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Competition for the regional market of 300 million people is heating up. Netflix (NFLX), Malaysia's Iflix, and Dubai's Starz Play are all vying for dominance

Raina said better broadband capabilities in the region has helped streaming services grow, but payment systems remain a challenge. Credit card use in some parts is still "near zero," he told CNN Business.

The move by Fox comes just over a year after it added 3 new TV channels to its existing line up, including the first Fox-branded channel to broadcast in Arabic.

“What I fear is that this pool of currently unemployed talent will switch careers, which will come at the longtime expense of the industry since these are trained professionals. I do not believe that the military [Synergy] sees this; they simply have one clear goal: to control the industry. The government has effectively, through the institutions it runs, carried out the first monopolization process in the history of neoliberalism.”

In June 2018, the authorities banned a film examining a love affair between a Muslim man and a Christian woman before it hit the cinemas, although director Khaled Youssef said he obtained the necessary licenses. The decision was later revoked, but was alarming to many given rising censorship levels

While over fifty shows typically aired during the peak Ramadan season, even during economically turbulent years as in 2017 and 2018, only twenty-four shows aired last Ramadan, and over two-thirds of them are produced by Synergy. Production powerhouses like El Adl Group and Beelink Productions were notably absent this season from their regular Ramadan run, while regionally acclaimed megastars like Yossra, Adel Imam and Laila Elwy uncharacteristically did not star in any shows during the peak season either, likely due to the dramatic, forced budget cuts which make casting an A-lister virtually impossible. Compensation levels for many of these lead faces could often be as high as EGP 50 million (~USD 3 million), the currently imposed budget cap for aggregate production costs of a Ramadan soap opera’s full season

“For a producer, the direct client of drama series is television channels, and several factors have negatively impacted their purchasing power. The GCC-owned channels are struggling in light of the economic difficulties there, primarily due to the war in Yemen, so the main overseas market for selling television series is not that great. Add to this that privately owned channels in Egypt were never highly profitable, and media budgets generally were slashed with Egypt’s high inflation levels [during the past couple of years], and you have a situation where many production companies are struggling to stay afloat.”

Over the course of the past year, EMC CEO Tamer Morsy also gradually gained majority ownership of key television networks such as CBC, ONTV, DMC and Al-Hayat, a move facilitated through the recent launch of EMC affiliate United Group for Media Services. Moreover, state-owned entities effectively gained control of both the production and purchasing sides of the business as these unprecedented levels of regulation and government ownership were put in place.

in early May United Group for Media Services launched paid streaming app WatchiT and prohibited the longtime convention of shows airing online on YouTube for those who couldn’t catch them on satellite television channels. Widely accessed streaming app EgyBest, among other free online streaming services, were also blocked to allegedly mitigate “piracy”, granting government intelligence-affiliated WatchiT a monopoly over streaming services. Since digital finance and financial inclusion levels are low in the most populous Arab country, the decision came to the dismay of throes of viewers regardless of political affiliations or regulation concerns. For those following television series on satellite channels, short broadcast announcements interrupt episodes to denounce a May 28 Human Rights Watch report on enforced disappearances, killings and torture in North Sinai. Other broadcasts order audiences to pay heed to “threats to terrorism and national security.”

“Because these people [Synergy and EMC] are military men, their mentality is to cut off what doesn’t work, with little concern for the consequences. The military don’t understand or love the arts; they see it as just another industry they can profit off by minimizing losses.”

“It’s understandable that they [the military] would be more concerned with penetrating television production as opposed to the cinema industry, because viewership numbers are higher for television series in comparison to films. Not everyone can afford a cinema ticket, but most Egyptians, be they rich or poor, have access to a television set. There’s nothing to stop them from gaining as much control of the film industry as they have with television, but I believe they’re not investing in it [as much] because it isn’t as lucrative,”

Saudi Arabia is once again opening cinema theaters following a 35-year ban, creating a significant potential box office market for Egyptian films, particularly since plans for the inauguration of 2,000 theatres in the kingdom before 2020 are in the works

our country was once the Hollywood of the Middle East,”

There was a time when everyone in the Arab world recognized Umm Kalthoum and Ismail Yassin, even more so than [our own president] Nasser. We need to work towards reestablishing that, and understanding how entertainment can be used as a tool for soft power

Although the talking points about protecting the family echo those espoused by some right-wing politicians in the United States, there are other influences closer to home, specifically Russia.

