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Ed Webb

Views: How Tweet It Is - Inside Higher Ed - 0 views

  • Part of my interest in this turn to Twitter comes from disappointment with most university press blogs, which often seem more like PR vehicles than genuine blogs with discussion, disagreement, expressions of real enthusiasm or curiosity or whatever. Reading very many of them at one sitting feels like attending a banquet where you are served salt-free soda crackers and caffeine-free Mountain Dew that's gone flat.By contrast, university-press publicists seem more inclined to experiment and to follow tangents with Twitter than they do on their own official websites. They link to material they have posted at the press’s blog, of course – but also to news and commentary that may be only obliquely related to the books in their catalog. It’s as if they escape from beneath the institutional superego long enough to get into the spirit of blogging, proper.
  • The range and the interest of Duke's tweets make its presence exemplary, in my opinion. Between drafting and rewriting this column, for example, I followed Duke's tweets to a newspaper article about whether or not English was approaching one million words, a blog post about rock songs cued to Joyce's Ulysses, and the Twitter feed of Duke author Negar Mottahedeh, who has been posting about events in Iran.
  • She then makes a point that bears stressing given how often university-press blogs tend to be coated in institutional gray: “I think that any kind of social networking needs to have a personality tied to it in order for it to be successful. Also, I think you really need to participate in the media in order for it to be successful. We ask people for questions and opinions, offer giveaways sometimes. My main goal is to try to get people talking -- either with me or with each other about our books and authors.... You can't just provide information or news feeds to reviews and articles about your books. Involving the Press in what is going, contributing to the various discussions, and asking (and answering) questions is really the way to grow your following.”
Ed Webb

How much 'work' should my online course be for me and my students? - Dave's Educational... - 0 views

  • My recommendation for people planning their courses, is to stop thinking about ‘contact hours’. A contact hour is a constraint that is applied to the learning process because of the organizational need to have people share a space in a building. Also called a credit hour, (particularly for American universities) this has meant, from a workload perspective, that for every in class hour a student is meant to do at least 2 (in some cases 3) hours of study outside of class. Even Cliff Notes agrees with me. So… for a full load, that 30 to 45 Total Work Hours for students per course that you are designing.
  • Simple break down (not quite 90, yes i know) Watch 3 hours of video* – 5 hoursRead stuff – 20 hoursListen to me talk – 15 hoursTalk with other students in a group – 15 hoursWrite reflections about group chat – 7.5 hoursRespond to other people’s reflections – 7.5 hoursWork on a term paper – 10 hoursDo weekly quiz – 3 hoursWrite take home mid-term – 3 hoursWrite take home final – 3 hours
  • A thousand variations of this might be imagined
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  • a possible structure recommended by one of the faculty we were talking to was – read/watch, quiz, lecture, student group discussion, reflection. The reasoning here is that if you give learners (particularly new learners) a reading without some form of accountability (a quiz) they are much less likely to do it. I know that for me, when I’ve done the readings, I’m far more likely to attend class. Putting the student group discussion after the lecture gives students who can’t attend a synchronous session a chance to review the recording
  • The standardization police have been telling us for years that each student must learn the same things. Poppycock. Scaffolding doesn’t mean taking away student choice. There are numerous approaches to allowing a little or a lot of choice into your classes (learner contracts come to mind). Just remember, most students don’t want choice – at first. 12-16 years of training has told them that you the faculty member have something you want them to do and they need to find the trick of it. It will take a while until those students actually believe you want their actual opinion.
  • You can have a goal like – get them acculturated to the field – and work through your activities to get there. It’s harder, they will need your patience, but once they get their minds around it, it makes things much more interesting.
Ed Webb

CRITICAL AI: Adapting College Writing for the Age of Large Language Models such as Chat... - 1 views

