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Ed Webb

AI Causes Real Harm. Let's Focus on That over the End-of-Humanity Hype - Scientific American - 0 views

  • Wrongful arrests, an expanding surveillance dragnet, defamation and deep-fake pornography are all actually existing dangers of so-called “artificial intelligence” tools currently on the market. That, and not the imagined potential to wipe out humanity, is the real threat from artificial intelligence.
  • Beneath the hype from many AI firms, their technology already enables routine discrimination in housing, criminal justice and health care, as well as the spread of hate speech and misinformation in non-English languages. Already, algorithmic management programs subject workers to run-of-the-mill wage theft, and these programs are becoming more prevalent.
  • Corporate AI labs justify this posturing with pseudoscientific research reports that misdirect regulatory attention to such imaginary scenarios using fear-mongering terminology, such as “existential risk.”
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  • Because the term “AI” is ambiguous, it makes having clear discussions more difficult. In one sense, it is the name of a subfield of computer science. In another, it can refer to the computing techniques developed in that subfield, most of which are now focused on pattern matching based on large data sets and the generation of new media based on those patterns. Finally, in marketing copy and start-up pitch decks, the term “AI” serves as magic fairy dust that will supercharge your business.
  • output can seem so plausible that without a clear indication of its synthetic origins, it becomes a noxious and insidious pollutant of our information ecosystem
  • Not only do we risk mistaking synthetic text for reliable information, but also that noninformation reflects and amplifies the biases encoded in its training data—in this case, every kind of bigotry exhibited on the Internet. Moreover the synthetic text sounds authoritative despite its lack of citations back to real sources. The longer this synthetic text spill continues, the worse off we are, because it gets harder to find trustworthy sources and harder to trust them when we do.
  • the people selling this technology propose that text synthesis machines could fix various holes in our social fabric: the lack of teachers in K–12 education, the inaccessibility of health care for low-income people and the dearth of legal aid for people who cannot afford lawyers, just to name a few
  • the systems rely on enormous amounts of training data that are stolen without compensation from the artists and authors who created it in the first place
  • the task of labeling data to create “guardrails” that are intended to prevent an AI system’s most toxic output from seeping out is repetitive and often traumatic labor carried out by gig workers and contractors, people locked in a global race to the bottom for pay and working conditions.
  • employers are looking to cut costs by leveraging automation, laying off people from previously stable jobs and then hiring them back as lower-paid workers to correct the output of the automated systems. This can be seen most clearly in the current actors’ and writers’ strikes in Hollywood, where grotesquely overpaid moguls scheme to buy eternal rights to use AI replacements of actors for the price of a day’s work and, on a gig basis, hire writers piecemeal to revise the incoherent scripts churned out by AI.
  • too many AI publications come from corporate labs or from academic groups that receive disproportionate industry funding. Much is junk science—it is nonreproducible, hides behind trade secrecy, is full of hype and uses evaluation methods that lack construct validity
  • We urge policymakers to instead draw on solid scholarship that investigates the harms and risks of AI—and the harms caused by delegating authority to automated systems, which include the unregulated accumulation of data and computing power, climate costs of model training and inference, damage to the welfare state and the disempowerment of the poor, as well as the intensification of policing against Black and Indigenous families. Solid research in this domain—including social science and theory building—and solid policy based on that research will keep the focus on the people hurt by this technology.
Ed Webb

I unintentionally created a biased AI algorithm 25 years ago - tech companies are still making the same mistake - 0 views

  • How and why do well-educated, well-intentioned scientists produce biased AI systems? Sociological theories of privilege provide one useful lens.
  • Their training data is biased. They are designed by an unrepresentative group. They face the mathematical impossibility of treating all categories equally. They must somehow trade accuracy for fairness. And their biases are hiding behind millions of inscrutable numerical parameters.
  • fairness can still be the victim of competitive pressures in academia and industry. The flawed Bard and Bing chatbots from Google and Microsoft are recent evidence of this grim reality. The commercial necessity of building market share led to the premature release of these systems.
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  • Scientists also face a nasty subconscious dilemma when incorporating diversity into machine learning models: Diverse, inclusive models perform worse than narrow models.
  • biased AI systems can still be created unintentionally and easily. It’s also clear that the bias in these systems can be harmful, hard to detect and even harder to eliminate.
  • with North American computer science doctoral programs graduating only about 23% female, and 3% Black and Latino students, there will continue to be many rooms and many algorithms in which underrepresented groups are not represented at all.
Ed Webb

