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they had shared and could recite the viral Facebook memes constructing an alternate reality of nefarious Muslim plots. Mr. Lal called them “the embers beneath the ashes” of Sinhalese anger

the forces of social disruption that have followed Facebook’s rapid expansion in the developing world, whose markets represent the company’s financial future. For months, we had been tracking riots and lynchings around the world linked to misinformation and hate speech on Facebook, which pushes whatever content keeps users on the site longest — a potentially damaging practice in countries with weak institutions.

Time and again, communal hatreds overrun the newsfeed — the primary portal for news and information for many users — unchecked as local media are displaced by Facebook and governments find themselves with little leverage over the company. Some users, energized by hate speech and misinformation, plot real-world attacks.

“They just want to see your visa,” a British embassy official told me on March 18, passing on a message from Egyptian security officials at the country’s visa and immigration office. I knew what that meant: Other journalists had been called to the same authority to have their visas revoked. Later that day, the British official called me again as I sheltered in a hotel room, after a lawyer advised me to flee my apartment in case it was raided by police. The security services had spoken to the Egyptian Ministry of Foreign Affairs, which had passed a second message to the British embassy. “They’re asking you to leave,”

I dodged the meeting at the visa authority by sending a lawyer in my place, after officials at the German embassy in Cairo—I’m a dual national—warned me I could be arrested or deported there. We think it’s best you get on a plane, they said. 

The number of infected people has become a metric for evaluating the Egyptian government’s control of the disease; the possibility that more people could be infected has become almost blasphemous in the eyes of the authorities. Even now, as confirmed COVID-19 cases in Egypt top 7,000, the size of the outbreak remains an inflammatory subject, with fear and nationalist pride working alongside a state that is practiced at concealing information

“Social media is a positive asset to Tunisian media. It is a source of information for the Tunisian people and the most trusted source of news,” said Hichem Snoussi, a media expert and member of the National Committee of Information and Communication Reform (INRIC). “These sites are the hardest thing for the government to control. Peer-to-peer information sharing destroys the possibility of monopolizing information,” Snoussi continued

“These sites can be bought by people who want influence. They can also foster rumors,” he said.

“Right after the revolution, media regained the trust of Tunisians. The state television channel got 40% of their audience back but now, it’s losing people’s trust again as the government exerts control over the media once more. It’s an issue of trust. People don’t trust traditional sources of news anymore.”

"All the Taliban," declares William Martinez, a 24-year-old barber at Le Moustache, a hair salon across the street.

"There are two types of people who use the mosque," she says, matter-of-factly. "The Arabs and the Iranians."

Many here refer to all Muslims or Middle Easterners as Turks, and seem to know next to nothing about their religious beliefs. "They pray to the god of the moon so they only gather at night," says Ms. Melendez.

Jordan’s strategic relationships and regional importance continue to win it unmatched financial support from the international community. And as a result, the government has felt little urgency or pressure to undertake real reform or respond to the legitimate demands of its youth. With trust between the youth and the regime low and the perception of corruption high, however, remaining complacent carries grave risks for the country’s stability.

“Economic optimism is scant, particularly among the youth,” the Arab Barometer found, adding that the economic crisis was “leading many to consider migration despite global travel restrictions.”

the rate of suicide in Jordan has also increased over the past few years amid the dire economic conditions. In 2020, the rate was the highest in 10 years and 45 percent higher than the year before, with one suicide on average every other day. After university graduates threatened earlier this year to commit mass suicide over widespread unemployment, Jordan’s parliament passed legislation criminalizing suicide and attempts to commit suicide in a public place, doubling the fine if it is a mass suicide attempt.

I’d like to argue that Television functions as a distancing technology while social media works in the opposite direction: through transparency of the process of narrative construction, through immediacy of the intermediaries, through removal of censorship over images and stories (television never shows the truly horrific pictures of war), and through person-to-person interactivity, social media news curation creates a sense of visceral and intimate connectivity, in direct contrast to television, which is explicitly constructed to separate the viewer from the events.

a very surreal and disorienting experience unless one has been thoroughly conditioned into accepting them as normal. All this positions the anchor between us and the event and signals to the viewer that the event is merely something to be watched, and then you move on.

the construction of the role of the anchor or the curator, and the role of content filtering.

while viewership for TV news still easily outpaces those consuming news on YouTube, the video-sharing site is a growing digital environment where professional journalism mingles with citizen content.