Russian videos with Turkish subtitles were proliferating on social media, promoting a new law in Russia that makes it illegal to spread “LGBT propaganda.”

Tarek Zeidan, the director of Helem, a Lebanese LGBTQ advocacy group, told The Post of “a cloud of fear and anxiety among the community.” Last week, he said, the organization received “dozens of calls” from people asking for assistance in leaving the country and advice on what to do if they were attacked.

the moral panic over LGBTQ people is ultimately a deflection strategy, “to shift the tension away from the actual problems” in a region beset by economic troubles, political stasis and climate woes.

his news gathering and curation process is transparent–and that evokes a different level of engagement with the story even if you are only a viewer of the tweet stream and never respond or interact

on Twitter curation feeds, we are often in a position to observe the process by which a narrative emerges, trickle by trickle. “Polished” and “final” presentation of news invites passivity and consumption whereas visibility of the news gathering process changes our interaction with it into a “lean-forward” experience. Carvin’s reporting is not infallible–although most of the stories from citizen-media sources often turn out to be fairly accurate, belying the idea that Twitter is a medium in which crazy rumors run amok—but it wears that fallibility on its sleeve and is openly submerged in a self-corrective process in which reports and points-of-view from multiple sources, including citizen and traditional media, are intertwined in an evolving narrative.

This visibility of the process is a step in the opposite direction from French philosopher Jean Baudrillard’s famous assertion that we are increasingly moving towards a “procession of simulacra” in which the simulation (“the news”) increasingly overtakes any notion of the real and breaks the link between representation and the object –often in the form of spectacle–, ultimately erasing the real. Baudrillard famously wrote a series of essays titled “The Gulf War Did Not Happen” – he was not claiming that bombs were not dropped and people killed. Rather, he had argued that, for the Western audiences, the First Gulf war was experienced merely as green flickers on TV screens narrated by familiar anchors and without much connection with actual reality – reality as inhabited by human beings at a human scale.

the massive censorship of reality and images of this reality by mainstream news organizations from their inception has been incredibly damaging. It has severed this link of common humanity between people “audiences” in one part of the world and victims in another. This censorship has effectively relegated the status of other humans to that of livestock, whose deaths we also do not encounter except in an unrecognizable format in the supermarket. (And if anyone wants to argue that this is all done to protect children from inadvertent exposure, I’d reply that there are many mechanisms by which this could be done besides constant censorship for everyone.) While I cannot discuss the reasons behind this censorship in one blog post, suffice it to say it ranges from political control to keeping audiences receptive to advertisements.

I am not arguing that we would look at hurt children and be unmoved were it not for Carvin’s open display of emotion. I am arguing that traditional news anchors effectively invite us to do just that: to distance ourselves.Humans naturally react to suffering and it takes a very contrived environment to dampen that response.

watching Andy Carvin deal with his own vulnerability to imagining children hurt –children just like his– dramatically creates a mechanism in the opposite direction of that created by traditional news.

Contrary to assumptions, virtually everyone who does not fall into the rare breed of aggressive psychopaths who kill with ease has to be trained to kill. To the chagrin of military trainers and leaders throughout history, humans have an innate aversion to taking of human life. Untrained soldiers are historically averse to killing the “enemy” even when their life is in direct danger. Most will hide, duck, fire in the air, load and unload their weapons repeatedly, fire over the heads of the “enemy” and take other evasive actions, anything, to avoid killing. For example, in World War II, only about 20 percent of the riflemen were found to actually fire their weapons directly at enemy soldiers.

Twitter-curated news often puts us at bayonet distance to others –human, immediate and visceral– while television puts us on a jet flying 20,000 feet above the debris –impersonal, distant and unmoved.

