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It is likely too early to gauge the effectiveness of these social media courses, degrees, and classroom experiments. Perhaps such endeavors are akin to, as a colleague recently mused, "a massively expensive For Dummies book." Our understanding of online culture will continue to evolve with or without academia's involvement, but it does beg the question: Should our institutions of higher education share some of the responsibility of explaining the online frontier of social media, or are its participants fully capable of self-management and adaptation? The answer may require more than 140 characters.

Twitter turns out to have unsuspected depth

"ambient awareness"

Injecting Twitter into that conversation fundamentally changed the rules of engagement. It added a second layer of discussion and brought a wider audience into what would have been a private exchange. And it gave the event an afterlife on the Web. Yes, it was built entirely out of 140-character messages, but the sum total of those tweets added up to something truly substantive, like a suspension bridge made of pebbles.

The current model for teaching and learning is based on a relative scarcity of research and writing, not an excess. With that in mind, Mr. Torget and several others have created a Web site called History Engine to help students around the country work together on a shared tool to make sense of history documents online. Students generate brief essays on American history, and the History Engine aggregates the essays and makes them navigable by tags. Call it Wikipedia for students. Except better. First of all, its content is moderated by professors. Second, while Wikipedia still presents information two-dimensionally, History Engine employs mapping technology to organize scholarship by time period, geographic location, and themes.

“The challenge of a digital age is that that writing assignment hasn’t changed since the age of the typewriter,” Mr. Torget said. “The digital medium requires us to rethink how we make those assignments.”

Certainly there is the entertainment element to this service, however I also see a great deal of potential for educational value as well. The Common Craft Show has shown us that hand-drawn explanations – completely devoid of a single on-screen pixel – can be used to effectively explain social media concepts. I think GoAnimate could do much the same.

I’m hoping that there will be a way to download the cartoons you create, and/or upload them to your YouTube account – because I prefer to keep all my digital media stored more or less in the same place.

The fact that students today almost always write for an audience (something virtually no one in my generation did) gives them a different sense of what constitutes good writing. In interviews, they defined good prose as something that had an effect on the world. For them, writing is about persuading and organizing and debating, even if it's over something as quotidian as what movie to go see. The Stanford students were almost always less enthusiastic about their in-class writing because it had no audience but the professor: It didn't serve any purpose other than to get them a grade.

The brevity of texting and status updating teaches young people to deploy haiku-like concision.

The world is changing because of social web technologies. Our kids are using them. No one is teaching them how to use them to their full learning potential, and ultimately, as teachers and learners, that’s our responsibility. To do that, we need to be able to learn in these contexts for ourselves.

the idea that separating more personal services like Facebook from business-oriented services like LinkedIn makes little sense in the Internet age.

All you have to do is enter your LinkedIn login information

“The revolution is that, all of a sudden, the Internet can be a network of intelligent agents, doing work for their users, rather than a place where big commercial interests aim to gather as many users on their platform as possible,”

The idea is that we  should challenge thinking, inspire creativity, and stir up discussion with a Powerpoint presentation – not present a series of dry facts. 

More than any thing else, Mr. Bowen wants to discourage professors from using PowerPoint, because they often lean on the slide-display program as a crutch rather using it as a creative tool. Class time should be reserved for discussion, he contends, especially now that students can download lectures online and find libraries of information on the Web.