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Lawrence Hrubes

Teaching a Different Shakespeare Than the One I Love - The New York Times - 2 views

  • Shakespeare has not lost his place in this new world, just as, despite the grim jeremiads of the cultural pessimists, he has not lost his place in colleges and universities. On the contrary, his works (and even his image) turn up everywhere, and students continue to flock to courses that teach him, even when those courses are not required. But as I have discovered in my teaching, it is a different Shakespeare from the one with whom I first fell in love. Many of my students may have less verbal acuity than in years past, but they often possess highly developed visual, musical and performative skills. They intuitively grasp, in a way I came to understand only slowly, the pervasiveness of songs in Shakespeare’s plays, the strange ways that his scenes flow one into another or the cunning alternation of close-ups and long views. When I ask them to write a 10-page paper analyzing a particular web of metaphors, exploring a complex theme or amassing evidence to support an argument, the results are often wooden; when I ask them to analyze a film clip, perform a scene or make a video, I stand a better chance of receiving something extraordinary. A student with a beautiful voice performed Brahms’s Ophelia songs, with a piano accompaniment by another gifted musician. Students with a knack for creative writing have composed monologues in the voice of the villainous Iago, short stories depicting an awkward reunion of Shylock and his daughter, Jessica, or even additional scenes in Shakespearean verse.
Lawrence Hrubes

The Middle of Things: Advice for Young Writers - The New Yorker - 0 views

  • the writer’s job is to say those things that appear unsayable, to cloak with language those volatile experiences that seem barely able to endure it.
  • Despite every advancement, language remains the defining nexus of our humanity; it is where our knowledge and hope lie. It is the precondition of human tenderness, mightier than the sword but also infinitely more subtle and ultimately more urgent. Remember that writing things down makes them real; that it is nearly impossible to hate anyone whose story you know; and, most of all, that even in our post-postmodern era, writing has a moral purpose. With twenty-six shapes arranged in varying patterns, we can tell every story known to mankind, and make up all the new ones—indeed, we can do so in most of the world’s known tongues. If you can give language to experiences previously starved for it, you can make the world a better place.
Lawrence Hrubes

Imagining the Lives of Others - NYTimes.com - 0 views

  • What could be more exhilarating than experiencing the world through the perspective of another person? In “Remembrance of Things Past,” Marcel Proust’s narrator says that the only true voyage of discovery is not to visit other lands but “to possess other eyes, to behold the universe through the eyes of another, of a hundred others, to behold the hundred universes that each of them beholds.” This is one of the central projects of the humanities; it’s certainly part of the pleasure we get from art and literature.
  • People are often highly confident in their ability to see things as others do, but their attempts are typically barely better than chance. Other studies find that people who are instructed to take the perspectives of others tend to do worse, not better, at judging their thoughts and emotions.
  • There are certain limits, however, to how far we can go. The philosopher Laurie Paul, in her book “Transformative Experience,” argues that it’s impossible to actually imagine what it would be like to have certain deeply significant experiences, such as becoming a parent, changing your religion or fighting a war. The same lack of access applies to our understanding of others. If I can’t know what it would be like for me to fight in a war, how can I expect to understand what it was like for someone else to have fought in a war? If I can’t understand what it would be like to become poor, how can I know what it’s like for someone else to be poor?
Lawrence Hrubes

