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Ed Webb

Angry Optimism in a Drowned World: A Conversation with Kim Stanley Robinson | CCCB LAB - 0 views

  • The idea would be that not only do you have a multigenerational project of building a new world, but obviously the human civilization occupying it would also be new. And culturally and politically, it would be an achievement that would have no reason to stick with old forms from the history of Earth. It’s a multigenerational project, somewhat like building these cathedrals in Europe where no generation expects to end the job. By the time the job is near completion, the civilization operating it will be different to the one that began the project.
  • what the Mars scenario gave me – and gives all of humanity – is the idea that the physical substrate of the planet itself is also a part of the project, and it’s something that we are strong enough to influence. Not create, not completely control, not completely engineer because it’s too big and we don´t have that much ability to manipulate the large systems involved, nor the amount of power involved. But we do have enough to mess things up and we do have enough to finesse the system.This, I think, was a precursor to the idea of the Anthropocene. The Anthropocene is precisely the geological moment when humanity becomes a geological force, and it’s a science-fiction exercise to say that 50 million years from now, humanity’s descendants, or some other alien civilization, will be able to look at Earth and say: “This is when humanity began to impact things as much as volcanos or earthquakes.” So it’s a sci-fi story being told in contemporary culture as one way to define what we are doing now. So, that was what my Mars project was doing, and now we are in the Anthropocene as a mental space.
  • if humanity’s impact on the Earth is mostly negative in ecological terms, if you mark humanity’s impact as being so significant that we have produced a new geological age, then we have to think differently in our attitudes towards what we are doing with our biophysical substrate. And one of the things I think the Anthropocene brings up is that the Earth is our body, and we can finesse it, we can impact it, we can make ourselves sick.
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  • The truth is that we are actually already at that moment of climate change and crisis. The political project that my novel discusses really ought to be enacted now, not 120 years from now. In the real world, what we’ve got is a necessity for our economic system to take damage to the ecosystem into account, and pay for that damage.
  • I worry that we’ve already swallowed the idea of the Anthropocene and stopped considering the importance of it; the profound shock that it should cause has already been diffused into just one more idea game that we play.
  • there is no question that, at times in the past, the Earth has been an ice ball with none of its water melted, and also a jungle planet with all of its water melted, and no ice on the planet whatsoever. And this is just from the natural extremes of planetary orbiting, and feedback loops of the atmosphere that we have naturally. But then what humanity is doing – and the reason you need the term “Anthropocene” – is pushing us into zones that the planet maybe has been in the past, but never with this extraordinary speed. Things that would have taken three, four, five million years in the past, or even longer, a 50-million-year process, are being done in fifty years, a million times faster
  • I look to the next generation, to people who are coming into their own intellectual power and into political and economic power, to be the most productive citizens, at the start of their careers, to change the whole story. But, sometimes it just strikes me as astonishing, how early on we are in our comprehension of this system
  • this isn’t the way capitalism works, as currently configured; this isn’t profitable. The market doesn’t like it. By the market I mean – what I think everybody means, but doesn’t admit – capital, accumulated capital, and where it wants to put itself next. And where it wants to put itself next is at the highest rate of return, so that if it’s a 7% return to invest in vacation homes on the coast of Spain, and it’s only a 6% rate of return to build a new clean power plant out in the empty highlands of Spain, the available capital of this planet will send that money and investment and human work into vacation homes on the coast of Spain rather than the power plants
  • If Spain were to do a certain amount for its country, but was sacrificing relative to international capital or to other countries, then it would be losing the battle for competitive advantage in the capitalist system
  • Nobody can afford to volunteer to be extra virtuous in a system where the only rule is quarterly profit and shareholder value. Where the market rules, all of us are fighting for the crumbs to get the best investment for the market.
  • the market is like a blind giant driving us off a cliff into destruction
  • we need postcapitalism
  • The market doesn’t have a brain, a conscience, a morality or a sense of history. The market only has one rule and it’s a bad rule, a rule that would only work in a world where there was an infinity of raw materials, what the eco-Marxists are calling the “four cheaps”: cheap food, cheap power, cheap labour, cheap raw material
  • design is a strange amalgam, like a science-fictional cyborg between art and engineering, planning, building, and doing things in the real world
  • you can´t have permanent growth.
  • The Anthropocene is that moment in which capitalist expansion can no longer expand, and you get a crush of the biophysical system – that’s climate change – and then you get a crush of the political economy because, if you’ve got a system that demands permanent growth, capital accumulation and profit and you can’t do it anymore, you get a crisis that can’t be solved by the next expansion
  • If the Anthropocene is a crisis, an end of the road for capitalism, well, what is post-capitalism? This I find painfully under-discussed and under-theorized. As a Sci-Fi writer, an English major, a storyteller – not a theorist nor a political economist – looking for help, looking for theories and speculations as to what will come next and how it will work, and finding a near emptiness.
  • The way that we create energy and the way that we move around on this planet both have to be de-carbonized. That has to be, if not profitable, affordable
  • Economics is the quantitative and systematic analysis of capitalism itself. Economics doesn’t do speculative or projective economics; perhaps it should, I mean, I would love it if it did, but it doesn’t
  • If the rules of that global economy were good, there could not be bad actors because if the G20,  95% of the economy, were all abiding by good rules, there would be nowhere for greedy actors to escape to, to enact their greed.
  • You can see the shapes of a solution. This is very important for anybody that wants to have hope or everybody that is realizing that there will be humans after us, the generations to come. It’s strange because they are absent; they are going to be here, they are going to be our descendants and they are even going to have our DNA in them. They will be versions of us but because they are not here now, it’s very easy to dismiss their concerns.
  • capitalist economics discounts their concerns, in the technical term of what is called in economics “the discount rate”. So, a high discount rate in your economic calculations of value — like amortized payments or borrowing from the future – says: “The future isn’t important to us, they will take care of themselves” and a low discount rate says: “We are going to account for the future, we think the future matters, the people yet to come matter.” That choice of a discount rate is entirely an ethical and political decision; it’s not a technical or scientific decision except for, perhaps, the technical suggestion that if you want your children to survive you’d better choose a lower discount rate. But that “if” is kind of a moral, an imaginative statement, and less practical in the long-term view.
  • I have been talking about these issues for about fifteen years and, ten years ago, to suggest that the Paris Agreement would be signed, people would say: “but that will never happen!” As a utopian science-fiction writer, it was a beautiful moment.
  • As a Science-Fiction writer, what is in your view the responsibility that the arts, literature and literary fiction can have in helping to articulate possible futures? It seems that imagining other forms of living is key to producing them, to make them actionable.
  • The sciences are maybe the dominant cultural voice in finding out what’s going on in the world and how things work, and the technicalities about how and why things work. But how that feels, the emotional impact in it, which is so crucial to the human mind and human life in general, these are what the arts provide
  • here is the aporia, as they call it: the non-seeing that is in human culture today. This is another aspect of the Anthropocene
  • This is what bothers me in economics; its blind adherence to the capitalist moment even when it is so destructive. Enormous amounts of intellectual energy are going into the pseudo-quantitative legal analysis of an already-existing system that’s destructive. Well, this is not good enough anymore because it’s wrecking the biophysical infrastructure
  • What would that new way of living be? The economists are not going to think of it. The artists are often not specific enough in their technical and physical detail, so they can become fantasy novelists rather than science-fiction novelists; there is too much a possibility in the arts, and I know very well myself, of having a fantasy response, a wish fulfilment. But when you’re doing architecture you think: “Well, I need ten million dollars, I need this land, I need to entrain the lives of five hundred people for ten years of their careers in order to make something that then will be good for the future generations to use.”
  • After the 2008 crash of the world economy, the neoliberal regime began to look a bit more fragile and brutal, less massive and immovable. I see things very differently, the world reacting very differently since the 2008 crash to how it did before it. There was this blind faith that capitalism worked, and also even if it didn’t work it wasn’t changeable, it was too massive to change. Now what I am pointing out comes from the radical economists coming out of political economy, anthropology and leftist politics saying that international finance is simply overleveraged and therefore is extremely fragile and open to being taken down. Because it depends on everybody paying their bills and fulfilling their contracts.
  • Human extinction, this is bullshit. Humans will scratch around and find some refuge. You could imagine horrible disasters and reductions of human population but extinction is not the issue for humans, it’s for everybody else. All of our horizontal brothers and sisters, the other big mammals, are in terrible trouble from our behaviour
  • I actually am offended at this focus on the human; “Oh, we’ll be in trouble,”: big deal. We deserve to be in trouble, we created the trouble. The extinctions of the other big mammals: the tigers, rhinoceroses, all big mammals that aren’t domestic creatures of our own built in factories, are in terrible trouble. So, the human effort ought to be towards avoiding extinctions of other creatures. Never waste a worry for humanity itself, which, no matter what, won’t become extinct. Ten centuries from now, humanity will be doing something and that something is likely to be more sustainable and interesting than what we are doing now. The question for us is. “How do you get there?” But ten centuries from now, there might not be any tigers.
  • There’s an Antonio Gramsci idea you have used to explain your position: “pessimism of the intellect, optimism of the will.” Your optimism is a moral and political position, it’s not just hoping for the best. Why do you think we need to defend optimism
  • Use the optimism as a club, to beat the crap out of people who are saying that we are doomed, who are saying let’s give up now. And this “let’s give up now” can be very elaborated academically. You can say: “Well, I’m just into adaptation rather than mitigation, there’s nothing we can do about climate change, all you can do is adapt to it.” In other words, stick with capitalism, stick with the market, and don’t get freaked out. Just adapt and get your tenure because it is usually academics who say it, and they’re not usually in design or architecture, they aren’t really doing things. They’re usually in philosophy or in theory. They come out of my departments, they’re telling a particular story and I don’t like that story. My story is: the optimism that I’m trying to express is that there won’t be an apocalypse, there will be a disaster. But after the disaster comes the next world on.
  • there’s a sort of apocalyptic end-of-the-world “ism” that says that I don’t have to change my behaviour, I don’t have to try because it’s already doomed
  • Maybe optimism is a kind of moral imperative, you have to stay optimistic because otherwise you’re just a wanker that’s taken off into your own private Idaho of “Oh well, things are bad.” It’s so easy to be cynical; it’s so easy to be pessimistic
Ed Webb