When they discuss US policy options for Syria, administration officials repeatedly point to the fact that Americans have bigger concerns closer to home and that President Barack Obama is very mindful that the public has no appetite for interventions abroad, no matter how limited

The question is whether it would become more tenable for the president to take action if the public demanded it. Possibly, but that's not how public opinion works. People demonstrate to end wars and bring the troops home, like with Vietnam. They protest against invasions, like Iraq in 2003, when their country's troops are about to be shipped overseas. Or they support military action when their own country has come under attack. But people rarely rise up to demand action because of a sense of collective justice.

foreign media has been equally tarnished, through the partisanship of Arab outlets which are predominantly Gulf-based, such as Aljazeera, Alarabiya and Sky News Arabia

the lack of professionalism and dishonesty of TV channels has driven many to social media for news updates.

Well-intentioned citizen journalists enthusiastically spread rumours and misreported or exaggerated clashes, quickly creating a reputation for dishonesty that stuck to the sector as a whole.

Systematic posting of false information on social media accounts also became a favoured tactic of militias on all sides of the conflicts has become a trademark tactic

People living in the same area are often exposed to completely different realities depending on the media they consume.

A phenomenon new to Libya in this round of conflict is the large-scale attempts by gulf monarchies to fill social media with blatant propaganda in favour of their chosen sides

Haftar has long been backed by Saudi and the UAE, with the latter repeatedly breaching a United Nations arms embargo to provide his forces with attack aircrafts, armoured vehicles, helicopters and other ammunition

Khadeja Ramali, a Libyan data scientist, who has examined and mapped tweets mentioning Haftar since the offensive was launched. Her research has clearly shown a huge pro-Haftar push from accounts based in Saudi Arabia, Egypt and the UAE.

Qatar also joined with the Libya propaganda campaign, a few days late, to broadcast the UAE’s complicity in Haftar’s crimes

These outlets offer their content for free and generate money from grants or by providing research and translation services. Mada Masr depends on the latter two streams. The business model is precarious, but so far it’s working. The outlet has gradually expanded to 32 employees.

7iber now has 14 staffers and has built a credible reputation for providing in-depth reporting and nuanced analysis. In September 2017, it published an in-depth piece about the fate of 70 Sudanese refugees who were swiftly deported from Jordan in December 2015. The piece won an award for the best multimedia investigation at the Arab Investigative Journalism Awards in 2017.

On Dec. 10, 2018 — ironically, Human Rights Day — Lebanon’s Internal Security Forces entered the office of Daraj and detained editor-in-chief Hazem el-Amin, based on a complaint regarding a story they had published some months earlier, even though the plaintiff had already withdrawn the complaint. The editor was released within hours, but the incident was “reflective of the ways of a typical police state,” wrote el-Amin on Twitter.

In May 2017, Egyptian authorities blocked access to Mada Masr and 20 other websites. That makes it difficult for Mada Masr to measure its audience, but its followers still access the site through a VPN. Despite the risk of being shut down, Attalah says that Mada Masr concentrates on reporting fairly and accurately. One of Mada Masr’s articles this May, for instance, revealed how a majority of new television shows launched in Egypt during Ramadan have links to an intelligence agency.

The next challenge for outlets like 7iber and Mada Masr is to expand beyond their core followers of young progressive millennials and activists, says Ayman Mhanna, executive director of the Lebanese Samir Kassir Foundation, which defends press freedom across the Middle East. “When you ask most people on the streets of Egypt, Jordan or Lebanon about these platforms, they don’t even know they exist,”

Mada Masr, 7iber, Sowt and Al Jumhuriya have banded together to provide a one-year fellowship called the Alternative Academy for Arab Journalism. The fellowship begins in September and aims to train 25 young journalists each year in critical thinking and in-depth storytelling.

YouTube has inadvertently created a dangerous on-ramp to extremism by combining two things: a business model that rewards provocative videos with exposure and advertising dollars, and an algorithm that guides users down personalized paths meant to keep them glued to their screens

“If I’m YouTube and I want you to watch more, I’m always going to steer you toward Crazytown.”

