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Google Answers: Counting syllables in "fire" and other words - 0 views

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    "Your question is really asking, "What is a syllable?" For the most part, our original grammar school understanding that "A syllable is a part of a word with a single vowel sound" is essentially correct, but there's more to it than that. Let's look at a linguistic defintion of "syllable":..."
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Why Some Languages Sound So Fast - TIME - 2 views

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    "the researchers discovered, the more data-dense the average syllable is, the fewer of those syllables had to be spoken per second - and the slower the speech thus was. English, with a high information density of .91, is spoken at an average rate of 6.19 syllables per second. Mandarin, which topped the density list at .94, was the spoken slowpoke at 5.18 syllables per second. ... Despite those differences, at the end of, say, a minute of speech, all of the languages would have conveyed more or less identical amounts of information."
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What Language Experts Find So Strange About Donald Trump - ThinkProgress - 0 views

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    In this article, it talks about Trumps language compared to past political officials. In analyzing Trumps language, linguists from University of Pennsylvania saw that one of Trumps thirteen used used words were often one and two syllabled words, with the exception of Mexico being three syllabled. Linguists were analyzing Trumps way of answering questions, and saw that he diverts this answer is a much different way than other politicians. Most politician, when diverting their answer from the question would start with "well", "now", and "what". But, Trump would usually start with the word "I". In public speakings, politicians would used stories to put a personal connection on answering questions, but with Trump his stories often start out of nowhere.
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A Syllable that everybody can recognize? - 0 views

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    The syllable "huh" is universally recognizable!
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Word 'edges' are important for language acquisition - 0 views

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    Word "edges" are important for language acquisition. Children start to learn the sound of words by remembering the first and last syllables. A new study sheds light on the information the infant brain uses during language acquisition and the format in which it stores words in its memory. Infants start to learn words very early, during the first months of life, and to do so they have to memorise their sounds and associate them with meanings. The study by Silvia Benavides-Varela (now at the IRCCS Fondazione Ospedale San Camillo in Venice, but at SISSA at the time the study was performed) and Jacques Mehler, neuroscientist at SISSA, revealed the format in which infants remember their first words. In particular, the two scientists saw that infants aged about seven months accurately encode the sound and position of the first and last syllable, whereas they have difficulty retaining the order of syllables in the middle.
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Jingles In Advertisements: Can They Improve Recall?, Wanda T. Wallace - 12 views

  • In contrast to the above approaches, the current paper wakes a strong cognitive approach and considers how and when music might serve as a recall aid. Some experiments supporting this view are presented. Music in this paper will be primarily lyrical music rather than background or nonvocal music.
  • Music provides a very powerful retrieval cue. Music is more than just an additional piece of information, it is an integrated cue that provides information about the nature of the text. The music defines the length of lines, chunks words and phrases, identifies the number of syllables, sets the pattern of stressed and unstressed syllables within the text. Thus, the music acts as a frame within which the text is tightly fit. That frame can connect words at encoding, limit retrieval search, as well as constrain guessing or recreation at retrieval.
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Baby Talk | Hidden Brain : NPR - 1 views

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    Psychology professor Rachel Albert studies babbling, which until recently was considered to be mere motor practice, something babies did to exercise their mouths. Few people thought of it as a vocabulary all its own. But parents, take note: All those repetitive syllables are an important signal. Albert says they tell us that babies are "putting themselves in this optimal state of being ready to learn." Babbles create an opportunity for a social feedback loop - also known as a conversation. And if you listen closely, you can even decipher a babble's four distinctive categories, from the whiny "nasal creaking" of newborns to the more mature bah-bahs and dah-dahs of older babies. But Albert says if you can't tell your "quasi-resonant vocalizations" from your "canonical syllables," don't worry too much. All you really need to know is this: babbling equals learning.
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Scotch Snaps in Hip Hop - YouTube - 1 views

