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The printing press, the assembly line, and recently the genetic engineering have all brought along with them protest and outrage from a populace sure that these advances will bring about the end of the human species.

“These robots are able to hide and evade in ways that other robots simply have not been able to do. That indicates that such behaviour is not overly complicated and well within the reach of modern robots.”

Dr. Edward Webb

Caprica may have gone too far, tried to cover too much. It broke one of the cardinal rules of mainstream science fiction, which is that if you have a strange alternate universe you'd better populate it with recognizable, ordinary characters. But I like the kind of thought-experiment audaciousness that says, Hell yes we are going to give you complicated characters who defy stereotypes, and put them in a world whose rules you'll have to think hard to understand. It's too late to bring Caprica back. But I hope that this show is the first part of a new wave of science fiction on TV. Like The Sarah Connor Chronicles, Dollhouse, and Fringe, Caprica tackles singularity-level technology as a political and economic phenomenon - not as an escapist fantasy. And that's why it was a show worth watching, even when it stumbled.

One problem with being a long-term reader of science fiction and fantasy is that you get blase about science itself because you have seen it all before. My sense of wonder was overloaded by the time I was 16; I am never going to get that rush again. Even major breakthroughs make me go 'Whatever!'.Partly that's because, despite all our advances, we still haven't got time travel, reptilian visitors from the Galactic Federation, or telepathy. Instead, we get the depressing environmental disasters that JG Ballard described, and crazed grinning fundamentalist politicians straight out of Philip K Dick. (I'm sure that if I went through all his Ace doubles from the early 1960s, I would find Sarah Palin somewhere.) We don't get the stories where someone smart gets to fix the problem with a bent paperclip; we get the grim logical stories where we are all going to die.

One of the reasons why Dick and Ballard speak to our condition so well is that they saw the future and it was pretty rubbish.

It is almost a cliché that most sci fi is a way of looking sideways at the time in which it was written – the reason why William Gibson's Neuromancer felt so relevant in the 1980s was simply that it was a book whose imagined technology was mostly just around the corner, and whose doomed hipster technobandits were already walking down mean streets in cities near us. It's significant that Gibson has moved to writing contemporary fiction with hardly a change of register.

Thanks to Fahrenheit 451, now required reading for every American middle-schooler, Bradbury is generally thought of as a writer of novels, but his talents—particularly his mastery of the diabolical premise and the brain-exploding revelation—are best suited to the short form.

The best stories have a strange familiarity about them. They're like long-forgotten acquaintances—you know you've met them somewhere before. There is, for instance, the tale of the time traveler who goes back into time and accidentally steps on a butterfly, thereby changing irrevocably the course of history ("A Sound of Thunder"). There's the one about the man who buys a robotic husband to live with his wife so that he can be free to travel and pursue adventure—that's "Marionettes, Inc." (Not to be confused with "I Sing the Body Electric!" about the man who buys a robotic grandmother to comfort his children after his wife dies.) Or "The Playground," about the father who changes places with his son so that he can spare his boy the cruelty of childhood—forgetting exactly how cruel childhood can be. The stories are familiar because they've been adapted, and plundered from, by countless other writers—in books, television shows, and films. To the extent that there is a mythology of our age, Bradbury is one of its creators.

"But Bradbury's skill is in evoking exactly how soul-annihilating that world is."    Of course, this also displays one of the key facts of Bradbury's work -- and a trend in science fiction that is often ignored. He's a reactionary of the first order, deeply distrustful of technology and even the notion of progress. Many science fiction writers had begun to rewrite the rules of women in space by the time Bradbury had women in long skirts hauling pots and pans over the Martian landscape. And even he wouldn't disagree. In his famous Playboy interview he responded to a question about predicting the future with, "It's 'prevent the future', that's the way I put it. Not predict it, prevent it."

like the cell of a bee

She knew several thousand people, in certain directions human intercourse had advanced enormously

I can give you fully five minutes

As the evening progressed, more and more questions concerning justice and ethics occurred to the physicists: Are atomic weapons inherently inhumane, and should they never be used? If the Germans had come to possess such weapons, what would be the world’s fate? What constitutes real patriotism in Nazi Germany—working for the regime’s success, or its defeat? The scientists expressed surprise and bafflement at their colleagues’ opinions, and their own views sometimes evolved from one moment to the next. The scattered, changing opinions captured in the Farm Hall transcripts highlight that, in their five years on the Nazi nuclear program, the German physicists had likely failed to wrestle meaningfully with these critical questions.

looking back at the Uranium Club serves to remind us scientists of how easy it is to focus on technical matters and avoid considering moral ones. This is especially true when the moral issues are perplexing, when any negative impacts seem distant, and when the science is exciting.

engineers who develop tracking or facial-recognition systems may be creating tools that can be purchased by repressive regimes intent on spying on and suppressing dissent. Accordingly, those researchers have a certain obligation to consider their role and the impact of their work.

The Chinese government is taking a controversial step in security, with plans to implement a system that gives and collects financial, social, political, and legal credit ratings of citizens into a social credit score

Proponents of the idea are already testing various aspects of the system — gathering digital records of citizens, specifically financial behavior. These will then be used to create a social credit score system, which will determine if a citizen can avail themselves of certain services based on his or her social credit rating

it’s going to be like an episode from Black Mirror — the social credit score of citizens will be the basis for access to services ranging from travel and education to loans and insurance coverage.

The human capability for information processing is limited, yet there is an accelerating change in the development and deployment of new technology. This relentless wave upon wave of new information and technology causes an overload on the human mind by eventually flooding it. The resulting acopia -- inability to cope -- has to be solved by the use of ever more sophisticated information intelligence. Extrapolating these capabilities suggests the near-term emergence and visibility of self-improving neural networks, "artificial" intelligence, quantum algorithms, quantum computing and super-intelligence. This metamorphosis is so much beyond present human capabilities that it becomes impossible to understand it with the pre-conceptions and conditioning of the present mindset, societal make-up and existing technology

The Bio-Info-Nano Singularity is a transcendence to a wholly new regime of mind, society and technology, in which we have to learn to think in a new way in order to survive as a species.

What is globalized human society going to do with the mass of unemployed human beings that are rendered obsolete by the approaching super-intelligence of the Bio-Info-Nano Singularity?