"I'd say the biggest observation I've come across in the last couple weeks, is that the online co-learning model breaks down the barriers of the traditional teacher/student relationship. Collaborating, sharing, and building ideas and understanding through open discuss instead bland lecture (here's the information, learn it, regurgitate it for a test). Creating the open platform to express ideas, and then expand upon them with easy reference to the information on the web (i.e., youtube videos, spotify, etc.). The responsibility then lies with each of us (student and teacher) to clearly express our meaning, intention, interpretation, and understanding of material, and back it up with an openness to build on criticism, and defend our viewpoint.
And as we've discussed, they, the students, have full ownership of their work, so they may use it for future reference, when needed.
In a way, it's like what Beethoven, Debussy, and punk rock have done with music. Each in their own right said, screw the "rules" I'm going to create the music I feel is necessary. The music inside me."
h/t to Joyce
The following pages give you suggestions for when and how to use music during your teaching or training. With these techniques, you, the teacher, can orchestrate a classroom environment that is rich and resonant-- and provide learners with a symphony of learning opportunities and a sound education!
Typically, polyphonic music is seen as having developed from a set of fixed rules and almost mechanical practice. This changes how we understand that development precisely because whoever wrote it was breaking those rules.
"The following is a letter to my first- and second-year music theory and aural skills students at The University of Colorado-Boulder. This is my second semester at CU, and the music students and I are still getting to know each other. For some, this will be their first semester with me; others are still getting used to my pedagogical quirks. To help frame the semester, I will have them read and discuss this open letter."
"Medium does a lot of things well. Its easy-to-use interface for composing blog posts creates a clean, distraction-free environment for the reader. But one thing it doesn't do well is audio. Music, radio shows, and podcasts aren't a featured part of the product.
London-based developer Roman Mittermayr put together MediumSounds so he could mash together what he liked about the Medium design with the musical content he posts to SoundCloud. His creation adds a missing element to what Medium offers - a way for sound to be a main feature, not just an embedded part of the post."
"My research focuses on the development of AI tools to augment user creativity, especially in casual or playful audiences. I specialize in designing and implementing systems that assist users in quickly moving through the possibility space of a creative problem, a genre I call Casual Creators. These systems which have included a design tool for 3D printable necklaces, music visualizations animations, laser-cut robots, and gameplay for a game to crowdsource network security."
It is the simplicity of Seinfeld that makes it so appropriate for use in economics courses. Using these clips (as well as clips from other television shows or movies) makes economic concepts come alive, making them more real for students. Ultimately, students will start seeing economics everywhere – in other TV shows, in popular music, and most importantly, in their own lives.
"It is the simplicity of Seinfeld that makes it so appropriate for use in economics courses. Using these clips (as well as clips from other television shows or movies) makes economic concepts come alive, making them more real for students. Ultimately, students will start seeing economics everywhere - in other TV shows, in popular music, and most importantly, in their own lives."
Profile photo of Yin Wah Kreher Yin Wah Kreher
January 19, 2015 at 3:45 pm Edit
I don't think in music. It's fascinating that you can identify a particular tune that guides (facilitates?) thinking. When I need heavy mental effort, I need total silence. :-) It's interesting how different people think and feel when they think. Like you, I've never thought about my feelings when I think. It's after thinking that I may feel various emotions, or not. Feel free to drop by my thoughts on this. I wrote a post on it: http://justywk.blogspot.com/2014/06/thought-vectors-how-thinkaholic-feels.html
""This is a musical experience, a meditational concentration experience," says Tod Machover, composer and inventor at the MIT Media Lab. He created Vocal Vibrations with architect and designer Neri Oxman and with the help of Al Grodzinsky, a bioengineer at MIT and an expert in biological tissue.
"
"Harry: "I just can't say "Find an avenue" because he's gonna say "you're not teaching me anything!"
Bill: "Well, maybe that's the way to teach though. Maybe if you say "you must find an avenue. Next week, I'll show you an avenue, but this week, find an avenue!""
"Many years ago I spoke of Bill Evans and his great appreciation of simplicity, and his capacity for tremendous amplification through honest simplification. Recently I stumbled upon a rare, 45-minute interview from the 1960s which Bill Evans did along with his brother-also a wonderful pianist-Harry Evans. If you can find time to sit down and watch the entire interview, it may be the best thing you see all week. But to give you a feel of the message, let me place the videos here and highlight the key points along with my comments."
An interesting place to find/share/interact with audio. You can remix many of the tracks and make audio notes that are associated with specific points in time on the audio track. Easily embed in WordPress using just the URL to the page.