The Coronavirus and Our Future | The New Yorker - 0 views

  • I’ve spent my life writing science-fiction novels that try to convey some of the strangeness of the future. But I was still shocked by how much had changed, and how quickly.
  • the change that struck me seemed more abstract and internal. It was a change in the way we were looking at things, and it is still ongoing. The virus is rewriting our imaginations. What felt impossible has become thinkable. We’re getting a different sense of our place in history. We know we’re entering a new world, a new era. We seem to be learning our way into a new structure of feeling.
  • The Anthropocene, the Great Acceleration, the age of climate change—whatever you want to call it, we’ve been out of synch with the biosphere, wasting our children’s hopes for a normal life, burning our ecological capital as if it were disposable income, wrecking our one and only home in ways that soon will be beyond our descendants’ ability to repair. And yet we’ve been acting as though it were 2000, or 1990—as though the neoliberal arrangements built back then still made sense. We’ve been paralyzed, living in the world without feeling it.
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  • We realize that what we do now, well or badly, will be remembered later on. This sense of enacting history matters. For some of us, it partly compensates for the disruption of our lives.
  • Actually, we’ve already been living in a historic moment. For the past few decades, we’ve been called upon to act, and have been acting in a way that will be scrutinized by our descendants. Now we feel it. The shift has to do with the concentration and intensity of what’s happening. September 11th was a single day, and everyone felt the shock of it, but our daily habits didn’t shift, except at airports; the President even urged us to keep shopping. This crisis is different. It’s a biological threat, and it’s global. Everyone has to change together to deal with it. That’s really history.
  • There are 7.8 billion people alive on this planet—a stupendous social and technological achievement that’s unnatural and unstable. It’s made possible by science, which has already been saving us. Now, though, when disaster strikes, we grasp the complexity of our civilization—we feel the reality, which is that the whole system is a technical improvisation that science keeps from crashing down
  • Today, in theory, everyone knows everything. We know that our accidental alteration of the atmosphere is leading us into a mass-extinction event, and that we need to move fast to dodge it. But we don’t act on what we know. We don’t want to change our habits. This knowing-but-not-acting is part of the old structure of feeling.
  • remember that you must die. Older people are sometimes better at keeping this in mind than younger people. Still, we’re all prone to forgetting death. It never seems quite real until the end, and even then it’s hard to believe. The reality of death is another thing we know about but don’t feel.
  • it is the first of many calamities that will likely unfold throughout this century. Now, when they come, we’ll be familiar with how they feel.
  • water shortages. And food shortages, electricity outages, devastating storms, droughts, floods. These are easy calls. They’re baked into the situation we’ve already created, in part by ignoring warnings that scientists have been issuing since the nineteen-sixties
  • Imagine what a food scare would do. Imagine a heat wave hot enough to kill anyone not in an air-conditioned space, then imagine power failures happening during such a heat wave.
  • science fiction is the realism of our time
  • Science-fiction writers don’t know anything more about the future than anyone else. Human history is too unpredictable; from this moment, we could descend into a mass-extinction event or rise into an age of general prosperity. Still, if you read Science fiction, you may be a little less surprised by whatever does happen. Often, Science fiction traces the ramifications of a single postulated change; readers co-create, judging the writers’ plausibility and ingenuity, interrogating their theories of history. Doing this repeatedly is a kind of training. It can help you feel more oriented in the history we’re making now. This radical spread of possibilities, good to bad, which creates such a profound disorientation; this tentative awareness of the emerging next stage—these are also new feelings in our time.
  • Do we believe in science? Go outside and you’ll see the proof that we do everywhere you look. We’re learning to trust our science as a society. That’s another part of the new structure of feeling.
  • This mixture of dread and apprehension and normality is the sensation of plague on the loose. It could be part of our new structure of feeling, too.
  • there are charismatic mega-ideas. “Flatten the curve” could be one of them. Immediately, we get it. There’s an infectious, deadly plague that spreads easily, and, although we can’t avoid it entirely, we can try to avoid a big spike in infections, so that hospitals won’t be overwhelmed and fewer people will die. It makes sense, and it’s something all of us can help to do. When we do it—if we do it—it will be a civilizational achievement: a new thing that our scientific, educated, high-tech species is capable of doing. Knowing that we can act in concert when necessary is another thing that will change us.
  • People who study climate change talk about “the tragedy of the horizon.” The tragedy is that we don’t care enough about those future people, our descendants, who will have to fix, or just survive on, the planet we’re now wrecking. We like to think that they’ll be richer and smarter than we are and so able to handle their own problems in their own time. But we’re creating problems that they’ll be unable to solve. You can’t fix extinctions, or ocean acidification, or melted permafrost, no matter how rich or smart you are. The fact that these problems will occur in the future lets us take a magical view of them. We go on exacerbating them, thinking—not that we think this, but the notion seems to underlie our thinking—that we will be dead before it gets too serious. The tragedy of the horizon is often something we encounter, without knowing it, when we buy and sell. The market is wrong; the prices are too low. Our way of life has environmental costs that aren’t included in what we pay, and those costs will be borne by our descendents. We are operating a multigenerational Ponzi scheme.
  • We’ve decided to sacrifice over these months so that, in the future, people won’t suffer as much as they would otherwise. In this case, the time horizon is so short that we are the future people.
  • Amid the tragedy and death, this is one source of pleasure. Even though our economic system ignores reality, we can act when we have to. At the very least, we are all freaking out together. To my mind, this new sense of solidarity is one of the few reassuring things to have happened in this century. If we can find it in this crisis, to save ourselves, then maybe we can find it in the big crisis, to save our children and theirs.
  • Thatcher said that “there is no such thing as society,” and Ronald Reagan said that “government is not the solution to our problem; government is the problem.” These stupid slogans marked the turn away from the postwar period of reconstruction and underpin much of the bullshit of the past forty years
  • We are individuals first, yes, just as bees are, but we exist in a larger social body. Society is not only real; it’s fundamental. We can’t live without it. And now we’re beginning to understand that this “we” includes many other creatures and societies in our biosphere and even in ourselves. Even as an individual, you are a biome, an ecosystem, much like a forest or a swamp or a coral reef. Your skin holds inside it all kinds of unlikely coöperations, and to survive you depend on any number of interspecies operations going on within you all at once. We are societies made of societies; there are nothing but societies. This is shocking news—it demands a whole new world view.
  • It’s as if the reality of citizenship has smacked us in the face.
  • The neoliberal structure of feeling totters. What might a post-capitalist response to this crisis include? Maybe rent and debt relief; unemployment aid for all those laid off; government hiring for contact tracing and the manufacture of necessary health equipment; the world’s militaries used to support health care; the rapid construction of hospitals.
  • If the project of civilization—including science, economics, politics, and all the rest of it—were to bring all eight billion of us into a long-term balance with Earth’s biosphere, we could do it. By contrast, when the project of civilization is to create profit—which, by definition, goes to only a few—much of what we do is actively harmful to the long-term prospects of our species.
  • Economics is a system for optimizing resources, and, if it were trying to calculate ways to optimize a sustainable civilization in balance with the biosphere, it could be a helpful tool. When it’s used to optimize profit, however, it encourages us to live within a system of destructive falsehoods. We need a new political economy by which to make our calculations. Now, acutely, we feel that need.
  • We’ll remember this even if we pretend not to. History is happening now, and it will have happened. So what will we do with that?
  • How we feel is shaped by what we value, and vice versa. Food, water, shelter, clothing, education, health care: maybe now we value these things more, along with the people whose work creates them. To survive the next century, we need to start valuing the planet more, too, since it’s our only home.
Ed Webb

Can Sci-Fi Writers Prepare Us for an Uncertain Future? | WIRED - 0 views

  • a growing contingent of sci-fi writers being hired by think tanks, politicians, and corporations to imagine—and predict—the future
  • Harvard Business Review made the corporate case for reading sci-fi years ago, and mega consulting firm Price Waterhouse Cooper published a guide on how to use sci-fi to “explore innovation.” The New Yorker has touted “better business through sci-fi.” As writer Brian Merchant put it, “Welcome to the Sci-Fi industrial complex.”
  • The use of sci-fi has bled into government and public policy spheres. The New America Foundation recently held an all-day event discussing “What Sci-Fi Futures Can (and Can't) Teach Us About AI Policy.” And Nesta, an organization that generates speculative fiction, has committed $24 million to grow “new models of public services” in collaboration with the UK government
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  • Some argue that there is power in narrative stories that can’t be found elsewhere. Others assert that in our quest for imagination and prediction, we’re deluding ourselves into thinking that we can predict what’s coming
  • The World Future Society and the Association of Professional Futurists represent a small but growing group of professionals, many of whom have decades of experience thinking about long-term strategy and “scenario planning”—a method used by organizations to try and prepare for possible futures.
  • true Futurism is often pretty unsexy. It involves sifting through a lot of data and research and models and spreadsheets. Nobody is going to write a profile of your company or your government project based on a dry series of models outlining carefully caveated possibilities. On the other hand, worldbuilding—the process of imagining a universe in which your fictional stories can exist—is fun. People want stories, and science fiction writers can provide them.
  • Are those who write epic space operas (no matter how good those space operas might be) really the right people to ask about the future of work or water policy or human rights?
  • critics worry that writers are so good at spinning stories that they might even convince you those stories are true. In actuality, history shows us that predictions are nearly impossible to make and that humans are catastrophically bad at guessing what the future will hold
  • it's important to distinguish between prediction and impact. Did Star Trek anticipate the cell phone, or were the inventors of the cell phone inspired by Star Trek? Listicles of “all the things sci-fi has predicted” are largely exercises in cherry picking—they never include the things that sci-fi got wrong
  • In this line of work, specifics matter. It’s one thing to write a book about a refugee crisis, but quite another to predict exactly how the Syrian refugee crisis unfolded
  • It’s tempting to turn to storytelling in times of crisis—and it’s hard to argue that we’re not in a time of crisis now. Within dystopian pieces of fiction there are heroes and survivors, characters we can identify with who come out the other side and make it out OK. Companies and governments and individuals all want to believe that they will be among those lucky few, the heroes of the story. And science fiction writers can deliver that, for a fee.
Ed Webb

