Digital note-taking apps also leave their users only a finger-swipe away from e-mail or Candy Crush. An article on digital distraction in the June issue of The Harvard Business Review cites an estimate, by the Information Overload Research Group, that the problem is costing the U.S. economy nine hundred and ninety-seven billion dollars a year. “The digital world provides a lot of opportunity to waste a lot of time,” Allen said. A paper notebook, by contrast, is a walled garden, free from detours (except doodling), and requiring no learning curve. A growing body of research supports the idea that taking notes works better on paper than on laptops, in terms of comprehension, memorization, and other cognitive benefits.

On the morning of August 17, 1971, nine young men in the Palo Alto area received visits from local police officers. While their neighbors looked on, the men were arrested for violating Penal Codes 211 and 459 (armed robbery and burglary), searched, handcuffed, and led into the rear of a waiting police car. The cars took them to a Palo Alto police station, where the men were booked, fingerprinted, moved to a holding cell, and blindfolded. Finally, they were transported to the Stanford County Prison—also known as the Stanford University psychology department.

Canada's Truth and Reconciliation Commission has released its findings into more than a century of abuse in Indian Residential Schools. Between the 1880s and 1990s 150,000 aboriginal children were sent to institutions where they were stripped of their language and culture. Many faced emotional, physical and sexual abuse.

How large is Africa compared to the United States, or Western Europe? Most inhabitants of the latter places might guess it is a little larger, but few would have any idea of the scale of the difference. This has led German graphics designer Kai Krause to produce this map to shake people's perceptions a little.

Any attempt to map a spherical planet onto a flat map will involve distortions of size, shape or both. There is a passionate debate among cartographers about the best way to hang the world on a wall, but most agree that the most common maps we get our sense of the world from are very bad ways to do it. The problem is that these maps exaggerate the size of the countries at high  latitudes, and shrink places near the equator - leading to a perception that Europe is larger than South America, to pick just one example among many.

Africa, which spans the equator, fares particularly badly on these sorts of projections: Krause says, "Africa is so mind-numbingly immense, that it exceeds the common assumptions by just about anyone I ever met: it contains the entirety of the USA, all of China, India, as well as Japan and pretty much all of Europe as well - all combined!”  Some have argued that since people associate size with importance this encourages the already strong tendency of the world's wealthiest nations to disregard those who live in the tropics. 

Ai Weiwei and Jacob Appelbaum are artists, journalists, dissidents, polymaths — and targets. Their respective governments, China and the United States, monitor their every move. They have been detained and interrogated. Ai cannot leave China, and Appelbaum is advised not to return to the United States. They are separated from their families. Ai has been imprisoned and beaten by the police. Yet each continues his work and speaks out against government wrongdoing.In April, Ai and Appelbaum met in Beijing to collaborate on an art project commissioned by Rhizome and the New Museum in New York. As a filmmaker, and as a target of state surveillance myself, I am deeply interested in the way being watched and recorded affects how we act, and how watching the watchers, or counter-surveillance, can shift power. I was asked to film their project. During the encounter, Ai and Appelbaum continually filmed and photographed each other. Between their cameras and mine, we created a zone of hyper-surveillance. Almost everything was documented. Just outside Ai’s studio hung surveillance cameras installed by the Chinese government. The art project the pair made, “Panda to Panda,” was not about surveillance. It was about secrets. They stuffed cuddly toy panda bears with public, shredded N.S.A. documents that were originally given to me and Glenn Greenwald two years ago in Hong Kong by the whistle-blower Edward Snowden. Inside each panda, Ai and Appelbaum placed a micro SD memory card containing a digital backup of the previously published documents.

the writer’s job is to say those things that appear unsayable, to cloak with language those volatile experiences that seem barely able to endure it.

Despite every advancement, language remains the defining nexus of our humanity; it is where our knowledge and hope lie. It is the precondition of human tenderness, mightier than the sword but also infinitely more subtle and ultimately more urgent. Remember that writing things down makes them real; that it is nearly impossible to hate anyone whose story you know; and, most of all, that even in our post-postmodern era, writing has a moral purpose. With twenty-six shapes arranged in varying patterns, we can tell every story known to mankind, and make up all the new ones—indeed, we can do so in most of the world’s known tongues. If you can give language to experiences previously starved for it, you can make the world a better place.

What could be more exhilarating than experiencing the world through the perspective of another person? In “Remembrance of Things Past,” Marcel Proust’s narrator says that the only true voyage of discovery is not to visit other lands but “to possess other eyes, to behold the universe through the eyes of another, of a hundred others, to behold the hundred universes that each of them beholds.” This is one of the central projects of the humanities; it’s certainly part of the pleasure we get from art and literature.

First, the greed: invasion and theft. The Romans invaded Britain in the 1st Century AD and brought their alphabet; in the 7th Century, the Angles and Saxons took over, along with their language. Starting in the 9th Century, Vikings occupied parts of England and brought some words (including they, displacing the Old English hie). Then the Norman French conquered in 1066 – and replaced much of the vocabulary with French, including words which over time became beef, pork, invade, tongue and person.

he poem “Shirt,” by Robert Pinsky, first appeared in the pages of The New Yorker in 1989. In it, the speaker merges descriptions of garment manufacturing with the social and personal histories of the workers who create the items he buys and wears.

