Paper commenting on the effects that Social Media might have on children. The paper seems to focus on the lack of development children have emotionally, coupled with the act of participating, sharing and communicating through social media. These types of interaction at a young age have the potential to cause embarrassment and regret. Clinton, Chelsea and Steyer, James. "Is the Internet Hurting Children?" Cnn Opinion. http://www.cnn.com/2012/05/21/opinion/clinton-steyer-internet-kids/

The new science of social networks is demonstrating how personal interconnections can affect our health. Ideas and habits that influence health for better or for worse can spread through social networks in much the same way that germs spread through communities. Komaroff, Anthony. "Social networks can affect weight, happiness." Harvard Medical School. December 16, 2011.

One example of how objects are slowly turning into spimes, is the addition of RFID into products that consumers use on a daily basis. Baltimore is one of a few cities that have begun distributing trashcans to businesses and individual house holds that contain the id chips. It is the hope that they will be able to collect information that will assess the usage of the cans by the customer, as well as other factors that are useful for creating a positive trash-collecting experience both for the company and the customer. Mark Reutter, Mark. "Inside City Hall: Are you ready for "smart" garbage cans?" Baltimore Brew, November 21, 2013

This piece of Design Fiction is imagined to exist in a world where products are developed to the point where they almost have lives themselves. When thinking in terms of Spime, "Brad the Toaster" is a product that plays into the idea of discontinuing the process where products of today's consumer culture are built, and then soon become obsolete due to new technologies arising. Brad and his fellow Sprimes might be the answer to all environmental sustainability problems. Sprimes would be sent out into the world, their every move being trached. Every interaction that they have with people will be tracked, and stored in a database, ready to be accessed by developers. If these developers can study these interactions, what does work with a product, and what doesn't, then their Brad 2.0's can be the best possible product, without having to create a series of upgraded products, only to be obsolete when a new need is discovered. Vanhemert, Kyle. "A Toaster That Begs You to Use It: Welcome to the Bizarro Smart Home." Wired. March 14, 2014 http://www.wired.com/design/2014/03/addicted-products/

I stumbled upon Teo Spiller while looking through different examples of Web Art. Spiller worked with some interesting concepts, and questioned many of the social norms that occur in the digital world. One of the most interesting pieces in my opinion, is titled "Nice Page" and was created in 2000. It is a webpage, completely overtaken with bright text, and segmented images. While this piece might seem to be a page that showcases a multitude of webpages, displayed for an audience, as if flipping through the pages of the web, it is actually meant to critique the superficial attitudes what are associated with the web. The piece itself bombards the viewer with a lot of information, acting as a protest to the way we are constantly flooded with information. Spiller, Teo. "Nice Page" 2000 http://rhizome.org/artbase/artwork/2516/

RTMark is a digital platform that is used to post and fund "projects" to be completed both online, and in the "real world". Many of the projects act as subtle jabs at commercialism, standardized education, and other social and political issues. The "past projects" tab acts as an exhibition of projects completed, giving details into what the purpose of the piece was, and how it was beneficial. RTMark uses the internet to form a community that is geared towards creating and completing projects, transferring funds and creating disturbances and awareness within society. "RTMark" Trademark 2000 www.rtmark.com

Looking back onto the history of Myspace, the design of the site 10 years ago, in 2004, does look very dated and old. Within today's digital world, simplicity seems to be the dominating characteristic of most online spaces. Myspace circa 2004, however, floods the viewer with link options for browsing, blogging, gaming, listening and other avenues. The color-scheme and grid implementation also seem very elementary. The overall appearance of the site almost has a corporate feeling to it. As though the user might be signing onto their company's server, or company discussion board. Myspace was very link-heavy, though blocks of text are absent from the homepage. The only images that are presented are links to member's profiles, and a few advertisements. Within the abundance of links, many of them do work, and take you onto another part of the website. There aren't any interesting features that require any sort of tinkering to get working on the homepage. A few clicks can take you to the music page, where one would assume that they could listen to some tunes, but they would be sadly disappointed. Many of the featured bands haven't updated their sites since 2005, and their music players don't load. One of the blocks within the homepage reads "cool new people", a headline that I immediately remembered, and made me feel embarrassed all at the same time. The use of the word "cool" seems forced when looked at in this context today, and is not current in the slightest. There also seems to be an abundance of exclamation points within small blocks of text near the bottom of the page, which again, feel forced. Nothing stayed the same between 2004 and 2014. The new Myspace is geared entirely towards music, and seems to almost completely abandon many of the social aspects that they once pushed so relentlessly. The Myspace logo stayed mostly the same, though small differences could be detected.