Scientific blinders: Learning from the moral failings of Nazi physicists - Bulletin of the Atomic Scientists - 0 views

  • As the evening progressed, more and more questions concerning justice and ethics occurred to the physicists: Are atomic weapons inherently inhumane, and should they never be used? If the Germans had come to possess such weapons, what would be the world’s fate? What constitutes real patriotism in Nazi Germany—working for the regime’s success, or its defeat? The scientists expressed surprise and bafflement at their colleagues’ opinions, and their own views sometimes evolved from one moment to the next. The scattered, changing opinions captured in the Farm Hall transcripts highlight that, in their five years on the Nazi nuclear program, the German physicists had likely failed to wrestle meaningfully with these critical questions.
  • looking back at the Uranium Club serves to remind us scientists of how easy it is to focus on technical matters and avoid considering moral ones. This is especially true when the moral issues are perplexing, when any negative impacts seem distant, and when the science is exciting.
  • engineers who develop tracking or facial-recognition systems may be creating tools that can be purchased by repressive regimes intent on spying on and suppressing dissent. Accordingly, those researchers have a certain obligation to consider their role and the impact of their work.
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  • reflecting seriously on the societal context of a research position may prompt a scientist to accept the job—and to take it upon herself or himself to help restrain unthinking innovation at work, by raising questions about whether every feature that can be added should in fact be implemented. (The same goes for whether certain lines of research should be pursued and particular findings published.)
  • The challenge for each of us, moving forward, is to ask ourselves and one another, hopefully far earlier in the research process than did Germany’s Walther Gerlach: “What are we working for?”
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    If you get the opportunity see, or at least read, the plays The Physicists (Die Physiker) by Friedrich Dürrenmatt and Copenhagen by Michael Frayn.
Ed Webb

A woman first wrote the prescient ideas Huxley and Orwell made famous - Quartzy - 1 views

  • In 1919, a British writer named Rose Macaulay published What Not, a novel about a dystopian future—a brave new world if you will—where people are ranked by intelligence, the government mandates mind training for all citizens, and procreation is regulated by the state.You’ve probably never heard of Macaulay or What Not. However, Aldous Huxley, author of the science fiction classic Brave New World, hung out in the same London literary circles as her and his 1932 book contains many concepts that Macaulay first introduced in her work. In 2019, you’ll be able to read Macaulay’s book yourself and compare the texts as the British publisher Handheld Press is planning to re- release the forgotten novel in March. It’s been out of print since the year it was first released.
  • The resurfacing of What Not also makes this a prime time to consider another work that influenced Huxley’s Brave New World, the 1923 novel We by Yvgeny Zamyatin. What Not and We are lost classics about a future that foreshadows our present. Notably, they are also hidden influences on some of the most significant works of 20th century fiction, Brave New World and George Orwell’s 1984.
  • In Macaulay’s book—which is a hoot and well worth reading—a democratically elected British government has been replaced with a “United Council, five minds with but a single thought—if that,” as she put it. Huxley’s Brave New World is run by a similarly small group of elites known as “World Controllers.”
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  • citizens of What Not are ranked based on their intelligence from A to C3 and can’t marry or procreate with someone of the same rank to ensure that intelligence is evenly distributed
  • Brave New World is more futuristic and preoccupied with technology than What Not. In Huxley’s world, procreation and education have become completely mechanized and emotions are strictly regulated pharmaceutically. Macaulay’s Britain is just the beginning of this process, and its characters are not yet completely indoctrinated into the new ways of the state—they resist it intellectually and question its endeavors, like the newly-passed Mental Progress Act. She writes:He did not like all this interfering, socialist what-not, which was both upsetting the domestic arrangements of his tenants and trying to put into their heads more learning than was suitable for them to have. For his part he thought every man had a right to be a fool if he chose, yes, and to marry another fool, and to bring up a family of fools too.
  • Where Huxley pairs dumb but pretty and “pneumatic” ladies with intelligent gentlemen, Macaulay’s work is decidedly less sexist.
  • We was published in French, Dutch, and German. An English version was printed and sold only in the US. When Orwell wrote about We in 1946, it was only because he’d managed to borrow a hard-to-find French translation.
  • While Orwell never indicated that he read Macaulay, he shares her subversive and subtle linguistic skills and satirical sense. His protagonist, Winston—like Kitty—works for the government in its Ministry of Truth, or Minitrue in Newspeak, where he rewrites historical records to support whatever Big Brother currently says is good for the regime. Macaulay would no doubt have approved of Orwell’s wit. And his state ministries bear a striking similarity to those she wrote about in What Not.
  • Orwell was familiar with Huxley’s novel and gave it much thought before writing his own blockbuster. Indeed, in 1946, before the release of 1984, he wrote a review of Zamyatin’s We (pdf), comparing the Russian novel with Huxley’s book. Orwell declared Huxley’s text derivative, writing in his review of We in The Tribune:The first thing anyone would notice about We is the fact—never pointed out, I believe—that Aldous Huxley’s Brave New World must be partly derived from it. Both books deal with the rebellion of the primitive human spirit against a rationalised, mechanized, painless world, and both stories are supposed to take place about six hundred years hence. The atmosphere of the two books is similar, and it is roughly speaking the same kind of society that is being described, though Huxley’s book shows less political awareness and is more influenced by recent biological and psychological theories.
  • In We, the story is told by D-503, a male engineer, while in Brave New World we follow Bernard Marx, a protagonist with a proper name. Both characters live in artificial worlds, separated from nature, and they recoil when they first encounter people who exist outside of the state’s constructed and controlled cities.
  • Although We is barely known compared to Orwell and Huxley’s later works, I’d argue that it’s among the best literary science fictions of all time, and it’s highly relevant, as it was when first written. Noam Chomsky calls it “more perceptive” than both 1984 and Brave New World. Zamyatin’s futuristic society was so on point, he was exiled from the Soviet Union because it was such an accurate description of life in a totalitarian regime, though he wrote it before Stalin took power.
  • Macaulay’s work is more subtle and funny than Huxley’s. Despite being a century old, What Not is remarkably relevant and readable, a satire that only highlights how little has changed in the years since its publication and how dangerous and absurd state policies can be. In this sense then, What Not reads more like George Orwell’s 1949 novel 1984 
  • Orwell was critical of Zamyatin’s technique. “[We] has a rather weak and episodic plot which is too complex to summarize,” he wrote. Still, he admired the work as a whole. “[Its] intuitive grasp of the irrational side of totalitarianism—human sacrifice, cruelty as an end in itself, the worship of a Leader who is credited with divine attributes—[…] makes Zamyatin’s book superior to Huxley’s,”
  • Like our own tech magnates and nations, the United State of We is obsessed with going to space.
  • Perhaps in 2019 Macaulay’s What Not, a clever and subversive book, will finally get its overdue recognition.
Ed Webb