Writing in College - 1. Some crucial differences between high school and college writing - 0 views

  • some students ask why they should be required to convince anyone of anything. "After all," they say, "we are all entitled to our opinions, so all we should have to do is express them clearly. Here's my opinion. Take it or leave it." This point of view both misunderstands the nature of argument and ignores its greatest value
    • Ed Webb
       
      Key!
  • In an Age of Information, what most professionals do is research, think, and make arguments. (And part of the value of doing your own thinking and writing is that it makes you much better at evaluating the thinking and writing of others.)
    • Ed Webb
       
      Both parts of this - both sentences - are important.
  • Words such as "show how" and "explain" and "illustrate" do not ask you to summarize a reading. They ask you to show how the reading is put together, how it works
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  • A third kind of assignment is simultaneously least restrictive and most intimidating. These assignments leave it up to you to decide not only what you will claim but what you will write about and even what kind of analysis you will do: "Analyze the role of a character in The Odyssey." That is the kind of assignment that causes many students anxiety because they must motivate their research almost entirely on their own. To meet this kind of assignment, the best advice we can give is to read with your mind open to things that puzzle you, that make you wish you understood something better. Now that advice may seem almost counterproductive; you may even think that being puzzled or not understanding something testifies to your intellectual failure. Yet almost everything we do in a university starts with someone being puzzled about something, someone with a vague--or specific--dissatisfaction caused by not knowing something that seems important or by wanting to understand something better. The best place to begin thinking about any assignment is with what you don't understand but wish you did.
  • If after all this analysis of the assignment you are still uncertain about what is expected of you, ask your instructor. If your class has a Writing Intern, ask that person. If for some reason you can't ask either, locate the Academic Tutor in your residence hall and ask that person. Do this as soon as possible.
  • you will only rarely be able state good points like these before you write your first draft. Much more often, you discover good points at the end of the process of drafting. Writing is a way of thinking through a problem, of discovering what you want to say. So do not feel that you should begin to write only when you have a fully articulated point in mind. Instead, write to discover and to refine it
Ed Webb

The Imaginative Reality of Ursula K. Le Guin | VQR Online - 1 views

  • The founders of this anarchist society made up a new language because they realized you couldn’t have a new society and an old language. They based the new language on the old one but changed it enormously. It’s simply an illustration of what Orwell was saying in his great essay about how writing English clearly is a political matter.
    • Ed Webb
       
      Le Guin, of course, admires "Politics and the English Language." Real-world examples of people changing languages to change society include the invention of modern Turkish and modern Hebrew.
  • There are advantages and disadvantages to living a very long time, as I have. One of the advantages is that you can’t help having a long view. You’ve seen it come and seen it go. Something that’s being announced as the absolute only way to write, you recognize as a fashion, a fad, trendy—the way to write right now if you want to sell right now to a right now editor. But there’s also the long run to consider. Nothing’s deader than last year’s trend. 
  • Obviously, the present tense has certain uses that it’s wonderfully suited for. But recently it has been adopted blindly, as the only way to tell a story—often by young writers who haven’t read very much. Well, it’s a good way to tell some stories, not a good way to tell others. It’s inherently limiting. I call it “flashlight focus.” You see a spot ahead of you and it is dark all around it. That’s great for high suspense, high drama, cut-to-the-chase writing. But if you want to tell a big, long story, like the books of Elena Ferrante, or Jane Smiley’s The Last Hundred Years trilogy, which moves year by year from 1920 to 2020—the present tense would cripple those books. To assume that the present tense is literally “now” and the past tense literally remote in time is extremely naïve. 
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  • Henry James did the limited third person really well, showing us the way to do it. He milked that cow successfully. And it’s a great cow, it still gives lots of milk. But if you read only contemporary stuff, always third-person limited, you don’t realize that point of view in a story is very important and can be very movable. It’s here where I suggest that people read books like Woolf’s To the Lighthouse to see what she does by moving from mind to mind. Or Tolstoy’s War and Peace for goodness’ sake. Wow. The way he slides from one point of view to another without you knowing that you’ve changed point of view—he does it so gracefully. You know where you are, whose eyes you are seeing through, but you don’t have the sense of being jerked from place to place. That’s mastery of a craft.
  • Any of us who grew up reading eighteenth- or nineteenth-century fiction are perfectly at home with what is called “omniscience.” I myself call it “authorial” point of view because the term “omnisicence,” the idea of an author being omniscient, is so often used in a judgmental way, as if it were a bad thing. But the author, after all, is the author of all these characters, the maker, the inventor of them. In fact all the characters are the author if you come right down to the honest truth of it. So the author has the perfect right to know what they’re thinking. If the author doesn’t tell you what they are thinking … why? This is worth thinking about. Often it’s simply to spin out suspense by not telling you what the author knows. Well, that’s legitimate. This is art. But I’m trying to get people to think about their choices here, because there are so many beautiful choices that are going unused. In a way, first person and limited third are the easiest ones, the least interesting. 
  • to preach that story is conflict, always to ask, “Where’s the conflict in your story?”—this needs some thinking about. If you say that story is about conflict, that plot must be based on conflict, you’re limiting your view of the world severely. And in a sense making a political statement: that life is conflict, so in stories conflict is all that really matters. This is simply untrue. To see life as a battle is a narrow, social-Darwinist view, and a very masculine one. Conflict, of course, is part of life, I’m not saying you should try to keep it out of your stories, just that it’s not their only lifeblood. Stories are about a lot of different things
  • The first decade of her career, beginning in the sixties, included some of her most well-known works of fiction: A Wizard of Earthsea, The Left Hand of Darkness, The Dispossessed, and The Lathe of Heaven. Each of these works imagined not just worlds, but homes, homes that became real for her readers, homes where protagonists were women, people of color, gender fluid, anticapitalist—imaginary homes that did not simply spin out our worst dystopic fears for the future like so many of the apocalyptic novels of today, but also modeled other ways of being, other ways to create home.
  • “Children know perfectly well that unicorns aren’t real,” Le Guin once said. “But they also know that books about unicorns, if they are good books, are true books.”
  • “Fake rules” and “alternative facts” are used in our time not to increase moral understanding and social possibility but to increase power for those who already have it. A war on language has unhinged words from their meaning, language from its capacity as truth-teller. But perhaps, counterintuitively, it is in the realm of the imagination, the fictive, where we can best re-ground ourselves in the real and the true.
  • you can’t find your own voice if you aren’t listening for it. The sound of your writing is an essential part of what it’s doing. Our teaching of writing tends to ignore it, except maybe in poetry. And so we get prose that goes clunk, clunk, clunk. And we don’t know what’s wrong with it
  • You emphasize the importance of understanding grammar and grammar terminology but also the importance of interrogating its rules. You point out that it is a strange phenomenon that grammar is the tool of our trade and yet so many writers steer away from an engagement with it. In my generation and for a while after—I was born in 1929—we were taught grammar right from the start. It was quietly drilled into us. We knew the names of the parts of speech, we had a working acquaintance with how English works, which they don’t get in most schools anymore. There is so much less reading in schools, and very little teaching of grammar. For a writer this is kind of like being thrown into a carpenter’s shop without ever having learned the names of the tools or handled them consciously. What do you do with a Phillips screwdriver? What is a Phillips screwdriver? We’re not equipping people to write; we’re just saying, “You too can write!” or “Anybody can write, just sit down and do it!” But to make anything, you’ve got to have the tools to make it.
  • In your book on writing, Steering the Craft, you say that morality and language are linked, but that morality and correctness are not the same thing. Yet we often confuse them in the realm of grammar. The “grammar bullies”—you read them in places like the New York Times—and they tell you what is correct: You must never use “hopefully.” “Hopefully, we will be going there on Tuesday.” That is incorrect and wrong and you are basically an ignorant pig if you say it. This is judgmentalism. The game that is being played there is a game of social class. It has nothing to do with the morality of writing and speaking and thinking clearly, which Orwell, for instance, talked about so well. It’s just affirming that I am from a higher class than you are. The trouble is that people who aren’t taught grammar very well in school fall for these statements from these pundits, delivered with vast authority from above. I’m fighting that. A very interesting case in point is using “they” as a singular. This offends the grammar bullies endlessly; it is wrong, wrong, wrong! Well, it was right until the eighteenth century, when they invented the rule that “he” includes “she.” It didn’t exist in English before then; Shakespeare used “they” instead of “he or she”—we all do, we always have done, in speaking, in colloquial English. It took the women’s movement to bring it back to English literature. And it is important. Because it’s a crossroads between correctness bullying and the moral use of language. If “he” includes “she” but “she” doesn’t include “he,” a big statement is being made, with huge social and moral implications. But we don’t have to use “he” that way—we’ve got “they.” Why not use it?
Ed Webb