Canada’s former policy of forcibly removing aboriginal children from their families for schooling “can best be described as ‘cultural genocide.’”

Today, nearly half of all states allow the medical use of marijuana, and several, led by Colorado, have legalized it completely. In many places, New York being one of them, you can get your pot delivered as easily and quickly as if it were a pizza. I would be happy with that if only I or anyone else knew what it meant to smoke it. But, largely as a result of our government’s refusal to support scientific research on the effects of marijuana, we know stunningly little about what happens when we drop those buds into our fancy new vaporizers. We know even less about the effect of what are called “edibles”—the gummy bears, chocolate truffles, lollipops, brownies, cookies, and other dishes, laced with pot, that are now so easily available to us and, no doubt, to our children. What do we know when we swallow a marijuana gummy bear? Is it like a hit of good pot? Is it like three? For that matter, is a hit of good pot like it was five decades, or five years ago? Or even five months ago? Nobody seems able to answer those basic questions.

A radio station in Denmark argued on Tuesday that it was merely fulfilling its public service mandate to provoke debate when the host of a morning show beat a baby rabbit to death with a bicycle pump this week during a live discussion of animal welfare.Jorgen Ramskov, the editor in chief of Radio 24syv, a private station supported by fees from listeners, explained in an email that the killing of a nine-week-old rabbit named Allan during a broadcast on Monday was intended to highlight the Danish public’s “hypocrisy when it comes to animal welfare.”

The default lingo of high party officials, even on the most solemn occasions, includes banal aphorisms like, “to be turned into iron, the metal must be strong.” Official proclamations and the nightly newscasts speak of “social harmony” and the “Chinese spirit.” In addition to promoting the “China Dream” and a strong work ethic, President Xi Jinping is known for uttering lines like, “Never allow eating the Communist Party’s food and then smashing the Communist Party’s cooking pots.”The government’s propaganda and education machinery moved past the revolutionary bloodthirsty bitterness. Our textbooks are litanies of brutal heroic deeds: “Stop a gun with your chest, hold a bomb in your hands, lie on a fire without moving, until you burn to death.” Nearly every Chinese child still wears a red scarf, “dyed with martyr's blood,” and many grow up singing the young pioneers’ songs: “Always prepared, to perform noble feats, to wipe out our enemy.”

Tracking retractions as a window into the scientific process

Remember that study showing vaccines were linked to autism? The time scientists claimed to have cloned human embryonic stem cells? Or that simple, easy way that was supposed to revolutionize the creation of such stem cells?Those were all frauds published in the world’s top scientific journals — The Lancet, Science and Nature. The vaccine scare has been associated with a surge in cases of measles, some of them deadly.Every day, on average, a scientific paper is retracted because of misconduct. Two percent of scientists admit to tinkering with their data in some kind of improper way. That number might appear small, but remember: Researchers publish some 2 million articles a year, often with taxpayer funding. In each of the last few years, the Office of Research Integrity, part of the United States Department of Health and Human Services, has sanctioned a dozen or so scientists for misconduct ranging from plagiarism to fabrication of results.

There's no getting around the strangeness of a map that shows the most distinctive cause of death in each of our 50 states and the District of Columbia. In Texas, it's tuberculosis. In Maine, it's the flu. And in Nevada, it's the ominous "legal intervention." But what does it mean to label a cause of death distinctive?

Michael Sorkin, a globe-trotting sixty-six-year-old architect, urban planner, and critic, has published fourteen books and has designed buildings and public spaces from the Rockaways to Abu Dhabi. Currently, one of his biggest projects is a large urban complex in Xi’an, China. Meanwhile, in New York, where Sorkin lives, he runs Terreform, a non-profit devoted to architecture that is both urban and green. Two years ago, Terreform began a project called New York City (Steady) State, which investigates the possibility of “urban self-reliance”; its goal is to figure out what an optimally self-sufficient N.Y.C. might look like. By concretely imagining an ideal city, the thinking goes, you make a better one more likely. How would such a city function? And what would it be like to live on its leafy and fruitful streets?

Scientists are beginning to tap into a wellspring of knowledge buried in the ancient stories of Australia's Aboriginal peoples. But the loss of indigenous languages could mean it is too late to learn from them.

It’s not true that Chris Burden, the profoundly satirical Los Angeles artist who died last week, of cancer, at sixty-nine, had himself shot in the arm for the performance work “Shoot,” in 1971. Rather, he was shot by a friend whose claim to be a marksman proved an overstatement. The .22 bullet was supposed to only graze Burden. The shooter missed. So Burden told me, years ago. He shared with others that he had been frightened of having himself crucified on a Volkswagen, for “Trans-Fixed” (1974), but was pleasantly surprised by how painlessly the thin nails passed through his hands. He went to extremes, but he wasn’t nuts. When, nearly naked and holding his hands behind him, he wriggled across fifty feet of broken glass in “Through the Night Softly” (1973), the glass was the crumbled safety kind—not that that made for comfort. He said that he liked how the scattered bits, glittering on the asphalt of a parking lot, in the black-and-white film of the event, resemble a starry sky.