94 percent of Americans ages 18 to 24 use YouTube, a higher percentage than for any other online service

YouTube has been a godsend for hyper-partisans on all sides. It has allowed them to bypass traditional gatekeepers and broadcast their views to mainstream audiences, and has helped once-obscure commentators build lucrative media businesses

Bellingcat, an investigative news site, analyzed messages from far-right chat rooms and found that YouTube was cited as the most frequent cause of members’ “red-pilling” — an internet slang term for converting to far-right beliefs

The internet was an escape. Mr. Cain grew up in postindustrial Appalachia and was raised by his conservative Christian grandparents. He was smart, but shy and socially awkward, and he carved out an identity during high school as a countercultural punk. He went to community college, but dropped out after three semesters. Broke and depressed, he resolved to get his act together. He began looking for help in the same place he looked for everything: YouTube.

they rallied around issues like free speech and antifeminism, portraying themselves as truth-telling rebels doing battle against humorless “social justice warriors.” Their videos felt like episodes in a long-running soap opera, with a constant stream of new heroes and villains. To Mr. Cain, all of this felt like forbidden knowledge — as if, just by watching some YouTube videos, he had been let into an exclusive club. “When I found this stuff, I felt like I was chasing uncomfortable truths,” he told me. “I felt like it was giving me power and respect and authority.”

YouTube’s executives announced that the recommendation algorithm would give more weight to watch time, rather than views. That way, creators would be encouraged to make videos that users would finish, users would be more satisfied and YouTube would be able to show them more ads.

A month after its algorithm tweak, YouTube changed its rules to allow all video creators to run ads alongside their videos and earn a portion of the revenue they generated.

Many right-wing creators already made long video essays, or posted video versions of their podcasts. Their inflammatory messages were more engaging than milder fare. And now that they could earn money from their videos, they had a financial incentive to churn out as much material as possible.

Several current and former YouTube employees, who would speak only on the condition of anonymity because they had signed confidentiality agreements, said company leaders were obsessed with increasing engagement during those years. The executives, the people said, rarely considered whether the company’s algorithms were fueling the spread of extreme and hateful political content.

Google Brain’s researchers wondered if they could keep YouTube users engaged for longer by steering them into different parts of YouTube, rather than feeding their existing interests. And they began testing a new algorithm that incorporated a different type of A.I., called reinforcement learning. The new A.I., known as Reinforce, was a kind of long-term addiction machine. It was designed to maximize users’ engagement over time by predicting which recommendations would expand their tastes and get them to watch not just one more video but many more.

YouTube’s recommendations system is not set in stone. The company makes many small changes every year, and has already introduced a version of its algorithm that is switched on after major news events to promote videos from “authoritative sources” over conspiracy theories and partisan content. This past week, the company announced that it would expand that approach, so that a person who had watched a series of conspiracy theory videos would be nudged toward videos from more authoritative news sources. It also said that a January change to its algorithm to reduce the spread of so-called “borderline” videos had resulted in significantly less traffic to those videos.

the bulk of his media diet came from far-right channels. And after the election, he began exploring a part of YouTube with a darker, more radical group of creators. These people didn’t couch their racist and anti-Semitic views in sarcastic memes, and they didn’t speak in dog whistles. One channel run by Jared Taylor, the editor of the white nationalist magazine American Renaissance, posted videos with titles like “‘Refugee’ Invasion Is European Suicide.” Others posted clips of interviews with white supremacists like Richard Spencer and David Duke.

As Mr. Molyneux promoted white nationalists, his YouTube channel kept growing. He now has more than 900,000 subscribers, and his videos have been watched nearly 300 million times. Last year, he and Ms. Southern — Mr. Cain’s “fashy bae” — went on a joint speaking tour in Australia and New Zealand, where they criticized Islam and discussed what they saw as the dangers of nonwhite immigration. In March, after a white nationalist gunman killed 50 Muslims in a pair of mosques in Christchurch, New Zealand, Mr. Molyneux and Ms. Southern distanced themselves from the violence, calling the killer a left-wing “eco-terrorist” and saying that linking the shooting to far-right speech was “utter insanity.” Neither Mr. Molyneux nor Ms. Southern replied to a request for comment. The day after my request, Mr. Molyneux uploaded a video titled “An Open Letter to Corporate Reporters,” in which he denied promoting hatred or violence and said labeling him an extremist was “just a way of slandering ideas without having to engage with the content of those ideas.”