Can Economists and Humanists Ever Be Friends? | The New Yorker - 0 views

  • There is something thrilling about the intellectual audacity of thinking that you can explain ninety per cent of behavior in a society with one mental tool.
  • education, which they believe is a form of domestication
  • there is no moral dimension to this economic analysis: utility is a fundamentally amoral concept
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  • intellectual overextension is often found in economics, as Gary Saul Morson and Morton Schapiro explain in their wonderful book “Cents and Sensibility: What Economics Can Learn from the Humanities” (Princeton). Morson and Schapiro—one a literary scholar and the other an economist—draw on the distinction between hedgehogs and foxes made by Isaiah Berlin in a famous essay from the nineteen-fifties, invoking an ancient Greek fragment: “The fox knows many things, but the hedgehog one big thing.” Economists tend to be hedgehogs, forever on the search for a single, unifying explanation of complex phenomena. They love to look at a huge, complicated mass of human behavior and reduce it to an equation: the supply-and-demand curves; the Phillips curve, which links unemployment and inflation; or mb=mc, which links a marginal benefit to a marginal cost—meaning that the fourth slice of pizza is worth less to you than the first. These are powerful tools, which can be taken too far. Morson and Schapiro cite the example of Gary Becker, the Nobel laureate in economics in 1992. Becker is a hero to many in the field, but, for all the originality of his thinking, to outsiders he can stand for intellectual overconfidence. He thought that “the economic approach is a comprehensive one that is applicable to all human behavior.” Not some, not most—all
  • Becker analyzed, in his own words, “fertility, education, the uses of time, crime, marriage, social interactions, and other ‘sociological,’ ‘legal,’ and ‘political problems,’ ” before concluding that economics explained everything
  • The issue here is one of overreach: taking an argument that has worthwhile applications and extending it further than it usefully goes. Our motives are often not what they seem: true. This explains everything: not true. After all, it’s not as if the idea that we send signals about ourselves were news; you could argue that there is an entire social science, sociology, dedicated to the subject. Classic practitioners of that discipline study the signals we send and show how they are interpreted by those around us, as in Erving Goffman’s “The Presentation of Self in Everyday Life,” or how we construct an entire identity, both internally and externally, from the things we choose to be seen liking—the argument of Pierre Bourdieu’s masterpiece “Distinction.” These are rich and complicated texts, which show how rich and complicated human difference can be. The focus on signalling and unconscious motives in “The Elephant in the Brain,” however, goes the other way: it reduces complex, diverse behavior to simple rules.
  • “A traditional cost-benefit analysis could easily have led to the discontinuation of a project widely viewed as being among the most successful health interventions in African history.”
  • Another part of me, though, is done with it, with the imperialist ambitions of economics and its tendency to explain away differences, to ignore culture, to exalt reductionism. I want to believe Morson and Schapiro and Desai when they posit that the gap between economics and the humanities can be bridged, but my experience in both writing fiction and studying economics leads me to think that they’re wrong. The hedgehog doesn’t want to learn from the fox. The realist novel is a solemn enemy of equations. The project of reducing behavior to laws and the project of attending to human beings in all their complexity and specifics are diametrically opposed. Perhaps I’m only talking about myself, and this is merely an autobiographical reflection, rather than a general truth, but I think that if I committed any further to economics I would have to give up writing fiction. I told an economist I know about this, and he laughed. He said, “Sounds like you’re maximizing your utility.” 
  • finance is full of “attribution errors,” in which people view their successes as deserved and their failures as bad luck. Desai notes that in business, law, or pedagogy we can gauge success only after months or years; in finance, you can be graded hour by hour, day by day, and by plainly quantifiable measures. What’s more, he says, “the ‘discipline of the market’ shrouds all of finance in a meritocratic haze.” And so people who succeed in finance “are susceptible to developing massively outsized egos and appetites.”
  • one of the things I liked about economics, finance, and the language of money was their lack of hypocrisy. Modern life is full of cant, of people saying things they don’t quite believe. The money guys, in private, don’t go in for cant. They’re more like Mafia bosses. I have to admit that part of me resonates to that coldness.
  • Economics, Morson and Schapiro say, has three systematic biases: it ignores the role of culture, it ignores the fact that “to understand people one must tell stories about them,” and it constantly touches on ethical questions beyond its ken. Culture, stories, and ethics are things that can’t be reduced to equations, and economics accordingly has difficulty with them
  • There is something thrilling about the intellectual audacity of thinking that you can explain ninety per cent of behavior in a society with one mental tool
  • According to Hanson and Simler, these unschooled workers “won’t show up for work reliably on time, or they have problematic superstitions, or they prefer to get job instructions via indirect hints instead of direct orders, or they won’t accept tasks and roles that conflict with their culturally assigned relative status with co-workers, or they won’t accept being told to do tasks differently than they had done them before.”
  • The idea that Maya Angelou’s career amounts to nothing more than a writer shaking her tail feathers to attract the attention of a dominant male is not just misleading; it’s actively embarrassing.
Ed Webb

Americans on the future of science and technology: meh | Bryan Alexander - 2 views

  • our expectations are generally unexcited and restrained.  The bold imagination of 20th-century American visions seems to have gone for a nap.  As Smithsonian’s article notes, “Most Americans view the technology- driven future with a sense of hope. They just don’t want to live there.”  We’re actually less excited than that
  • When it comes to specific emerging technologies we often greet them with broad, deep skepticism and fear, including human genetic engineering, robotics, drones, and wearable computing: 66% think it would be a change for the worse if prospective parents could alter the DNA of their children to produce smarter, healthier, or more athletic offspring. 65% think it would be a change for the worse if lifelike robots become the primary caregivers for the elderly and people in poor health. 63% think it would be a change for the worse if personal and commercial drones are given permission to fly through most U.S. airspace. 53% of Americans think it would be a change for the worse if most people wear implants or other devices that constantly show them information about the world around them. (emphases in original)
  • The heroic days of NASA in the popular imagination are long flown: “One in three (33%) expect that humans will have colonized planets other than Earth.”  Indeed. a few more Americans actually see teleportation happening.
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  • Overall, Americans look at the future of science and technology with some hefty amounts of skepticism and dismay.  Health care improvements do appeal to us, unsurprisingly, given our ageing demographics.  Classic futures themes of space and travel have withered in our collective mind.  I’m reminded of Bruce Sterling’s aphorism about the rest of the 21st century: “The future is about old people, in big cities, afraid of the sky.”
Ed Webb

Piper at the Gates of Hell: An Interview with Cyberpunk Legend John Shirley | Motherboard - 0 views

    • Ed Webb
       
      City Come A Walking is one of the most punk of the cyberpunk novels and short stories I have ever read, and I have read quite a few...
  • I'll press your buttons here by positing that if "we" (humankind) are too dumb to self-regulate our own childbirth output, too dim to recognize that we are polluting ourselves and neighbors out of sustainable existence, we are, in fact, a ridiculous parasite on this Earth and that the planet on which we live will simply slough us off—as it well should—and will bounce back without evidence of we even being here, come two or three thousand years. Your thoughts (in as much detail as you wish)?I would recommend reading my "the next 50 years" piece here. Basically I think that
 climate change, which in this case genuinely is caused mostly by humanity, 
is just one part of the environmental problem. Overfishing, toxification of 
the seas, pesticide use, weedkillers, prescription drugs in water,
 fracking, continued air pollution, toxicity in food, destruction of animal
 habitat, attrition on bee colonies—all this is converging. And we'll be 
facing the consequences for several hundred years.
  • I believe humanity will
 survive, and it won't be surviving like Road Warrior or the Morlocks from The Time Machine, but I think we'll have some cruelly ugly social consequences. We'll have famines the like of which we've never seen before, along with higher risk of wars—I do predict a third world war in the second half of this century but I don't think it will be a nuclear war—and I think we'll suffer so hugely we'll be forced to have a change in consciousness to adapt. 
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  • We may end up having to "terraform" the Earth itself, to some extent.
Ed Webb