Sci-Fi Author J.G. Ballard Predicts the Rise of Social Media (1977) | Open Culture - 0 views

  • Ballard was a brilliant futurist and his dystopian novels and short stories anticipated the 80s cyberpunk of William Gibson, exploring with a twisted sense of humor what Jean Lyotard famously dubbed in 1979 The Postmodern Condition: a state of ideological, scientific, personal, and social disintegration under the reign of a technocratic, hypercapitalist, “computerized society.” Ballard had his own term for it: “media landscape,” and his dark visions of the future often correspond to the virtual world we inhabit today.
  • Ballard made several disturbingly accurate predictions in interviews he gave over the decades (collected in a book titled Extreme Metaphors)
  • he gave an interview to I-D magazine in which he predicted the internet as “invisible streams of data pulsing down lines to produce an invisible loom of world commerce and information.” This may not seem especially prescient (see, for example, E.M. Forster’s 1909 “The Machine Stops” for a chilling futuristic scenario much further ahead of its time). But Ballard went on to describe in detail the rise of the Youtube celebrity: Every home will be transformed into its own TV studio. We'll all be simultaneously actor, director and screenwriter in our own soap opera. People will start screening themselves. They will become their own TV programmes.
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  • ten years earlier, in an essay for Vogue, he described in detail the spread of social media and its totalizing effects on our lives. In the technological future, he wrote, “each of us will be both star and supporting player.” Every one of our actions during the day, across the entire spectrum of domestic life, will be instantly recorded on video-tape. In the evening we will sit back to scan the rushes, selected by a computer trained to pick out only our best profiles, our wittiest dialogue, our most affecting expressions filmed through the kindest filters, and then stitch these together into a heightened re-enactment of the day. Regardless of our place in the family pecking order, each of us within the privacy of our own rooms will be the star in a continually unfolding domestic saga, with parents, husbands, wives and children demoted to an appropriate supporting role.
  • this description almost perfectly captures the behavior of the average user of Facebook, Instagram, etc.
  • Ballard wrote a 1977 short story called “The Intensive Care Unit,” in which—writes the site Ballardian---“ordinances are in place to prevent people from meeting in person. All interaction is mediated through personal cameras and TV screens.”
  • “Now everybody can document themselves in a way that was inconceivable 30, 40, 50 years ago,” Ballard notes, “I think this reflects a tremendous hunger among people for ‘reality’—for ordinary reality. It’s very difficult to find the ‘real,’ because the environment is totally manufactured.” Like Jean Baudrillard, another prescient theorist of postmodernity, Ballard saw this loss of the "real" coming many decades ago. As he told I-D in 1987, “in the media landscape it’s almost impossible to separate fact from fiction.”
Ed Webb

We Are Drowning in a Devolved World: An Open Letter from Devo - Noisey - 0 views

  • When Devo formed more than 40 years ago, we never dreamed that two decades into the 21st century, everything we had theorized would not only be proven, but also become worse than we had imagined
  • May 4 changed my life, and I truly believe Devo would not exist without that horror. It made me realize that all the Quasar color TVs, Swanson TV dinners, Corvettes, and sofa beds in the world didn't mean we were actually making progress. It meant the future could be not only as barbaric as the past, but that it most likely would be. The dystopian novels 1984, Animal Farm, and Brave New World suddenly seemed less like cautionary tales about the encroaching fusion of technological advances with the centralized, authoritarian power of the state, and more like subversive road maps to condition the intelligentsia for what was to come.
  • a philosophy emerged, fueled by the revelations that linear progress in a consumer society was a lie
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  • There were no flying cars and domed cities, as promised in Popular Science; rather, there was a dumbing down of the population engineered by right-wing politicians, televangelists, and Madison Avenue. I called what we saw “De-evolution,” based upon the tendency toward entropy across all human endeavors. Borrowing the tactics of the Mad Men-era of our childhood, we shortened the name of the idea to the marketing-friendly “Devo.”
  • we witnessed an America where the capacity for critical thought and reasoning were eroding fast. People mindlessly repeating slogans from political propaganda and ad campaigns: “America, Love It or leave It”; “Don’t Ask Why, Drink Bud Dry”; “You’ve Come A Long Way, Baby”; even risk-free, feel-good slogans like “Give Peace a Chance.” Here was an emerging Corporate Feudal State
  • it seemed like the only real threat to consumer society at our disposal was meaning: turning sloganeering on its head for sarcastic or subversive means, and making people notice that they were being moved and manipulated by marketing, not by well-meaning friends disguised as mom-and-pop. And so creative subversion seemed the only viable course of action
  • Presently, the fabric that holds a society together has shredded in the wind. Everyone has their own facts, their own private Idaho stored in their expensive cellular phones
  • Social media provides the highway straight back to Plato’s Allegory of the Cave. The restless natives react to digital shadows on the wall, reduced to fear, hate, and superstition
  • The rise of authoritarian leadership around the globe, fed by ill-informed populism, is well-documented at this point. And with it, we see the ugly specter of increased racism and anti-Semitism. It’s open season on those who gladly vote against their own self-interests. The exponential increase in suffering for more and more of the population is heartbreaking to see. “Freedom of choice is what you got / Freedom from choice is what you want,” those Devo clowns said in 1980.
  • the hour is getting late. Perhaps the reason Devo was even nominated after 15 years of eligibility is because Western society seems locked in a death wish. Devo doesn’t skew so outside the box anymore. Maybe people are a bit nostalgic for our DIY originality and substance. We were the canaries in the coalmine warning our fans and foes of things to come in the guise of the Court Jester, examples of conformity in extremis in order to warn against conformity
  • Devo is merely the house band on the Titanic
Ed Webb

Hayabusa2 and the unfolding future of space exploration | Bryan Alexander - 0 views

