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Sarah Eeee

Dissent Magazine - Arguing The World - Are English Departments Killing the Humanities? - - 0 views

  • The focus of this post is not the thousand-and-one times told tale of how the corporatization of the university and state divestment from higher education has had a particularly disastrous impact upon humanities departments
  • We can treat these realities as facts to be taken for granted.
  • We might wonder if there are conditions of intellectual deprivation for which the institutional structures governing the humanities are partly to blame.
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  • For Arnoldians, literature would play the cultural role once occupied by religion, with beauty civilizing the modern individual.
  • The avatar of that attitude was Harvard’s Douglas Bush, who speaking in 1944 identified the cultural tradition running from the ancient Greeks through Milton as “that heritage for which the war has been fought.”
  • To put it another way, the English department currently labors under a deep paradox: it devotes much of its intellectual energy to declaring the limits of Anglo-American culture while being structurally wedded to that culture in a way that necessarily privileges it.
  • At the risk of being impolite, I will be pointed about their implications: this is not a progressive program of higher education, but is in fact a perniciously anti-progressive one. It confirms the casual undergraduate presupposition that nothing occurring before 1980 is of real significance, that the free market is the culmination of the human desire for liberty, and that digital fora for blather are now fundamental to meditations on our role in the universe.
  • In its youth it promised an education in literature without the hard work of learning languages, much to the dismay of classicists. In its middle age it offered a stripped-down version of philosophy under the banner of critical theory, an intrusion that philosophers bore with Stoic calm. Now in its senescence, the English department is being beaten by communications at its own game of watering down curriculum and reducing humanist traditions to what today’s adolescent will find—to use the favorite malapropism of the text-messaging generation—“relatable.”
  • In an age more forthright in its bigotries, Irving Babbitt advocated a New Humanism that readily embraced a meritocracy of learning. The humanitarian, in Babbitt’s phrase, “has sympathy for mankind in the lump,” where a humanist “is interested in the perfecting of the individual.” The return to the classics, or to great texts traditionally conceived, never seems in my mind fully to dispense with such patrician sensibilities.
  • The humanities programs of the next century might rather be structured around “world humanisms.” In such programs the phrase “great texts” would evoke the Bhagavad Gita every bit as much as it does The Iliad. The learning of at least one world language would be required, be it Arabic, French, or Mandarin. At its center would be neither the vernacular nor an artificially constructed “Western tradition.”
  • Instead it would explore on their own terms, and in their rich cross-fertilization, millenia of world traditions offering insight on the relationships between individual and society; on our ethical obligations to our fellow beings, human and non-human; and on flourishing and justice.
  • An example of a “world humanisms” approach is suggested by a conference that I recently attended in Istanbul, which brought together philosophers and theologians from North America and Turkey. One of the many rich portraits that emerged was of first-century Alexandria, where the Neoplatonism of the Jewish philosopher Philo directly influenced the early Christians Clement and Origen, as well as laying the foundations of Islamic philosophy through al-Kindi and al-Farabi. We are blinded to the study of this kind of influence by a focus on “Western Civilization” that favors Athens and Rome to Alexandria and treats Origen only as a precursor to Saint Augustine, that supposed inventor of an exclusively Christian syncretism between philosophy and theology.
  • Our task as humanists of the twenty-first century is to make those long and deep traditions visible, and to do so in the teeth of those forces that would strip them away, be those forces technological, commercial, political, or intellectual.
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    An alternate take on the "future of the humanities" argument. This author proposes a revamped sort of literature study incorporating modern languages and a fervently international approach to literature, thought, and culture.
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    This one skirts the edges of the digital humanities, by proposing a vision of future literature study. Explicitly digital projects could be useful for finding the international connections this author calls for.
Weiye Loh

Asymptote: Literary Encounters Between Languages and Cultures  | the kent rid... - 0 views

