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Good overview of brands and their initiatives in the content marketing space.

The largest media content platform creates no content.

"The native advertising side consists of Federated's conversational marketing products, conversation targeting and native conversational ad units. While some of what Federated calls conversational marketing is similar to content marketing (that is, helping brands produce content much like media companies), Federated is clearly looking to embrace native advertising units, such as Facebook's Sponsored Stories or Foursquare's Promoted Updates. Federated founder John Battelle has been blogging extensively about the move toward ads-that-don't-look-like-ads of late."

"Several companies have successfully built cooperative marketing structures online. Companies such as OwnerIQ, for example, enable online retailers like Crutchfield to retarget people who visit the web sites of electronics manufacturers, offering the flatscreen TVs they were just studying - at a discount. When it comes to driving brick-and-mortar sales from online, though, Facebook appears to offer the best solution yet. CPG brands gladly pay for retail circulars to help sell their products, and there's reason to believe they could buy Facebook advertising to drive consumers into retail locations. One company with which we work, ShopLocal, puts a retailer's circular content into a database, including images and all the sale prices and details. In so doing it makes local data portable and extendable, so retailers can build online-only pages of the circular, or utilize QR codes to generate more content than exists in the print world."

The recent release of UK fashion designer Burberry's Autumn/Winter 2013-14 collection has included similar technology with the Runway Made to Order service, which enables consumers to purchase tailored goods straight from the catwalk, personalized with tags that unlock digital content.

premium Storify!  brands can customize it Real-time updates: Publishers can now live-blog using Storify complete with dynamic, live updating of all stories. Custom story display: Ability to customize how Storify works on a publisher's site with full CSS styling options and unrestricted API access Enterprise-level support: Storify is giving priority technical support to VIP customers either by email or phone and an "enhanced Service Level Agreement" Custom sources: Publishers can now mix their own content, including posts, photos, or even comments into their Storify content by creating a custom source Private stories: Storify now allows publishers to share stories privately within an organization

People can now follow these user-generated magazines they like, just as they can follow other content on Flipboards. When people interact with their magazines, the magazine creator will get notifications. Flipboard will also highlight these user magazines in its content guide of topics that it curates.

 Visual SyncAR lets TV viewers see companion content through a mobile device that's synchronized with the video being viewed.

focus on portable content (snackable content?)

"Here at TechCrunch, we've heard Twitter is reaching out to TV producers and showrunners to find out ways that it can further integrate with the TV experience. That could mean Twitter-based voting, in the case of some competitive reality shows. It could also mean introducing interactive elements in scripted shows that viewers could use to unlock new content or web experiences. For what it's worth, Twitter is hiring for a role just like this: One of the positions listed on its jobs site is a "Manager of TV Relationships" position based in Los Angeles. The purpose of the job is to act as a "Twitter ambassador/evangelist to TV celebrities," getting them to tweet more during their own shows and just in general. But the goal also to work with high-profile showrunners and producers to find ways to integrate Twitter into their programming. One listed responsibility is to "manage and execute a volume of creative content plays with TV talent, such as live tweeting of shows, talent Q&As, and other creative uses of Twitter.""

"The video walls tell the Lacoste story, while promoting merchandise through the evolution of the product. The content tells the brand story from conception, to the first clothing line and materials used, and segues to current days where there are many colors available based on the original concept of René Lacoste. The content was developed by Lacoste and is updated remotely by Lacoste headquarters."

The redesign will provide clearer navigation and more opportunities to discover new content. The new home page will feature links to content verticals, such as DYI and animals, and to popular pins. Additionally, each pinned photo will display more information about what is depicted and where it comes from. "We've added more information related to pins, so it's easier to find things you're interested in. For example, on each pin, you'll see pins from the same board, other boards this pin was pinned to, and a whole slew of related pins," the company said in a blog post.

Me likey, three content marketing "maps."

"Zeebox does not sell any advertising itself; instead, its network partners work with agencies and advertisers to sell second-screen ads and Zeebox takes a cut. For now, the Zeebox app works only with live TV -- not DVR content. The app identifies live TV programming using a combination of video fingerprinting, audio content recognition and closed-captioning information."

The data show that Pinterest retains and engages users two to three times more efficiently than Twitter did at the same time in its history. What's more, the pins represent a ide diversity of content spread across a smattering of sites. Arguably most intriguing, however, is that 80 percent of all pins are re-pins, meaning that an overwhelming majority of content shared on site is recycled between users.

Taking just the use of paid content on tablets in Q4 2011, Nielsen found that in the U.S., a majority of tablet owners have already paid for downloaded music, books and movies, with 62 percent, 58 percent and 51 percent respectively saying they have already made such purchases. The one area that really fell down in the U.S. was news, where only 19 percent said they had ever paid to read news on their tablets.

"The app will not only contain the songs, but is also expected to be "completely interactive with chats, films for every song, extra music, content, gaga inspired games, fashion updates, magazines, and more." " It sounds like a great idea and while we're not sure if this will combat piracy in the music industry, it might offer enough content for fans to justify paying for the app rather than just downloading it illegally.

But at Tumblr, at least, there's something else very interesting going on: according to Karp, there are 9 curators for every creator on his site. Reblogging, on Tumblr, is so easy that the vast majority of Tumblr sites actually create little or no original content: they just republish content from other people. That's a wonderful thing, for two reasons. Firstly, it takes people who are shy about (or just not very good at) creating their own content, and gives them a great way to express themselves online. (As Arianna Huffington says, "self-expression is the new entertainment".) And secondly, it acts as a natural amplifier for the people who do create original content - the average post on Tumblr gets reblogged nine times, and therefore reaches vastly more people than if it just sat on its original site waiting to be discovered by people visiting it directly.

1. online video will become a must for brands and businesses 2. we'll see a shift from UGC to professional content 3. we'll sit through more online video ads than ever 4. online video will become more social 5. producing quality content will be easier than ever 6. people will start taking copyright seriously 7. online video WON'T kill TV