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    Talks about how rhythmic characteristics of language and accents are reflected in the rhythms of songs.
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    In a 2011 published study (https://mp.ucpress.edu/content/29/1/51.full.pdf+html), Nicholas Temperley and David Temperley, 2 musicologists, did a musical corpus analysis showing that the Scotch snap, a sixteenth-note on the beat followed by a dotted eighth-note, is common in both Scottish and English songs, but virtually nonexistent in German and Italian songs, and explored possible linguistic correlates for this phenomenon. British English shows a much higher proportion of very short stressed syllables (less than 100 ms) than the other two languages. Four vowels account for a large proportion of very short stressed syllables in British English, and also constitute a large proportion of SS tokens in our English musical corpus. A Scotch snap, as Adam Neely notes in the above video, is the musical, rhythmical counterpart to a trochee in poetry. Say the phrase "Teenage Mutant Ninja Turtles" to hear a series of Scotch snaps.
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What is the Average Reading Speed in Various Languages? - 1 views

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    This article discusses a study that explored the average rate that people read in their native languages. Through this study, it is evident that the various aspects that make up a language play a large role when it comes to the speed that a person reads at. Spanish speakers read the fastest syllables at 526 syllables per minute.
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Why somepeopletalkveryfast and others … take … their … time − despite stereot... - 0 views

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    This article writes about the variation in speech rate. Some languages tend to have more syllables per a second. For example, French, Japanese, and Spanish speakers tend to have speak more syllables per a second (almost 8/s) than German, Vietnamese, or Mandarin speakers (roughly 5/s). Although stereotypes exist relating to speech rate, there is no connection between intelligence and speech rate. One significant and consistent variable in speech rate is age. Children speak slowly, then speed up until their 40s, then slow down again in their 50s and 60s.
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Pretending to Understand What Babies Say Can Make Them Smarter - 0 views

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    New research suggests it's how parents talk to their infants, not just how often, that makes a difference for language development. Infants whose mothers had shown "sensitive" responses--verbally replied to or imitated the babies' sounds--showed increased rates of consonant-vowel vocalizations, meaning that their babbling more closely resembled something like real syllables, paving the way for real words. The same babies were also more likely to direct their noises at their mothers, indicating that they were "speaking" to them rather than simply babbling for babbling's sake. "The infants were using vocalizations in a communicative way, in a sense, because they learned they are communicative," study author Julie Gros-Louis, a psychology professor at the University of Iowa, said in a statement. In other words, by acting like they understood what their babies were saying and responding accordingly, the mothers were helping to introduce the concept that voices, more than just instruments for making fun noises, could also be tools for social interaction.
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Ancient Form Of Poetry Captures Afghan Women's Lives - 0 views

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    From drone strikes to the songs of the ancient caravans, the folk poetry called landay reflects Afghan life. Landay are two-line, 22-syllable poems in the oral tradition. The form is thousands of years old, thought to come from the caravan trains that arrived in the region in approximately 2,500 BC. Contemporary Afghan women are composing landay as a form of rebellion. Reporter Eliza Griswold studied these contemporary poems and discovered a complex world of rage, empowerment, sorrow and sex.
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Figures of Rhetoric in Advertising Language - 9 views

