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the new passports China introduced in 2012. They’re watermarked with a map of China that not only includes Taiwan (as could be expected), but also the disputed maritime areas in the South China Sea, and some territories also claimed (and currently administered) by India.

Decades after foot-binding was outlawed in China, a British photographer has met some of the last women subjected to the practice. It was with a sense of pride that Su Xi Rong revealed her feet to British photographer Jo Farrell. Her feet, bound from the age of seven, were so small that she had been renowned for their beauty. The 75-year-old is among the last remaining women in China to bear the effects of foot-binding, a practice first banned in 1912. Farrell met more than 50 of them over an eight-year period, and says she was surprised to find stories of pride and empowerment. Her book about the women is being launched at the British Council in Hong Kong on Monday. Foot-binding was believed to create a more beautiful foot and promote obedience.

Hundreds of Google employees, upset at the company’s decision to secretly build a censored version of its search engine for China, have signed a letter demanding more transparency to understand the ethical consequences of their work.

From primary school to university, I witnessed countless such public humiliations: for fighting, cheating or petty misdemeanors. Caught committing any of these offenses and you may have to stand before the student body, criticizing your own “moral flaws,” condemning your character defects, showing yourself no mercy, even exaggerating your faults. Only those who have endured it can know the depth of shame one feels.

Ai Weiwei and Jacob Appelbaum are artists, journalists, dissidents, polymaths — and targets. Their respective governments, China and the United States, monitor their every move. They have been detained and interrogated. Ai cannot leave China, and Appelbaum is advised not to return to the United States. They are separated from their families. Ai has been imprisoned and beaten by the police. Yet each continues his work and speaks out against government wrongdoing.In April, Ai and Appelbaum met in Beijing to collaborate on an art project commissioned by Rhizome and the New Museum in New York. As a filmmaker, and as a target of state surveillance myself, I am deeply interested in the way being watched and recorded affects how we act, and how watching the watchers, or counter-surveillance, can shift power. I was asked to film their project. During the encounter, Ai and Appelbaum continually filmed and photographed each other. Between their cameras and mine, we created a zone of hyper-surveillance. Almost everything was documented. Just outside Ai’s studio hung surveillance cameras installed by the Chinese government. The art project the pair made, “Panda to Panda,” was not about surveillance. It was about secrets. They stuffed cuddly toy panda bears with public, shredded N.S.A. documents that were originally given to me and Glenn Greenwald two years ago in Hong Kong by the whistle-blower Edward Snowden. Inside each panda, Ai and Appelbaum placed a micro SD memory card containing a digital backup of the previously published documents.

Did you always want to be an artist? No. I decided to become an artist in the late 1970s to try to escape the totalitarian conditions in China. Everybody wants to be part of the big power, so there are lies and false accusations everywhere. For me, art is an escape from this system.

BERLIN — The “Evidence” from which the Ai Weiwei exhibition at the Martin-Gropius-Bau derives its name could be the displayed collection of hard drives, laptops and notebooks the Chinese authorities confiscated after arresting the artist in 2011 as he tried to board a plane. Or it could be the life-size replica of the cell where he was held under constant surveillance for 81 days following his detention. Or even the 6,000 wooden stools that fill the sunken atrium of the space, in a silent testimony to a lost way of life in the Chinese countryside.

As a curious race we have always liked to know where we are, but it is now almost impossible not to know - our phones, computers and sat navs keep us continually co-ordinated, and through them we are involuntarily tracked ourselves. Once the preserve and privilege of the rich and influential, maps and accurate wayfinding have suddenly come to feel like a birthright

But these days we are all really at the centre of our maps, which is both a useful and egocentric thing. A thousand years ago Jerusalem stood at the centre of the Christian world view, or if you lived in China it was Youzhou. But now it is us, a throbbing green dot on our handhelds. We no longer travel from A to B but from Me to B, and we spread out maps on the floor or on our laps in a car only with wistful nostalgia.

It is still too early to say whether a lessening in our spatial ability and perspective, and our ability to remember landmarks, will decrease that area in our hippocampus that serves as the engine room for such skills, but it is highly likely. An examination of the brains of cab drivers has shown a great expansion in that area due, it is thought, to the retention of many miles of street plans.

Big Think Interview With Kwame Anthony Appiah

‘Ai Weiwei: According to What?’

Mr. Ai is a complex, troublesome figure: an artistic provocateur who works in several mediums, an activist and thorn in the side of the Chinese powers that be and an impresario able to marshal scores of variously adept Chinese artisans to make ambitious pieces that he barely touches. He’s also a designer and part-time architect who collaborated with the Swiss architects Herzog & de Meuron on the emblematic “Bird’s Nest” National Stadium in Beijing for the 2008 Olympics. And he was the darling of the Chinese power structure, until he began jumping in where he wasn’t invited.

The answer is that whenever you have a network operating over distance, accurate timekeeping is essential for synchronisation. And the faster the speed of travel, the more accurate the timekeeping must be. Hence in the modern world, where information travels at almost the speed of light down wires or through the air, accuracy is more important than ever. What caesium has done is to raise the standards for the measurement of time exponentially.

The mechanism by which a good night's sleep improves learning and memory has been discovered by scientists. The team in China and the US used advanced microscopy to witness new connections between brain cells - synapses - forming during sleep. Their study, published in the journal Science, showed even intense training could not make up for lost sleep. Experts said it was an elegant and significant study, which uncovered the mechanisms of memory. It is well known that sleep plays an important role in memory and learning. But what actually happens inside the brain has been a source of considerable debate.

Michael Sorkin, a globe-trotting sixty-six-year-old architect, urban planner, and critic, has published fourteen books and has designed buildings and public spaces from the Rockaways to Abu Dhabi. Currently, one of his biggest projects is a large urban complex in Xi’an, China. Meanwhile, in New York, where Sorkin lives, he runs Terreform, a non-profit devoted to architecture that is both urban and green. Two years ago, Terreform began a project called New York City (Steady) State, which investigates the possibility of “urban self-reliance”; its goal is to figure out what an optimally self-sufficient N.Y.C. might look like. By concretely imagining an ideal city, the thinking goes, you make a better one more likely. How would such a city function? And what would it be like to live on its leafy and fruitful streets?