Unlike most progressives Mr. Cain had seen take on the right, Mr. Bonnell and Ms. Wynn were funny and engaging. They spoke the native language of YouTube, and they didn’t get outraged by far-right ideas. Instead, they rolled their eyes at them, and made them seem shallow and unsophisticated.

“I noticed that right-wing people were taking these old-fashioned, knee-jerk, reactionary politics and packing them as edgy punk rock,” Ms. Wynn told me. “One of my goals was to take the excitement out of it.”

Ms. Wynn and Mr. Bonnell are part of a new group of YouTubers who are trying to build a counterweight to YouTube’s far-right flank. This group calls itself BreadTube, a reference to the left-wing anarchist Peter Kropotkin’s 1892 book, “The Conquest of Bread.” It also includes people like Oliver Thorn, a British philosopher who hosts the channel PhilosophyTube, where he posts videos about topics like transphobia, racism and Marxist economics.

The core of BreadTube’s strategy is a kind of algorithmic hijacking. By talking about many of the same topics that far-right creators do — and, in some cases, by responding directly to their videos — left-wing YouTubers are able to get their videos recommended to the same audience.

What is most surprising about Mr. Cain’s new life, on the surface, is how similar it feels to his old one. He still watches dozens of YouTube videos every day and hangs on the words of his favorite creators. It is still difficult, at times, to tell where the YouTube algorithm stops and his personality begins.

It’s possible that vulnerable young men like Mr. Cain will drift away from radical groups as they grow up and find stability elsewhere. It’s also possible that this kind of whiplash polarization is here to stay as political factions gain and lose traction online.

I’ve learned now that you can’t go to YouTube and think that you’re getting some kind of education, because you’re not.

The series revolves around how Selim I, who is trying to extend the empire he forcefully took from his father, is faced with the opposition of the people of Cairo led by the fighter-turned-leader Toman Bay as he fights to conquer Egypt.

The $40 million series caused still another tension in Turkey’s strained relations with Egypt, due to Ankara's support of the banned Muslim Brotherhood and late President Mohammed Morsi. Ankara’s ties are also tense with Saudi Arabia — whose channel broadcasts the series — over the murder of dissident journalist Jamal Khashoggi at the Saudi Consulate in Istanbul. Moreover, the launch of the series is also believed to be strategically timed, to precede another Turkish production on the Ottoman Empire and the life and times of Osman, who gave the empire his name.

ome challenged his description of the Ottomans as “occupiers” and the Mamluks as the locals, whereas the Mamluks were also an occupying force in Egypt. Faisal bin Fahad bin Jasim Al Thani, chairman of one of Qatar’s biggest conglomerates, tweeted that this sentence was “ignorance” coupled with hate. “Toman Bay and the Mamluks are Turks [not Egyptians], and the Ottomans are also Turks. So, if you consider the Ottomans to be an occupier, you need to concede that the Mamluks were, too,” he tweeted.

In recent years, there have been requests in Egypt to remove the name of this violent sultan from streets and squares in the country. The first attempt was in February 2018 when the Egyptian authorities decided to remove Selim’s name from a street in the Zeitoun neighborhood in the east of Cairo.