  • the discipline of rhetoric was the primary repository of Western thinking about persuasion
  • The principal purpose of this paper is to contribute a richer and more systematic conceptual understanding of rhetorical structure in advertising language
  • Rhetoricians maintain that any proposition can be expressed in a variety of ways, and that in any given situation one of these ways will be the most effective in swaying an audience.
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  • the manner in which a statement is expressed may be more important
  • a rhetorical figure occurs when an expression deviates from expectation
  • With respect to metaphor, for instance, listeners are aware of conventions with respect to the use of words, one of which might be formulated as, words are generally used to convey one of the lead meanings given in their dictionary entry. A metaphor violates that convention, as in this headline for Johnson & Johnson bandaids, "Say hello to your child's new bodyguards," accompanied by a picture of bandaids emblazoned with cartoon characters (from Table 2)
  • listeners know exactly what to do when a speaker violates a convention: they search for a context that will render the violation intelligible. If context permits an inference that the bandaid is particularly strong, or that the world inhabited by children is particularly threatening, then the consumer will achieve an understanding of the advertiser's statement.
  • every figure represents a gap. The figure both points to a translation (the impossibility in this context of translating "Say hello to your child's new petunias" is the key to its incomprehensibility), and denies the adequacy of that translation, thus encouraging further interpretation.
  • metaphors that have become frozen or conventional: e.g., the sports car that "hugs" the road.
  • an important function of rhetorical figures is to motivate the potential reader.
  • Berlyne (1971) found incongruity
  • (deviation) to be among those factors that call to and arrest attention.
  • "pleasure of the text"--the reward that comes from processing a clever arrangement of signs.
  • Berlyne's (1971) argument, based on his research in experimental aesthetics, that incongruity (deviation) can produce a pleasurable degree of arousal.
  • Familiar examples of schematic figures would include rhyme and alliteration, while metaphors and puns would be familiar examples of tropic figures.
  • Schemes can be understood as deviant combinations, as in the headline, "Now Stouffers makes a real fast real mean Lean Cuisine."
  • This headline is excessively regular because of its repetition of sounds and words. It violates the convention that sounds are generally irrelevant to the sense of an utterance, i.e., the expectation held by receivers that the distribution of sounds through an utterance will be essentially unordered except by the grammatical and semantic constraints required to make a well-formed sentence. Soundplay can be used to build up meaning in a wide variety of ways (Ross 1989; van Peer 1986).
  • Many tropes, particularly metaphors and puns effected in a single word, can be understood as deviant selections. Thus, in the Jergens skin care headline (Table 2), "Science you can touch," there is a figurative metaphor, because "touch" does not belong to the set of verbs which can take as their object an abstract collective endeavor such as Science.
  • For example, a rhyme forges extra phonemic links among the headline elements.
  • "Performax protects to the max," the consumer has several encoding possibilities available, including the propositional content, the phonemic equivalence (Performax = max), and the syllable node (other words endin
  • Because they are over-coded, schemes add internal redundancy to advertising messages. Repetition within a text can be expected to enhance recall just as repetition of the entire text does.
  • The memorability of tropes rests on a different mechanism. Because they are under-coded, tropes are incomplete in the sense of lacking closure. Tropes thus invite elaboration by the reader. For example, consider the Ford ad with the headline "Make fun of the road" (Table 2). "Road" is unexpected as a selection from the set of things to mock or belittle. Via
  • This level of the framework distinguishes simple from complex schemes and tropes to yield four rhetorical operations--repetition, reversal, substitution, destabilization.
  • s artful deviation, irregularity, and complexity that explain the effects of a headline such as "Say hello to your child's new bodyguards," and not its assignment to the category 'metaphor.'
  • The rhetorical operation of repetition combines multiple instances of some element of the expression without changing the meaning of that element. In advertising we find repetition applied to sounds so as to create the figures of rhyme, chime, and alliteration or assonance (Table 2). Repetition applied to words creates the figures known as anaphora (beginning words), epistrophe (ending words), epanalepsis (beginning and ending) and anadiplosis (ending and beginning). Repetition applied to phrase structure yields the figure of parison, as in K Mart's tagline: "The price you want. The quality you need." A limiting condition is that repeated words not shift their meaning with each repetition (such a shift would create the trope known as antanaclasis, as shown further down in Table 2).
  • the possibility for a second kind of schematic figure, which would be produced via an operation that we have named reversal. Th
  • rhetorical operation of reversal combines within an expression elements that are mirror images of one another.
  • The rhetorical operation of destabilization selects an expression such that the initial context renders its meaning indeterminate. By "indeterminate" we mean that multiple co-existing meanings are made available, no one of which is the final word. Whereas in a trope of substitution, one says something other than what is meant, and relies on the recipient to make the necessary correction, in a trope of destabilization one means more than is said, and relies on the recipient to develop the implications. Tropes of substitution make a switch while tropes of destabilization unsettle.
  • Stern, Barbara B. (1988), "How Does an Ad Mean? Language in Services Advertising," Journal of Advertising, 17 (Summer), 3-14.
  • "Pleasure and Persuasion in Advertising: Rhetorical Irony as a Humor Technique," Current Issues & Research in Advertising, 12, 25-42.
  • Tanaka, Keiko (1992), "The Pun in Advertising: A Pragmatic Approach," Lingua, 87, 91-102.
  • "The Bridge from Text to Mind: Adapting Reader Response Theory to Consumer Research," Journal of Consumer Research,
  • Gibbs, Raymond W. (1993), "Process and Products in Making Sense of Tropes," in Metaphor and Thought, 2nd ed
  • Grice, Herbert P. (1989), Studies in the Way of Words, Cambridge, MA: Harvard University Press.
  • Leigh, James H. (1994), "The Use of Figures of Speech in Print Ad Headlines," Journal of Advertising, 23(June), 17-34.
  • Mitchell, Andrew A. (1983), "Cognitive Processes Initiated by Exposure to Advertising," in Information Processing Research in Advertising, ed. Richard J. Harris, Hillsdale, NJ: Lawrence Erlbaum, 13-42.
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How English Is Evolving Into a Language We May Not Even Understand - 11 views