Other popular news events included the Russian elections, unrest in the Middle East, the collapse of a fair stage in Indiana and the crash of an Italian cruise ship.

"One of the things that emerges here is the power of bearing witness as a part of a news consumption process,"

There was intense lobbying against Hani Shukrallah (in ahram and outside of it) whose policy many have discovered today, was not acceptable. He was not informed of that previously and he wasn't informed of his replacement.

There was intense lobbying against Hani Shukrallah (in ahram and outside of it) whose policy many have discovered today, was not acceptable. He was not informed of that previously and he wasn't informed of his replacement. This development is an exception to the changes that took place yesterday because all the other editors were above 65 and thus had to go. All the editors under 65 remained, except Shukrallah who is 55.

There was intense lobbying against Hani Shukrallah (in ahram and outside of it) whose policy many have discovered today, was not acceptable. He was not informed of that previously and he wasn't informed of his replacement. This development is an exception to the changes that took place yesterday because all the other editors were above 65 and thus had to go. All the editors under 65 remained, except Shukrallah who is 55.

The recent literature on Putin is correctly in drawing attention to his pro-Soviet imperialistic views: remember, to Putin the collapse of the USSR the biggest geopolitical catastrophe of 20th century. But what exactly this pro-Soviet worldview means is fairly poorly understood. To get a grasp on one needs to check what Putin’s preferred readings are. Putin’s favorites include a bunch of Russian nationalist philosophers of early 20th century – Berdyaev, Solovyev, Ilyin — whom he often quotes in his public speeches. Moreover, recently the Kremlin has specifically assigned Russia’s regional governors to read the works by these philosophers during 2014 winter holidays. The main message of these authors is Russia’s messianic role in world history, preservation and restoration of Russia’s historical borders and Orthodoxy.

another Putin’s favorite that was rumored to be very popular in his close circles a few years ago: “The Third Empire: Russia that Ought to Be” by Michael Yuriev. It’s a utopian fantasy written as a history book from a perspective of a 2054 Latin American narrator. The book describes how 2054 world order was established, and the process has a striking resemblance with contemporary Ukrainian events. It begins with a Recovery period of 2000-12, when the Great Russia starts its resurgence under the rule of Vladimir II the Restorer. Importantly the First Expansion that leads to reunification of significant territory occurs when Eastern and Southern Ukrainian regions rebel against west-organized Orange revolution (supported by western Ukraine). To help the revolting Ukrainians (that want to rejoin Russia) Vladimir II offers to include their Eastern territories into Russia. He then passes a referendum on those territories, and replaces the Russian Federation with the Russian Union (refer to the Custom Union) that also includes Belarus, Prednestrovie, Kazakhstan, Turkmenistan, South Ossetia and Abkhazia

Again, it may sound implausible but that is exactly what the late Harvard political scientist Samuel Huntington predicted in his book “The Clash of Civilizations and the Remaking of World Order“: alignments and wars among various civilizations — Western, Islamic, Chinese, Orthodox/Russian Latin etc. Notice that the Orthodox/Russian unity has already been restored in Russia. In response to the Ukrainian Church’s call to stop the Russian troops, Saturday a representative of Russia’s Orthodox Church suggested that Ukrainians shouldn’t resist the Russian military “peacekeepers.” Their mission – as was pointed out – is “to restore Russia’s historical unity.”

it was not the opposition of "fundamentalists" that kept rai music (not just Khaled's) off of Algerian state radio. It was rather the Algerian (secular) regime's cultural policies. The state promoted classical Arabic culture and language and denied Algeria's multi-cultural nature. Expressive culture in Arabic dialect or Berber was therefore mostly excluded from the state-controlled media. Rai is sung in the distinctive colloquial Arabic of Wahran, which is not only very different from "classical" or literary Arabic but is also full of borrowings from Spanish, French and Berber. This official national-cultural politics, which was particularly severe during the regime of Houari Boumediene (1965-1978), began to loosen during Chadly Benjadid's regime (1979-1992). In his 1998 autobiography, "Derrière la sourire," Khaled recounts how he managed to break the official embargo in the early 1980s. He was invited to appear on a television show in Algiers, which he knew couldn't be censored because it was to be broadcast live. Khaled was warned ahead of time: no vulgarities, no sex. So he sang three songs: the first, about the Prophet Muhammad; the second, a "poetic" song, one that was artistically acceptable; and the third, about alcohol and women.