  • Asymptote is a new, international literary journal dedicated to the translation of literary works, both from various languages to English as well as from English to other languages. It was founded by our very own Singaporean writer, Lee Yew Leong, whose editorial team spans various continents and cultures – South Asia, the Middle East, Europe, America and East Asia – and is a veritable international, multi-cultural and multilingual task force.
  • A ‘classic’ metaphor comes from the Italian – “traduttore, traditore”, which means “translator, traitor”. My teacher had written this phrase on the board in my first translation class, demonstrating her (rather cynical) philosophical stance on the whole project of translation – something is always ‘lost in translation’, and the translator necessarily interferes in this gap of meaning guided her own bias, conscious or unconscious, political or philosophical.
  • In philosophy classes my charismatic and wildly esoteric professor once railed on about the possibility (or impossibility) of commensuration between various little narratives ( petits récits ), given the rejection of ‘modernist’ grand or meta-narratives. But translation, he declared dramatically, the possibility of translation hints at the possibility of commensurability between the little narratives. In his view, little narratives were understood as discrete cultures (Japanese, Iranian, Russian) and inter-cultural communication (and consequent kindness and friendliness amongst humankind) is only possible if translation is possible.
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  • The Asymptote raison d’être is much more optimistic than my translation teacher’s stance, and much less abstruse than that of my philosophy professor’s. The editors write, “We are interested in encounters between languages and the consequences of these encounters. Though a translation may never fully replicate the original in effect (thus our name, “asymptote”: the dotted line on a graph that a mathematical function may tend towards but never reach), it is in itself an act of creation. … The value of translation is that it unleashes from latency ideas and emotions to a vast sea of others who do not have access to the language in which these ideas and emotions reside.”
  • With the asymptote, the y-axis and the x-axis will never get lonely, pairing off into the infinite distance and the distant infinity; the original text and its companion translations proliferate in the blinker-free world wide net, reaching a broader readership and our earthly community grows closer with a shared cache of stories, tales, imaginations.
  • In addition, “[n]ot only will [Asymptote] display work in its original language after the English translation, [but they] also encourage translators (especially of poems) to provide audio recordings of the original work so that the reader has access as well to the sounds of that language, via a “Press PLAY” audio option whenever such an MP3 recording is available.” This project straddles cultures, languages as well as media – writing, audio and even visual
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    Koh Choon Hwee
Bri Zabriskie

Why I give stuff away | BenCrowder.net - 0 views

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    Why Ben Crowder (works on HBLL site) uses Creative Commons. I think open culture is so fascinating. Dr. Burton - you should do your whole lecture on scarcity v. abundance cultures. I need to digest that again and I think it'd be really interesting to the class. 
Nyssa Silvester

Lawrence Lessig - Free Culture - 0 views

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    If you want to read more digital culture books for free, here's another by Lawrence Lessig.
jardinejn

Radio's America: The Great Depression and the Rise of Modern Mass Culture by Bruce Lent... - 0 views

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    This shows how people viewed relatively unfamiliar mediums of communication back in the Depression and I think makes some relevant points on how the relationship of the masses with the new media can either forcast or reflect cultural values of the time.
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    This shows how people viewed relatively unfamiliar mediums of communication back in the Depression and I think makes some relevant points on how the relationship of the masses with the new media can either forcast or reflect cultural values of the time.
Amy Whitaker

Lawrence Lessig on the Free Access Movement-blog - 0 views

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    This is a great blog post on Lawrence Lessig's take on the free access movment (Lessig is the author of the digital culture book, Remix). This is relevant to anyone reading anything regarding digital collaboration and copyright laws.
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    Thanks for posting this it really adds to what Dr. Burton was just talking about with opening up the Library database, Definitely going to try and watch the whole video at some point.
Weiye Loh