The Web Means the End of Forgetting - NYTimes.com - 1 views

  • for a great many people, the permanent memory bank of the Web increasingly means there are no second chances — no opportunities to escape a scarlet letter in your digital past. Now the worst thing you’ve done is often the first thing everyone knows about you.
  • a collective identity crisis. For most of human history, the idea of reinventing yourself or freely shaping your identity — of presenting different selves in different contexts (at home, at work, at play) — was hard to fathom, because people’s identities were fixed by their roles in a rigid social hierarchy. With little geographic or social mobility, you were defined not as an individual but by your village, your class, your job or your guild. But that started to change in the late Middle Ages and the Renaissance, with a growing individualism that came to redefine human identity. As people perceived themselves increasingly as individuals, their status became a function not of inherited categories but of their own efforts and achievements. This new conception of malleable and fluid identity found its fullest and purest expression in the American ideal of the self-made man, a term popularized by Henry Clay in 1832.
  • the dawning of the Internet age promised to resurrect the ideal of what the psychiatrist Robert Jay Lifton has called the “protean self.” If you couldn’t flee to Texas, you could always seek out a new chat room and create a new screen name. For some technology enthusiasts, the Web was supposed to be the second flowering of the open frontier, and the ability to segment our identities with an endless supply of pseudonyms, avatars and categories of friendship was supposed to let people present different sides of their personalities in different contexts. What seemed within our grasp was a power that only Proteus possessed: namely, perfect control over our shifting identities. But the hope that we could carefully control how others view us in different contexts has proved to be another myth. As social-networking sites expanded, it was no longer quite so easy to have segmented identities: now that so many people use a single platform to post constant status updates and photos about their private and public activities, the idea of a home self, a work self, a family self and a high-school-friends self has become increasingly untenable. In fact, the attempt to maintain different selves often arouses suspicion.
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  • All around the world, political leaders, scholars and citizens are searching for responses to the challenge of preserving control of our identities in a digital world that never forgets. Are the most promising solutions going to be technological? Legislative? Judicial? Ethical? A result of shifting social norms and cultural expectations? Or some mix of the above?
  • These approaches share the common goal of reconstructing a form of control over our identities: the ability to reinvent ourselves, to escape our pasts and to improve the selves that we present to the world.
  • many technological theorists assumed that self-governing communities could ensure, through the self-correcting wisdom of the crowd, that all participants enjoyed the online identities they deserved. Wikipedia is one embodiment of the faith that the wisdom of the crowd can correct most mistakes — that a Wikipedia entry for a small-town mayor, for example, will reflect the reputation he deserves. And if the crowd fails — perhaps by turning into a digital mob — Wikipedia offers other forms of redress
  • In practice, however, self-governing communities like Wikipedia — or algorithmically self-correcting systems like Google — often leave people feeling misrepresented and burned. Those who think that their online reputations have been unfairly tarnished by an isolated incident or two now have a practical option: consulting a firm like ReputationDefender, which promises to clean up your online image. ReputationDefender was founded by Michael Fertik, a Harvard Law School graduate who was troubled by the idea of young people being forever tainted online by their youthful indiscretions. “I was seeing articles about the ‘Lord of the Flies’ behavior that all of us engage in at that age,” he told me, “and it felt un-American that when the conduct was online, it could have permanent effects on the speaker and the victim. The right to new beginnings and the right to self-definition have always been among the most beautiful American ideals.”
  • In the Web 3.0 world, Fertik predicts, people will be rated, assessed and scored based not on their creditworthiness but on their trustworthiness as good parents, good dates, good employees, good baby sitters or good insurance risks.
  • “Our customers include parents whose kids have talked about them on the Internet — ‘Mom didn’t get the raise’; ‘Dad got fired’; ‘Mom and Dad are fighting a lot, and I’m worried they’ll get a divorce.’ ”
  • as facial-recognition technology becomes more widespread and sophisticated, it will almost certainly challenge our expectation of anonymity in public
  • Ohm says he worries that employers would be able to use social-network-aggregator services to identify people’s book and movie preferences and even Internet-search terms, and then fire or refuse to hire them on that basis. A handful of states — including New York, California, Colorado and North Dakota — broadly prohibit employers from discriminating against employees for legal off-duty conduct like smoking. Ohm suggests that these laws could be extended to prevent certain categories of employers from refusing to hire people based on Facebook pictures, status updates and other legal but embarrassing personal information. (In practice, these laws might be hard to enforce, since employers might not disclose the real reason for their hiring decisions, so employers, like credit-reporting agents, might also be required by law to disclose to job candidates the negative information in their digital files.)
  • There’s already a sharp rise in lawsuits known as Twittergation — that is, suits to force Web sites to remove slanderous or false posts.
  • many people aren’t worried about false information posted by others — they’re worried about true information they’ve posted about themselves when it is taken out of context or given undue weight. And defamation law doesn’t apply to true information or statements of opinion. Some legal scholars want to expand the ability to sue over true but embarrassing violations of privacy — although it appears to be a quixotic goal.
  • Researchers at the University of Washington, for example, are developing a technology called Vanish that makes electronic data “self-destruct” after a specified period of time. Instead of relying on Google, Facebook or Hotmail to delete the data that is stored “in the cloud” — in other words, on their distributed servers — Vanish encrypts the data and then “shatters” the encryption key. To read the data, your computer has to put the pieces of the key back together, but they “erode” or “rust” as time passes, and after a certain point the document can no longer be read.
  • Plenty of anecdotal evidence suggests that young people, having been burned by Facebook (and frustrated by its privacy policy, which at more than 5,000 words is longer than the U.S. Constitution), are savvier than older users about cleaning up their tagged photos and being careful about what they post.
  • norms are already developing to recreate off-the-record spaces in public, with no photos, Twitter posts or blogging allowed. Milk and Honey, an exclusive bar on Manhattan’s Lower East Side, requires potential members to sign an agreement promising not to blog about the bar’s goings on or to post photos on social-networking sites, and other bars and nightclubs are adopting similar policies. I’ve been at dinners recently where someone has requested, in all seriousness, “Please don’t tweet this” — a custom that is likely to spread.
  • research group’s preliminary results suggest that if rumors spread about something good you did 10 years ago, like winning a prize, they will be discounted; but if rumors spread about something bad that you did 10 years ago, like driving drunk, that information has staying power
  • strategies of “soft paternalism” that might nudge people to hesitate before posting, say, drunken photos from Cancún. “We could easily think about a system, when you are uploading certain photos, that immediately detects how sensitive the photo will be.”
  • It’s sobering, now that we live in a world misleadingly called a “global village,” to think about privacy in actual, small villages long ago. In the villages described in the Babylonian Talmud, for example, any kind of gossip or tale-bearing about other people — oral or written, true or false, friendly or mean — was considered a terrible sin because small communities have long memories and every word spoken about other people was thought to ascend to the heavenly cloud. (The digital cloud has made this metaphor literal.) But the Talmudic villages were, in fact, far more humane and forgiving than our brutal global village, where much of the content on the Internet would meet the Talmudic definition of gossip: although the Talmudic sages believed that God reads our thoughts and records them in the book of life, they also believed that God erases the book for those who atone for their sins by asking forgiveness of those they have wronged. In the Talmud, people have an obligation not to remind others of their past misdeeds, on the assumption they may have atoned and grown spiritually from their mistakes. “If a man was a repentant [sinner],” the Talmud says, “one must not say to him, ‘Remember your former deeds.’ ” Unlike God, however, the digital cloud rarely wipes our slates clean, and the keepers of the cloud today are sometimes less forgiving than their all-powerful divine predecessor.
  • On the Internet, it turns out, we’re not entitled to demand any particular respect at all, and if others don’t have the empathy necessary to forgive our missteps, or the attention spans necessary to judge us in context, there’s nothing we can do about it.
  • Gosling is optimistic about the implications of his study for the possibility of digital forgiveness. He acknowledged that social technologies are forcing us to merge identities that used to be separate — we can no longer have segmented selves like “a home or family self, a friend self, a leisure self, a work self.” But although he told Facebook, “I have to find a way to reconcile my professor self with my having-a-few-drinks self,” he also suggested that as all of us have to merge our public and private identities, photos showing us having a few drinks on Facebook will no longer seem so scandalous. “You see your accountant going out on weekends and attending clown conventions, that no longer makes you think that he’s not a good accountant. We’re coming to terms and reconciling with that merging of identities.”
  • a humane society values privacy, because it allows people to cultivate different aspects of their personalities in different contexts; and at the moment, the enforced merging of identities that used to be separate is leaving many casualties in its wake.
  • we need to learn new forms of empathy, new ways of defining ourselves without reference to what others say about us and new ways of forgiving one another for the digital trails that will follow us forever
Ed Webb

Hate spreads in Trump's America: "We need to root out white supremacy just like the can... - 0 views

  • the media won’t give the same time of day or coverage to communities who are being targeted by hate violence. They are spending so much time humanizing white nationalists and humanizing white supremacy that in many ways the news media  routinely ignore the ubiquitous and every day hate that communities of color and other diverse communities experience in this country
  • a majority of white Americans feel they are victims of discrimination. What these white Americans have to do is unpack their own anxiety, discuss this rage, and understand that the project of civil rights, human rights, equality under the law are not an assault on their racial identity. I think for some white voters it is probably about what they perceive as waning demographic and economic power
  • The good news is I learned from my travels around the country that the survivors of hate, people who have lost so much, are not only rebuilding but they are coming forward and they are reclaiming their lives. These survivors are working with allies to stop the hatred, building community defense programs and are willing to engage in difficult conversations with people who see the world differently from them. And I think that is something to really admire. Given what’s transpired survivors of hate have every reason to turn their backs on this country.
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  • There are very real consequences from a white supremacist holding the highest office in the land. There are very real consequences to Trump using the bully pulpit to foster hate on the basis of almost every human characteristic, be it race, faith, disability, sexual orientation, national origin, immigration status, gender, or class
  • The policies of the Trump administration cannot be divorced from the rhetoric of the Trump administration. The rhetoric and the policies are both driven by xenophobia, Islamaphobia, misogyny and white supremacy. And if the government is going to treat diverse and marginalized communities as subhuman so will everyone else
  • We have to be prepared for much worse from the Trump administration because this is what he has said that he would do all along. It is naïve and foolish of us to think that he is not going to follow through on his promises.
  • It is dystopic. I have met with survivors who have been diagnosed with post traumatic stress disorder. One survivor, Tanya Gersh, described to me how she rarely says hello to strangers and is not as gregarious and outgoing as she used to be. She described to me how after she was viciously trolled by white supremacists in Whitefish, Montana. There were something like 700 forms of communication such as emails, social media messages, voice mails. She told me she had to have a conversation with her ten year old about the Holocaust and how every Jewish parent struggles with when to have that conversation with their children about anti-Semitism. Hate crimes that target individuals send a community wide message that its members are not welcome. This undermines feelings of safety and security. It is  called "vicarious trauma." For example the vandalism and arson of house of worship, the targeting of organizations, student groups, campus communities or even state sponsored forms of hate are also designed to terrorize whole communities and groups of people. We also know that hate literally kills people by making communities physically and emotionally sick.
  • There are many victims of hate crimes who out of fear remain silent. Hate crimes are very underreported in America. The stats do not capture the scale of the problem.
  • The War on Terror must stop as well because I don’t think you can separate what the United States does abroad with what it does to its own people — especially nonwhites, Muslims, and other marginalized and discriminated against communities. Justice also involves archiving this moment, documenting what survivors and their communities have experienced
  • there is no one size fits all answer. It should ultimately be determined by the survivors. In my book there are survivors  who forgave the aggressors and culprits in open court and elsewhere because they don’t believe that prison is the answer. There are others who felt otherwise. But overwhelmingly the survivors that I met are open to reconciliation so long as there is accountability
Ed Webb