  • What might this tell us about the future?  Let’s consider Ryugu as a datapoint or story for where space exploration might head next.
  • There isn’t a lot of press coverage beyond Japan (ah, once again I wish I read Japanese), if I go by Google News headlines.  There’s nothing on the CNN.com homepage now, other than typical spatters of dread and celebrity; the closest I can find is a link to a story about Musk’s space tourism project, which a Japanese billionaire will ride.  Nothing on Fox News or MSNBC’s main pages.  BBC News at least has a link halfway down its main page.
  • Hayabusa is a Japanese project, not an American one, and national interest counts for a lot.  No humans were involved, so human interest and story are absent.  Perhaps the whole project looks too science-y for a culture that spins into post-truthiness, contains some serious anti-science and anti-technology strands, or just finds science stories too dry.  Or maybe the American media outlets think Americans just aren’t that into space in particular in 2018.
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  • Hayabusa2 reminds us that space exploration is more multinational and more disaggregated than ever.  Besides JAXA there are space programs being build up by China and India, including robot craft, astronauts (taikonauts, for China, vyomanauts, for India), and space stations.  The Indian Mars Orbiter still circles the fourth planet. The European Space Agency continues to develop satellites and launch rockets, like the JUICE (JUpiter ICy moons Explorer).  Russia is doing some mixture of commercial spaceflight, ISS maintenance, exploration, and geopoliticking.  For these nations space exploration holds out a mixture of prestige, scientific and engineering development, and possible commercial return.
  • Bezos, Musk, and others live out a Robert Heinlein story by building up their own personal space efforts.  This is, among other things, a sign of how far American wealth has grown, and how much of the elite are connected to technical skills (as opposed to inherited wealth).  It’s an effect of plutocracy, as I’ve said before.  Yuri Milner might lead the first interstellar mission with his Breakthrough Starshot plan.
  • Privatization of space seems likely to continue.
  • Uneven development is also likely, as different programs struggle to master different stations in the space path.  China may assemble a space station while Japan bypasses orbital platforms for the moon, private cubesats head into the deep solar system and private companies keep honing their Earth orbital launch skills.
  • Surely the challenges of getting humans and robots further into space will elicit interesting projects that can be used Earthside.  Think about health breakthroughs needed to keep humans alive in environments scoured by radiation, or AI to guide robots through complex situations.
  • robots continue to be cheap, far easier to operate, capable of enduring awful stresses, and happy to send gorgeous data back our way
  • Japan seems committed to creating a lunar colony.  Musk and Bezos burn with the old science fiction and NASA hunger for shipping humans into the great dark.  The lure of Mars seems to be a powerful one, and a multinational, private versus public race could seize the popular imagination.  Older people may experience a rush of nostalgia for the glorious space race of their youth.
  • This competition could turn malign, of course.  Recall that the 20th century’s space races grew out of warfare, and included many plans for combat and destruction. Nayef Al-Rodhan hints at possible strains in international cooperation: The possible fragmentation of outer space research activities in the post-ISS period would constitute a break-up of an international alliance that has fostered unprecedented cooperation between engineers and scientists from rival geopolitical powers – aside from China. The ISS represents perhaps the pinnacle of post-Cold War cooperation and has allowed for the sharing and streamlining of work methods and differing norms. In a current period of tense relations, it is worrying that the US and Russia may be ending an important phase of cooperation.
  • Space could easily become the ground for geopolitical struggles once more, and possibly a flashpoint as well.  Nationalism, neonationalism, nativism could power such stresses
  • Enough of an off-Earth settlement could lead to further forays, once we bypass the terrible problem of getting off the planet’s surface, and if we can develop new ways to fuel and sustain craft in space.  The desire to connect with that domain might help spur the kind of space elevator which will ease Earth-to-orbit challenges.
  • The 1960s space race saw the emergence of a kind of astronaut cult.  The Soviet space program’s Russian roots included a mystical tradition.  We could see a combination of nostalgia from older folks and can-do optimism from younger people, along with further growth in STEM careers and interest.  Dialectically we should expect the opposite.  A look back at the US-USSR space race shows criticism and opposition ranging from the arts (Gil Scott-Heron’s “Whitey on the Moon”, Jello Biafra’s “Why I’m Glad the Space Shuttle Blew Up”) to opinion polls (in the US NASA only won real support for the year around Apollo 11, apparently).  We can imagine all kinds of political opposition to a 21st century space race, from people repeating the old Earth versus space spending canard to nationalistic statements (“Let Japan land on Deimos.  We have enough to worry about here in Chicago”) to environmental concerns to religious ones.  Concerns about vast wealth and inequality could well target space.
  • How will we respond when, say, twenty space tourists crash into a lunar crater and die, in agony, on YouTube?
  • That’s a lot to hang on one Japanese probe landing two tiny ‘bots on an asteroid in 2018, I know.  But Hayabusa2 is such a signal event that it becomes a fine story to think through.
Ed Webb

New Mexico's Sad Bet on Space Exploration - The Atlantic - 0 views

  • New Mexico spaceport is only the latest entry in a triumphant time line of military and aerospace innovation in this southwestern state. Our video narrator speeds through Spanish colonialism and westward expansion to highlight the Manhattan Project’s work in Los Alamos, to the north, and Operation Paperclip, a secret program that recruited German scientists to the United States after World War II. Among them was Wernher von Braun, who brought his V-2 rockets to the state.White Sands Missile Range, a 3,200-square-mile military-testing site in South Central New Mexico’s Tularosa Basin, hosted much of this work. It’s home to the Trinity Site, where the first atomic bomb was detonated, and von Braun’s rocket testing site, too. Spaceport America is positioned adjacent to the Army property, in a tightly protected airspace. That makes rocket-ship testing a lot easier.
  • “It feels exciting, it’s like the future is now,”
  • For now, the spaceport is a futurist tourist attraction, not an operational harbor to the cosmos. The tour buses depart from a former T or C community center twice a day every Saturday. They pass thrift stores, RV parks, and bland but durable-looking structures, defiant underdogs against the mountains. We pass the Elephant Butte Dam, a stunning example of early-20th-century Bureau of Reclamation engineering that made it possible for agriculture to thrive in southern New Mexico; even so, a fellow spaceport tourist notes that the water levels seem far lower than what he recalls from childhood
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  • The complex and its buildings vaguely recall a Southwest landmark frequently mistaken for the city of the future: Arcosanti, the architect Paolo Soleri’s 1970 “urban laboratory” nestled in the mountains north of Phoenix. It’s oddly fitting: Soleri imagined a sustainable desert utopia, as well as speculative space “arcologies”—self-sustaining architectural ecologies, delicately rendered as hypothetical asteroid-belt cities or prototype ships
  • The only spacecraft we see on the tour is a model of Virgin Galactic’s SpaceShipTwo, glimpsed from a distance in an otherwise empty hangar. Even the spacecraft isn’t real.
  • the name Spaceport America suggests theatrics. There are several commercial spaceports throughout the United States, some of which sport more activity and tenants. Most of Virgin Galactic’s testing has happened at the Mojave Air and Space Port; Virginia’s Mid-Atlantic Regional Spaceport recently signed on the SpaceX competitor Vector as a customer.Others, like Oklahoma’s Air and Space Port, seem to be even more like ghost towns than this one. But New Mexico’s gambit suggests we are at the spaceport of the nation. It doesn’t feel like the frontier of private space travel so much as a movie set.
  • Many promises for technologies of future urbanism start as desert prototypes
  • New Mexico examples tend to include slightly more dystopian rehearsals: Much of the state’s existing science and defense industries emerged from bringing Manhattan Project scientists to what, at the time, was the middle of nowhere to test nuclear weapons—essentially, to practice ending the world.
  • most of my fellow tourists take the premise of ubiquitous space travel to colonies on Mars as a fait accompli. I’m not sure why people in a desert would fantasize about going somewhere even harder to inhabit
  • Humanity dreams of going to space for many of the same reasons some people went to the desert: because it is there, because they hope to get rich extracting natural resources they find there, and because they suspect mysterious, new terrains can’t be any worse than the irredeemable wreckage of the landscape they’re leaving behind
  • believing in the inevitability of Mars colonies is maybe no less idealistic than believing in the Southwest itself
  • The romance and promise of the American West was built, in part, on federal land grants to private corporations that promised to bring boomtowns to places previously otherwise deemed uninhabitable wastelands. Cities rose and fell with the rerouting of railroads
  • To manifest destiny’s proponents, to doubt the inevitability of technological and social progress via the railroad was tantamount to doubting the will of God. Today, questioning the value of (mostly) privately funded space development likewise feels like doubting human progress
  • I wonder if the future always feels like rehearsal until it arrives, or if it is always rehearsal, only seeming like it has arrived when the run-through loses its novelty. Maybe all of the impatient skeptics will be proven wrong this year, and the future will finally arrive at Spaceport America. Here in the desert, a better future always seems to be right around the corner
Ed Webb