  • In the long run, we believe, teachers need to help students develop a critical awareness of generative machine models: how they work; why their content is often biased, false, or simplistic; and what their social, intellectual, and environmental implications might be. But that kind of preparation takes time, not least because journalism on this topic is often clickbait-driven, and “AI” discourse tends to be jargony, hype-laden, and conflated with science fiction.
  • Make explicit that the goal of writing is neither a product nor a grade but, rather, a process that empowers critical thinking
  • Students are more likely to misuse text generators if they trust them too much. The term “Artificial Intelligence” (“AI”) has become a marketing tool for hyping products. For all their impressiveness, these systems are not intelligent in the conventional sense of that term. They are elaborate statistical models that rely on mass troves of data—which has often been scraped indiscriminately from the web and used without knowledge or consent.
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  • LLMs usually cannot do a good job of explaining how a particular passage from a longer text illuminates the whole of that longer text. Moreover, ChatGPT’s outputs on comparison and contrast are often superficial. Typically the system breaks down a task of logical comparison into bite-size pieces, conveys shallow information about each of those pieces, and then formulaically “compares” and “contrasts” in a noticeably superficial or repetitive way. 
  • In-class writing, whether digital or handwritten, may have downsides for students with anxiety and disabilities
  • ChatGPT can produce outputs that take the form of  “brainstorms,” outlines, and drafts. It can also provide commentary in the style of peer review or self-analysis. Nonetheless, students would need to coordinate multiple submissions of automated work in order to complete this type of assignment with a text generator.  
  • No one should present auto-generated writing as their own on the expectation that this deception is undiscoverable. 
  • LLMs often mimic the harmful prejudices, misconceptions, and biases found in data scraped from the internet
  • Show students examples of inaccuracy, bias, logical, and stylistic problems in automated outputs. We can build students’ cognitive abilities by modeling and encouraging this kind of critique. Given that social media and the internet are full of bogus accounts using synthetic text, alerting students to the intrinsic problems of such writing could be beneficial. (See the “ChatGPT/LLM Errors Tracker,” maintained by Gary Marcus and Ernest Davis.)
  • Since ChatGPT is good at grammar and syntax but suffers from formulaic, derivative, or inaccurate content, it seems like a poor foundation for building students’ skills and may circumvent their independent thinking.
  • Good journalism on language models is surprisingly hard to find since the technology is so new and the hype is ubiquitous. Here are a few reliable short pieces.     “ChatGPT Advice Academics Can Use Now” edited by Susan Dagostino, Inside Higher Ed, January 12, 2023  “University students recruit AI to write essays for them. Now what?” by Katyanna Quach, The Register, December 27, 2022  “How to spot AI-generated text” by Melissa Heikkilä, MIT Technology Review, December 19, 2022  The Road to AI We Can Trust, Substack by Gary Marcus, a cognitive scientist and AI researcher who writes frequently and lucidly about the topic. See also Gary Marcus and Ernest Davis, “GPT-3, Bloviator: OpenAI’s Language Generator Has No Idea What It’s Talking About” (2020).
  • “On the Dangers of Stochastic Parrots” by Emily M. Bender, Timnit Gebru, et al, FAccT ’21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency, March 2021. Association for Computing Machinery, doi: 10.1145/3442188. A blog post summarizing and discussing the above essay derived from a Critical AI @ Rutgers workshop on the essay: summarizes key arguments, reprises discussion, and includes links to video-recorded presentations by digital humanist Katherine Bode (ANU) and computer scientist and NLP researcher Matthew Stone (Rutgers).
Ed Webb