Maya Angelou and the Internet's Stamp of Approval - The New Yorker - 0 views

  • his week, the United States Postal Service came in for a full news cycle’s worth of ridicule after it was&nbsp;pointed out, by the Washington&nbsp;Post, that the agency’s new Maya Angelou stamp featured a quotation that the late poet and memoirist didn’t write. The line—“A bird doesn’t sing because it has an answer, it sings because it has a song”—has been widely attributed to Angelou. And it seems like something she might have written, perhaps as a shorthand explanation for the title of her most famous book, “I Know Why the Caged Bird Sings.” But the line, in a slightly different form, was originally published in a poetry collection from 1967 called “A Cup of Sun,” by Joan Walsh Anglund. The&nbsp;Post&nbsp;reported this on Monday. By Tuesday, when such luminaries as First Lady Michelle Obama and Oprah Winfrey stood onstage in front of a giant reproduction of the Angelou stamp at the official unveiling, everyone knew that the words behind them belonged to someone else. According to the U.S.P.S., more than&nbsp;eighty million Angelou stamps were produced, and there are no plans to retract them. <!doctype html>div,ul,li{margin:0;padding:0;}.abgc{height:15px;position:absolute;right:16px;text-rendering:geometricPrecision;top:0;width:15px;z-index:9010;}.abgb{height:100%;}.abgc img{display:block;}.abgc svg{display:block;}.abgs{display:none;height:100%;}.abgl{text-decoration:none;}.cbc{background-image: url('http://pagead2.googlesyndication.com/pagead/images/x_button_blue2.png');background-position: right top;background-repeat: no-repeat;cursor:pointer;height:15px;right:0;top:0;margin:0;overflow:hidden;padding:0;position:absolute;width:16px;z-index:9010;}.cbc.cbc-hover {background-image: url('http://pagead2.googlesyndication.com/pagead/images/x_button_dark.png');}.cbc > .cb-x{height: 15px;position:absolute;width: 16px;right:0;top:0;}.cb-x > .cb-x-svg{background-color: lightgray;position:absolute;}.cbc.cbc-hover > .cb-x > .cb-x-svg{background-color: #58585a;}.cb-x > .cb-x-svg > .cb-x-svg-path{fill : #00aecd;}.cbc.cbc-hover > .cb-x > .cb-x-svg > .cb-x-svg-path{fill : white;}.cb-x > .cb-x-svg > .cb-x-svg-s-path{fill : white;} .ddmc{background:#ccc;color:#000;padding:0;position:absolute;z-index:9020;max-width:100%;box-shadow:2px 2px 3px #aaaaaa;}.ddmc.left{margin-right:0;left:0px;}.ddmc.right{margin-left:0;right:0px;}.ddmc.top{bottom:20px;}.ddmc.bottom{top:20px;}.ddmc .tip{border-left:4px solid transparent;border-right:4px solid transparent;height:0;position:absolute;width:0;font-size:0;line-height:0;}.ddmc.bottom .tip{border-bottom:4px solid #ccc;top:-4px;}.ddmc.top .tip{border-top:4px solid #ccc;bottom:-4px;}.ddmc.right .tip{right:3px;}.ddmc.left .tip{left:3px;}.ddmc .dropdown-content{display:block;}.dropdown-content{display:none;border-collapse:collapse;}.dropdown-item{font:12px Arial,sans-serif;cursor:pointer;padding:3px 7px;vertical-align:middle;}.dropdown-item-hover{background:#58585a;color:#fff;}.dropdown-content > table{border-collapse:collapse;border-spacing:0;}.dropdown-content > table > tbody > tr > td{padding:0;}Ad covers the pageStop seeing this ad.feedback_container {width: 100%;height: 100%;position: absolute;top:0;left:0;display: none;z-index: 9020;background-color: white;}.feedback_page {font-family: &quot;Arial&quot;;font-size: 13px;margin: 16px 16px 16px 16px;}.feedback_title {font-weight: bold;color: #000000;}.feedback_page a {font-weight: normal;color: #3366cc;}.feedback_description {color: #666666;line-height: 16px;margin: 12px 0 12px 0;}.feedback_closing {color: #0367ff;line-height: 16px;margin: 12px 0 12px 0;}.feedback_logo {position: absolute;right: 0;bottom: 0;margin: 0 12px 9px 0;}.feedback_logo img {height: 15px;}.survey_description {color: #666666;line-height: 17px;margin: 12px 0 10px 0;}.survey {color: #666666;line-height: 20px;}.survey_option input {margin: 0;vertical-align: middle;}.survey_option_text {margin: 0 0 0 5px;line-height: 17px;vertical-align: bottom;}.survey_option:hover {background-color: lightblue;cursor: default;}It&amp;#39;s gone. UndoWhat was wrong with this ad?InappropriateRepetitiveIrrelevantThanks for the feedback! BackWe’ll review this ad to improve your
Lawrence Hrubes

BBC News - Artists 'have structurally different brains' - 1 views

  • Artists have structurally different brains compared with non-artists, a study has found. Participants' brain scans revealed that artists had increased neural matter in areas relating to fine motor movements and visual imagery. The research, published in NeuroImage, suggests that an artist's talent could be innate. But training and environmental upbringing also play crucial roles in their ability, the authors report. As in many areas of science, the exact interplay of nature and nurture remains unclear.
Lawrence Hrubes