BBC News - Belle de Jour's history of anonymity - 0 views

  • In the internet age, we have become increasingly concerned about the effects of anonymous online commentary. Anonymous bloggers can have enormous global audiences. "Trolls" can bring criticism straight to the computer screens of the people they disagree with. These trends are solidly in the tradition of literary anonymity - from unsigned political tracts to biting satirical graffiti, we've seen it all before.
  • the effects of anonymity are more important for the anonymous writer than they are for the audience. We'd still be dotty over Jane Austen's books if, like her contemporary audience, we never knew her name. The writing has enough authority and detail to carry us along in her inner world. Knowing her name, where she lived, and seeing the piecrust table where she painstakingly wrote out her manuscripts is interesting, but it's trivia. It's not what makes her novels sing.
  • Anonymous is one of our greatest writers. "From the medieval period to the modern period there have been authors who have enjoyed playing with and experimenting with anonymity, and it never really goes out of fashion," says Marcy North, author of The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England.
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    "Anon was, as Virginia Woolf noted in one of her final unpublished essays, "the voice that broke the silence of the forest". Elsewhere she suggested that "Anonymous was a woman". For anonymity has definitely been widely used by women throughout the ages, whether they're writing about relationships, sex or anything else. Without Anonymous, there are so many classics we would not have had - Gawain and the Green Knight, virtually all of the Bible and other religious texts. Anon is allowed a greater creative freedom than a named writer is, greater political influence than a common man can ever attain, and far more longevity than we would guess. Obviously, I'm a great fan of Anon's work, but then, as a formerly anonymous author, I would say that, wouldn't I?"
Weiye Loh

Scientists find secret to writing a best-selling novel - Telegraph - 0 views

  • They found several trends that were often found in successful books, including heavy use of conjunctions such as “and” and “but” and large numbers of nouns and adjectives. Less successful work tended to include more verbs and adverbs and relied on words that explicitly describe actions and emotions such as “wanted”, “took” or “promised”, while more successful books favoured verbs that describe thought processes such as “recognised” or “remembered”.
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    "Scientists find secret to writing a best-selling novel Computer scientists have developed an algorithm which can predict with 84 per cent accuracy whether a book will be a commercial success - and the secret is to avoid cliches and excessive use of verbs"
jardinejn

Stuart Moulthrop - You Say You Want a Revolution? Hypertext and the Laws of Media - Pos... - 0 views

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  • Stoll excoriates "cyberpunks," virtual vandals who abuse the openness of scientific computing environments. Their unsportsmanlike conduct spoils the information game, necessitating cumbersome restrictions on the free flow of data.
  • Orthodox McLuhanite doctrine holds that "every form, pushed to the limit of its potential, reverses its characteristics" (Laws of Media viii).
  • Who decides what information "belongs" to whom? Stoll's "popular elite" is restricted to academic scientists, a version of "the people" as nomenklatura, those whose need to know is defined by their professional affiliation.
  • The telos of the electronic society-of-text is anarchy in its true sense: local autonomy based on consensus, limited by a relentless disintegration of global authority. Since information is now virtually an equivalent of capital, and since textuality is our most powerful way of shaping information, it follows that Xanadu might indeed change the world.
  • Electronic information, as Stoll sees it, lies in strict analogy with material and private property.
  •   "Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation... A graphic representation of data abstracted from the banks of every computer in the human system" (Gibson 51).
  • The vision of Xanadu as cyberspatial New Jerusalem is conceivable and perhaps eligible, but by no stretch of the imagination is it inevitable.
  • But it seems equally possible that our engagement with interactive media will follow the path of reaction, not revolution
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    Pros and Cons of the newly evolving concept of networking information back in the early 90s
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    Some interesting questions and speculations about potential controls on media from an early 90s perspective
Ben M

Philosophy Now | The Death of Postmodernism And Beyond - 3 views

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    How technology has killed Postmodernism and replaced it with "pseudo-modernism"
becca_hay

The Effects of Family and Community Violence on Children - Annual Review of Psychology,... - 0 views

