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Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.

In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.

Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”

I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.

I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.

Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain

The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply

The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.

I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.

It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”

Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.

In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)

Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating

Bowles prompted me to think beyond the binary of “Western” versus “Arab.”

The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.

Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.

in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic

Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”

Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.

I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.

“Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”

He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”

In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.

I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.

as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism

Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.

The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.

In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.

Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.

Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco

both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.

both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.

The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”

The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West

his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union

for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.

That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.

As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco

today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.

the recent literature has produced ample evidence that socioeconomic factors matter in the historical development of religions

In addition to human capital, the Reformation has been shown to have affected secularisation, political change, technology diffusion, and social outcomes

recent works on missionaries show that early access to Christian missions still has educational, political, and economic consequences in present-day sub-Saharan Africa, Asia, and Latin America

Various works have shown how the presence of Islam in law and politics has affected economic outcomes such as corporate development, usury restrictions, conflict, finance, and human capital development

Maybe the most challenging direction for future research is to dig deeper into the link between economics and religiosity rather than religious affiliation – what people think and feel and which specific beliefs they do and do not adhere to. Measuring religiosity and beliefs is demanding in contemporary work, and it is even harder in the historical context where the option of fielding a survey is no longer viable

While recent work has clearly shown that religion has played an important role in economic history, there remains ample room, not least for multidisciplinary approaches, to advance our understanding of how religious thoughts and activities changed people’s economic lives over the course of history.

“Radical Islamism is polymorphic, and it is found in all aspects of social life and tends to put in place a new social norm that is more prevalent than individually liberty,” Le Figaro reported the document as saying.

“France, that is not an assembly of minorities, but rather is one nation, cannot have a doctrine of reasonable accommodation,”

fresh controversies — over previously acquired objects, including Dead Sea Scroll fragments found to be fake and items from Iraq, Afghanistan and Egypt — have continued to dog the museum

the museum is discussing the return to Iraq of another 8,106 pieces. Hobby Lobby acquired them so haphazardly for the museum, he says, that it may never be known how they came onto the market

ome of these items may have even come from Iraq's national museum, which was looted after the U.S. invaded Iraq in 2003 and troops failed to protect cultural sites

Hobby Lobby acquired the items, most of them clay tablets, between 2009 and 2014 from sources in the U.S., the U.K. and Israel. Another 5,000 items, Egyptian papyri and textiles, acquired during the same period, also lack proper documentation

between 5% and 10% of the roughly 8,000 objects now being returned to Iraq are fake

The Museum of the Bible's latest issue is over an ancient Jewish prayer book from Afghanistan. The museum says it was "legally exported" from the U.K. and "acquired in good faith" with provenance information dating from the 1950s. Now, Kloha says, museum staff believe the book was taken out of Afghanistan after 1998 — decades after a UNESCO convention made it illegal to export antiquities without government approval. The Taliban, which controls many parts of the country today, is accused of widespread trafficking in antiquities.

The U.S. government's 2017 complaint against Hobby Lobby notes that Green was stopped by U.S. Customs and Border Protection in 2010 while carrying a $1 million Bible without a customs declaration. The following year, U.S. Customs agents seized misidentified cuneiform tablets being shipped to Hobby Lobby from the United Arab Emirates.

the museum's reputation among scholars has made it difficult to arrange loans of works from other institutions

Iraqi's ambassador to the U.S., Fareed Yasseen, tells NPR that he would personally like to see Iraqi artifacts exposed to as wide an audience as possible. "To me, the Elgin Marbles should be in Greece, not in the British Museum, because a lot of people will see them in Greece," he says. "But if you look at the massive winged bulls [from ancient Iraq] you have in the British Museum ... or the Louvre, I mean honestly, if they were in Iraq, so few people would go there to see them. To be fair, looking at the issue as a world citizen, if you will, these are part of all our heritage. Anybody who has read the Bible can relate, right?"

combine Hebrew roots with Arabic grammar. For example, some merchants would warn one another about a possible thief by using the word “ganneb.” The term comes from the Hebrew verb ganab, to steal, but is in Arabic’s declarative second verb form. As Rosenbaum would write, “Another term for warning against thieves is enaymak, which is a combination of the Hebrew word עינים=/enayim (eyes) and the Arabic suffixed possessive pronoun -ak for the second person.” Translation: Watch out!

