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A friend of Mohamed’s, an unemployed telecommunications engineer named Nabil Selliti, left Douar Hicher to fight in Syria. Oussama Romdhani, who edits the Arab Weekly in Tunis, told me that in the Arab world the most likely radicals are people in technical or scientific fields who lack the kind of humanities education that fosters critical thought. Before Selliti left, Mohamed asked him why he was going off to fight. Selliti replied, “I can’t build anything in this country. But the Islamic State gives us the chance to create, to build bombs, to use technology.” In July, 2013, Selliti blew himself up in a suicide bombing in Iraq.

Tourism, one of Tunisia’s major industries, dropped by nearly fifty per cent after June 26th last year, when, on a beach near the resort town of Sousse, a twenty-three-year-old student and break-dancing enthusiast pulled an automatic weapon out of his umbrella and began shooting foreigners; he spared Tunisian workers, who tried to stop him. The terrorist, who had trained at an Islamic State camp in Libya, killed thirty-eight people, thirty of them British tourists, before being shot dead by police.

“The youth are lost,” Kamal told me. “There’s no justice.” Douar Hicher, he said, “is the key to Tunisia.” He continued, “If you want to stop terrorism, then bring good schools, bring transportation—because the roads are terrible—and bring jobs for young people, so that Douar Hicher becomes like the parts of Tunisia where you Westerners come to have fun.”

Will a one-week training enable Egypt’s imams to sound more reassuring, more emphatic and appear more camera-friendly on television? The Ministry of Religious Endowments certainly hopes so.

Courses include teaching the imams how to speak in talk shows, telephone interviews and TV debates. It also teaches them body language for interviews on TV as well as writing sound bites for various types of televised interviews. 

the course aims to develop the media skills of the imams so that they can “dominate the religious discourse,” counter extremist views expressed by the Salafists and efficiently debunk false interpretations on religion in TV programs.

In the absence of protest workshops and ‘how-to’ manuals, video footage captured on mobile phones in Kiev (and elsewhere) and uploaded to social media sites now serves as a repository for protest tactics, to be studied and adapted by anti-coup protesters thousands of miles away in Cairo. These instances of unsentimental appropriation mark an interesting departure from previous patterns of resource sharing and border-crossing diffusion of protest tactics, patterns which saw Egyptian activists cultivate a series of formative linkages with pro-democracy movements such as Serbia’s Otpor movement in the years before the Jan. 25 revolution.

We have teams of people who go on YouTube and search for videos of other protests around the world and when they come across a new tactic, they post it on the Facebook page. If we find a good tutorial video, we translate it into Arabic

The co-ordination of protests themselves, however, is increasingly occurring offline: Egyptian state security has grown so adept at infiltrating online groups, that mosques and university campuses are now the two most important associational spaces in which to organize. In many neighborhoods, certain mosques have a reputation for playing host to rallies that are launched after prayer. Here, would-be protesters do not need access to formal protest networks to participate; they simply need to turn up. These are often the same mosques from where protests were launched during the Jan. 25 revolution. If the protests begin elsewhere, the relevant times and locations are distributed to a trusted list of regular protest-goers who then relay the information to friends and relatives

"All the Taliban," declares William Martinez, a 24-year-old barber at Le Moustache, a hair salon across the street.

"There are two types of people who use the mosque," she says, matter-of-factly. "The Arabs and the Iranians."

Many here refer to all Muslims or Middle Easterners as Turks, and seem to know next to nothing about their religious beliefs. "They pray to the god of the moon so they only gather at night," says Ms. Melendez.

Architecture has been part of that work. The unspoken assumption was that houses should fit together along alleys and streets, that no private house should be so ostentatious as to stand higher than the mosque or the church, and that the city should be a compact and unified place, built with local materials according to a shared vocabulary of forms. Thick walls of stone created interiors that would be cool in summer and warm in winter with the minimum use of energy. The souk was conceived as a public place, embellished appropriately so as to represent the heart of the city, the place where the free trade of goods expressed the free mingling of the communities.

