Skip to main content

Home/ Ed Webb Religion & Politics Seminars/ Group items tagged heritage

Rss Feed Group items tagged

Ed Webb

British archaeology falls prey to Turkey's nationalist drive - 0 views

  • Turkish authorities have seized possession of the country’s oldest and richest archaeobotanical and modern seed collections from the British Institute at Ankara, one of the most highly regarded foreign research institutes in Turkey, particularly in the field of archaeology. The move has sounded alarm bells among the foreign research community and is seen as part of President Recep Tayyip Erdogan’s wider xenophobia-tinged campaign to inject Islamic nationalism into all aspects of Turkish life.
  • “staff from the Museum of Anatolian Civilizations, the General Directorate for Museums and Heritage from the Ministry of Culture and the Turkish Presidency took away 108 boxes of archaeobotanical specimens and 4 cupboards comprising the modern seed reference collections” to depots in a pair of government-run museums in Ankara. The institute’s request for extra time “to minimize the risk of damage or loss to the material was refused.”
  • Coming on the heels of the controversial conversions of the Hagia Sophia and Chora Museum into full service mosques this summer, the seizure has left the research community in a state of shock, sources familiar with the affair said.
  • ...11 more annotations...
  • The formal justification for the raid was based on a decree issued on Sept. 3, 2019. It authorizes the government to assume control of local plants and seeds and to regulate their production and sales.
  • Turkey’s first lady Emine Erdogan, a passionate advocate of herbal and organic food products, introduced the so-called “Ata Tohum” or “Ancestral Seed” project that envisages “agriculture as the key to our national sovereignty.” The scheme is aimed at collecting and storing genetically unmodified seeds from local farmers and to reproduce and plant them so as to grow “fully indigenous” aliments.
  • Ata Tohum is thought to be the brainchild of Ibrahim Adnan Saracoglu, an Austrian-trained biochemist.  He is among Erdogan’s ever expanding legion of advisers. The 71-year old has written academic tracts about how broccoli consumption can prevent prostatitis. He was with the first lady at the Sept. 5 Ata Tohum event.
  • The professor railed against assorted Westerners who had plundered Anatolia’s botanical wealth and carried it back home.
  • “Seeds” he intoned, “are the foundation of our national security.”
  • a “classic nationalist move to dig deeper and deeper into the past for justification of the [nationalist] policies that you are currently putting in place.”
  • parallels with the founder of modern Turkey, Kemal Ataturk, who “connected Turkish civilization back to the Phrygians and the Hittites” as part of his nation-building project.
  • “You have these genetic ties to the land through these seeds as proof that our civilization belongs here and has been here since time immemorial. To want to have these [seeds] in the first place is part of the nationalist framework.”
  • The ultimate fate of the British Institute’s seeds remains a mystery. It’s just as unclear what practical purpose they will serve.
  • “the archaeology seeds are essentially charcoal, dead and inert.” As for the modern reference collection “we are talking about stuff that was collected 25 to 50 years ago and is not going to be able to germinate.”
  • “But in order to get genomic information you only need one or two grains, not the whole collection. What [Turkish authorities] have done is they’ve removed this research resource from the wider Turkish and international community of researchers. It was a nice, small research facility, open to anyone who wanted to use it. Now it’s all gone,”
Ed Webb

So Why Did I Defend Paul Bowles? | by Hisham Aidi | The New York Review of Books - 0 views

  • Long a sanctuary for Spanish and French writers, American writers began visiting Tangier in the late nineteenth century: Mark Twain on his way to Jerusalem in 1867, the painters Louis Comfort Tiffany in 1870 and Henry Ossawa Tanner in 1912, and Edith Wharton in 1917. In 1931, when Bowles first visited, the American artists living in Tangier were primarily black: Claude McKay, Anita Reynolds, Juice Wilson, Josephine Baker. These African-Americans came to Morocco from Paris, where they had formed a community after World War I, and as the Harlem Rennaissance spread to France. Upon arrival, Bowles began to socialize with both McKay and Anita Reynolds. Like the other Americans, he had also discovered North Africa through France. In high school, he had read Marcel Proust, Comte de Lautréamont, and André Gide—the latter’s accounts, in particular, of his travels and sexual trysts in Algeria and Tunisia had conjured North Africa in Bowles’s teenage imagination.
  • in December 1923, France, Spain, and the United Kingdom signed the Tangier Protocol in Paris, setting up a new administration and placing the city at the center of a 150-square mile International Zone overseen by a committee of nine Western powers. The city was henceforth governed by a court that included French, Spanish, and British judges, along with the mendoub, the Moroccan sultan’s representative. It is this international period, from 1923 to 1956, especially postwar, that has shaped the image of Tangier as a free port, a tax haven, and a place of international intrigue and excess.
  • His first novel, The Sheltering Sky, told the story of an American who flees the numbing modernity of New York and meanders through the Algerian desert, only to disintegrate psychologically. Published in the fall of 1949, it became a bestseller and made Bowles a household name. Three more novels and a handful of short stories set in Tangier followed.
  • ...39 more annotations...
  • Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.
  • In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.
  • Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”
  • I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.
  • I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.
  • Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain
  • The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply
  • The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.
  • I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.
  • It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”
  • Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.
  • In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)
  • Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating
  • Bowles prompted me to think beyond the binary of “Western” versus “Arab.”
  • The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.
  • Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.
  • in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic
  • Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”
  • Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.
  • I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.
  • “Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”
  • He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”
  • In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.
  • I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.
  • as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism
  • Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.
  • The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.
  • In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.
  • Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.
  • Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco
  • both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.
  • both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.
  • The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”
  • The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West
  • his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union
  • for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.
  • That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.
  • As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco
  • today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.
Ed Webb