the Karaite Jews had a unique relationship to Arabic, which some posit might be one reason their trade phrases integrated so widely within the broader, non-Jewish goldsmith population. “There were not many Jews in Egypt who used Arabic exclusively for every aspect of their lives,” explains Katharine Halls, a scholar of Egyptian Jewry and Arabic-to-English translator who has lived on and off in Egypt for several years during her career. “Egyptian Jews often spoke French, like many wealthier Egyptian families, or Alexandria it was Italian for a while, but the Karaites were generally mono-lingual in Arabic, which made them virtually unique among Jews in Egypt.”

The Karaite Jewish goldsmiths likely would have freely trained their non-Jewish staff in the use of such terminology.

a project that institutions such as the British Council have tried to bring to fruition, through enterprises like “Our Shared Europe” and “Our Shared Future,” which sought to uncover the huge amount of historical evidence that showed that Muslims and Islam played much wider historical roles internally in the West than was hitherto understood.

a form of Christianity that focuses on solidarity with the oppressed, rather than promoting tribalistic hate against the “other,” is precisely what Europe needs more of

If the West is to look for a better future, intellectuals ought to be transcending untenable readings of their history and looking for better ideas.

one could write an encyclopedia that focused only on the history of Muslim European communities and figures, be they in premodern Spain and Portugal or the Emirate of Sicily or indeed the many Northern and Western Europeans who became Muslims. Framing Islam as a newcomer immediately restricts the scope of discussion that is needed. And such framing leads to a focus on salvaging broken models rather than seeking a new model for the West.

Righting that wrong means not simply reimagining a new national myth to gather around, but Westerners forging a new narrative that dispenses with the historical marginalization of “them” in favor of creating what has always been a mythical “us.” What is needed is a new notion of “us” that emerges strongly and true, based on values and principles that the peoples of the West will be able to rally around in a cohesive manner for generations to come.

Freedom of religion is enshrined in Israeli law, and proselytizing is allowed as long as missionary activities are not directed at minors and do not involve economic coercion.

The Communications Ministry said it was investigating a “discrepancy” between the application for the license that was granted in March, which said the channel was focused on the Christian community, and its actual content, which appears to “target Jews and convince them that Jesus is the messiah.”

Simpson denied trying to convert Jews to Christianity. He said Jews who accept Jesus as the messiah can continue to practice their faith, a reference to Messianic Jews, popularly known as Jews for Jesus.

widely seen as a form of Christianity. All major Jewish denominations reject it, and Israel considers Messianic Jews to be converts to another faith

Simpson’s willingness to speak openly about conversion reflects the growing influence of evangelical Christians in both Israel and the United States. “They feel bulletproof to say these kinds of things and what their real agenda is,”

Daniel Hummel, the author of a book on evangelicals and Israel, says Christian Zionists have “more or less learned” that Messianic Judaism’s presence in the movement is “politically unwise.” “The issue always continues to simmer, but the precedent was set [in the 1970s] and grew stronger that any Christian organization wishing to work in Israel or be at all close to the center of political action in the [Christian Zionist movement] would need to publicly disavow at minimum coercive evangelization.”

Many were surprised by the positive reactions of their families and older generations

a conservative state where official gender transitions require religious approval.

in the eyes of the law, he is still considered female.

According to an Associated Press report, only 87 transitions were officially allowed for "physical reasons" between 2014 and 2017 in Egypt, while none were approved for "gender identity disorder."

In Iraq, militants also exploit security gaps at a time of an ongoing territorial dispute and a U.S. troop drawdown.

IS was benefiting from a “gap” between Kurdish forces and federal armed forces caused by political infighting.

In northeast Syria, Kurdish-dominated police have become a more visible target for IS as they patrol the streets to implement anti-virus measures,

IS fighters in late March launched a campaign of attacks in government-held parts of Syria, from the central province of Homs all the way to Deir el-Zour to the east, bordering Iraq. Some 500 fighters, including some who had escaped from prison, recently slipped from Syria into Iraq, helping fuel the surge in violence there, Iraqi intelligence officials said.

more IED attacks, shootings and ambushes of police and military

The number of Iraqi military personnel on duty has dropped 50% because of virus prevention measures

territorial disputes between Baghdad and authorities from the northern Kurdish autonomy zone have left parts of three provinces without law enforcement

“Before the emergence of the virus and before the American withdrawal, the operations were negligible, numbering only one operation per week,” said a senior intelligence official. Now, he said, security forces are seeing an average of 20 operations a month.

