ENGL431fosen

The author explores using podcast to get students work on research paper. The professor believes that podcast can help students form group study and really engage in preparing and writing the research paper. From the whole article, the podcast can be considered as a long-term project and send students into groups to study. The podcast group creates a community for students to discuss and revise the research topic; in this sense, students in the group study as co-learners and engage in one another's research paper. This article is again about an invention strategy, podcast, in academic settings. Podcast is done in the group working environment, so this strategy requires creating a community of practice to get students engaged in a common topic---research paper. Even though students' topics are different, they still can help each other and engage in others' success because the requirements for the research paper are the same. I believe this would be a good way to scaffold students to deal with research paper; still, this strategy requires careful designs and attention from professor, and professor works as a facilitator to support the students' learning and practicing in the group work.

This article explains one way to help students explore materials when students need to develop an effective thesis for their profile essay. The professor asks students to do general everyday freewriting related to the topic (an unusual place). Although the author doesn't show all students' freewritings, the only example shown in the article shows a developmental track of how a student explores his/her ideas and write the thesis. It is a process that the student finds and writes the thesis, and it takes time to complete the process. The author posts an invention to help students start essay writing in academic environment. There is no formal rigid writing pattern but a way to help students get into the topic and object; students will use writing as a thinking tool to think and critique the object when they get more information about it. My question is that this invention strategy can be considered as a project for a teacher but an activity in writing process for students. It takes time for teachers to think and design and for students to really do it. There should be more unpredictable problems, so teachers should pay more attention on this strategy.

This article continues the idea of my previous posts - about codeswitching and language transfer in the writing of bilinguals and heritage learners. It is based upon the experiment investigating formal and informal writing samples of students who possess three languages - Basque, Spanish and English. The authors'purpose has been to explain that although traditional teaching is turned towards monolinguals and native speakers' writing as a model, the perspective of bi- and multilingual writers is different. The authors - Cenoz and Gorter -explore the nature of transfer from one language into another, codemixing and codeswitching, and come to the conclusion that these three factors characterizing bilingual students are not to be treated as separate obstacles but rather as three parts of the one whole that benefits writing while enabling students to widely use resources of different languages. The authors use the term "translanguaging" denoting by it "combination of two or more languages in a systematic way within the same learning activity", and argue that translanguaging contributes to developing and strengthening writing in both languages. The authors propose a new approach to teaching writing to the bi- and multilinguals - "focus on multilingualism" that allows "looking at the different languages of the multilingual at the same time instead of separately". Cenoz and Gorter identify the relationships between languages as complex, yet beneficial for developing writing skills. According to their point of view, multilinguals use the same strategies when writing essay or informal social network posts, yet they incorporate in their writing the elements of three languages not because of limited lexical resources, but for conveying their communicative intent, which they think is better done in a particular language out of three that they possess. That means that multilinguals and bilinguals choose language resources in dependence on communicative purposes in their writing (

I first encountered this article when taking 470 course, and this week I have looked it through thoroughly, as it seems to me that it contains some significant information concerning the nature of bilingual writing. Losey affirms that written codeswitching is significant for bilingual students as it provides opportunity for them to fully express themselves. According to the author, the writing identity of a bilingual is constructed by the constant correlation of the two language worlds; therefore, it is not only natural but also necessary for him / her to codeswitch in order to express his / her individuality. This idea correlates with the article "Heritage Language Literacy: Theory and Practice" by Chevalier, where the author considers that bilinguals do not possess the whole range of written registers because they codeswitch in the situation when monolinguals change their writing style. However, Losey does not see codeswitching as disadvantage like Chevalier does. His point of view is closer to another article "Writing back and forth: the interplay of form and situation in heritage learners' composition" that I reviewed during the previous week. The author of that article explains that the productive writing in bilingual schools implies shifts between two cultures and languages in order to create a new non-standard way of expressing one's thoughts. Losey goes even further. He does not only considers codeswitching possible in the classroom settings ("an unsurpassed opportunity for bilinguals", "a successful strategy for enhancing communication, promoting natural literacy acquisition in both languages, valuing students' cultural and linguistic backgrounds", though "its use in the classroom runs counter to linguistic and cultural norms and must be guided by an informed and sensitive instructor"), but, after analyzing writing patterns of the 47 personal letters exchanged between young individuals, he also determines the form and functions of the written codeswitching

This article contains a variety of helpful recommendations in assisting others with essays, and beneficial of extensive methods in establishing coherence. There are also intriguing statistics about illiteracy and each section, as well as the subcategory within is very specific and unified. Essentially, the article revolves around the diversified nature of everyone's unique interpretation of writing and is magnified towards all students. There's also information such as: informing others, consulting others, approaching the students, entertaining them, acquiring the knowledge of their materials, appropriately responding, and using moderate persuasion. All in all, there are a total of seven recommendations with very concise explanations of writing instruction, analytical approaches, and assessing the quality of literary works. This article is applicable to our instructive endeavors within our micro, or macro, aggregates of situated learning. The content within this particular article will elucidate the path to molding students into strategic writers, capturing and sustaining motivation, and substantiating an enjoyable environment. So please give it a read! I'm sure you'll find it quite pertinent to our weekly scenarios of peripheral participation and consultative interactions.