Because the term “AI” is ambiguous, it makes having clear discussions more difficult. In one sense, it is the name of a subfield of computer science. In another, it can refer to the computing techniques developed in that subfield, most of which are now focused on pattern matching based on large data sets and the generation of new media based on those patterns. Finally, in marketing copy and start-up pitch decks, the term “AI” serves as magic fairy dust that will supercharge your business.

output can seem so plausible that without a clear indication of its synthetic origins, it becomes a noxious and insidious pollutant of our information ecosystem

the people selling this technology propose that text synthesis machines could fix various holes in our social fabric: the lack of teachers in K–12 education, the inaccessibility of health care for low-income people and the dearth of legal aid for people who cannot afford lawyers, just to name a few

Not only do we risk mistaking synthetic text for reliable information, but also that noninformation reflects and amplifies the biases encoded in its training data—in this case, every kind of bigotry exhibited on the Internet. Moreover the synthetic text sounds authoritative despite its lack of citations back to real sources. The longer this synthetic text spill continues, the worse off we are, because it gets harder to find trustworthy sources and harder to trust them when we do.

the systems rely on enormous amounts of training data that are stolen without compensation from the artists and authors who created it in the first place

the task of labeling data to create “guardrails” that are intended to prevent an AI system’s most toxic output from seeping out is repetitive and often traumatic labor carried out by gig workers and contractors, people locked in a global race to the bottom for pay and working conditions.

employers are looking to cut costs by leveraging automation, laying off people from previously stable jobs and then hiring them back as lower-paid workers to correct the output of the automated systems. This can be seen most clearly in the current actors’ and writers’ strikes in Hollywood, where grotesquely overpaid moguls scheme to buy eternal rights to use AI replacements of actors for the price of a day’s work and, on a gig basis, hire writers piecemeal to revise the incoherent scripts churned out by AI.

too many AI publications come from corporate labs or from academic groups that receive disproportionate industry funding. Much is junk science—it is nonreproducible, hides behind trade secrecy, is full of hype and uses evaluation methods that lack construct validity

We urge policymakers to instead draw on solid scholarship that investigates the harms and risks of AI—and the harms caused by delegating authority to automated systems, which include the unregulated accumulation of data and computing power, climate costs of model training and inference, damage to the welfare state and the disempowerment of the poor, as well as the intensification of policing against Black and Indigenous families. Solid research in this domain—including social science and theory building—and solid policy based on that research will keep the focus on the people hurt by this technology.

“Whether it’s true or not, people have this feeling that it’s safer to protest on campus,” said Moeen, a Sharif University alum who has observed the protests and spoke on condition that only his first name be used. “It’s easier than orchestrating something at a random square in Tehran. There are student syndicates. There’s leadership.”

After the U.S.-backed 1953 coup, University of Tehran students revolted over then-Vice President Richard Nixon’s visit to the capital. The shah’s security forces stormed the campus and shot three students dead.

Sharif University, among other campuses, was wracked by protests two decades later, when Marxist and Islamist student groups lit the fuse of the 1979 Islamic Revolution, which ushered in the clerical establishment that still rules Iran.

Pro-reformist students protested at the University of Tehran in 1999, prompting a fearsome raid by security forces who fatally shot a student and flung others out of windows.

Sharif University — a competitive, high-tech hub considered less liberal and activist than others in the capital

Deepening global isolation and frustration over lagging political reforms convinced many students that nothing would come of engaging with the system.

in the fall of 2019, a fuel price hike set off the deadliest nationwide unrest since the Islamic Revolution. The Sharif Islamic Association, a misnomer for the students’ largely secular representative body, jumped into action, organizing demonstrations on campus

In 2020, the student group boycotted classes and held a protest vigil after the Iranian military’s downing of a Ukrainian passenger plane killed 176 people, including over a dozen Sharif University graduates

the biggest reason is freedom. We just want basic things that you have all over the world

Sharif University authorities denied the student association a protest permit, members said. Crowds demonstrated anyway, pumping their fists and chanting “Death to the dictator!” — a slogan that protesters have used around the country.

As hundreds of students chanted against Khamenei, plainclothes security forces raided campus. Professors formed a human shield so students could flee. But security forces beat the professors, ripped through their interlocked hands and chased protesters into the parking garage.

“For the sake of its own future, the government should care about these students. They’re the nerds. But it was clear it only cared about oppressing them.”

On Sunday, the university announced it would temporarily ban over two dozen students who contributed to the “unstable environment.”

Most recently this week, female students streamed into the male-only section of the dining hall in protest over campus gender segregation as male students cheered them on. The university closed the cafeteria on Tuesday, hoping to end the demonstrations.