The old souk of Aleppo, tragically destroyed in the current Syrian conflict, was a perfect example of this, the delicate and life-affirming center of a city that has been in continuous habitation for a longer time than any other. That city rose to eminence as the final station on the Silk Road, the place where treasures were unloaded from the backs of camels coming from Mesopotamia onto the carts that would take them to the Mediterranean ports. The fate of this city, which has, in the 21st century, faced destruction for the first time in 5,000 years, is a fitting emblem of what is happening to the Middle East today.

it is not only civil conflict that has threatened the ancient cities of the Middle East. Long before the current crisis there arrived new ways of building, which showed scant respect for the old experience of settlement and disregarded the unwritten law of the Arab city that no building should reach higher than the mosque, it being the first need of the visitor to spy out the minaret, and so to find the place of prayer. These new ways of building came, like so much else, from the West, first through colonial administration and then through foreign “advisors,” often taking advantage of the insecure land-law of the region, introduced by the Ottoman land code of 1858. By the time France had been granted the mandate to govern Syria in 1923, modernist building types, the mania for roads and motorized “circulation,” the idea that cities should be disaggregated into “zones”—residential, commercial, industrial, and so on—and the obsession with hygiene had all made their destructive mark on the urban fabric

For more than two years, unmarked Israeli drones, helicopters and jets have carried out a covert air campaign, conducting more than 100 airstrikes inside Egypt, frequently more than once a week — and all with the approval of President Abdel Fattah el-Sisi.The remarkable cooperation marks a new stage in the evolution of their singularly fraught relationship. Once enemies in three wars, then antagonists in an uneasy peace, Egypt and Israel are now secret allies in a covert war against a common foe.

Their collaboration in the North Sinai is the most dramatic evidence yet of a quiet reconfiguration of the politics of the region. Shared enemies like ISIS, Iran and political Islam have quietly brought the leaders of several Arab states into growing alignment with Israel — even as their officials and news media continue to vilify the Jewish state in public.

Both neighbors have sought to conceal Israel’s role in the airstrikes for fear of a backlash inside Egypt, where government officials and the state-controlled media continue to discuss Israel as a nemesis and pledge fidelity to the Palestinian cause.

Going back 10 years to the Arab Spring and eight years before that to the invasion of Iraq, much of the region has experienced terrible loss not only on a human scale, but also of its archaeological heritage. The culmination of both came in 2015 with the brutal murder of the 82-year-old archaeologist Khaled al-Asaad — who had been in charge of the Syrian UNESCO World Heritage site of Palmyra for 40 years — and the destruction of part of the 2,000-year-old site by the Islamic State group

Three countries — Iraq, Syria and Libya — have an extraordinary heritage of ancient archaeological sites, many of them now endangered, and had in common long-standing dictators, (although in the case of Syria, of course, the Assad regime continues), all of whom used their cultural heritage in various ways to define how they saw their nation

That dictators draw inspiration from ancient history to shape their nations is nothing new — Mussolini looked back to the Roman empire, while Hitler and the Nazi party developed their mythical, ancient “Aryan” race. The last shah of Iran, Mohammad Reza Pahlavi, threw one of the most lavish parties in history at Persepolis in 1971 during national celebrations to illustrate the grandeur of the 2,500-year-old Persian empire founded by Cyrus the Great in the sixth century B.C.

In October 2016, lawyer Samir Sabri filed a lawsuit before the Second Circuit of the Administrative Judiciary Court, demanding that Shiite media outlets and websites be shut down in Egypt

“It is unacceptable and unreasonable to have a media platform in Egypt promoting Shiite ideology. Egypt is an Islamic state and the main source of legislation is Sharia under the constitution, which recognizes Christianity and Judaism to be monotheistic. El-Nafis is one of the news websites inciting against Saudi Arabia, Al-Azhar and the Ministry of Awqaf, where Ahmad Rasem al-Nafis attacks in his articles the Sunnis and Saudi Arabia and calls for professing the Shiite faith.”

“The Salafist leaders’ Wahhabism was behind the dissemination of extremism in Syria and Yemen. Shiite channels and websites in Egypt do not advocate extremism or renounce any ideology or doctrine. They call for dealing with the Shiites as Muslims at a time when Salafist movements claim that Shiites are non-Muslims.”

The editor of Morocco's Al-Ahdath Al-Maghribia daily newspaper, Moktar el-Ghzioui, is living in fear for his life after he expressed support for pre-marital sex during a local television debate. "The next thing there was a cleric from Oujda releasing a fatwa that I should die," he says.

Critics of the Islamists argue that the strict sex laws merely increase the harassment of women.

Imam Hassan Ait Belaid who preaches at a mosque in the commercial capital Casablanca says article 490 is part of the culture of a non-Western society. "If the code is removed, we will become wild savages. Our society will become a disaster," he says.

When 55 people protesting against the military overthrow of Egypt's first freely elected president were killed after the army opened fire on Monday, you might have expected the country to unite in condemnation.A surprisingly subdued public reaction, and the independent media's outright vilification of protesters, reflects in part the depth of political opponents' distrust of Mohamed Mursi and his Muslim Brotherhood.But it also represents a triumph for the military's public relations machine which, aware of its fumbled handling of the turbulent aftermath of Hosni Mubarak's overthrow in 2011, has moved decisively, and successfully, to gain the upper hand.

