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Now we’re getting into the online pivot more substantially, higher education institutions are coming to terms it may not be a short-term emergency shift. It looks like the first semester of the 2020-21 year may be online, and if Covid-19 flares up again, who knows how long it may continue. While you could get away with “sticking classes on Zoom” for the immediate emergency, that won’t cut it in the medium term.

I’m sorry to tell you – there is no Go Online button

The good news is that it is entirely possible to create good, online courses in just about any subject, and students will do well in them and their performance and long term understanding of the topics will be as good, if not better, than those taught face to face. So that’s the good news, higher education isn’t going to die.

argues for radical reform of college teaching, advocating a move toward a "flipped" classroom, where students watch videos from superstar professors as homework and use class time for group projects and other interactive activities

it's much harder to then take it for the broad set of students in the institutional framework and decide, OK, where is technology the best and where is the face-to-face the best. And they don't have very good metrics of what is their value-added. If you try and compare two universities, you'll find out a lot more about the inputs—this university has high SAT scores compared to this one. And it's sort of the opposite of what you'd think. You'd think people would say, "We take people with low SATs and make them really good lawyers." Instead they say, "We take people with very high SATs and we don't really know what we create, but at least they're smart when they show up here so maybe they still are when we're done with them."

The various rankings have focused on the input side of the equation, not the output

Evidence has shown that teenagers rely on college visits and Web sites to learn about colleges, rather than social-media outlets. When it comes to Twitter, students are barely on the site at all, let alone for college research purposes.

Rebecca Whitehead, assistant director of campus visits and engagements at Winthrop University, maintains the admissions office’s Twitter account, which currently has 373 followers. She says she uses it largely to connect with other higher-education professionals, to find out about upcoming events or research.

I grab feeds from external blogs all the time that are related to UMW an pull them into our sitewide “tags” blog (the name tags here is confusing, it is simply a republishing of everything in the entire WPMu install) with FeedWordPress. For example, I stumbled across this post in the tags blog on UMW Blogs tonight, which was actually being pulled in from a WordPress.com blog of a student who graduated years ago, but regularly blogs about her work in historic preservation.  This particular post was all about a book she read as an undergraduate in Historic Preservation, and how great a resource it is.  A valuable post, especially since the professor who recommended that book, W. Brown Morton, retired last year. There is a kind of eternal echo in a system like this that students, faculty, and staff can continue to feed into a community of teaching and learning well beyond their matriculation period, or even their career.

what we are doing as instructional technologists, scholars and students in higher ed right now is much bigger than a particular blogging system or software, I see my job as working with people to imagine the implications and possibilities of managing and maintaining their digital identity in a moment when we are truly in a deep transformation of information, identity, and scholarship.

we’ll host domains that professors purchase and, ideally, map all their domains onto one WP install that can manage many multi-blogging solutions from one install.  The whole Russian Doll thing that WPMu can do with the Multi-Site Manager plugin. So you offer a Bluehost like setup for faculty, and if that is too much, allow them to map a domain, take control of their own course work, and encourage an aggregated course management model that pushes students to take control of their digital identity and spaces by extension.  Giving students a space and voice on your domain or application is not the same as asking them to create, manage and maintain their own space.  Moreover, it doesn’t feed into the idea of a digital trajectory that starts well before they come to college and will end well after they leave.  This model extends the community, and brings in key resources like a recent graduate discussing an out-of-print historic preservation text book a retired professor assigned to be one of the best resources for an aspiring Preservation graduate student. This is what it is all about, right there, and it’s not gonna happen in silos and on someone else’s space, we need to provision, empower, and imagine the merge as a full powered move to many. many domains of one’s own.

Privileges abound in academia, but so do experiences of loss, instability and fear. And into this situation we were called to respond to a pandemic.

It is tempting to reach for certainties when everything around us is in chaos, and for a vast swath of higher ed instructors, the rapid shift from face-to-face teaching to emergency distance learning has been chaos. Small wonder, then, that people have offered -- and clung to -- advice that seeks to bring order to disorder. Many people have advised instructors to prioritize professionalism, ditching the sweatpants and putting away the visible clutter in our homes before making a Zoom call, upholding concepts like "rigor" so that our standards do not slip. To some, these appeals to universal principles are right-minded and heartening, a bulwark against confusion and disarray. But to others they have felt oppressive, even dangerously out of touch with the world in which we and our students live.

certainties can be dangerous; their very power is based upon reifying well-worn inequities dressed up as tradition

In the long run, we believe, teachers need to help students develop a critical awareness of generative machine models: how they work; why their content is often biased, false, or simplistic; and what their social, intellectual, and environmental implications might be. But that kind of preparation takes time, not least because journalism on this topic is often clickbait-driven, and “AI” discourse tends to be jargony, hype-laden, and conflated with science fiction.

Make explicit that the goal of writing is neither a product nor a grade but, rather, a process that empowers critical thinking

Students are more likely to misuse text generators if they trust them too much. The term “Artificial Intelligence” (“AI”) has become a marketing tool for hyping products. For all their impressiveness, these systems are not intelligent in the conventional sense of that term. They are elaborate statistical models that rely on mass troves of data—which has often been scraped indiscriminately from the web and used without knowledge or consent.

The problem waiting round the corner for universities is essays generated by AI, which will leave a textual pattern-spotter like Turnitin in the dust. (Earlier this year, I came across one essay that felt deeply odd in some not quite human way, but I had no tangible evidence that anything untoward had occurred, so that was that.)

To accuse someone of plagiarism is to make a moral charge regarding intentions. But establishing intent isn’t straightforward. More often than not, the hearings bleed into discussions of issues that could be gathered under the heading of student ‘wellbeing’, which all universities have been struggling to come to terms with in recent years.

I have heard plenty of dubious excuses for acts of plagiarism during these hearings. But there is one recurring explanation which, it seems to me, deserves more thoughtful consideration: ‘I took too many notes.’ It isn’t just students who are familiar with information overload, one of whose effects is to morph authorship into a desperate form of curatorial management, organising chunks of text on a screen. The discerning scholarly self on which the humanities depend was conceived as the product of transitions between spaces – library, lecture hall, seminar room, study – linked together by work with pen and paper. When all this is replaced by the interface with screen and keyboard, and everything dissolves into a unitary flow of ‘content’, the identity of the author – as distinct from the texts they have read – becomes harder to delineate.