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Lisa Eriksen

Richard Florida Concedes the Limits of the Creative Class - The Daily Beast - 0 views

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    Interesting piece on urbanism, the "creative class," and class and economics in general.  Where to do museums fit into this "hip cool"? Burning money trying to become "cooler" ends up looking something like the metropolitan equivalent to a midlife crisis.
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    This has gotten lots o' buzz... w/ his intellectual enemy Joel Kotkin (?) stirring the fire... I look at museums as needing this creative class to drive buzz -and innovative efforts.... these are the 'First Friday' night party people...
Ruth Cuadra

Inspiration From Pinterest For Offices That Stir Creativity - 0 views

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    Your office will probably never be as cool as Pinterest's--but it still has something to teach you about fostering creativity within your ranks.
Lisa Eriksen

At What Age Are People The Most Creative? | Fast Company | Business + Innovation - 1 views

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    When did or will you reach your creative potential?
Ruth Cuadra

9 benefits of blending biomimicry and the built environment - 0 views

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    Studies have shown that people who go outside often are happier, healthier and more creative than those who do not - meaning that integrating outdoor experiences into your design process can give your creativity a boost.
Ruth Cuadra

American University Intellectual Property Brief » YouTube Unveils Creative Co... - 0 views

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    YouTube hopes this will cut down some of the concerns over copyright infringement of user-created content that plague the site.
Ruth Cuadra

Austin Kleon on 10 Things Every Creator Should Remember But We Often Forget | Brain Pic... - 2 views

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    demonstrating that "creativity" isn't some abstract phenomenon bestowed upon the fortunate few but, rather, a deliberate mindset and pragmatic ethos we can architect for ourselves
Johanna Fassbender

Wix Lounge | Free Co-working and Event space NYC - 0 views

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    Could museums and/or museum cafes become co-working spaces? They would definitely provide a creative environment.
Lisa Eriksen

First Nonprofit Grocery Store in U.S. Slated to Open in Pennsylvania | PND | Foundation... - 0 views

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    Creative nonprofit financing for a needed service.  How could museums participate in such efforts.
Ariane Karakalos

The Portland Art Museum Transforms an Exhibition Into a Social Platform | Fast Company - 0 views

  • museum borrowed from social networking platforms and created a dynamic ecosystem that invites different
  • evels of involvement from three types of people--creators, commentators and consumer
  • The museum's bold step was reaching out to creators--Portland's creative community--and inviting them to make their own exhibitions and events exploring the creative revolution in China as part of the total China Design Now exhibition experience.
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  • To extend community involvement online, the museum created CDNPDX.org where sixteen different blog editors from the community contribute content and editorial perspectives daily.
  • While including potentially offensive underground comics and "amateur" art may make some traditional museum-goers uncomfortable, the museum believes that inviting people to be part of the experience is necessary to remain relevant and worth the risk.
Ariane Karakalos

Four Ways to Keep the Museum Experience Relevant | Fast Company - 0 views

  • The event was successful from both historical and new metrics. Attendance surpassed projections and 1,700 new memberships were generated just from people waiting in line for the exhibition. More importantly for Ferriso, the city-wide experience changed how people perceive the museum.
  • Chinese residents from Chinatown got involved for the first time.
  • Kids showed up by the busloads. Local restaurants hosted after-parties for young patrons, and robust blog discussions were moderated by some of Portland's design community. By extending the conversation throughout the city, the museum was able to attract a new audience and re-energize its traditional base.
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  • Ferriso understood that the ability of the museum to involve more people in the conversation was based on the relevancy of the content.
  • The CDN content was particularly relevant to Portland and had the potential to attract a new audience--the young creative class.
  • Portland has had a long trade relationship with China due to its location in the Pacific Northwest, and city officials intend to forge even closer ties. Portland's entrepreneurs and business people are interested in understanding more about this global force that is transforming the sociopolitical dynamic of the world. In addition, the exhibition's focus on design, though not traditional for the museum, connected with Portland's thriving design community.
  • triggered local businesses that were not previously involved with the museum to get involved
  • Discussions are ongoing about bringing in more exhibitions that are relevant to local businesses.
  • They invited a small number of people from the creative community who they knew would help stimulate conversation, like a good host at a dinner party. These creators hosted their own events and were invited to blog on the exhibition's Web site.
  • The bigger challenge for the museum was releasing control of the conversation. Museums are historically cautious, and protective of the intellectual rigor of each exhibition.
  • Curation: Stay true to who you are."At the end of the day, you still need to present a point of view," said Jay. "Curation is still king." The museum was able to successfully move beyond the traditional museum experience and remain authentic because it understood its core promise--inspiring conversations through art and culture. The medium of social media did not become the museum's promise, but a means to connect with a new generation of potential patrons. It remained committed to curatorial rigor, the selection of collaborators was strategic, and the topic was timely and meaningful. By staying true to its purpose, the museum was able to be relevant to this new generation without alienating its traditional patrons. An 85-year-old board member said it best: "CDN allowed the museum to rethink how it connects with people."
  • New metrics are being discussed to measure the value of the conversations generated by the museum. Ideas include measuring repeat visits to the museum, quality of conversations, and influence (how do you measure the impact of inspiring the next Frank Gehry?).
Ruth Cuadra

How the 'creative class' is re-making the world | SmartPlanet - 1 views

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    $100/month membership-based workshops filled with otherwise inaccessible and often hugely expensive machinery, such as CNC mills, 3D printers and laser cutters. populated by people whose skills in computed-aided design and access to new materials is changing the world of manufacturing Perhaps, as has been suggested, the greatest opportunity for small scale manufacturing is in the developing world. But can Tech Shop be replicated in regions that aren't flush with people who have sizable disposable incomes?
Ileana Maestas

John Arensmeyer: Small Businesses Take DC - 0 views

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    Smaller museums might want to start looking at how small businesses are getting creative.
Lisa Eriksen

This Beer Cooler Cuts Off All Mobile Signals, Forcing You To Actually Talk To The Peopl... - 0 views

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    We have been talking about TrendeWatch 2013 trend "disconnecting to reconnect" and here is a great example of a company capitalizing on this trend.  Great video.  Could this be welcome in galleries or some public programs?
Ruth Cuadra

ArtPlace America Names 97 Finalists for Creative Placemaking Grants | ArtPlace America - 3 views

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    Lots of third spaces in the making here. Look at all the California finalists!
Lisa Eriksen

Honda highlights Space Invaders in ad for new City model - mUmBRELLA - 1 views

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    Cute spot on personal space to sell cars - creative director claims "the car is technically our 'third' space." A different definition worth adding to our thoughts?
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