After 'Missteps' And Controversies, Museum Of The Bible Works To Clean Up Its Act : NPR - 0 views

  • When the Museum of the Bible opened three years ago, its founders aimed to engage a wider audience with the Bible and its thousands of years of history. But the museum's ambitious goals have been overshadowed by a series of scandals, still unfolding, over antiquities — acquired in a five-year international shopping spree — that have turned out to be looted or fake.
  • Steve Green, the evangelical president of the Hobby Lobby arts and crafts chain and the museum board's chairman, started acquiring artifacts in 2009 for what would become a $500 million museum on prime Washington, D.C., real estate. (Museum officials have long said the institution has no sectarian or evangelical agenda.)
  • Hobby Lobby paid a $3 million fine in a Justice Department settlement for not exercising due diligence in acquisitions. The judgment directed the forfeiture of 5,500 clay tablets and other illegally imported items to the Iraqi government.
  • ...9 more annotations...
  • fresh controversies — over previously acquired objects, including Dead Sea Scroll fragments found to be fake and items from Iraq, Afghanistan and Egypt — have continued to dog the museum
  • the museum is discussing the return to Iraq of another 8,106 pieces. Hobby Lobby acquired them so haphazardly for the museum, he says, that it may never be known how they came onto the market
  • ome of these items may have even come from Iraq's national museum, which was looted after the U.S. invaded Iraq in 2003 and troops failed to protect cultural sites
  • Hobby Lobby acquired the items, most of them clay tablets, between 2009 and 2014 from sources in the U.S., the U.K. and Israel. Another 5,000 items, Egyptian papyri and textiles, acquired during the same period, also lack proper documentation
  • between 5% and 10% of the roughly 8,000 objects now being returned to Iraq are fake
  • The Museum of the Bible's latest issue is over an ancient Jewish prayer book from Afghanistan. The museum says it was "legally exported" from the U.K. and "acquired in good faith" with provenance information dating from the 1950s. Now, Kloha says, museum staff believe the book was taken out of Afghanistan after 1998 — decades after a UNESCO convention made it illegal to export antiquities without government approval. The Taliban, which controls many parts of the country today, is accused of widespread trafficking in antiquities.
  • The U.S. government's 2017 complaint against Hobby Lobby notes that Green was stopped by U.S. Customs and Border Protection in 2010 while carrying a $1 million Bible without a customs declaration. The following year, U.S. Customs agents seized misidentified cuneiform tablets being shipped to Hobby Lobby from the United Arab Emirates.
  • the museum's reputation among scholars has made it difficult to arrange loans of works from other institutions
  • Iraqi's ambassador to the U.S., Fareed Yasseen, tells NPR that he would personally like to see Iraqi artifacts exposed to as wide an audience as possible. "To me, the Elgin Marbles should be in Greece, not in the British Museum, because a lot of people will see them in Greece," he says. "But if you look at the massive winged bulls [from ancient Iraq] you have in the British Museum ... or the Louvre, I mean honestly, if they were in Iraq, so few people would go there to see them. To be fair, looking at the issue as a world citizen, if you will, these are part of all our heritage. Anybody who has read the Bible can relate, right?"
Ed Webb

Cleared of Landmines for Easter, Jesus' Baptism Site Now C...... | News & Reporting | C... - 1 views

  • For the past nine years, HALO has cleared other sites in the West Bank, coordinating between Palestinians and Israelis. But there are still approximately 35 square miles of landmines in the West Bank
  • As demining progressed at Qasr al-Yahud, Israeli officials expressed optimism that pilgrims to the baptismal site would triple, as each church gained full access to its facilities.
  • COVID-19 is devastating the industry. Closing the borders to tourism may cost $1.7 billion
  • ...1 more annotation...
  • This may be particularly painful to Palestinians in Bethlehem, where 70 percent of the economy is derived from tourism and 9 out of 10 industry workers are Christians.
Ed Webb