Where is the boundary between your phone and your mind? | US news | The Guardian - 1 views

  • Here’s a thought experiment: where do you end? Not your body, but you, the nebulous identity you think of as your “self”. Does it end at the limits of your physical form? Or does it include your voice, which can now be heard as far as outer space; your personal and behavioral data, which is spread out across the impossibly broad plane known as digital space; and your active online personas, which probably encompass dozens of different social media networks, text message conversations, and email exchanges? This is a question with no clear answer, and, as the smartphone grows ever more essential to our daily lives, that border’s only getting blurrier.
  • our minds have become even more radically extended than ever before
  • one of the essential differences between a smartphone and a piece of paper, which is that our relationship with our phones is reciprocal: we not only put information into the device, we also receive information from it, and, in that sense, it shapes our lives far more actively than would, say, a shopping list. The shopping list isn’t suggesting to us, based on algorithmic responses to our past and current shopping behavior, what we should buy; the phone is
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  • American consumers spent five hours per day on their mobile devices, and showed a dizzying 69% year-over-year increase in time spent in apps like Facebook, Twitter, and YouTube. The prevalence of apps represents a concrete example of the movement away from the old notion of accessing the Internet through a browser and the new reality of the connected world and its myriad elements – news, social media, entertainment – being with us all the time
  • “In the 90s and even through the early 2000s, for many people, there was this way of thinking about cyberspace as a space that was somewhere else: it was in your computer. You went to your desktop to get there,” Weigel says. “One of the biggest shifts that’s happened and that will continue to happen is the undoing of a border that we used to perceive between the virtual and the physical world.”
  • While many of us think of the smartphone as a portal for accessing the outside world, the reciprocity of the device, as well as the larger pattern of our behavior online, means the portal goes the other way as well: it’s a means for others to access us
  • “This is where the fundamental democracy deficit comes from: you have this incredibly concentrated private power with zero transparency or democratic oversight or accountability, and then they have this unprecedented wealth of data about their users to work with,”
  • an unfathomable amount of wealth, power, and direct influence on the consumer in the hands of just a few individuals – individuals who can affect billions of lives with a tweak in the code of their products
  • Weigel sees the unfettered access to our data, through our smartphone and browser use, of what she calls the big five tech companies – Apple, Alphabet (the parent company of Google), Microsoft, Facebook, and Amazon – as a legitimate problem for notions of democracy
  • the rhetoric around the Internet was that the crowd would prevent the spread of misinformation, filtering it out like a great big hive mind; it would also help to prevent the spread of things like hate speech. Obviously, this has not been the case, and even the relatively successful experiments in this, such as Wikipedia, have a great deal of human governance that allows them to function properly
  • We should know and be aware of how these companies work, how they track our behavior, and how they make recommendations to us based on our behavior and that of others. Essentially, we need to understand the fundamental difference between our behavior IRL and in the digital sphere – a difference that, despite the erosion of boundaries, still stands
  • “Whether we know it or not, the connections that we make on the Internet are being used to cultivate an identity for us – an identity that is then sold to us afterward,” Lynch says. “Google tells you what questions to ask, and then it gives you the answers to those questions.”
  • It isn’t enough that the apps in our phone flatten all of the different categories of relationships we have into one broad group: friends, followers, connections. They go one step further than that. “You’re being told who you are all the time by Facebook and social media because which posts are coming up from your friends are due to an algorithm that is trying to get you to pay more attention to Facebook,” Lynch says. “That’s affecting our identity, because it affects who you think your friends are, because they’re the ones who are popping up higher on your feed.”
Ed Webb

The Coronavirus and Our Future | The New Yorker - 0 views

  • I’ve spent my life writing science-fiction novels that try to convey some of the strangeness of the future. But I was still shocked by how much had changed, and how quickly.
  • the change that struck me seemed more abstract and internal. It was a change in the way we were looking at things, and it is still ongoing. The virus is rewriting our imaginations. What felt impossible has become thinkable. We’re getting a different sense of our place in history. We know we’re entering a new world, a new era. We seem to be learning our way into a new structure of feeling.
  • The Anthropocene, the Great Acceleration, the age of climate change—whatever you want to call it, we’ve been out of synch with the biosphere, wasting our children’s hopes for a normal life, burning our ecological capital as if it were disposable income, wrecking our one and only home in ways that soon will be beyond our descendants’ ability to repair. And yet we’ve been acting as though it were 2000, or 1990—as though the neoliberal arrangements built back then still made sense. We’ve been paralyzed, living in the world without feeling it.
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  • We realize that what we do now, well or badly, will be remembered later on. This sense of enacting history matters. For some of us, it partly compensates for the disruption of our lives.
  • Actually, we’ve already been living in a historic moment. For the past few decades, we’ve been called upon to act, and have been acting in a way that will be scrutinized by our descendants. Now we feel it. The shift has to do with the concentration and intensity of what’s happening. September 11th was a single day, and everyone felt the shock of it, but our daily habits didn’t shift, except at airports; the President even urged us to keep shopping. This crisis is different. It’s a biological threat, and it’s global. Everyone has to change together to deal with it. That’s really history.
  • There are 7.8 billion people alive on this planet—a stupendous social and technological achievement that’s unnatural and unstable. It’s made possible by science, which has already been saving us. Now, though, when disaster strikes, we grasp the complexity of our civilization—we feel the reality, which is that the whole system is a technical improvisation that science keeps from crashing down
  • Today, in theory, everyone knows everything. We know that our accidental alteration of the atmosphere is leading us into a mass-extinction event, and that we need to move fast to dodge it. But we don’t act on what we know. We don’t want to change our habits. This knowing-but-not-acting is part of the old structure of feeling.
  • remember that you must die. Older people are sometimes better at keeping this in mind than younger people. Still, we’re all prone to forgetting death. It never seems quite real until the end, and even then it’s hard to believe. The reality of death is another thing we know about but don’t feel.
  • it is the first of many calamities that will likely unfold throughout this century. Now, when they come, we’ll be familiar with how they feel.
  • water shortages. And food shortages, electricity outages, devastating storms, droughts, floods. These are easy calls. They’re baked into the situation we’ve already created, in part by ignoring warnings that scientists have been issuing since the nineteen-sixties
  • Imagine what a food scare would do. Imagine a heat wave hot enough to kill anyone not in an air-conditioned space, then imagine power failures happening during such a heat wave.
  • science fiction is the realism of our time
  • Science-fiction writers don’t know anything more about the future than anyone else. Human history is too unpredictable; from this moment, we could descend into a mass-extinction event or rise into an age of general prosperity. Still, if you read science fiction, you may be a little less surprised by whatever does happen. Often, science fiction traces the ramifications of a single postulated change; readers co-create, judging the writers’ plausibility and ingenuity, interrogating their theories of history. Doing this repeatedly is a kind of training. It can help you feel more oriented in the history we’re making now. This radical spread of possibilities, good to bad, which creates such a profound disorientation; this tentative awareness of the emerging next stage—these are also new feelings in our time.
  • Do we believe in science? Go outside and you’ll see the proof that we do everywhere you look. We’re learning to trust our science as a society. That’s another part of the new structure of feeling.
  • This mixture of dread and apprehension and normality is the sensation of plague on the loose. It could be part of our new structure of feeling, too.
  • there are charismatic mega-ideas. “Flatten the curve” could be one of them. Immediately, we get it. There’s an infectious, deadly plague that spreads easily, and, although we can’t avoid it entirely, we can try to avoid a big spike in infections, so that hospitals won’t be overwhelmed and fewer people will die. It makes sense, and it’s something all of us can help to do. When we do it—if we do it—it will be a civilizational achievement: a new thing that our scientific, educated, high-tech species is capable of doing. Knowing that we can act in concert when necessary is another thing that will change us.
  • People who study climate change talk about “the tragedy of the horizon.” The tragedy is that we don’t care enough about those future people, our descendants, who will have to fix, or just survive on, the planet we’re now wrecking. We like to think that they’ll be richer and smarter than we are and so able to handle their own problems in their own time. But we’re creating problems that they’ll be unable to solve. You can’t fix extinctions, or ocean acidification, or melted permafrost, no matter how rich or smart you are. The fact that these problems will occur in the future lets us take a magical view of them. We go on exacerbating them, thinking—not that we think this, but the notion seems to underlie our thinking—that we will be dead before it gets too serious. The tragedy of the horizon is often something we encounter, without knowing it, when we buy and sell. The market is wrong; the prices are too low. Our way of life has environmental costs that aren’t included in what we pay, and those costs will be borne by our descendents. We are operating a multigenerational Ponzi scheme.
  • We’ve decided to sacrifice over these months so that, in the future, people won’t suffer as much as they would otherwise. In this case, the time horizon is so short that we are the future people.
  • Amid the tragedy and death, this is one source of pleasure. Even though our economic system ignores reality, we can act when we have to. At the very least, we are all freaking out together. To my mind, this new sense of solidarity is one of the few reassuring things to have happened in this century. If we can find it in this crisis, to save ourselves, then maybe we can find it in the big crisis, to save our children and theirs.
  • Thatcher said that “there is no such thing as society,” and Ronald Reagan said that “government is not the solution to our problem; government is the problem.” These stupid slogans marked the turn away from the postwar period of reconstruction and underpin much of the bullshit of the past forty years
  • We are individuals first, yes, just as bees are, but we exist in a larger social body. Society is not only real; it’s fundamental. We can’t live without it. And now we’re beginning to understand that this “we” includes many other creatures and societies in our biosphere and even in ourselves. Even as an individual, you are a biome, an ecosystem, much like a forest or a swamp or a coral reef. Your skin holds inside it all kinds of unlikely coöperations, and to survive you depend on any number of interspecies operations going on within you all at once. We are societies made of societies; there are nothing but societies. This is shocking news—it demands a whole new world view.
  • It’s as if the reality of citizenship has smacked us in the face.
  • The neoliberal structure of feeling totters. What might a post-capitalist response to this crisis include? Maybe rent and debt relief; unemployment aid for all those laid off; government hiring for contact tracing and the manufacture of necessary health equipment; the world’s militaries used to support health care; the rapid construction of hospitals.
  • If the project of civilization—including science, economics, politics, and all the rest of it—were to bring all eight billion of us into a long-term balance with Earth’s biosphere, we could do it. By contrast, when the project of civilization is to create profit—which, by definition, goes to only a few—much of what we do is actively harmful to the long-term prospects of our species.
  • Economics is a system for optimizing resources, and, if it were trying to calculate ways to optimize a sustainable civilization in balance with the biosphere, it could be a helpful tool. When it’s used to optimize profit, however, it encourages us to live within a system of destructive falsehoods. We need a new political economy by which to make our calculations. Now, acutely, we feel that need.
  • We’ll remember this even if we pretend not to. History is happening now, and it will have happened. So what will we do with that?
  • How we feel is shaped by what we value, and vice versa. Food, water, shelter, clothing, education, health care: maybe now we value these things more, along with the people whose work creates them. To survive the next century, we need to start valuing the planet more, too, since it’s our only home.
Ed Webb