In this article, there are 21 steps to assist the literary councilor in teaching writing. Although it is a fairly short article, there is fairly useful information that can be extrapolated and applied to the multiplicity of situated learning that exist. A number of the steps actually have sub sections that pertain to the objective that is listed; furthermore, illustrating pragmatic, as well as feasibly applicable, instructive literary algorithms for assisting others in enhancing their writing skills. Truthfully, these steps contain information that isn't always brought to mind during our workshops; and I veraciously admit to relearning things in which I overlooked and/or have forgotten. Quintessentially, these steps can be applied to out workshop environment, and provide us with a helpful literary approach-instead of accidently sending the wrong idea, or running out of intellectual things to say (it happens to us all from time to time). Before we enhance our workshop surroundings, we should all endeavor to enhance our understandings of the procedural nature of excelling in writing, while simultaneously assisting others. In my opinion, teaching is one of the best, if not the best, ways to teach ourselves; instructing others reveals the hidden connecting points that we subconsciously always knew were there.

It's very strange, i went to read your article and all it show me was computer stuff, like C++ stuff. This is not about you wrote. It is not about applied multiplicity of situated learning.....maybe i got the web site wrong, can you post your website again?

Thank you very much for pointing that out to me Khou. I must have cut off a fraction of the URL when I pasted it~ I re-posted the article, please check it out! Here's the link if you don't feel like searching for it- it's kind of monotonous digging through postings http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=6&cts=1331526916842&ved=0CGoQFjAF&url=http%3A%2F%2Fmembers.shaw.ca%2Fenglishtour%2Fway_correct_essay.pdf&ei=_3xdT72nO6OPiAKOrIizCw&usg=AFQjCNFFk0ZVEBkpvxpMk6dA-RAZ4ClavQ

In this article, there are 21 steps to assist the literary councilor in teaching writing. Although it is a fairly short article, there is fairly useful information that can be extrapolated and applied to the multiplicity of situated learning that exist. A number of the steps actually have sub sections that pertain to the objective that is listed; furthermore, illustrating pragmatic, as well as feasibly applicable, instructive literary algorithms for assisting others in enhancing their writing skills. Truthfully, these steps contain information that isn't always brought to mind during our workshops; and I veraciously admit to relearning things in which I overlooked and/or have forgotten. Quintessentially, these steps can be applied to out workshop environment, and provide us with a helpful literary approach-instead of accidently sending the wrong idea, or running out of intellectual things to say (it happens to us all from time to time). Before we enhance our workshop surroundings, we should all endeavor to enhance our understandings of the procedural nature of excelling in writing, while simultaneously assisting others. In my opinion, teaching is one of the best, if not the best, ways to teach ourselves; instructing others reveals the hidden connecting points that we subconsciously always knew were there.

Rachel Peckam's "The Elephants Evaluate: Some Notes on the Problem of Grades in Graduate Creative Writing Programs" while a bit on the long side she captured me with her form. In a big way it reminded me of a much more intense version of our observation paper. She went through several examples of her students and all had issues with grading she commented on. She also throughout some back ground I was unaware of such as the origin of grading in America. If figures grades would come from Yale in 1783 but the idea she brought up that perhaps grading and morality have a certain relationship. We do place a certain importance on grades that Peckam points out. Even she obsesses over her grades while trying to help her students not worry about their grades. This idea of grading creative writing hits home for me since my goal is to teach creative writing one day. How do we judge creative writing using a grading system? How can we give a point total for the imagination? It's a tough problem and Peckam does a great job of giving real world examples and weighing the difficult question clearly. I just had to include a quote from her, "It seems my soludon for grading is like chemotherapy. It's working, but it's killing us in the process." (96) She has a lot of meat in this article and I really like the idea of looking at how we treat creative writing in our education system.

Make sure to relate this back to what we're doing--mentoring undergrads in academic (not creative) writing.

