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Gideon Burton

My avatar, my self: identity in ... - Google Books - 2 views

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    Good background on identity and its application to new media in chapter two.
Neal C

Virtual voyages: cinema and travel - Google Books - 0 views

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    Tom Gunning and others on travel films
Amanda Giles

The will to technology and the ... - Google Books - 0 views

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    Heidegger, Nietzche, and Marx seem to be the best psychological/philosophical sources for defining identity in the light of social media advances. I haven't worked through this whole article, but it seems like a good source for quotes on identity that can say whatever you want them to mean, you know?
Weiye Loh

Victorian Literature, Statistically Analyzed With New Process - NYTimes.com - 1 views

  • A decline in references to “God,” “Christian” and “universal” is consonant with the conventional view that the 19th century was a time of rising secularism and skepticism.
  • Yet large searches can also challenge some pet theories of close reading, he said: for example, that the Victorians were obsessed with the nature and origins of evil. As it turns out, books with the word “evil” in the title bumped along near the bottom of the graph, accounting for less than 0.1 percent — a thousandth — of those published during the Victorian era.
  • As Mr. Cohen is quick to acknowledge, the meaning of those numbers is anything but clear. Perhaps authors didn’t like to use the word “evil” in the title; perhaps there were other, more common synonyms; perhaps the context points to another subject altogether.
  • ...1 more annotation...
  • Ms. Martin at Princeton knows firsthand how electronic searches can unearth both obscure texts and dead ends. She has spent the last 10 years compiling a list of books, newspaper and journal articles about the technical aspects of poetry. She recalled finding a sudden explosion of the words “syntax” and “prosody” in 1832, suggesting a spirited debate about poetic structure. But it turned out that Dr. Syntax and Prosody were the names of two racehorses.
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    A decline in references to "God," "Christian" and "universal" is consonant with the conventional view that the 19th century was a time of rising secularism and skepticism.
Stacie Farmer

The Blog Ahead: How Citizen ... - Google Books - 0 views

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    The world of blogging entering the business world. What kind of affect does this have on a business's credibility?
Gideon Burton

Welcome to Open Library (Open Library) - 0 views

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    eBooks open new opportunities for finding and lending / borrowing books.
Rachael Schiel

Kindle vs. Nook vs. iPad: Which e-book reader should you buy? | Crave - CNET - 0 views

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    Good stats and arguments.
Gideon Burton

Lendle: Kindle™ Book Lending, Borrowing, & Sharing - 0 views

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    A service that helps to make eBooks more like print books (in terms of being able to borrow, lend, and share them)
Sam McGrath

Inside Google Books: Books from 16th and 17th centuries now in full-color view - 0 views

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    This is really cool. Google's doing some great work.
Ashley Nelson

Vernor Vinge-Entire Book? - 2 views

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    I think I found the entire Vernor Vinge's Rainbows End online. It looks like it is all here. I wish I found this a week ago!
Ben Wagner

Book Country, an Online Site by Penguin Group - NYTimes.com - 0 views

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    Social Networking for Aspiring Authors
Ariel Letts

Mind the Gap. Digital is Old and Digital is New but Books Fill in the Middle. | | Libra... - 2 views

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    From our very own library...
Weiye Loh

Kamila Shamsie on the perils and delights of translation | Books | The Guardian - 0 views

  • When it comes to books of high merit, the translated sentence that fails to relay some nuance or music of the original, is tinged with loss; the translated sentence that doesn't understand the nuance or music to begin with is negligent; the untranslated sentence is a terrible deprivation.
  • "translated" and "foreign" are two separate things – sometimes a translated world can feel far more familiar than the foreign worlds I might find in a novel of the English language; and as a reader I am at home with both familiarity and foreignness.
Weiye Loh

Our Greatest Political Novelist? : The New Yorker - 0 views

  • Science fiction is an inherently political genre, in that any future or alternate history it imagines is a wish about How Things Should Be (even if it’s reflected darkly in a warning about how they might turn out). And How Things Should Be is the central question and struggle of politics. It is also, I’d argue, an inherently liberal genre (its many conservative practitioners notwithstanding), in that it sees the status quo as contingent, a historical accident, whereas conservatism holds it to be inevitable, natural, and therefore just. The meta-premise of all science fiction is that nothing can be taken for granted. That it’s still anybody’s ballgame.
  • Robinson argues that, now that climate change has become a matter of life and death for the species, it’s time for scientists to abandon their scrupulous neutrality and enter into the messy arena of politics. Essentially, Robinson attempts to apply scientific thinking to politics, approaching it less like pure physics, in which one infallible equation / ideology explains and answers everything, than like engineering—a process of what F.D.R. once called “bold, persistent experimentation,” finding out what works and combining successful elements to synthesize something new.
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    "When we call literary writers "political" today, we're usually talking about identity politics. If historians or critics fifty years from now were to read most of our contemporary literary fiction, they might well infer that our main societal problems were issues with our parents, bad relationships, and death. If they were looking for any indication that we were even dimly aware of the burgeoning global conflict between democracy and capitalism, or of the abyssal catastrophe our civilization was just beginning to spill over the brink of, they might need to turn to books that have that embarrassing little Saturn-and-spaceship sticker on the spine. That is, to science fiction.2"
Katherine H

The Englewood Review of Books: Featured: The Sublime by Simon Morley - 0 views

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    "the full effect of the terror Burke stresses in the sublime hadn't taken shape for me until recently, watching over and over the first 30-second video clip of the Deepwater Horizon oil leak. This is a frightful image in its murky greenness. And the scope of what this simple video loop suggests is nearly beyond the capacity to describe. It certainly follows several of Burke's qualifications of the sublime - the terror of the scope, the obscurity and privation of the bottom of the ocean, the suggestion of infinity - but it also raises even more questions in regard to what a particularly contemporary sublime might encompass. "
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    This post is reviewing a book, but includes a personal anecdote about finding the 'terror' aspect of the sublime in an internet video.
Weiye Loh

Do writers need paper? « Prospect Magazine - 0 views

  • The digitisation of the reading experience itself is the least radical aspect of this process. Although a minority of titles offer sounds and images, most e-books ape their paper counterparts. Even on an advanced device like the iPad, the best reading applications emphasise clarity and clutter-free text. What’s truly new is the shift in power that the emerging order represents.
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    Do writers need paper?
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