This Minnesota Monk Saves Ancient Manuscripts for... | Christianity Today - 0 views

  • Stewart is a monk—a Benedictine brother at St. John’s College, in Minnesota, part of the order that built libraries in the Middle Ages, preserving and reproducing Bibles by hand, along with psalters, books of martyrs, and Greek and Arabic philosophy. So Stewart knew his responsibility in Timbuktu. He had to save the ancient manuscripts. When the shooting stopped, Stewart spent the next two days training Malians to run a mobile digitization studio to preserve the more than 300,000 Islamic manuscripts that al-Qaeda might have destroyed.
  • He has rescued documents in Lebanon, Syria, and Iraq, as well as Egypt, Ethiopia, and India—saving biblical texts and some of the most significant documents for the church in the Middle East, as well as Muslim texts
  • He trains local leaders to preserve their heritage, and in exchange they allow him to make the documents available online.
  • ...2 more annotations...
  • The St. John’s library now hosts the largest digital collection of old manuscripts in the world, including 250,000 full books and 75 million individual handwritten pages.
  • Stewart thinks the Timbuktu manuscripts are his greatest prize. By preserving Islamic manuscripts, he believes he is being faithful to his Benedictine calling. Speaking to the NEA, Stewart comparing his work in Mali with Peter the Venerable, the 12th-century abbot who oversaw the translation of the Quran into Latin. “As medieval Christian scholars of Arabic manuscripts came to understand, their enemy was not Islam, however deep their theological differences,” he said. “The common enemy was—and remains—the fanaticism and ignorance that make understanding impossible.”
Ed Webb

Israelis praying at Petra shrine sparks outrage in Jordan - 0 views

  • The Jordanian government on Aug. 1 closed a shrine dedicated to the prophet Aaron near the ancient Nabataean city of Petra. The move followed a burst of public outrage sparked by videos and photos circulating on the internet showing a group of Jewish tourists praying at the site. 
  • Suleiman Farajat, commissioner of the Petra Development and Tourism Region Authority (PDTRA), had said in an Aug. 2 statement that the photos shared online date to 2013, but that the videos of Jewish men praying were more recent. Farajat remarked that the PDTRA had closed the site after learning that some 300 Israeli tourists had been planning to visit the shrine. At least five Israelis were able to enter the tomb, having been permitted access by guards. Farajat stressed that the authority will not allow non-Islamic religious ceremonies at the site. He asserted in his statement that the tomb has nothing to do with Judaism historically or archaeologically.
  • an Israeli tour guide for one visit had denied that any of the tourists had prayed and said the trip had been coordinated with Jordanian authorities
  • ...6 more annotations...
  • These events have come to light in the wake of a public build-up of suspicion and hostility toward Israel over the nebulous, US-sponsored peace plan dubbed the “deal of the century,” which most Jordanians view as a threat to their country. Jordanians have also been critical of the agreement signed in 2016 for Israel to provide Jordan with natural gas over a 10-year period. Lawmakers, led by the Islamist bloc Al-Islah, have been pressuring the government to cancel the deal.
  • “The small Muslim shrine on top of the high peak at Jabal an-Nabi Harun was constructed in 1330 by the Mamluk Sultan Al-Nasir Muhammad.” She added, “There is a tomb inside the shrine, but there is no evidence whatsoever that it actually belongs to Aaron. Such shrines to prophets and virtuous men were built at many places by the Ayyubids, Mamluks and Ottomans to enforce the Muslim identity of the state and to vent political discontent by the local populations.
  • in July the Royal Film Commission in Jordan had approved the shooting in Petra of “Jaber,” a controversial, fictional film whose storyline has Jews settling in the city after the Exodus from Egypt. Jordanians railed that the “Zionist script” fabricates an Israeli claim to the ancient city. Under public pressure, a number of Jordanian actors withdrew from the project, and on Aug. 3, the director, the Jordanian-born US national Mohydeen Izzat Quandour, announced the cancellation of the shooting.
  • Daoud Kuttab (who also writes for Al-Monitor) wrote, “The reality is that the current leaders in Tel Aviv and Washington have done little to calm jittery Jordanians and Palestinians, who are concerned about the growth of [a] messianic Jewish ideology that tries to connect biblical history with modern day politics.
  • “Religious sites should be respected, and freedom of worship and visit should not be interfered in, but the problem that faces political leaders and government officials is how to deal with the genuine worry that what appears to be a crazy notion by a few zealous individuals could one day become a political reality.” 
  • the deep-seated unease felt by a majority of Jordanians about Israeli intentions toward the kingdom in light of increasing tensions between Jordan and Israel over the Haram al-Sharif and the demise of the two-state solution
Ed Webb