  • Children are potentially quite vulnerable to the effects of violence because violence exposure may alter the timing of typical developmental trajectories (Boney-McCoy & Finkelhor 1995). That is, violence initially may result in primary effects, such as anxiety, depression, or PTSD symptoms, which cause secondary reactions by disrupting children’s progression through age-appropriate developmental tasks. For example, exposure to violence in young children can result in regressive symptoms, such as increased bedwetting, decreased verbalization, or separation anxiety (Osofsky 1995). These symptoms secondarily may affect children’s socialization skills or ability to concentrate in school. Moreover, at a time when children may have difficulty with typical developmental tasks, exposure to violence can result in having to acknowledge and cope with adult issues. As Garbarino and colleagues note, “in Western culture, childhood is regarded as a period of special protection and rights” (1992:1). The home and the neighborhood, generally considered the primary safe havens for the child, lose those protective and comforting qualities in the aftermath of family or neighborhood violence
Neal C

Want Smart Kids? Here's What to Do - Percolator - The Chronicle of Higher Education - 0 views

shared by Neal C on 28 May 10 - Cached
  • Thus it seems that scholarly culture, and the taste for books that it brings, flows from generation to generation largely of its own accord, little affected by education, occupational status, or other aspects of class
    • Neal C
       
      Books matter...physical, tangible things
  • I wonder what e-book readers like the Kindle will mean to these statistics. On the plus side, a lot of e-books are free and those that aren't are often discounted, so a family with a Kindle might be able to afford more books (assuming they can pony up for the device). But the books aren't as easy to share and you probably don't want your 5-year-old dribbling juice onto your fancy expensive gadget.
    • Neal C
       
      Does online competency indicate to children the same priority on education or scholarship?
  • Want Smart Kids? Here's What to Do Buy a lot of books.
    • Neal C
       
      Want smart kids? Get books, not the internet (at least until someone does a similar study on the internet).
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  • onducted over 20 years, in 27 countries, and surveyed more than 70,000 people. Resea
jardinejn

An Introduction to Internet Governance by Jovan Kurbulija - 0 views

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    Goes over the development of the internet and laws and issues to do with consumer safety online
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    It's a 196 page book and covers a lot. I recommend looking through the table of contents to see if it relates to your project.
Krista S

6 Maps of Digital Desires: Exploring the Topography of Gender and Play in Online Games - 1 views

  • Women in many MMOs perceive the game culture rather than the game mechanics to be the primary deterrent to poten-­ tial female gamers
  • On average, respondents spend twenty-­two hours each week in an MMO. The median was twenty hours per week—the equivalent of half a workweek. There were no significant gender or age differences in usage patterns; players over the age of forty play on average just as much as players under the age of twenty
  • While about 27 percent of female players were introduced to the game by a romantic partner, only 1 percent of male players were introduced in this way.
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  • Overall, about 25 percent of players play an MMO with their romantic partner. Female players are more likely to be playing with a romantic partner than male players (see figure 6.1). About two-­ thirds of female gamers are playing with a romantic partner, while less than one-­fifth of male gamers are
  • Men are allowed relatively free access to online games, but a woman’s presence in an online game is seen as legitimate only if it occurs via a relationship with a man.
  • It isn’t the case that women play only for socializing or that men play only to kill monsters. On the other hand, there are gender differences in these self-­identified motivations. Male players score higher in the Advancement, Mechanics, and Competition motivations, while female players score higher in the Relationship and Customization motivations. There were very small or no gender differences in the other five motivations—Socializing, Teamwork, Discovery, Role-­Playing, and Escapism.
  • In a recent survey, I asked female gamers about what they saw as potential deterrents to female gamers in the MMO they played. Almost every respondent cited the proportions and clothing options of the female avatars as problematic.
  • To a certain extent, this encourages players to think about women as token spectacles rather than actual players.
  • More important, many female players have learned that it is danger-­ ous to reveal your real-­life gender in MMOs because they will be branded as incompetent and constantly propositioned; In other words, they must either accept the male-­subject position silently, or risk constant discrimination and harassment if they reveal that they are female
  • Also, there are very few other places (in physical or virtual worlds) where high-­school students are collaborating with professors, retired war veterans, and stay-­at-­home moms
Amanda Giles