Young Minds in Critical Condition - NYTimes.com - 1 views

  • Of course critical reflection is fundamental to teaching and scholarship, but fetishizing disbelief as a sign of intelligence has contributed to depleting our cultural resources. Creative work, in whatever field, depends upon commitment, the energy of participation and the ability to become absorbed in works of literature, art and science. That type of absorption is becoming an endangered species of cultural life, as our nonstop, increasingly fractured technological existence wears down our receptive capacities.
Lawrence Hrubes

Elizabeth Kolbert: Why Are We So Busy? : The New Yorker - 0 views

  • n the winter of 1928, John Maynard Keynes composed a short essay that took the long view. It was titled “Economic Possibilities for Our Grandchildren,” and in it Keynes imagined what the world would look like a century hence. By 2028, he predicted, the “standard of life” in Europe and the United States would be so improved that no one would need to worry about making money. “Our grandchildren,” Keynes reckoned, would work about three hours a day, and even this reduced schedule would represent more labor than was actually necessary.
  • According to Keynes, the nineteenth century had unleashed such a torrent of technological innovation—“electricity, petrol, steel, rubber, cotton, the chemical industries, automatic machinery and the methods of mass production”—that further growth was inevitable. The size of the global economy, he forecast, would increase sevenfold in the following century, and this, in concert with ever greater “technical improvements,” would usher in the fifteen-hour week.
  • Four-fifths of the way through Keynes’s century, half of his vision has been realized. Since “Economic Possibilities for Our Grandchildren” was published, the U.S. gross domestic product has grown, in real terms, by a factor of sixteen, and G.D.P. per capita by a factor of six. And what holds for the United States goes for the rest of the world, too: in the past eighty years, the global economy has grown at a similar rate.
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  • But if we have become, in aggregate, as rich as Keynes imagined, this wealth has not translated into leisure. (When was the last time someone you know complained about having too little to do?) In terms of economic theory, this is puzzling. In terms of everyday life, it’s enough to, well, induce a nervous breakdown.
markfrankel18

Giving Yourself Away Online - The New Yorker - 0 views

  • Recently, at the Dumbo Arts Festival, in Brooklyn, an artist named Risa Puno stood at a table and gave out cookies in exchange for personal information such as a driver’s license number, a mother’s maiden name, or the last four digits of a Social Security number. This information was entered on a form that assigned values to various pieces of identifying data—one point for your first pet’s name, three points for your home address, five points for your fingerprints, and so on—and different types of cookies required different numbers of points.
  • Maybe, instead of asking why people don’t react rationally to online threats, we should be asking whether it’s possible to react rationally to the contradictory ways in which we engage with the Web
Lawrence Hrubes

What Would You Grab in a Fire? - NYTimes.com - 0 views

  • I remember thinking, stuff? What stuff? How do you decide, the clock ticking? Years earlier, I’d made a list of the things I’d grab in a fire: Books. Photos. Art. Back then, objects were sacred; not people. Back then, I hadn’t experienced loss. The question isn’t, What would you grab in a fire? It’s, What has meaning in our lives?
Daniel Lamken

Kafka's Metamorphosis in an excellent Russian film - 1 views

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    It has been convenient, oddly, to say there hasn't been a good film rendition of 'The Metamorphosis', an anchor text of English 10. How might a director portray the nebulae of the human insect and the 3rd-person narration that blurs the presentation and consciousness of both human and insect? Valery Fokin does this as director, and Evgeny Mironov (who plays an outstanding Prince Myshkin in Dostoevsky's 'Idiot') absolutely absorbs the challenge of Gregor Zamza. The 1:13 mark is where he pines to hear Greta play violin--that alone is worth the look.
Lawrence Hrubes

Chinese teacher wakes up after stroke speaking English but no Chinese | Daily Mail Online - 2 views

