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Randolph Hollingsworth

Forum: The Status Quo of Digital Humanities in Europe - 0 views

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    In October and November 2014, H-Soz-Kult publishes a series of essays on "The Status Quo of Digital Humanities in Europe". TABLE OF CONTENTS: Editorial: The Status Quo of Digital Humanities in Europe by Torsten Kahlert and Claudia Prinz, Humboldt-University of Berlin The Status Quo of Digital Humanities in Sweden: Past, Present and Future of Digital History by Thomas Nygren, HUMlab, Umeå University, Department of Education, Uppsala University and Department of History, Stanford University; Anna Foka, HUMlab, Umeå University; Philip I. Buckland, Department of Historical, Philosophical & Religious Studies, Umeå University From "Humanities and Computing" to "Digital Humanities": Digital Humanities in Portugal with a focus on Historical Research by Daniel Alves, Instituto de História Contemporânea, Universidade NOVA de Lisboa Digital Humanities in the Netherlands by Joris van Zundert, Huygens Institute for the History of the Netherlands, Royal Netherlands Academy of Art; Karina van Dalen-Oskam, Huygens Institute for the History of the Netherlands, Royal Netherlands Academy of Art and Sciences / University of Amsterdam The Status Quo of Digital Humanities in Greece by Helen Gardikas-Katsiadakis, Modern Greek History Research Centre, Academy of Athens The Past and Present of Digital Humanities: A View from Russia by Irina Garskova, Moscow Lomonosov State University Vernetzter Geist? Stand und Tendenzen der Digital Humanities in der Schweiz by Eliane Kurmann / Enrico Natale, infoclio.ch A historical perspective on the digital humanities in Spain by Paul Spence, Department of Digital Humanities, King's College London; Elena Gonzalez-Blanco, Dpto. de Literatura Española y Teoría de la Literatura, Universidad Nacional de Educación a Distancia The Slovenian Digital Humanities Landscape - A Brief Overview by Jurij Hadalin, Institute of Contemporary History, Ljubljana Some thoughts on Digital Humanities in Norway by Von Espen S. Ore, Dept. of Linguistics and Sca
Randolph Hollingsworth

Patell and Waterman's History of New York · Being a … course, companion, blog... - 0 views

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    An example of a faculty-centered open educational resource for the celebration of local cultures. "The Project on New York Writing seeks to generate significant new research and teaching about New York's relationship to American and global literatures and cultures.... The Project will offer students of New York literature and culture resources with which to interpret the palimpsest that is New York, to help them make sense of the myriad narratives that the city generates. One of the Project's chief aims is conservancy: we hope to preserve the history of New York writing for future generations. But another aim is the promotion of innovation: we hope to encourage all whom the Initiative serves to add to the living culture of city, reading and rewriting its narratives, enlarging the literary construct that is New York."
Randolph Hollingsworth

Center for Democracy & Technology | Keeping the Internet Open, Innovative and Free - 0 views

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    "The Center for Democracy and Technology is a non-profit public interest organization working to keep the Internet open, innovative, and free. As a civil liberties group with expertise in law, technology, and policy, CDT works to enhance free expression and privacy in communications technologies by finding practical and innovative solutions to public policy challenges while protecting civil liberties. CDT is dedicated to building consensus among all parties interested in the future of the Internet and other new communications media."
Randolph Hollingsworth

OERu - opening speech by S Queensland Jim Taylor - from logic model to action plan - 0 views

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    Professor Jim Taylor, from the University of Southern Queensland, points out that the OER university will create a parallel learning universe to augment and add value to traditional models of delivery through open collaboration networks. "This is not theoretical speculation, it is entirely viable." said Jim Taylor. In this keynote address, Jim: Refers to the "gales of creative destruction" associated with technological change where old industry can be swept away and replaced by new ones. However, the OER university concept provides opportunities for "creative construction" for universities in a digital age. Demonstrates that conventional supply of education using traditional delivery methods will not the meet the demands for access to higher education. Consider, for example: the need for 18 million new teachers the doubling of post-secondary students in the next decade the need to build roughly one new university per week in India alone to meet the future demand for learning. Points out that we already have a critical mass of open access materials, but we don't have open curriculum, open student support, open assessment and open accreditation. Indicates that the OER university concept will provide a stairway to credible credentials based soley on OER.
Randolph Hollingsworth

From Abelard to Apple: The Fate of American Colleges and Universities - 0 views

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    While higher ed is a "platform" and not a business, DeMillo posits that we can see the marketplace finding a bypass around universities that have not truly focused on differentiation or embraced openness, states 3 "economic realities" that shows the middle tier of universities (vast majority) waste money and has completely misjudged its value - Rich A. DeMillo is a Distinguished Professor of Computing at the Georgia Institute of Technology, the seventh ranked public university in the U.S. and one of the premier institutions internationally. He currently serves as the Director of the Center for 21st Century Universities (C21U). This presentation was given as part of CFHE12 on Monday, October 15, 2012
Randolph Hollingsworth

Digital Media Project - Berkman Ctr for Internet and Society, Harvard U - 0 views

  • Lawyers, copyright officers for universities, book publishers, and even educators tend to defer to a conservative picture of copyright law and refrain from contributing to and participating in a robust commons. The TEACH Act indirectly encourages such caution by requiring institutions to prevent retention and unauthorized dissemination of copyrighted works that are shown in the classroom; the result is that schools may decide not to take advantage of the Act's provisions out of fear of sanctions for noncompliance.
  • erring on the side of caution may in turn negatively serve the future of the fair use defense; if educators and others are unwilling to engage in new and creative uses of copyrighted materials, then legislators may respond by limiting fair use
  • Noncommercial educational initiatives must struggle against the rise of a "clearance culture" that requires licenses for educational uses of content that are minimal or highly transformative
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    Mellon Fndtn $ to study educational uses of content in the digital age, including "(i) student use, collection, and creation of diverse content (e.g. web pages, images, video, and audio); (ii) digital activity by other types of established institutions (e.g. public broadcasting; museums); (iii) educational content assembled and presented outside of any traditional institution, particularly on the internet (e.g. the Red Hot Jazz Archive; the Victorian Web); and (iv) grass-roots open source educational projects (e.g. Wikipedia; the online Samuel Pepys Diary)." Also addressing legal obstacles for good practices and effective use of digital media.
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