Can Economists and Humanists Ever Be Friends? | The New Yorker - 0 views

  • There is something thrilling about the intellectual audacity of thinking that you can explain ninety per cent of behavior in a society with one mental tool.
  • education, which they believe is a form of domestication
  • there is no moral dimension to this economic analysis: utility is a fundamentally amoral concept
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  • intellectual overextension is often found in economics, as Gary Saul Morson and Morton Schapiro explain in their wonderful book “Cents and Sensibility: What Economics Can Learn from the Humanities” (Princeton). Morson and Schapiro—one a literary scholar and the other an economist—draw on the distinction between hedgehogs and foxes made by Isaiah Berlin in a famous essay from the nineteen-fifties, invoking an ancient Greek fragment: “The fox knows many things, but the hedgehog one big thing.” Economists tend to be hedgehogs, forever on the search for a single, unifying explanation of complex phenomena. They love to look at a huge, complicated mass of human behavior and reduce it to an equation: the supply-and-demand curves; the Phillips curve, which links unemployment and inflation; or mb=mc, which links a marginal benefit to a marginal cost—meaning that the fourth slice of pizza is worth less to you than the first. These are powerful tools, which can be taken too far. Morson and Schapiro cite the example of Gary Becker, the Nobel laureate in economics in 1992. Becker is a hero to many in the field, but, for all the originality of his thinking, to outsiders he can stand for intellectual overconfidence. He thought that “the economic approach is a comprehensive one that is applicable to all human behavior.” Not some, not most—all
  • Becker analyzed, in his own words, “fertility, education, the uses of time, crime, marriage, social interactions, and other ‘sociological,’ ‘legal,’ and ‘political problems,’ ” before concluding that economics explained everything
  • The issue here is one of overreach: taking an argument that has worthwhile applications and extending it further than it usefully goes. Our motives are often not what they seem: true. This explains everything: not true. After all, it’s not as if the idea that we send signals about ourselves were news; you could argue that there is an entire social science, sociology, dedicated to the subject. Classic practitioners of that discipline study the signals we send and show how they are interpreted by those around us, as in Erving Goffman’s “The Presentation of Self in Everyday Life,” or how we construct an entire identity, both internally and externally, from the things we choose to be seen liking—the argument of Pierre Bourdieu’s masterpiece “Distinction.” These are rich and complicated texts, which show how rich and complicated human difference can be. The focus on signalling and unconscious motives in “The Elephant in the Brain,” however, goes the other way: it reduces complex, diverse behavior to simple rules.
  • “A traditional cost-benefit analysis could easily have led to the discontinuation of a project widely viewed as being among the most successful health interventions in African history.”
  • Another part of me, though, is done with it, with the imperialist ambitions of economics and its tendency to explain away differences, to ignore culture, to exalt reductionism. I want to believe Morson and Schapiro and Desai when they posit that the gap between economics and the humanities can be bridged, but my experience in both writing fiction and studying economics leads me to think that they’re wrong. The hedgehog doesn’t want to learn from the fox. The realist novel is a solemn enemy of equations. The project of reducing behavior to laws and the project of attending to human beings in all their complexity and specifics are diametrically opposed. Perhaps I’m only talking about myself, and this is merely an autobiographical reflection, rather than a general truth, but I think that if I committed any further to economics I would have to give up writing fiction. I told an economist I know about this, and he laughed. He said, “Sounds like you’re maximizing your utility.” 
  • finance is full of “attribution errors,” in which people view their successes as deserved and their failures as bad luck. Desai notes that in business, law, or pedagogy we can gauge success only after months or years; in finance, you can be graded hour by hour, day by day, and by plainly quantifiable measures. What’s more, he says, “the ‘discipline of the market’ shrouds all of finance in a meritocratic haze.” And so people who succeed in finance “are susceptible to developing massively outsized egos and appetites.”
  • one of the things I liked about economics, finance, and the language of money was their lack of hypocrisy. Modern life is full of cant, of people saying things they don’t quite believe. The money guys, in private, don’t go in for cant. They’re more like Mafia bosses. I have to admit that part of me resonates to that coldness.
  • Economics, Morson and Schapiro say, has three systematic biases: it ignores the role of culture, it ignores the fact that “to understand people one must tell stories about them,” and it constantly touches on ethical questions beyond its ken. Culture, stories, and ethics are things that can’t be reduced to equations, and economics accordingly has difficulty with them
  • There is something thrilling about the intellectual audacity of thinking that you can explain ninety per cent of behavior in a society with one mental tool
  • According to Hanson and Simler, these unschooled workers “won’t show up for work reliably on time, or they have problematic superstitions, or they prefer to get job instructions via indirect hints instead of direct orders, or they won’t accept tasks and roles that conflict with their culturally assigned relative status with co-workers, or they won’t accept being told to do tasks differently than they had done them before.”
  • The idea that Maya Angelou’s career amounts to nothing more than a writer shaking her tail feathers to attract the attention of a dominant male is not just misleading; it’s actively embarrassing.
Ed Webb

Artificial intelligence, immune to fear or favour, is helping to make China's foreign policy | South China Morning Post - 0 views

  • Several prototypes of a diplomatic system using artificial intelligence are under development in China, according to researchers involved or familiar with the projects. One early-stage machine, built by the Chinese Academy of Sciences, is already being used by the Ministry of Foreign Affairs.
  • China’s ambition to become a world leader has significantly increased the burden and challenge to its diplomats. The “Belt and Road Initiative”, for instance, involves nearly 70 countries with 65 per cent of the world’s population. The unprecedented development strategy requires up to a US$900 billion investment each year for infrastructure construction, some in areas with high political, economic or environmental risk
  • researchers said the AI “policymaker” was a strategic decision support system, with experts stressing that it will be humans who will make any final decision
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  • “Human beings can never get rid of the interference of hormones or glucose.”
  • “It would not even consider the moral factors that conflict with strategic goals,”
  • “The entire strategic game structure will be completely out of balance.”
  • “If one side of the strategic game has artificial intelligence technology, and the other side does not, then this kind of strategic game is almost a one-way, transparent confrontation,” he said. “The actors lacking the assistance of AI will be at an absolute disadvantage in many aspects such as risk judgment, strategy selection, decision making and execution efficiency, and decision-making reliability,” he said.
  • “AI can think many steps ahead of a human. It can think deeply in many possible scenarios and come up with the best strategy,”
  • A US Department of State spokesman said the agency had “many technological tools” to help it make decisions. There was, however, no specific information on AI that could be shared with the public,
  • The system, also known as geopolitical environment simulation and prediction platform, was used to vet “nearly all foreign investment projects” in recent years
  • One challenge to the development of AI policymaker is data sharing among Chinese government agencies. The foreign ministry, for instance, had been unable to get some data sets it needed because of administrative barriers
  • China is aggressively pushing AI into many sectors. The government is building a nationwide surveillance system capable of identifying any citizen by face within seconds. Research is also under way to introduce AI in nuclear submarines to help commanders making faster, more accurate decision in battle.
  • “AI can help us get more prepared for unexpected events. It can help find a scientific, rigorous solution within a short time.
Ed Webb