  • However, she is not the only person to wake up from a coma speaking another language.Australian Ben McMahon woke up able to speak Mandarin after being involved in a car accident, while a&nbsp;13-year-old Croatian girl woke up having replaced her fluency in her native language with speaking German.&nbsp;There was also the case of a U.S. navy veteran was found unconscious in a motel room who had no recollection of who he was and woke up speaking fluent Swedish.&nbsp;A Queensland Brain Institute neuroscientist suggested a possible explanation last year.&nbsp;Dr Pankaj Sah said the brain was made up of different circuits - which assist in language, breathing, speaking and thinking - similar to electronic circuits.According to him, it is possible in Ben's case that the parts of the brain which recalled English were damaged in the crash and those that retained Mandarin were activated when the 22-year-old woke up.Whether this is what happened to Ms Jieyu is not known.&nbsp;More commonly, people are known to have woken up with a different accent, like in the case of&nbsp;Kath Locket, who was born and bred in Stafford.&nbsp;But after she was rushed into hospital unable to speak or swallow, she developed a strong accent which was distinctly European.&nbsp; WHAT IS FOREIGN ACCENT SYNDROME?
Lawrence Hrubes

Young Composer's Work Dropped For Nazi Melody : Deceptive Cadence : NPR - 0 views

  • It was supposed to be a celebratory occasion, a high-profile performance of a piece given life by the orchestra that commissioned it — a young composer's music played by other young musicians. Instead, the performance scheduled for Sunday of Jonas Tarm's music at Carnegie Hall by the highly regarded New York Youth Symphony (NYYS) has been canceled after it came to the attention of the ensemble's administration that the piece contains a quotation from the Nazi "Horst Wessel Lied." Born in Estonia, Tarm is a 21-year-old composer studying at the New England Conservatory in Boston. In 2014, he won the "First Music" prize from the NYYS, which resulted in the commission of a piece to be played by the orchestra at Carnegie Hall. Within the 9-minute piece called, in Ukrainian, Marsh u Nebuttya (March to Oblivion), Tarm says he used two musical quotes, each about 45 seconds long. The first is the anthem of the Ukrainian Soviet Socialist Republic, the second is the Nazi anthem, the "Horst Wessel" song. Tarm maintains that a piece of music should not necessitate further verbal explication. As such, he did not volunteer to tell the NYYS he was making those musical quotations within his piece, nor did he provide any background or context about his artistic intentions to the orchestra.
markfrankel18

The Pleasure of Reading to Impress Yourself - The New Yorker - 1 views

  • It’s a common and easy enough distinction, this separation of books into those we read because we want to and those we read because we have to, and it serves as a useful marketing trope for publishers, especially when they are trying to get readers to take this book rather than that one to the beach. But it’s a flawed and pernicious division.
  • But there are pleasures to be had from books beyond being lightly entertained. There is the pleasure of being challenged; the pleasure of feeling one’s range and capacities expanding; the pleasure of entering into an unfamiliar world, and being led into empathy with a consciousness very different from one’s own; the pleasure of knowing what others have already thought it worth knowing, and entering a larger conversation.
Cisco Walker

Humans Need Not Apply - 0 views

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    Following the replacement of horses with horsepower, what is our future?
Lawrence Hrubes

The Interpreter - The New Yorker - 2 views

  • Everett, who this past fall became the chairman of the Department of Languages, Literature, and Cultures at Illinois State University, has been publishing academic books and papers on the Pirahã (pronounced pee-da-HAN) for more than twenty-five years. But his work remained relatively obscure until early in 2005, when he posted on his Web site an article titled “Cultural Constraints on Grammar and Cognition in Pirahã,” which was published that fall in the journal Cultural Anthropology. The article described the extreme simplicity of the tribe’s living conditions and culture. The Pirahã, Everett wrote, have no numbers, no fixed color terms, no perfect tense, no deep memory, no tradition of art or drawing, and no words for “all,” “each,” “every,” “most,” or “few”—terms of quantification believed by some linguists to be among the common building blocks of human cognition. Everett’s most explosive claim, however, was that Pirahã displays no evidence of recursion, a linguistic operation that consists of inserting one phrase inside another of the same type, as when a speaker combines discrete thoughts (“the man is walking down the street,” “the man is wearing a top hat”) into a single sentence (“The man who is wearing a top hat is walking down the street”). Noam Chomsky, the influential linguistic theorist, has recently revised his theory of universal grammar, arguing that recursion is the cornerstone of all languages, and is possible because of a uniquely human cognitive ability. Steven Pinker, the Harvard cognitive scientist, calls Everett’s paper “a bomb thrown into the party.”
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    Piraha tribe in Brazil studied by linguists and anthropologists
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