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Daniel Lamken

Kafka's Metamorphosis in an excellent Russian film - 1 views

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    It has been convenient, oddly, to say there hasn't been a good film rendition of 'The Metamorphosis', an anchor text of English 10. How might a director portray the nebulae of the human insect and the 3rd-person narration that blurs the presentation and consciousness of both human and insect? Valery Fokin does this as director, and Evgeny Mironov (who plays an outstanding Prince Myshkin in Dostoevsky's 'Idiot') absolutely absorbs the challenge of Gregor Zamza. The 1:13 mark is where he pines to hear Greta play violin--that alone is worth the look.
markfrankel18

What's a Metaphor For? - The Chronicle Review - The Chronicle of Higher Education - 1 views

  • "Metaphorical thinking—our instinct not just for describing but for comprehending one thing in terms of another—shapes our view of the world, and is essential to how we communicate, learn, discover and invent. ... Our understanding of metaphor is in the midst of a metamorphosis. For centuries, metaphor has been seen as a kind of cognitive frill, a pleasant but essentially useless embellishment to 'normal' thought. Now, the frill is gone. New research in the social and cognitive sciences makes it increasingly plain that metaphorical thinking influences our attitudes, beliefs, and actions in surprising, hidden, and often oddball ways." Geary further unpacks metaphor's influence in his foreword: "Metaphor conditions our interpretations of the stock market and, through advertising, it surreptitiously infiltrates our purchasing decisions. In the mouths of politicians, metaphor subtly nudges public opinion; in the minds of businesspeople, it spurs creativity and innovation. In science, metaphor is the preferred nomenclature for new theories and new discoveries; in psychology, it is the natural language of human relationships and emotions."
  • The upshot of the boom in metaphor studies, Geary makes clear, is the overturning of that presumption toward literalism: Nowadays, it's believers in a literalism that goes all the way down (so to speak) who are on the defensive in intellectual life, and explorers of metaphor who are on the ascendant. As a result, Geary hardly feels a need to address literalism, devoting most of his book to how metaphor connects to etymology, money, mind, politics, pleasure, science, children, the brain, the body, and such literary forms as the proverb and aphorism.
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