Start Calling it Digital Liberal Arts | The Transducer - 0 views

  • No longer an inno­cent place for the play­ful encounter between tech­nol­ogy and inter­pre­ta­tion, DH is now being inter­ro­gated for evi­dence of par­tic­i­pa­tion in an exclu­sivist techno­sci­en­tific imag­i­nary, and there are many will­ing to save the field by the­o­riz­ing what has remained for too long under­the­o­rized
  • This is in con­trast to the dig­i­tal human­i­ties, and indeed dig­i­tal schol­ar­ship as a whole, which has its heart in the edi­tion and the archive
  • DLA is inclu­sive of the entire arts and sci­ences spec­trum
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  • DLA is explic­itly res­i­den­tial and dia­log­i­cal
  • Not so much a replace­ment as a sup­ple­ment to dig­i­tal human­i­ties, DLA broad­ens the scope and relo­cates the cen­ter of grav­ity of what I have referred to as the dig­i­tal human­i­ties sit­u­a­tion, the recur­ring, play­ful encounter of human­ists with tech­nol­ogy.  Instead of focus­ing on what may bet­ter be described as the com­pu­ta­tional human­i­ties (a use­ful term recently pro­posed by Lev Manovich), the dig­i­tal lib­eral arts seeks to locate dig­i­tal media squarely within the frame of the lib­eral arts, broadly con­ceived as a cur­ricu­lum, not a dis­ci­pline or even set of dis­ci­plines, and as a dis­tinc­tive mode of edu­ca­tional expe­ri­ence, not a set of received the­o­ret­i­cal con­cerns. It is a fram­ing par­tic­u­larly suited to lib­eral arts col­leges — America’s great con­tri­bu­tion to higher learn­ing — but also to uni­ver­si­ties, such as UVa, whose souls are in the lib­eral arts as well.
  • the idea of Coursera-style MOOCs being part of the DLA is a non-starter, although dis­trib­uted and medi­ated forms of edu­ca­tion can, and I think must, become part of the lib­eral arts experience
  • DLA is as con­cerned with ped­a­gogy as it is with research
  • focus­ing on the real use of dig­i­tal col­lec­tions (for exam­ple) as much as on their cre­ation and publication
Ed Webb

The trouble with Khan Academy - Casting Out Nines - The Chronicle of Higher Education - 1 views

  • When we say that someone has “learned” a subject, we typically mean that they have shown evidence of mastery not only of basic cognitive processes like factual recall and working mechanical exercises but also higher-level tasks like applying concepts to new problems and judging between two equivalent concepts. A student learning calculus, for instance, needs to demonstrate that s/he can do things like take derivatives of polynomials and use the Chain Rule. But if this is all they can demonstrate, then it’s stretching it to say that the student has “learned calculus”, because calculus is a lot more than just executing mechanical processes correctly and quickly.
  • Even if the student can solve optimization or related rates problems just like the ones in the book and in the lecture — but doesn’t know how to start if the optimization or related rates problem does not match their template — then the student hasn’t really learned calculus. At that point, those “applied” problems are just more mechanical processes. We may say the student has learned about calculus, but when it comes to the uses of the subject that really matter — applying calculus concepts to ambiguous and/or complex problems, choosing the best of equivalent methods or results, creating models to solve novel problems — this student’s calculus knowledge is not of much use.
  • Khan Academy is great for learning about lots of different subjects. But it’s not really adequate for learning those subjects on a level that really makes a difference in the world.
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  • mechanical skill is a proper subset of the set of all tasks a student needs to master in order to really learn a subject. And a lecture, when well done, can teach novice learners how to think like expert learners; but in my experience with Khan Academy videos, this isn’t what happens — the videos are demos on how to finish mathematics exercises, with little modeling of the higher-level thinking skills that are so important for using mathematics in the real world.
  • The Khan Academy is a great new resource, and it's a sign of greater things to come... but it's much more akin to a book than a teacher.
Ed Webb

Mark Zuckerberg says the email's end is nigh. LOL | John Naughton | Comment is free | T... - 1 views

  • I can absolutely envision the rather hellish future, in which we use one of four organizations - Facebook, Apple, Amazon, or Google - for all of our media and communications needs, including talking, chatting, messaging, reading books, watching TV, listening to music, etc, etc.
Ed Webb

Op-Ed Contributor - Lost in the Cloud - NYTimes.com - 0 views

  • the most difficult challenge — both to grasp and to solve — of the cloud is its effect on our freedom to innovate.
  • Apple can decide who gets to write code for your phone and which of those offerings will be allowed to run. The company has used this power in ways that Bill Gates never dreamed of when he was the king of Windows: Apple is reported to have censored e-book apps that contain controversial content, eliminated games with political overtones, and blocked uses for the phone that compete with the company’s products. The market is churning through these issues. Amazon is offering a generic cloud-computing infrastructure so anyone can set up new software on a new Web site without gatekeeping by the likes of Facebook. Google’s Android platform is being used in a new generation of mobile phones with fewer restrictions on outside code. But the dynamics here are complicated. When we vest our activities and identities in one place in the cloud, it takes a lot of dissatisfaction for us to move. And many software developers who once would have been writing whatever they wanted for PCs are simply developing less adventurous, less subversive, less game-changing code under the watchful eyes of Facebook and Apple.
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