Elise Armani with Piotr Szyhalski - The Brooklyn Rail - 0 views

  • During the entire history of America, the US has not been at war for 17 years. That's incredible, mainly because if you talk to people who maybe aren't that much that interested in history, they would say, “That’s crazy. What are you talking about? There’s no war.”
  • Our relationship with war and how our country functions in the world is so warped and twisted. Every time the word “war” is introduced into the cultural discourse, you know that it is already corrupted. That's why it’s paired here with “back to normal,” because it's another combination of phrases that stood out…Everybody keeps talking about things getting back to normal. Then the pronouncements that this is a war and we’re fighting an invisible enemy. It just seems so disturbing really because what that means is that we're about to start doing things that are ethically questionable. To me, what was happening is that the pronouncement was made so that anything goes, and there's no culpability, nobody will be held responsible for making any decisions whatsoever because it was war and things had to be done.
  • if I think about how “war” has been used strategically in this context of COVID-19, it doesn’t feel like rhetoric that was raised to be alarmist, but almost to be comforting. That this is a familiar experience. We have a handle on it. We are attacking it like a war. War is our normal.
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  • The funny thing about history is that you always look back from the luxury of time and you can see these massive events taking place, you can understand the dynamics. We don't have that perspective when we are in it, so my idea of studying history was to remap the past onto the present, so that we might gain insight into what’s happening now.
  • This weird concept that we have developed, essential, non-essential work, this arbitrary division of what will matter and what will not matter. It wasn't until I was swept up in the uprising and really asking myself what's happening—there was this amazing video of this silent moment of people with their fists up, thousands of people on their knees, and it was just incredibly moving—I had this realization that this was the essential work, the work that we need to be doing.
  • I think we all lack a historical distance right now to make sense of this moment. But art can provide us with an abstracted or a historical lens, that gives us distance or a sense of a time bigger than the moment we're in.
  • When you were describing this 1990s utopian idea of the internet as public space, I was struck by the contrast with how things turned out. In both our physical and digital reality, we have lost the commons. Is Instagram a public space?
  • there's something virus-like about social media anyway, in the way that it operates, in the way that it taps into our physiology on a chemical level in our brain. It’s designed to function that way. And combining that kind of functionality with our addiction to or the dominance of visual culture, it's just sort of like a deadly combination. We get addicted and we just consume incredible amounts of visual information every day.
  • It really is true that very rarely you will see a photograph of a dead body in the printed newspaper. It reminds me, for example, of the absence of the flag-draped coffins that come when soldiers return from war. Because we're taught to think about COVID-19 as a kind of war, maybe it makes sense to really think about that.
  • If you don't see the picture of the dead body, there's no dead body. It's the reason why if I teach a foundation class, I always show the students this famous Stan Brakhage film, The Act of Seeing with One's Own Eyes (1971). It’s a half hour silent film of multiple autopsies. We have this extended conversation about just how completely absent images of our bodies like that are from our cultural experience.
  • those are the images that people wanted to see. They were widely distributed; you could buy postcards of lynched men and women because people wanted to celebrate that. There is a completely different attitude at work. One could say they're doing the work of the same ideology, but in opposite directions. It would be hard to talk about a history of photography in this country and not talk about lynching photographs.
Ed Webb

Does the Digital Classroom Enfeeble the Mind? - NYTimes.com - 0 views

  • My father would have been unable to “teach to the test.” He once complained about errors in a sixth-grade math textbook, so he had the class learn math by designing a spaceship. My father would have been spat out by today’s test-driven educational regime.
  • A career in computer science makes you see the world in its terms. You start to see money as a form of information display instead of as a store of value. Money flows are the computational output of a lot of people planning, promising, evaluating, hedging and scheming, and those behaviors start to look like a set of algorithms. You start to see the weather as a computer processing bits tweaked by the sun, and gravity as a cosmic calculation that keeps events in time and space consistent. This way of seeing is becoming ever more common as people have experiences with computers. While it has its glorious moments, the computational perspective can at times be uniquely unromantic. Nothing kills music for me as much as having some algorithm calculate what music I will want to hear. That seems to miss the whole point. Inventing your musical taste is the point, isn’t it? Bringing computers into the middle of that is like paying someone to program a robot to have sex on your behalf so you don’t have to. And yet it seems we benefit from shining an objectifying digital light to disinfect our funky, lying selves once in a while. It’s heartless to have music chosen by digital algorithms. But at least there are fewer people held hostage to the tastes of bad radio D.J.’s than there once were. The trick is being ambidextrous, holding one hand to the heart while counting on the digits of the other.
  • The future of education in the digital age will be determined by our judgment of which aspects of the information we pass between generations can be represented in computers at all. If we try to represent something digitally when we actually can’t, we kill the romance and make some aspect of the human condition newly bland and absurd. If we romanticize information that shouldn’t be shielded from harsh calculations, we’ll suffer bad teachers and D.J.’s and their wares.
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  • Some of the top digital designs of the moment, both in school and in the rest of life, embed the underlying message that we understand the brain and its workings. That is false. We don’t know how information is represented in the brain. We don’t know how reason is accomplished by neurons. There are some vaguely cool ideas floating around, and we might know a lot more about these things any moment now, but at this moment, we don’t. You could spend all day reading literature about educational technology without being reminded that this frontier of ignorance lies before us. We are tempted by the demons of commercial and professional ambition to pretend we know more than we do.
  • Outside school, something similar happens. Students spend a lot of time acting as trivialized relays in giant schemes designed for the purposes of advertising and other revenue-minded manipulations. They are prompted to create databases about themselves and then trust algorithms to assemble streams of songs and movies and stories for their consumption. We see the embedded philosophy bloom when students assemble papers as mash-ups from online snippets instead of thinking and composing on a blank piece of screen. What is wrong with this is not that students are any lazier now or learning less. (It is probably even true, I admit reluctantly, that in the presence of the ambient Internet, maybe it is not so important anymore to hold an archive of certain kinds of academic trivia in your head.) The problem is that students could come to conceive of themselves as relays in a transpersonal digital structure. Their job is then to copy and transfer data around, to be a source of statistics, whether to be processed by tests at school or by advertising schemes elsewhere.
  • If students don’t learn to think, then no amount of access to information will do them any good.
  • To the degree that education is about the transfer of the known between generations, it can be digitized, analyzed, optimized and bottled or posted on Twitter. To the degree that education is about the self-invention of the human race, the gargantuan process of steering billions of brains into unforeseeable states and configurations in the future, it can continue only if each brain learns to invent itself. And that is beyond computation because it is beyond our comprehension.
  • Roughly speaking, there are two ways to use computers in the classroom. You can have them measure and represent the students and the teachers, or you can have the class build a virtual spaceship. Right now the first way is ubiquitous, but the virtual spaceships are being built only by tenacious oddballs in unusual circumstances. More spaceships, please.
  •  
    How do we get this right - use the tech for what it can do well, develop our brains for what the tech can't do? Who's up for building a spaceship?
Ed Webb