I'm So Totally, Digitally Close to You - Clive Thompson - NYTimes.com - 2 views

  • Facebook and Twitter may have pushed things into overdrive, but the idea of using communication tools as a form of “co-presence” has been around for a while. The Japanese sociologist Mizuko Ito first noticed it with mobile phones: lovers who were working in different cities would send text messages back and forth all night — tiny updates like “enjoying a glass of wine now” or “watching TV while lying on the couch.” They were doing it partly because talking for hours on mobile phones isn’t very comfortable (or affordable). But they also discovered that the little Ping-Ponging messages felt even more intimate than a phone call.
  • capable
  • A lot of this is just social norms catching up with what technology is capable of.”
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  • ambient awareness
  • very much like being physically near someone
  • paradox of ambient awareness
  • insignificant on its own
  • he little snippets coalesce into a surprisingly sophisticated portrait of your friends’ and family members’ lives
  • Facebook and Twitter may have pushed things into overdrive, but the idea of using communication tools as a form of “co-presence” has been around for a while. The Japanese sociologist Mizuko Ito first noticed it with mobile phones: lovers who were working in different cities would send text messages back and forth all night — tiny updates like “enjoying a glass of wine now” or “watching TV while lying on the couch.” They were doing it partly because talking for hours on mobile phones isn’t very comfortable (or affordable). But they also discovered that the little Ping-Ponging messages felt even more intimate than a phone call.
  • the growing popularity of online awareness as a reaction to social isolation
  • human groupings naturally tail off at around 150 people: the “Dunbar number,” as it is known. Are people who use Facebook and Twitter increasing their Dunbar number, because they can so easily keep track of so many more people?
  • Constant online contact had made those ties immeasurably richer, but it hadn’t actually increased the number of them; deep relationships are still predicated on face time, and there are only so many hours in the day for that.
  • If you’re reading daily updates from hundreds of people about whom they’re dating and whether they’re happy, it might, some critics worry, spread your emotional energy too thin, leaving less for true intimate relationships.
  • Parasocial relationships can use up some of the emotional space in our Dunbar number, crowding out real-life people.
  • hey can observe you, but it’s not the same as knowing you.”
  • people in their 20s who were in college when Facebook appeared and have never lived as adults without online awareness. For them, participation isn’t optional. If you don’t dive in, other people will define who you are.
  • if only to ensure the virtual version of you is accurate, or at least the one you want to present to the world.
  • he dynamics of small-town life,
  • If anything, it’s identity-constraining now
  • result of all this incessant updating: a culture of people who know much more about themselves
  • t’s like the Greek dictum to “know thyself,” or the therapeutic concept of mindfulness.
becca_hay

Sexual Identity Online - M/Cyclopedia of New Media - 1 views

  • Specifically, the opportunity for exaggerated, unreal portrayals of self lead many to question the validity of substantial, and truthful online interaction. As Jordan (1999: 88) argues, “…identity fluidity supports the masquerades and experiments of avatars…the ability to change gender, the ability to contact experts…â€?. In the physical world, such social experiments as playing with the alternation of gender or creating a completely different social background for the purpose of research, become far more complex and are less likely to occur. Alternatively, the Internet offers its users the potential to explore identity more easily and often most importantly, the ability to do so, anonymously.
    • becca_hay
       
      This digital masking can be compared with the actual costuming of actors in the transvestite theater. This is a test run using diigo
Ben Wagner

Ravings of a Feral Genius: "Life's A Joy That Has To End": John Hannah, Rest In Peace - 0 views

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    Roger Ebert tweeted this link earlier and I found it especially poignant. How do we grieve or even find out when people we only know online pass away?
Ashley Nelson

The Public Domain - 1 views

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    Found this cool blog spot about the digital culture book that I am reading. They have a comic, link to read the book (free), and more cool things.
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