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The best of the bunch (so far) for the 2010 American Physical Society's Gallery of Fluid Motion Each year, the Fluid Dynamics division of the American Physical Society holds a conference. This year, the meeting is in Long Beach, California, in November. One of the highlights is the impressive set of videos of fluid motion that the delegates put together. These videos have already begun to appear on the arViv in impressive numbers. Videos are an effective and increasingly popular way of publishing research. Expect to see more like this. But there are clearly better ways to make them available other than as downloads from the arXiv or as videos in a room in Long Beach. One obvious option is to make them available on streaming websites such as YouTube andVimeo. As far as I can tell, they are not available like this. Another is to create a website that showcases them in advance, to make it a global, web-based event. Many of the videos are superb. Not only could they command a bigger audience, they deserve it. If plans are afoot to make the Gallery of Fluid Motion a bigger event, then great. If not, shame! Here is my selection of the highlights this year.

Die SZ schreibt heute, 04.07.12 über Vania Apkarian, der mittels Kernspin Schmerzpatienten untersucht hat... "Bei jenen 19 Personen, deren Schmerzen am Ende des jahres anhielten, kommunizierten die sog. insula und der Nucl acc. besonders intensiv miteinander. Diese Hirnregionen sind an der Verarbeitung von Gefühlen und am Lernen beteiligt. !Womöglich! lässt das Leid jene Menschen nicht mehr los, die es besonders emotional verarbeiten. +Ute Panzenboeck und es gibt mit großer Wahrscheinlichkeit eben doch 'T- und F- Menschen' ... vgl. Post von gestern vgl. http://ed.iiQii.de/gallery/Die-iiQii-Philosophie/DK_CGJ vgl. Susan Cain: http://www.geistundgegenwart.de/2011/08/still-die-bedeutung-von-introvertierten.html vgl. ed.iiQii.de/gallery/Die-iiQii-Philosophie/MartinBartonitz_saperion_de etc. Alle unsere (Patienten)-Studien beruhen immer auf einem Durchschnitt(-smensch), der gar nichts aussagt... http://www.geistundgegenwart.de/2012/01/frauen-und-manner-sind-verschieden.html

cp. Olaf Blanke, http://ed.iiQii.de/gallery/Science-TheOnlyNews/OlafBlanke_inco_epfl_ch "I am interested in the neurobiology of visual perception, visual cognition, and motor control. Neurocognitive processes underlying social perception and social cognition form the second focus of my research."

NYPL Digital Gallery provides free and open access to over 800,000 images digitized from the The New York Public Library's vast collections, including illuminated manuscripts, historical maps, vintage posters, rare prints, photographs and more.

OpenGLAM.org is an initiative run by the Open Knowledge Foundation that promotes free and open access to digital cultural heritage held by Galleries, Libraries, Archives and Museums.

"Welche Laute junge Ziegen produzieren, hängt zwar auch von ihren Genen ab, aber vor allem von ihrem sozialen Umfeld. Bereits ab der ersten Woche ihres Lebens passen sie ihr Meckern an das ihrer Geschwister an" vgl. http://ed.iiQii.de/gallery/VictimsOfGroupThink/White_crowned_SparrowDachsAmmer_wikimedia_org

"Metacognitive experiences and the intricacies of setting people straight" decision making by few arguments better than more cognitive greed, info overload http://ed.iiqii.de/gallery/Science-TheOnlyNews/FrontalCortex_wired_com warum wir nur bis 3 zählen können

online gallery - see 30,000 items from our collections

"Great inventions and innovations were nearly always @ the overlapping edges of 2 or more disciplines, e.g. optics / microscope: http://ed.iiQii.de/gallery/VictimsOfGroupThink/PersistenceOfMemory_wikipedia_org But think to IT 1) human genome project / Craig Venter and to socialmedia 2) http://coturnix.org/ 3) http://scientopia.org/blogs/scicurious/ 4) http://michaelnielsen.org/blog/reinventing-discovery/ 5 ) „Science is an assault on ignorance, Its legacies are concepts,technologies and databases. As with many walks in life, the most glamorous legacies tend to get the most attention and the least are neglected" http://socrates.berkeley.edu/~scotch/maureretal_nature.pdf"

vgl. Anthony Little: Symmetrie http://ed.iiQii.de/gallery/VictimsOfGroupThink/AnthonyLittle_psychology_stir_ac_uk "Kelley und Endler konnten nun belegen, dass dieses Dekorationskonzept den Vogelmännern tatsächlich einen Vorteil beim Paarungserfolg verschafft. Sie führten dazu Vermessungen verschiedener Lauben und ihrer Dekorationsanordnung durch und errechneten daraus, wie stark der optische Effekt bei den unterschiedlichen Konstruktionen ist. Diese Ergebnisse verglichen sie dann mit Aufzeichnungen über den Paarungserfolg des jeweiligen Laubenbauers. Je mehr die Anordnungen der Gegenstände die optischen Effekte hervorriefen, desto eher waren die Weibchen bereit, sich von dem Architekten beglücken zu lassen, ergaben die Auswertungen der Forscher. Wahrscheinlich lässt das optimale optische System die gesamte Konstruktion gleichmäßiger erscheinen, vermuten die Forscher."

"Suffering for Fashion … and Sex Appeal? Nine out of ten women wear shoes that are too tight for them. And eight out of ten women admit to wearing shoes that hurt... These ideas have been explored previously by numerous other researchers. For example, Rossi notes that high-heels alter the tilt of the pelvis, resulting in more prominence of the buttocks and displaying of the breasts, creating a "come-hither pose" also described by Rossi as the "pouter pigeon" pose, "with lots of breast and tail balanced precariously on a pair of stilts " http://ed.iiQii.de/gallery/Querdenkerinnen/High_Heel_Pumps_wikipedia_org

We are an online art gallery and community of today's most talented artists, specializing in Surrealist Art, Fantastic Art, Visionary Art, Psychedelic Art, Mystic Art, Creative Art, Anarchist Art, Outsider Art, Experimental Art, Dark Surreal Art Painting.

IMAGINARY is your place for open and interactive mathematics. You can explore great programs, enjoy beautiful picture galleries and create hands-on math exhibits. Share your own ideas and modules. Stage your own exhibitions.

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