American white people really hate being called "white people" - Vox - 0 views

  • as research on “priming” shows, simply discussing race at all kicks up those effects among the racially dominant group. Or to put it more bluntly, in the US context: White people really don’t like being called white people. They don’t like being reminded that they are white people, part of a group with discernible boundaries, shared interests, and shared responsibilities
  • one of the benefits of being in the dominant demographic and cultural group is that you are allowed to simply be a person, a blank slate upon which you can write your own individual story. You have no baggage but what you choose
  • The power and privilege that come along with that — being the base model, a person with no asterisk — are invisible to many white men. Simply calling them “white people,” much less questioning the behavior or beliefs of white people, drags that power and privilege into the open
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  • No one else gets to pretend their politics are free of identity. White people do. But simply saying the words “white people” is a direct attack on that illusion. It identifies, i.e., creates (or rather, exposes) an identity, a group with shared characteristics and interests. It raises questions (and doubts) about the group’s standing and power relative to other groups. It illuminates all that hidden baggage. Lots of white people really hate that
  • it’s difficult to think of a US setting in which the words “white people” are received neutrally. The term is always charged somehow, freighted with meaning and potential conflict, vaguely subversive
  • As many have pointed out and this political era has made painfully clear, to a dominant demographic, the loss of privilege feels like persecution. Being just one group among many feels like losing. After all, what good is being white in the US, especially among poor whites, if some third-generation Ugandan immigrant has just as much control over their fate as they have over hers? If a poll asks whether they’re any good for her, rather than the other way around?
Ed Webb

How white male victimhood got monetised | The Independent - 0 views

  • I also learned a metric crap-tonne about how online communities of angry young nerd dudes function. Which is, to put it simply, around principles of pure toxicity. And now that toxicity has bled into wider society.
  • In a twist on the "1,000 true fans" principle worthy of Black Mirror, any alt-right demagogue who can gather 1,000 whining, bitter, angry men with zero self-awareness now has a self-sustaining full time job as an online sh*tposter.
  • Social media has been assailed by one toxic "movement" after another, from Gamergate to Incel terrorism. But the "leaders" of these movements, a ragtag band of demagogues, profiteers and charlatans, seem less interested in political change than in racking up Patreon backers.
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  • Making a buck from the alt-right is quite simple. Get a blog or a YouTube channel. Then under the guise of political dialogue or pseudo-science, start spouting hate speech. You'll soon find followers flocking to your banner.
  • Publish a crappy ebook explaining why SJWs Always Lie. Or teach your followers how to “think like a silverback gorilla” (surely an arena where the far right already triumph?) via a pricey seminar. Launch a Kickstarter for a badly drawn comic packed with anti-diversity propaganda. They'll sell by the bucketload to followers eager to virtue-signal their membership in the rank and file of the alt-right
  • the seemingly bottomless reservoirs of white male victimhood
  • nowhere is there a better supply of the credulous than among the angry white men who flock to the far right. Embittered by their own life failures, the alt-right follower is eager to believe they have a genetically superior IQ and are simply the victim of a libtard conspiracy to keep them down
  • We're barely in the foothills of the mountains of madness that the internet and social media are unleashing into our political process. If you think petty demagogues like Jordan Peterson are good at milking cash from the crowd, you ain’t seen nothing yet. Because he was just the beginning – and his ideology of the white male victim is rapidly spiralling into something that even he can no longer control
Ed Webb

Angry Optimism in a Drowned World: A Conversation with Kim Stanley Robinson | CCCB LAB - 0 views