The stakes of November: It doesn't matter that much | The Economist - 0 views

  • This is the great unspeakable fact of American politics: it doesn't matter all that much who wins.
  • Democratic politics is to a great extent a war of coalitions over what the great political economist James M. Buchanan called "the fiscal commons". Think of government as a huge pool of money. Control of government means control over that pool of money. Parties gain control by putting together winning coalitions of interest groups. When a party has control, its coalition's interest groups get more from the pool and the losing coalition's interest groups get less. So, yeah, it matters who wins. When Democrats are in charge, that's great news for public-employees unions and General Electric's alternative energy division. When the Republicans are in charge, that's great news for rich people and Raytheon.
  • I think you'll find that political parties tend to reliably support policies that have nice distributional consequences for the interest groups that support them. And I think you'll find politicians and court intellectuals brilliant at framing pay-offs to party stalwarts as policies absolutely necessary to the common weal.
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  • Military suppliers, big Wall Street interests, and the economic middle-class may do better or worse, but they always do pretty well.
  • we shouldn't expect government with a moderate, centre-right House to look a lot different from the moderate, centre-left government we've got now.  
  • Nevertheless, people are going out of their minds stomping heads and warning of streets teeming with sexual predators because we are all phenomenal dupes willing to pick up the propaganda partisans put down. Our minds have been warped by relentless marketing designed to engender false consciousness of stark political brand contrasts. It's as if Crest is telling us that Colgate leads to socialism and Colgate is telling us that Crest leads to plutocracy and all of us believe half of it.
  •  
    Spider Jerusalem might recognize this world.
Ed Webb

Hayabusa2 and the unfolding future of space exploration | Bryan Alexander - 0 views

  • What might this tell us about the future?  Let’s consider Ryugu as a datapoint or story for where space exploration might head next.
  • robots continue to be cheap, far easier to operate, capable of enduring awful stresses, and happy to send gorgeous data back our way
  • Hayabusa is a Japanese project, not an American one, and national interest counts for a lot.  No humans were involved, so human interest and story are absent.  Perhaps the whole project looks too science-y for a culture that spins into post-truthiness, contains some serious anti-science and anti-technology strands, or just finds science stories too dry.  Or maybe the American media outlets think Americans just aren’t that into space in particular in 2018.
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  • Hayabusa2 reminds us that space exploration is more multinational and more disaggregated than ever.  Besides JAXA there are space programs being build up by China and India, including robot craft, astronauts (taikonauts, for China, vyomanauts, for India), and space stations.  The Indian Mars Orbiter still circles the fourth planet. The European Space Agency continues to develop satellites and launch rockets, like the JUICE (JUpiter ICy moons Explorer).  Russia is doing some mixture of commercial spaceflight, ISS maintenance, exploration, and geopoliticking.  For these nations space exploration holds out a mixture of prestige, scientific and engineering development, and possible commercial return.
  • Bezos, Musk, and others live out a Robert Heinlein story by building up their own personal space efforts.  This is, among other things, a sign of how far American wealth has grown, and how much of the elite are connected to technical skills (as opposed to inherited wealth).  It’s an effect of plutocracy, as I’ve said before.  Yuri Milner might lead the first interstellar mission with his Breakthrough Starshot plan.
  • Privatization of space seems likely to continue.
  • Uneven development is also likely, as different programs struggle to master different stations in the space path.  China may assemble a space station while Japan bypasses orbital platforms for the moon, private cubesats head into the deep solar system and private companies keep honing their Earth orbital launch skills.
  • Surely the challenges of getting humans and robots further into space will elicit interesting projects that can be used Earthside.  Think about health breakthroughs needed to keep humans alive in environments scoured by radiation, or AI to guide robots through complex situations.
  • There isn’t a lot of press coverage beyond Japan (ah, once again I wish I read Japanese), if I go by Google News headlines.  There’s nothing on the CNN.com homepage now, other than typical spatters of dread and celebrity; the closest I can find is a link to a story about Musk’s space tourism project, which a Japanese billionaire will ride.  Nothing on Fox News or MSNBC’s main pages.  BBC News at least has a link halfway down its main page.
  • Japan seems committed to creating a lunar colony.  Musk and Bezos burn with the old science fiction and NASA hunger for shipping humans into the great dark.  The lure of Mars seems to be a powerful one, and a multinational, private versus public race could seize the popular imagination.  Older people may experience a rush of nostalgia for the glorious space race of their youth.
  • This competition could turn malign, of course.  Recall that the 20th century’s space races grew out of warfare, and included many plans for combat and destruction. Nayef Al-Rodhan hints at possible strains in international cooperation: The possible fragmentation of outer space research activities in the post-ISS period would constitute a break-up of an international alliance that has fostered unprecedented cooperation between engineers and scientists from rival geopolitical powers – aside from China. The ISS represents perhaps the pinnacle of post-Cold War cooperation and has allowed for the sharing and streamlining of work methods and differing norms. In a current period of tense relations, it is worrying that the US and Russia may be ending an important phase of cooperation.
  • Space could easily become the ground for geopolitical struggles once more, and possibly a flashpoint as well.  Nationalism, neonationalism, nativism could power such stresses
  • Enough of an off-Earth settlement could lead to further forays, once we bypass the terrible problem of getting off the planet’s surface, and if we can develop new ways to fuel and sustain craft in space.  The desire to connect with that domain might help spur the kind of space elevator which will ease Earth-to-orbit challenges.
  • The 1960s space race saw the emergence of a kind of astronaut cult.  The Soviet space program’s Russian roots included a mystical tradition.  We could see a combination of nostalgia from older folks and can-do optimism from younger people, along with further growth in STEM careers and interest.  Dialectically we should expect the opposite.  A look back at the US-USSR space race shows criticism and opposition ranging from the arts (Gil Scott-Heron’s “Whitey on the Moon”, Jello Biafra’s “Why I’m Glad the Space Shuttle Blew Up”) to opinion polls (in the US NASA only won real support for the year around Apollo 11, apparently).  We can imagine all kinds of political opposition to a 21st century space race, from people repeating the old Earth versus space spending canard to nationalistic statements (“Let Japan land on Deimos.  We have enough to worry about here in Chicago”) to environmental concerns to religious ones.  Concerns about vast wealth and inequality could well target space.
  • How will we respond when, say, twenty space tourists crash into a lunar crater and die, in agony, on YouTube?
  • That’s a lot to hang on one Japanese probe landing two tiny ‘bots on an asteroid in 2018, I know.  But Hayabusa2 is such a signal event that it becomes a fine story to think through.
Ed Webb