Khaled, and other rai stars, came to play at this festival due to the efforts of the "liberal" wing of the Algerian regime -- and particularly to Lieutenant-Colonel Hosni Snoussi, director of the state-supported arts and culture organization, Office Riadh el Feth in Algiers, who had taken Cheb Khaled under his wing. The regime's liberal wing became interested in promoting rai in the wake of a spate of unrest that erupted during the early 1980s. Most notably, the 1980 riots in Tizi Ouzou, Kabylia (the "Berber Spring"); the 1985 riots in Algiers, which broke out following rumors that housing being built for the poor would be allocated to state bureaucrats; and the 1986 student riots in Constantine that resulted in the deaths of four protesters and spread to other cities. Young Algerians played a leading role in all these protests. The liberal wing of the regime determined that, to deter further unrest, the state should focus on promoting the interests of youth and on developing the market economy. Rai was very popular with Algerian youth, and so the "liberals" determined that promoting it was to be an important element of these reform efforts. It was changes in state policy toward rai, pushed by Snoussi, that got Khaled and other rai stars onto the stage in Algiers in 1985.

The French government had a stake in trying to control and channel the energies of the rai scene.

Facebook and Twitter might be the media keywords in these "Days of Anger," but in Egypt, television dominates as a way of disseminating information; it is why protests went on even when the government shut down the Internet and cell phone service. Al Jazeera's coverage has been characterized by its scope and commitment, as well as its timeline: on Friday, 28 January, while state TV ignored the protests, Al Jazeera broadcast constant live footage from the 6th of October bridge.

Al-Jazeera's "Gulf War moment"

Over the past twelve days, state television has been providing skewed coverage or willfully ignorant non-coverage of the demonstrations that has amounted to unabashed propaganda. Broadcasts have attempted to evidence some of the most destructive rumors: that protesters morphed into looters as soon as police were withdrawn; that foreign journalists were part of a conspiracy to overthrow the government; that the majority of Egyptians, Mubarak supporters, are being bullied and intimidated by thuggish activists whose uprising has paralyzed Egypt's economy. One protester described state TV to Moheyldin this way: "It would make Nazi propaganda chief Joseph Goebbels proud."

Imprisoned Egyptian publisher Khaled Lutfi has been selected for International Publishers Association’s 2019 Prix Voltaire which supports defenders of freedom to publish.

On February 4, Khalid Lutfi (also written Lotfy), founder of Cairo’s Tanmia Bookshop and Publishing, was sentenced to five years in prison on charges of divulging military secrets and spreading rumors for having distributed an Arabic translation of the book The Angel: The Egyptian Spy Who Saved Israel, by Uri Bar-Joseph

Today, Twitter has a different story, and it is not one of speaking truth to power. Twitter is no longer empowering its users. Its platform cannot be considered neutral. Twitter’s actions suggest it is systematically suppressing voices in the Middle East and North Africa (MENA) region.

What started out as an investigation into the mass suspension of accounts of Egyptian dissidents, uncovered a mass censorship algorithm that targeted users who use Arabic flagging their text as hateful conduct. This story is still unfolding. As you read this, mass and unjustified systemic locking and suspension of Twitter Arabic accounts continues. Users are angry and bewildered.

draconian yet lazy algorithms have systematically shut down voices of dissent – and pulled unsuspecting social media users down with them

With foreign press virtually absent inside Iran — where authorities are arresting local journalists, restricting internet access and allegedly spreading misinformation online — distant correspondents such as Esfandiari face a deluge of challenges in getting accurate news about Iran to the rest of the world.

“These people are really risking everything to send us videos of the protests,” Esfandiari said. “And they come speak to us because they trust us, and they know the state media are never going to give them a platform.”

Western news organizations have been almost entirely shut out of the country by state restrictions and security concerns. Meanwhile, the government has arrested more than 60 Iranian journalists, according to the Committee to Protect Journalists. Niloofar Hamedi and Elahe Mohammadi, among the reporters who helped break the story of Amini’s death, were charged with acting as CIA spies, an offense punishable by the death penalty.