  • The idea would be that not only do you have a multigenerational project of building a new world, but obviously the human civilization occupying it would also be new. And culturally and politically, it would be an achievement that would have no reason to stick with old forms from the history of Earth. It’s a multigenerational project, somewhat like building these cathedrals in Europe where no generation expects to end the job. By the time the job is near completion, the civilization operating it will be different to the one that began the project.
  • what the Mars scenario gave me – and gives all of humanity – is the idea that the physical substrate of the planet itself is also a part of the project, and it’s something that we are strong enough to influence. Not create, not completely control, not completely engineer because it’s too big and we don´t have that much ability to manipulate the large systems involved, nor the amount of power involved. But we do have enough to mess things up and we do have enough to finesse the system.This, I think, was a precursor to the idea of the Anthropocene. The Anthropocene is precisely the geological moment when humanity becomes a geological force, and it’s a science-fiction exercise to say that 50 million years from now, humanity’s descendants, or some other alien civilization, will be able to look at Earth and say: “This is when humanity began to impact things as much as volcanos or earthquakes.” So it’s a sci-fi story being told in contemporary culture as one way to define what we are doing now. So, that was what my Mars project was doing, and now we are in the Anthropocene as a mental space.
  • if humanity’s impact on the Earth is mostly negative in ecological terms, if you mark humanity’s impact as being so significant that we have produced a new geological age, then we have to think differently in our attitudes towards what we are doing with our biophysical substrate. And one of the things I think the Anthropocene brings up is that the Earth is our body, and we can finesse it, we can impact it, we can make ourselves sick.
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  • The truth is that we are actually already at that moment of climate change and crisis. The political project that my novel discusses really ought to be enacted now, not 120 years from now. In the real world, what we’ve got is a necessity for our economic system to take damage to the ecosystem into account, and pay for that damage.
  • I worry that we’ve already swallowed the idea of the Anthropocene and stopped considering the importance of it; the profound shock that it should cause has already been diffused into just one more idea game that we play.
  • there is no question that, at times in the past, the Earth has been an ice ball with none of its water melted, and also a jungle planet with all of its water melted, and no ice on the planet whatsoever. And this is just from the natural extremes of planetary orbiting, and feedback loops of the atmosphere that we have naturally. But then what humanity is doing – and the reason you need the term “Anthropocene” – is pushing us into zones that the planet maybe has been in the past, but never with this extraordinary speed. Things that would have taken three, four, five million years in the past, or even longer, a 50-million-year process, are being done in fifty years, a million times faster
  • The market doesn’t have a brain, a conscience, a morality or a sense of history. The market only has one rule and it’s a bad rule, a rule that would only work in a world where there was an infinity of raw materials, what the eco-Marxists are calling the “four cheaps”: cheap food, cheap power, cheap labour, cheap raw material
  • this isn’t the way capitalism works, as currently configured; this isn’t profitable. The market doesn’t like it. By the market I mean – what I think everybody means, but doesn’t admit – capital, accumulated capital, and where it wants to put itself next. And where it wants to put itself next is at the highest rate of return, so that if it’s a 7% return to invest in vacation homes on the coast of Spain, and it’s only a 6% rate of return to build a new clean power plant out in the empty highlands of Spain, the available capital of this planet will send that money and investment and human work into vacation homes on the coast of Spain rather than the power plants
  • If Spain were to do a certain amount for its country, but was sacrificing relative to international capital or to other countries, then it would be losing the battle for competitive advantage in the capitalist system
  • Nobody can afford to volunteer to be extra virtuous in a system where the only rule is quarterly profit and shareholder value. Where the market rules, all of us are fighting for the crumbs to get the best investment for the market.
  • the market is like a blind giant driving us off a cliff into destruction
  • we need postcapitalism
  • I look to the next generation, to people who are coming into their own intellectual power and into political and economic power, to be the most productive citizens, at the start of their careers, to change the whole story. But, sometimes it just strikes me as astonishing, how early on we are in our comprehension of this system
  • design is a strange amalgam, like a science-fictional cyborg between art and engineering, planning, building, and doing things in the real world
  • you can´t have permanent growth.
  • The Anthropocene is that moment in which capitalist expansion can no longer expand, and you get a crush of the biophysical system – that’s climate change – and then you get a crush of the political economy because, if you’ve got a system that demands permanent growth, capital accumulation and profit and you can’t do it anymore, you get a crisis that can’t be solved by the next expansion
  • If the Anthropocene is a crisis, an end of the road for capitalism, well, what is post-capitalism? This I find painfully under-discussed and under-theorized. As a Sci-Fi writer, an English major, a storyteller – not a theorist nor a political economist – looking for help, looking for theories and speculations as to what will come next and how it will work, and finding a near emptiness.
  • here is the aporia, as they call it: the non-seeing that is in human culture today. This is another aspect of the Anthropocene
  • Economics is the quantitative and systematic analysis of capitalism itself. Economics doesn’t do speculative or projective economics; perhaps it should, I mean, I would love it if it did, but it doesn’t
  • If the rules of that global economy were good, there could not be bad actors because if the G20,  95% of the economy, were all abiding by good rules, there would be nowhere for greedy actors to escape to, to enact their greed.
  • You can see the shapes of a solution. This is very important for anybody that wants to have hope or everybody that is realizing that there will be humans after us, the generations to come. It’s strange because they are absent; they are going to be here, they are going to be our descendants and they are even going to have our DNA in them. They will be versions of us but because they are not here now, it’s very easy to dismiss their concerns.
  • capitalist economics discounts their concerns, in the technical term of what is called in economics “the discount rate”. So, a high discount rate in your economic calculations of value — like amortized payments or borrowing from the future – says: “The future isn’t important to us, they will take care of themselves” and a low discount rate says: “We are going to account for the future, we think the future matters, the people yet to come matter.” That choice of a discount rate is entirely an ethical and political decision; it’s not a technical or scientific decision except for, perhaps, the technical suggestion that if you want your children to survive you’d better choose a lower discount rate. But that “if” is kind of a moral, an imaginative statement, and less practical in the long-term view.
  • I have been talking about these issues for about fifteen years and, ten years ago, to suggest that the Paris Agreement would be signed, people would say: “but that will never happen!” As a utopian science-fiction writer, it was a beautiful moment.
  • As a Science-Fiction writer, what is in your view the responsibility that the arts, literature and literary fiction can have in helping to articulate possible futures? It seems that imagining other forms of living is key to producing them, to make them actionable.
  • The sciences are maybe the dominant cultural voice in finding out what’s going on in the world and how things work, and the technicalities about how and why things work. But how that feels, the emotional impact in it, which is so crucial to the human mind and human life in general, these are what the arts provide
  • The way that we create energy and the way that we move around on this planet both have to be de-carbonized. That has to be, if not profitable, affordable
  • This is what bothers me in economics; its blind adherence to the capitalist moment even when it is so destructive. Enormous amounts of intellectual energy are going into the pseudo-quantitative legal analysis of an already-existing system that’s destructive. Well, this is not good enough anymore because it’s wrecking the biophysical infrastructure
  • What would that new way of living be? The economists are not going to think of it. The artists are often not specific enough in their technical and physical detail, so they can become fantasy novelists rather than science-fiction novelists; there is too much a possibility in the arts, and I know very well myself, of having a fantasy response, a wish fulfilment. But when you’re doing architecture you think: “Well, I need ten million dollars, I need this land, I need to entrain the lives of five hundred people for ten years of their careers in order to make something that then will be good for the future generations to use.”
  • After the 2008 crash of the world economy, the neoliberal regime began to look a bit more fragile and brutal, less massive and immovable. I see things very differently, the world reacting very differently since the 2008 crash to how it did before it. There was this blind faith that capitalism worked, and also even if it didn’t work it wasn’t changeable, it was too massive to change. Now what I am pointing out comes from the radical economists coming out of political economy, anthropology and leftist politics saying that international finance is simply overleveraged and therefore is extremely fragile and open to being taken down. Because it depends on everybody paying their bills and fulfilling their contracts.
  • Human extinction, this is bullshit. Humans will scratch around and find some refuge. You could imagine horrible disasters and reductions of human population but extinction is not the issue for humans, it’s for everybody else. All of our horizontal brothers and sisters, the other big mammals, are in terrible trouble from our behaviour
  • I actually am offended at this focus on the human; “Oh, we’ll be in trouble,”: big deal. We deserve to be in trouble, we created the trouble. The extinctions of the other big mammals: the tigers, rhinoceroses, all big mammals that aren’t domestic creatures of our own built in factories, are in terrible trouble. So, the human effort ought to be towards avoiding extinctions of other creatures. Never waste a worry for humanity itself, which, no matter what, won’t become extinct. Ten centuries from now, humanity will be doing something and that something is likely to be more sustainable and interesting than what we are doing now. The question for us is. “How do you get there?” But ten centuries from now, there might not be any tigers.
  • There’s an Antonio Gramsci idea you have used to explain your position: “pessimism of the intellect, optimism of the will.” Your optimism is a moral and political position, it’s not just hoping for the best. Why do you think we need to defend optimism
  • Use the optimism as a club, to beat the crap out of people who are saying that we are doomed, who are saying let’s give up now. And this “let’s give up now” can be very elaborated academically. You can say: “Well, I’m just into adaptation rather than mitigation, there’s nothing we can do about climate change, all you can do is adapt to it.” In other words, stick with capitalism, stick with the market, and don’t get freaked out. Just adapt and get your tenure because it is usually academics who say it, and they’re not usually in design or architecture, they aren’t really doing things. They’re usually in philosophy or in theory. They come out of my departments, they’re telling a particular story and I don’t like that story. My story is: the optimism that I’m trying to express is that there won’t be an apocalypse, there will be a disaster. But after the disaster comes the next world on.
  • there’s a sort of apocalyptic end-of-the-world “ism” that says that I don’t have to change my behaviour, I don’t have to try because it’s already doomed
  • Maybe optimism is a kind of moral imperative, you have to stay optimistic because otherwise you’re just a wanker that’s taken off into your own private Idaho of “Oh well, things are bad.” It’s so easy to be cynical; it’s so easy to be pessimistic
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