Iraqi military officials believe the improved, organized nature of the attacks serves to cement the influence of new IS leader Abu Ibrahim al-Hashimi al-Quraishi, who was named after his predecessor was killed in a U.S. raid late last year. One military official said more operations are expected during Ramadan to demonstrate the new leader’s strength.

because of the security situation in the desert several gas wells in the fields of Shaer and Hayan were damaged, leading to a 30% drop in electricity production.

In 2018 Egypt adopted a cyber crime law that grants the government full authority to censor the internet and exercise communication surveillance. A media regulation law also allows authorities to block individual social media accounts.

Several women in Egypt have previously been accused of “inciting debauchery” by challenging the country’s conservative social norms, including actress Rania Youssef after critics took against her choice of dress for the Cairo Film Festival in 2018.

Hossam denied any wrongdoing but Cairo University - where she is studying archaeology - said it would enforce maximum penalties against her which could include expulsion.

Egyptian women’s rights campaigner Ghadeer Ahmed blamed the arrests on rising social pressures on women and “corrupt laws”. “[These laws] condemn people for their behaviour that may not conform to imagined social standards for how to be a ‘good citizen’ and a respectful woman,” she wrote in a Tweet.

a minority of released offenders remain “of high concern”, suggesting that “a small number of die-hards will remain active across successive waves of jihadi militancy, and remain a key concern for police and intelligence services”.

The fear of recidivism is further reinforced by concerns about prisons, which have been commonly described as “breeding grounds for radicalisation” or “universities of jihad”. In the UK, an independent review of Islamist extremism in prisons concluded in 2016 that radicalisation in prison was a growing problem that was poorly handled.

In the holy month of Ramadan, Shah will seek to replenish his spiritual reservoir in confronting an unprecedented medical and personal challenge.Fasting and prayer, Muslims believe, strengthens self-discipline, sacrifice and empathy.

This may be particularly painful to Palestinians in Bethlehem, where 70 percent of the economy is derived from tourism and 9 out of 10 industry workers are Christians.

the return home of some 45,000 Palestinian workers to the West Bank for this week’s Passover holiday is likely to create bottlenecks in both Israel and the Palestinian territory after the Israeli government decided that they would not be allowed to return because of health concerns.The decision threatens to create a labor shortage in Israel, increase economic pressure on an already weakened Palestine Authority, and facilitate the spread of the virus on the West Bank given the administration’s inability to test all returnees

“Because the two populations are so intertwined, curbing the virus only in one society is impossible,” said Ofer Zalzberg of the International Crisis Group.It’s a lesson that applies universally, not just to Israelis and Palestinians. That is no truer than in Syrian and Palestinian refugee camps that dot the eastern Mediterranean

whether anti-globalists and civilizationalists like it or not, the coronavirus is global and universal. So is the science that will ultimately help get control of the pandemic and eventually stop it in its tracks

perhaps what we need more than either is to recover the biblical tradition of lament. Lament is what happens when people ask, “Why?” and don’t get an answer. It’s where we get to when we move beyond our self-centered worry about our sins and failings and look more broadly at the suffering of the world. It’s bad enough facing a pandemic in New York City or London. What about a crowded refugee camp on a Greek island? What about Gaza? Or South Sudan?

The point of lament, woven thus into the fabric of the biblical tradition, is not just that it’s an outlet for our frustration, sorrow, loneliness and sheer inability to understand what is happening or why. The mystery of the biblical story is that God also laments. Some Christians like to think of God as above all that, knowing everything, in charge of everything, calm and unaffected by the troubles in his world. That’s not the picture we get in the Bible.

It is no part of the Christian vocation, then, to be able to explain what’s happening and why. In fact, it is part of the Christian vocation not to be able to explain—and to lament instead.

out of that there can emerge new possibilities, new acts of kindness, new scientific understanding, new hope