Independent newspapers, many of which were fiercely opposed to Mursi when he was in power, have been, if anything, more partisan. Daily Al-Masry Al-Youm wrote the bloodletting was "the Brotherhood's responsibility." Al-Watan decried a "conspiracy by the 'Armed Brotherhood' against the army."

With television stations sympathetic to the Brotherhood shut down, senior leaders arrested and its newspaper appearing only intermittently, Mursi's supporters have struggled to convey their view of the killings - that security forces, unprovoked, fired on them while they conducted dawn prayers."The military coup has showed its hideous face after just six days," said a flyer handed out by young men at the main pro-Mursi sit-in at a mosque in northeastern Cairo."Were these people firing bullets while they bowed upon their mats in prayer?"

Turkish TV series have found a considerable audience in the region and angered conservatives who see them as deliberate efforts to induce moral laxity among Muslims. Some scholars at the al-Azhar mosque-university, for instance, blamed the melodrama Gümüş for increasing the divorce rate in Egypt by raising the “romantic expectations of women.”

enhance Turkey’s status as a vital and autonomous player in the region

Increasing signs of multi-polarity also provide ample opportunities for the Turkish government to enhance its regional influence, which can be converted into bargaining power in its dealings with the US and the EU. As Ahmet Davutoğlu lucidly described his vision: “The new global order must be more inclusive and participatory…. Turkey will be among those active and influential actors who sit around the table to solve problems rather than watching them.”[7]

to take the notion that whistling, stringed instruments, or female stage presence are all somehow interruptions in our connection with God and turn them so completely around that they become the very channel through which we access God, is where things get interesting.

What struck me most about ‘Taqwacore’ was not that the bands lived in contradiction, praying and swearing, mediating between mosques, mosh pits, and the media… that’s all old news. Every Muslim/immigrant/kid that turned out different than their parents has already figured out that life is complicated and no one lives one-dimensionally. Nor was it really the music — I’m not a huge punk fan, and when I first heard about Taqwacore years before it was in Rolling Stone, I thought it was a cool idea but could never really get into the music. What surprised me most about the movie, then, was that I liked it that much. That I felt this raw reaction, that made my heart come up into my throat and tugged on some emotional organ somewhere in my core. And it seemed that in some way, here was art that was not preachy, not quiet, not apologetic, not commercialized or sanitized or boring, and yet was still an acknowledgment of a world other than that of our own making. That as Jehangir puts it, praised without asking permission. That dared to say what you’re not really allowed to, and originated out of the sweat of matam. And ask any Shi’a the world over: when it comes to intensely sacred outpours, you really can’t top that.

it seems appropriate to take punk, music born out of an anti-establishment ethic and a rejection of the mainstream, and make it a matter of God-consciousness. Perhaps even something, as all sorts of bombs rain down, to find shelter in.

Confronting these grievances by cutting off or hacking a communication technology, as one British lawmaker said should be done to Blackberry in London, fails to address the deep-rooted dissatisfaction that drove people to take to the streets. The Egypt case shows that when a regime cuts Internet, television, and mobile phone networks, protester numbers may actually increase.

Social media are part of a much larger matrix of tools and intentions that rally masses. That said, they are neither necessary nor sufficient to make a revolution possible. By fixating on technologies and the few youth that actively use them, we ignore a much more powerful narrative — the story of how synergies are created between classes to mobilize as a network without depending on social media. In Egypt, these networks may include family connections, neighborhoods, mosques, and historical institutions, such as the previously banned Muslim Brotherhood. New technologies hardly erode or overwhelm these classic models of communication and information sharing.

over-generalizing social media’s role could do more to harm our understanding of an uprising than help it

Mr. Cain, 26, recently swore off the alt-right nearly five years after discovering it, and has become a vocal critic of the movement. He is scarred by his experience of being radicalized by what he calls a “decentralized cult” of far-right YouTube personalities, who convinced him that Western civilization was under threat from Muslim immigrants and cultural Marxists, that innate I.Q. differences explained racial disparities, and that feminism was a dangerous ideology.

Over years of reporting on internet culture, I’ve heard countless versions of Mr. Cain’s story: an aimless young man — usually white, frequently interested in video games — visits YouTube looking for direction or distraction and is seduced by a community of far-right creators. Some young men discover far-right videos by accident, while others seek them out. Some travel all the way to neo-Nazism, while others stop at milder forms of bigotry.

YouTube and its recommendation algorithm, the software that determines which videos appear on users’ home pages and inside the “Up Next” sidebar next to a video that is playing. The algorithm is responsible for more than 70 percent of all time spent on the site