Group items tagged

Opinion piece in the July 19th 2014 NYTimes by Joshua Wolf Shenk, the author of the forthcoming book: Powers of Two: Finding Essence of Innovation in Creative Pairs". He begins:"the lone genius is a myth that has outlived its usefulness. Fortunately, a more truthful model is emerging: the creative network, as with the crowd-sourced Wikipedia or the writer's room at "The Daily Show" or - the real heart of creativity - the intimate exchange of the creative pair, such as John Lennon and Paul McCartney and myriad other examples with which we've yet to fully reckon." and ends with: "This raises vital questions. What is the optimal balance between social immersion and creative solitude? Why does interpersonal conflict so often coincide with innovation? Looking at pairs allows us to grapple with these questions, which are as basic to the human experience as the push and pull of love itself. As a culture, we've long been preoccupied with romance. But we should also take seriously something just as important, but long overlooked - creative intimacy."

Although the author stresses pairs, the history of genius is really interesting - for example, before the 16th century, individuals were not geniuses, but having genius which was a value that emerged from within a person given to them at birth".

post by Tom Barrett on relational creativity, January 9, 2015

An amazing interview with Maria Popova of Brain Pickings, July 2013 Highlights: What is your area of expertise as a writer or online publisher? I'm not an expert and I aspire never to be one. As Frank Lloyd Wright rightly put it, "An expert is a man who has stopped thinking because 'he knows.'" Brain Pickings began as my record of what I was learning, and it remains a record of what I continue to learn - the writing is just the vehicle for recording, for making sense. That said, one thing I've honed over the years - in part by countless hours of reading and in part because I suspect it's how my brain is wired - is drawing connections between things," "Do you believe in "writer's block"? If so, how do you avoid it? I think the operative word here is "believe." If you fixate on it, it'll be there. It's kind of like insomnia - the more you think about not being able to fall asleep, the less able to fall asleep you become. It's different for everyone, of course, but I find that you break through that alleged "block" simply by writing. As Tchaikovsky elegantly put it, "A self-respecting artist must not fold his hands on the pretext that he is not in the mood." The writer's creativity … Define creativity. The ability to connect the seemingly unconnected and meld existing knowledge into new insight about some element of how the world works. That's practical creativity. Then there's moral creativity: To apply that skill towards some kind of wisdom on how the world ought to work."

Really a wonderful summation of how curiosity leads to creativity--interview with Elizabeth Gilbert by Melissa Dahl, September 23, 2015

Fascinating ideas for presenting credentials in creative ways

Love these descriptions of creative traits and people in Tom Barrett's blog post from Feburary 2015

Amazing blog by Susan Lucille Davis for creativity in the new year, January 3, 2013 Many wonderful URL/links are provided here.

great quote on how creativity--following a passion will take you through losing memory, hearing, sight, etc. by Marna Clarke on Senior Planet

all about creative careers in the digital economy, weekly magazine, August 23, 2015

Great blog post on becoming more creative and sustaining it by James Clear

Slideshare program by Reut Schwartz-Hebron, 15,426 views, on Time Management for Creative Thinkers.

Maria Popova, a curator's code for showing how you obtained your mindblowing ideas. Two unicode symbols and a bookmarklet that you download allows you to show how others have assisted you. "The Curator's Code is an effort to keep this whimsical rabbit hole open by honoring discovery through an actionable code of ethics - first, understanding why attribution matters, and then, implementing it across the web in a codified common standard, doing for attribution of discovery what Creative Commons has done for image attribution. It's a suggested system for honoring the creative and intellectual labor of information discovery by making attribution consistent and codified, celebrating authors and creators, and also respecting those who discover and amplify their work."

Web site for Digital Competence: European-wide validation for all levels of learning "Objective:  Identify the key components of Digital Competence (DC) in terms of the knowledge, skills and attitudes needed to be digitally competent; Develop a DC framework/guidelines that can be validated at European level, taking into account relevant frameworks currently available; Propose a roadmap for the possible use and revision of a DC framework for all levels of learners. Outcomes: (1) a consolidated draft proposal for a DC framework, applicable at all levels of education, including non-formal settings (2) roadmap on how to realise and revise the DC framework. Rationale: With the 2006 European Recommendation on Key Competences (Official Journal L 394 of 30.12.2006), Digital Competence has been acknowledged as one of the 8 key competences for Lifelong Learning by the European Union. Digital Competence can be broadly defined as the confident, critical and creative use of ICT to achieve goals related to work, employability, learning, leisure, inclusion and/or participation in society. DC is a transversal key competence which, as such, enables acquiring other key competences (e.g. language, maths, learning to learn, creativity). It is amongst the so-called 21st Century skills which should be acquired by all citizens, to ensure their active socio-economic participation in society and the economy. Major questions: What are the key components of DC and what kind of knowledge, skills and attitudes people should have to be digitally competent, today and in the future? How can and/or should the development of this competence be validated at European level within a lifelong learning context, thus encompassing formal education, non-formal and informal learning and the world of work? "

Interview with Sam Watterson, Calvin & Hobbes creator Tips about creative process 1. You have to lose yourself in your work 2. Create for yourself 3. Make it beautiful 4. Every medium has power

Describes the 3 layers of licenses, and the 6 types of licenses available from Creative Commons. There is also a link to their simple License Chooser to help you decide which license to use.

"Openlab Workshops' mission is to use open source and free software tools and knowledge to both enable and inspire people's creativity. We are part of the open source and free software community because of their idealistic emphasis on transparency, knowledge-sharing, and collaboration. Since 2009 we've developed and taught over 24 workshops in such topics as programming for artists and designers using Processing, interactive lighting, livecoding, Arduino, and sound generation and analysis."

My cousin Evan Raskob's Openlab Workshop site. They are f2f workshops, but the concept is to bring diverse people together to create and share knowledge about digital art and technology.

Superb video (9 minutes) on creativity including collaboration and process of learning and innovating. Believe this video should be part of our Studio line-up in some way to prompt discussion, to back up our methods, etc.

Love this blog post by Tom Barrett that cites Valve Corporation, an American video creation company that encourages innovation--uses the metaphor of desks with wheels to enable people to use their "open allocation" time to do the most important work and contribute the most--similar to the law of two feet

article by Jonnie Goodwin, founding partner of Lepe Partners, August 2014 on how the internet fosters traditional arts and crafts and passions that might turn into professional work opportunities