  • An estimated 300 million Chinese — roughly equivalent to the total US population — read and write English but don't get enough quality spoken practice. The likely consequence of all this? In the future, more and more spoken English will sound increasingly like Chinese.
  • in various parts of the region they tend not to turn vowels in unstressed syllables into neutral vowels. Instead of "har-muh-nee," it's "har-moh-nee." And the sounds that begin words like this and thing are often enunciated as the letters f, v, t, or d. In Singaporean English (known as Singlish), think is pronounced "tink," and theories is "tee-oh-rees."
  • English will become more like Chinese in other ways, too. Some grammatical appendages unique to English (such as adding do or did to questions) will drop away, and our practice of not turning certain nouns into plurals will be ignored. Expect to be asked: "How many informations can your flash drive hold?" In Mandarin, Cantonese, and other tongues, sentences don't require subjects, which leads to phrases like this: "Our goalie not here yet, so give chance, can or not?"
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  • According to linguists, such words may introduce tone into other Asian-English hybrids.
  • Chinglish will be more efficient than our version, doing away with word endings and the articles a, an, and the.
    • Lisa Stewart
       
      This reminds me of the Vikings' effect on Anglo-Saxon.
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The World's Most Musical Languages - 1 views

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    Why one syllable words spoken at different pitches can have seven meanings. People don't generally speak in a monotone.

Malia Wollan: How to Speak Gibberish - The New York Times - 2 views

started by magellan001352 on 06 Mar 18 no follow-up yet
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When your eyes override your ears: New insights into the McGurk effect - 0 views

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    This article talks about an illusion our brain pulls on called the McGurk effect. This is when visual speech is mismatched with auditory speech and can result in the perception of an entirely different message. The example the article uses is if the visual "ga" were combined with the sound "ba", this results in the perception of "da." Vased on the principle of causal inference, researchers were able to create an algorithm model of multi-sensory speech perception. What this means is that when your brain is given a particular pair of auditory and visual syllables, it calculates the likelihood that they are from a single talker compared to multiple talkers and uses this likelihood to determine the final speech perception.
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Why Some Languages Sound So Much Faster than Others - 2 views

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    This article talks about how some languages are more efficient than others, meaning that some languages pack in more information per syllable than others. This affects the speed of a language because the greater the density of information, the longer it takes one's brain to process and verbalize a thought. Therefor, languages with low efficiency (and low density of information) are spoken faster than languages with high efficiency (and high density of information).
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Oh, Joy: Brain's Sarcasm Center Found | Neuroscience - 0 views

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    A Johns Hopkins study found that damage to a key structure in the brain may explain why some stroke patients can't perceive sarcasm. Researchers looked at 24 people who had experienced a stroke in the right hemispheres of their brains. Those with damage to the right sagittal stratum tended to have trouble recognizing sarcasm, the researchers found. This bundle of neural fibers connects a number of brain regions, including those that process auditory and visual information. Sarcasm can be hard to interpret; it's a complex way to communicate. First, the person has to 1. understand the literal meaning of what someone says 2. detect the components of sarcasm: a wider range of pitch, greater emphatic stress, briefer pauses, lengthened syllables and intensified loudness relative to sincere speech "There're a number of cues people use, and it's both facial cues and tone of voice," noted Dr. Argye Hillis, a professor of neurology at Johns Hopkins University School of Medicine.
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Penguin language obeys same rules as human speech, researchers say | The Independent - 0 views

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    This article is about how experts believe they have found the 'first compelling evidence' for conformity to linguistic laws in non-primate species. A new study from the University of Torino has found the animals obey some of the same rules of linguistics as humans. The animals follow two main laws - that more frequently used words are briefer (Zipf's law of brevity), and longer words are composed of extra but briefer syllables (the Menzerath-Altmann law). Scientists say this is the first instance of these laws observed outside primates, suggesting an ecological pressure of brevity and efficiency in animal vocalisations.
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    This article explains the discovery of non-primate animals using similar linguistic rules of human speech. The Zipf and Menzerath-Altmann laws were mentioned, as these are key points of human communication. These patterns were observed in 590 different ecstatic calls of 28 different African Penguins
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