canon. Moretti would say: So what? As many as 60,000 other novels were published in 19th-century England - to mention nothing of other times and places. You might know your George Eliot from your George Meredith, but you won't have learned anything meaningful about literature, because your sample size is absurdly small. Since no feasible amount of reading can fix that, what's called for is a change not in scale but in strategy. To understand literature, Moretti argues, we must stop reading books.
Bri Zabriskie

The Adventures of Huckleberry Finn by Mark Twain - Books2Barcodes - 0 views

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    Probably the most interesting/ unique thing I've seen done with huck Finn so far is to turn the entire book into barcodes... Why? Who knows. But it is pretty cool, you gotta admit. 
Rachael Schiel

Smashwords blog - 2 views

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    Stats about who reads ebooks.
Gideon Burton

BookGlutton - Social Reading - 1 views

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    More ways to join others online with the reading experience.
Gideon Burton

Walter Benjamin's Aura: Open Bookmarks and the future eBook | booktwo.org - 3 views

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    Fascinating exploration of "social reading" and the prospect of open bookmarks.
Andrea Ostler

Article about Toni Morrison and Oprah Winfrey - 1 views

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    I'm trying to find popular readings of Toni Morrison, particularly black readings. This is a step in the right direction, I hope
Ashley Nelson

Back to the Classics 2011 - 0 views

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    While researching blogs on James Joyce I ran across this challenge. To help our reading habits and turning back to the classics. I thought it was a great idea. By joining it makes one more accountable to what one reads.
James Matthews

Malcolm Gladwell - Something Borrowed - 1 views

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    This has nothing to do with the chick-flick currently in theaters, but we've been talking a lot about copyrights, intellectual property, and technology recently and I was reminded of this article I read about when Gladwell himself was plagiarized and how he handled it.
James Matthews

Beam Me Up! How to Make Your Own Transporter Read more: http://blogcritics.org/scitech/article/beam-me-up-how-to-make/#ixzz1Mjov4g4B - 1 views

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    This is evidence that Dr. Burton and my metaphors in class were not in vain. The transporter is the thing that was used when they said, "Beam me up Scotty". And they made that doing a trick with the camera of glitter and water in a glass. BOOYAH
Ashley Nelson

Blogger, James Joyce - 0 views

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    This is another link from the same man's site, but this link is for the blog he did on one of James Joyce's stories. He actually invites his readers to participate in reading Irish literature for the week and then blog about it. He says that he would then make a master copy of all the blogs. Just thought it was interesting.
Ashley Nelson

Blogger! - 0 views

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    So I was searching for some blogs about James Joyce and I came across this man's blog, Mel. Talk about being a prolific reader and writer. He reads short stories all the time and posts about each one. I think it is interesting that he started his blog not really think many would read it and now he has almost 500 followers.
Rachael Schiel

Online Book Clubs and web-based Book Discussion - 0 views

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    General ideas and links for people interested in online book discussion. Isn't the idea of a book club, though, to get people to meet each other, not just discuss literature? If you've only met someone digitally, is it really possible to consider their literature biases and personal interpretation of the books you are reading?
Nyssa Silvester

Lawrence Lessig - Free Culture - 0 views

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    If you want to read more digital culture books for free, here's another by Lawrence Lessig.
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