This article is about using ellipsis in writing and in creativity in classrooms and books. They start out with how it can leave an audience hanging or getting them to think cognitively about what is being asked on a certain thought. This is in opposition to the traditional teaching methods of lecturing and providing answers to facts. This also helps promote creativity in student and teacher learning in classrooms. The teacher can then also help promote scaffolding the students to the main topic. Using this style helps students to think about why and how they learn and write. The best thing that I got out of this was how this gets students involved personally in learning and helps students participate in classrooms and writing.

Ellipsis defined how?

If you're studying for a test, putting on background music that you like may seem like a good idea. But if you're trying to memorize a list in order -- facts, numbers, elements of the periodic table -- the music may actually be working against you, a new study suggests. I want to find information on listening to music in the classroom, specifically the English 30 classes. I find the constant playing of Pandora to be distracting and I want to know if it's detrimental to the English 30 students learning, etc. So far I've found issues with listening to music and memorization, but not necessarily as it relates to writing workshops like the one I'm interning in now.

Let's try to stretch beyond CNN reports, which most often are quick and superficial.

This article showed how a five-paragraph essay can actually be USEFUL in getting students to narrow down their topics. Ed White shows how this format keeps students limited to having three sub-points on one overall theme.Even if students in English 130 classes are writing a "more-than-five-paragraph-essay," I think the useful thing to take away from this essay is helping students to narrow down their focus. Even having students constructing an outline that has them narrow their topic and the sub-points of the topic would be really helpful for creating narrower papers that aren't all over the place.

I have bad news! He was being satirical. ;-) He wrote it in the dullest, most unimaginable way ever--which was part of his point.

The University of Austin Texas posted an article on their website talking about the innovative approach English professors John Rumrich and Coleman Hutichson created for teaching Milton's poem Paradise Lost. The two wanted to incorporate multimedia uses into the teaching of the poem in order to enhance the reading and listening experience, as well as actively engage students into incorporating their meaning of the texts. The website they created has the poem being read aloud be various voices while the text itself is highlighted on the screen. Each line or group of lines has links to them that a student can follow which provide images, websites, or comments from students and teachers expressing their interpretation of the lines or ideas and questions prompted from them. The website Rumrich and Hutichson created have had around 25,000 hits world wide, and have inspired similar projects dedicated to the poems Leaves of Grass and Song of Myself. If poetry were to be taught in high schools with technology in mind, students would be more likely to actively participate in reading and discussing poetry then if it were just read as any other text.

let's try to link more directly to writing/learning to write.

This article talks about whether or not you should study while listening to music and the types of music that can be beneficial when listening to studying. I'm still looking for information more specific to different types of studying and listening to music, like listening to music in a workshop setting or a lecture/classroom setting.

OK, did it mention writing, though? Find some research more directly related . . .

This article is specifically designated for instructing learners of secondary language acquisition. There are many helpful ideas, recommendations, phonetic charts, and pronunciation exercises. This article is also brief, concise, and coherent; and can be applied to secondary learning acquisitive environments. If the learner is experiencing difficulty in certain places of articulation such as: labial, labial dental, velar, glottal, palatal etc. there are a number of references at the bottom that can assist in strengthening the learners' place and manner of articulation (pronunciation). Since some foreigners have native tongues coming form polysynthetic, formative, and/or analytical languages, learning an agglutinative language (English) can be not difficult, but very different for them. Learning grammar if essential, but unified verbalization is just as crucial. This article is most certainly benefit anyone in the SLC or ESL workshop; and honestly will help the instructor with certain obstructive literary shortcomings and/or frustrations hat students may have. So check it out if you're in a secondary learning acquisition environment!

Yes, but it's not about writing--about pronunciation . . .

Li, Xuemei. "Identities And Beliefs In ESL Writing: From Product To Process." TESL Canada Journal 25.1 (2007): 41-64. ERIC. Web. 11 Mar. 2012. This article explored the differences between first language culture and second language culture in an attempt to fill the gap between them. It offered some really insightful notions on the connection between both western and eastern current learning norms and their historical developments. Li points out that western learning can be traced back to the Socratic ideologies; which were to question yourself and others, be skeptical, and to form self-generated knowledge. Li says that Eastern education is based on Confucian ideologies which is a more "humanistic" approach that taught to achieve social harmony by being "reproductive" rather than analytical and to focus on correctness instead of originality. The article also conveyed the idea of the importance of authority in the classroom and explained that students of Eastern cultures place high value on their teacher's position. It explains their indifference to "micro-processes" such as peer critiquing. The article was about 20 pages, but all of the good information is in the first part, the "Background of the Study. The rest is pretty much just a repeat of everything mentioned in the first part. It was a good and insightful article. I would recommend it (at least the first part).

this article sound good...i think i will use it later.