A crisis in Tunisia: Murder most foul | The Economist - 0 views

  • Tunisia’s worst crisis since the revolution that toppled the country’s long-serving, secular-minded dictator, Zine el-Abidine Ben Ali, who fled into exile in January 2011
  • In the past few months Islamist thugs have been taking the law into their own hands. Neighbourhood “committees to defend the revolution”, often including Nahda members who were political prisoners under Mr Ben Ali, have been accused of trying to intimidate opposition parties and have incurred growing hostility from more secular types. In December they violently broke up a trade-union rally.
  • The veneration of local saints across north Africa harks back to pre-Islamic Berber and sub-Saharan cultures. Muslim reformists in 19th-century Tunisia dismissed such traditions as demeaning and superstitious. Under Habib Bourguiba, the country’s first president after its independence from France in 1956, many shrines were turned into museums, cultural centres or even cafés. Others were officially tolerated for giving succour to people with medical or psychological worries. Nahda, which is close to the Muslim Brotherhood, has proclaimed an “Arab and Islamic identity”, implying distaste for shrine worship. But the desecrations obliged them to declare their respect for Tunisia’s diverse cultural and ethnic heritage.
Ed Webb

Timbuktu mayor: Mali rebels torched library of historic manuscripts | World news | guar... - 0 views

  • Islamist insurgents retreating from Timbuktu set fire to a library containing thousands of priceless historic manuscripts,
  • The manuscripts had survived for centuries in Timbuktu, on the remote south-west fringe of the Sahara desert. They were hidden in wooden trunks, buried in boxes under the sand and in caves. When French colonial rule ended in 1960, Timbuktu residents held preserved manuscripts in 60-80 private libraries.The vast majority of the texts were written in Arabic. A few were in African languages, such as Songhai, Tamashek and Bambara. There was even one in Hebrew. They covered a diverse range of topics including astronomy, poetry, music, medicine and women's rights. The oldest dated from 1204.
  • Mali government forces that had been guarding Timbuktu left the town in late March, as Islamist fighters advanced rapidly across the north. Fighters from al-Qaeda in the Islamic Maghreb (AQIM) – the group responsible for the attack on the Algerian gas facility – then swept in and seized the town, pushing out rival militia groups including secular Tuareg nationalists.
  • ...5 more annotations...
  • they exploded the myth that "black Africa" had only an oral history. "You just need to look at the manuscripts to realise how wrong this is."
  • only a fraction of the manuscripts had been digitised. "They cover geography, history and religion. We had one in Turkish. We don't know what it said."
  • As well as the manuscripts, the fighters destroyed almost all of the 333 Sufi shrines dotted around Timbuktu, believing them to be idolatrous. They smashed a civic statue of a man sitting on a winged horse.
  • The rebels enforced their own brutal and arbitrary version of Islam, residents said, with offenders flogged for talking to women and other supposed crimes. The floggings took place in the square outside the 15th-century Sankoré mosque, a Unesco world heritage site.
  • They weren't religious men. They were criminals
  •  
    "T"
Ed Webb

Vandalism at Jerusalem holy site may have aimed to erase traces of Muslim past Israel N... - 1 views

  • The tiles, and the traditional site of King David's burial, are located on the lower floor of an ancient building on Jerusalem's Mount Zion that is sacred to the three monotheistic faiths. The Room of the Last Supper, where Christians believe Jesus celebrated Passover with his disciples before he was crucified, occupies the second floor.
  • The tiles, which feature flowers and trees painted in shades of blue, turquoise and red, were installed at the site, which is also important to Islam, during an Ottoman renovation in the 17th century. They serve as evidence that the building – as indeed Jerusalem – was once controlled by the Muslims. They were damaged about five years ago during renovations carried out by the Religious Affairs Ministry; some were plastered over, and a Holy Ark was put on top.
  • About two weeks ago, a young ultra-Orthodox man was arrested after he was caught using a hammer to smash centuries-old painted wall tiles. He told police he did so because an older friend had advised him that “the tiles were stopping his prayers from reaching the tomb.” The man said he was hoping that his prayers for a bride would be answered.
Ed Webb

UNESCO Director-General calls for an immediate halt to destruction of Sufi sites in Lib... - 0 views

  •  
    The destruction of Sufi sites in Libya must immediately stop http://t.co/Fbi1bLJY
1 - 20 of 20
Showing 20 items per page