Sad by design | Eurozine - 0 views

  • ‘technological sadness’ – the default mental state of the online billions
  • If only my phone could gently weep. McLuhan’s ‘extensions of man’ has imploded right into the exhausted self.
  • Social reality is a corporate hybrid between handheld media and the psychic structure of the user. It’s a distributed form of social ranking that can no longer be reduced to the interests of state and corporate platforms. As online subjects, we too are implicit, far too deeply involved
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  • Google and Facebook know how to utilize negative emotions, leading to the new system-wide goal: find personalized ways to make you feel bad
  • in Adam Greenfield’s Radical Technologies, where he notices that ‘it seems strange to assert that anything as broad as a class of technologies might have an emotional tenor, but the internet of things does. That tenor is sadness… a melancholy that rolls off it in waves and sheets. The entire pretext on which it depends is a milieu of continuously shattered attention, of overloaded awareness, and of gaps between people just barely annealed with sensors, APIs and scripts.’ It is a life ‘savaged by bullshit jobs, over-cranked schedules and long commutes, of intimacy stifled by exhaustion and the incapacity by exhaustion and the incapacity or unwillingness to be emotionally present.’
  • Omnipresent social media places a claim on our elapsed time, our fractured lives. We’re all sad in our very own way.4 As there are no lulls or quiet moments anymore, the result is fatigue, depletion and loss of energy. We’re becoming obsessed with waiting. How long have you been forgotten by your love ones? Time, meticulously measured on every app, tells us right to our face. Chronos hurts. Should I post something to attract attention and show I’m still here? Nobody likes me anymore. As the random messages keep relentlessly piling in, there’s no way to halt them, to take a moment and think it all through.
  • Unlike the blog entries of the Web 2.0 era, social media have surpassed the summary stage of the diary in a desperate attempt to keep up with real-time regime. Instagram Stories, for example, bring back the nostalgia of an unfolding chain of events – and then disappear at the end of the day, like a revenge act, a satire of ancient sentiments gone by. Storage will make the pain permanent. Better forget about it and move on
  • By browsing through updates, we’re catching up with machine time – at least until we collapse under the weight of participation fatigue. Organic life cycles are short-circuited and accelerated up to a point where the personal life of billions has finally caught up with cybernetics
  • The price of self-control in an age of instant gratification is high. We long to revolt against the restless zombie inside us, but we don’t know how.
  • Sadness arises at the point we’re exhausted by the online world.6 After yet another app session in which we failed to make a date, purchased a ticket and did a quick round of videos, the post-dopamine mood hits us hard. The sheer busyness and self-importance of the world makes you feel joyless. After a dive into the network we’re drained and feel socially awkward. The swiping finger is tired and we have to stop.
  • Much like boredom, sadness is not a medical condition (though never say never because everything can be turned into one). No matter how brief and mild, sadness is the default mental state of the online billions. Its original intensity gets dissipated, it seeps out, becoming a general atmosphere, a chronic background condition. Occasionally – for a brief moment – we feel the loss. A seething rage emerges. After checking for the tenth time what someone said on Instagram, the pain of the social makes us feel miserable, and we put the phone away. Am I suffering from the phantom vibration syndrome? Wouldn’t it be nice if we were offline? Why is life so tragic? He blocked me. At night, you read through the thread again. Do we need to quit again, to go cold turkey again? Others are supposed to move us, to arouse us, and yet we don’t feel anything anymore. The heart is frozen
  • If experience is the ‘habit of creating isolated moments within raw occurrence in order to save and recount them,’11 the desire to anaesthetize experience is a kind of immune response against ‘the stimulations of another modern novelty, the total aesthetic environment’.
  • unlike burn-out, sadness is a continuous state of mind. Sadness pops up the second events start to fade away – and now you’re down the rabbit hole once more. The perpetual now can no longer be captured and leaves us isolated, a scattered set of online subjects. What happens when the soul is caught in the permanent present? Is this what Franco Berardi calls the ‘slow cancellation of the future’? By scrolling, swiping and flipping, we hungry ghosts try to fill the existential emptiness, frantically searching for a determining sign – and failing
  • Millennials, as one recently explained to me, have grown up talking more openly about their state of mind. As work/life distinctions disappear, subjectivity becomes their core content. Confessions and opinions are externalized instantly. Individuation is no longer confined to the diary or small group of friends, but is shared out there, exposed for all to see.
  • Snapstreaks, the ‘best friends’ fire emoji next to a friend’s name indicating that ‘you and that special person in your life have snapped one another within 24 hours for at least two days in a row.’19 Streaks are considered a proof of friendship or commitment to someone. So it’s heartbreaking when you lose a streak you’ve put months of work into. The feature all but destroys the accumulated social capital when users are offline for a few days. The Snap regime forces teenagers, the largest Snapchat user group, to use the app every single day, making an offline break virtually impossible.20 While relationships amongst teens are pretty much always in flux, with friendships being on the edge and always questioned, Snap-induced feelings sync with the rapidly changing teenage body, making puberty even more intense
  • The bare-all nature of social media causes rifts between lovers who would rather not have this information. But in the information age, this does not bode well with the social pressure to participate in social networks.
  • dating apps like Tinder. These are described as time-killing machines – the reality game that overcomes boredom, or alternatively as social e-commerce – shopping my soul around. After many hours of swiping, suddenly there’s a rush of dopamine when someone likes you back. ‘The goal of the game is to have your egos boosted. If you swipe right and you match with a little celebration on the screen, sometimes that’s all that is needed. ‘We want to scoop up all our options immediately and then decide what we actually really want later.’25 On the other hand, ‘crippling social anxiety’ is when you match with somebody you are interested in, but you can’t bring yourself to send a message or respond to theirs ‘because oh god all I could think of was stupid responses or openers and she’ll think I’m an idiot and I am an idiot and…’
  • The metric to measure today’s symptoms would be time – or ‘attention’, as it is called in the industry. While for the archaic melancholic the past never passes, techno-sadness is caught in the perpetual now. Forward focused, we bet on acceleration and never mourn a lost object. The primary identification is there, in our hand. Everything is evident, on the screen, right in your face. Contrasted with the rich historical sources on melancholia, our present condition becomes immediately apparent. Whereas melancholy in the past was defined by separation from others, reduced contacts and reflection on oneself, today’s tristesse plays itself out amidst busy social (media) interactions. In Sherry Turkle’s phrase, we are alone together, as part of the crowd – a form of loneliness that is particularly cruel, frantic and tiring.
  • What we see today are systems that constantly disrupt the timeless aspect of melancholy.31 There’s no time for contemplation, or Weltschmerz. Social reality does not allow us to retreat.32 Even in our deepest state of solitude we’re surrounded by (online) others that babble on and on, demanding our attention
  • distraction does not pull us away, but instead draws us back into the social
  • The purpose of sadness by design is, as Paul B. Preciado calls it, ‘the production of frustrating satisfaction’.39 Should we have an opinion about internet-induced sadness? How can we address this topic without looking down on the online billions, without resorting to fast-food comparisons or patronizingly viewing people as fragile beings that need to be liberated and taken care of.
  • We overcome sadness not through happiness, but rather, as media theorist Andrew Culp has insisted, through a hatred of this world. Sadness occurs in situations where stagnant ‘becoming’ has turned into a blatant lie. We suffer, and there’s no form of absurdism that can offer an escape. Public access to a 21st-century version of dadaism has been blocked. The absence of surrealism hurts. What could our social fantasies look like? Are legal constructs such as creative commons and cooperatives all we can come up with? It seems we’re trapped in smoothness, skimming a surface littered with impressions and notifications. The collective imaginary is on hold. What’s worse, this banality itself is seamless, offering no indicators of its dangers and distortions. As a result, we’ve become subdued. Has the possibility of myth become technologically impossible?
  • We can neither return to mysticism nor to positivism. The naive act of communication is lost – and this is why we cry
Ed Webb

Can Sci-Fi Writers Prepare Us for an Uncertain Future? | WIRED - 0 views

  • a growing contingent of sci-fi writers being hired by think tanks, politicians, and corporations to imagine—and predict—the future
  • Harvard Business Review made the corporate case for reading sci-fi years ago, and mega consulting firm Price Waterhouse Cooper published a guide on how to use sci-fi to “explore innovation.” The New Yorker has touted “better business through sci-fi.” As writer Brian Merchant put it, “Welcome to the Sci-Fi industrial complex.”
  • The use of sci-fi has bled into government and public policy spheres. The New America Foundation recently held an all-day event discussing “What Sci-Fi Futures Can (and Can't) Teach Us About AI Policy.” And Nesta, an organization that generates speculative fiction, has committed $24 million to grow “new models of public services” in collaboration with the UK government
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  • Some argue that there is power in narrative stories that can’t be found elsewhere. Others assert that in our quest for imagination and prediction, we’re deluding ourselves into thinking that we can predict what’s coming
  • The World Future Society and the Association of Professional Futurists represent a small but growing group of professionals, many of whom have decades of experience thinking about long-term strategy and “scenario planning”—a method used by organizations to try and prepare for possible futures.
  • true Futurism is often pretty unsexy. It involves sifting through a lot of data and research and models and spreadsheets. Nobody is going to write a profile of your company or your government project based on a dry series of models outlining carefully caveated possibilities. On the other hand, worldbuilding—the process of imagining a universe in which your fictional stories can exist—is fun. People want stories, and science fiction writers can provide them.
  • Are those who write epic space operas (no matter how good those space operas might be) really the right people to ask about the future of work or water policy or human rights?
  • critics worry that writers are so good at spinning stories that they might even convince you those stories are true. In actuality, history shows us that predictions are nearly impossible to make and that humans are catastrophically bad at guessing what the future will hold
  • it's important to distinguish between prediction and impact. Did Star Trek anticipate the cell phone, or were the inventors of the cell phone inspired by Star Trek? Listicles of “all the things sci-fi has predicted” are largely exercises in cherry picking—they never include the things that sci-fi got wrong
  • In this line of work, specifics matter. It’s one thing to write a book about a refugee crisis, but quite another to predict exactly how the Syrian refugee crisis unfolded
  • It’s tempting to turn to storytelling in times of crisis—and it’s hard to argue that we’re not in a time of crisis now. Within dystopian pieces of fiction there are heroes and survivors, characters we can identify with who come out the other side and make it out OK. Companies and governments and individuals all want to believe that they will be among those lucky few, the heroes of the story. And science fiction writers can deliver that, for a fee.
Ed Webb

Glenn Greenwald: How America's Surveillance State Breeds Conformity and Fear | Civil Li... - 0 views

  • The Surveillance State hovers over any attacks that meaningfully challenge state-appropriated power. It doesn’t just hover over it. It impedes it, it deters it and kills it.  That’s its intent. It does that by design.
  • the realization quickly emerged that, allowing government officials to eavesdrop on other people, on citizens, without constraints or oversight, to do so in the dark, is a power that gives so much authority and leverage to those in power that it is virtually impossible for human beings to resist abusing that power.  That’s how potent of a power it is.
  • If a dictator takes over the United States, the NSA could enable it to impose total tyranny, and there would be no way to fight back.
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  • Now it’s virtually a religious obligation to talk about the National Security State and its close cousin, the Surveillance State, with nothing short of veneration.
  • The NSA, beginning 2001, was secretly ordered to spy domestically on the communications of American citizens. It has escalated in all sorts of lawless, and now lawful ways, such that it is now an enormous part of what that agency does. Even more significantly, the technology that it has developed is now shared by a whole variety of agencies, including the FBI
  • Now, the Patriot Act is completely uncontroversial. It gets renewed without any notice every three years with zero reforms, no matter which party is in control.
  • hey are two, as I said, established Democrats warning that the Democratic control of the Executive branch is massively abusing this already incredibly broad Patriot Act. And one of the things they are trying to do is extract some basic information from the NSA about what it is they’re doing in terms of the surveillance on the American people.  Because even though they are on the Intelligence Committee, they say they don’t even know the most basic information about what the NSA does including even how many Americans have had their e-mails read or had their telephone calls intercepted by the NSA.
  • "We can’t tell you how many millions of Americans are having their e-mails read by us, and their telephone calls listened in by us, because for us to tell you that would violate the privacy of American citizens."
  • An article in Popular Mechanics in 2004 reported on a study of American surveillance and this is what it said: “There are an estimated 30 million surveillance cameras now deployed in the United States shooting 4 billion hours of footage a week. Americans are being watched. All of us, almost everywhere.” There is a study in 2006 that estimated that that number would quadruple to 100 million cameras -- surveillance cameras -- in the United States within five years largely because of the bonanza of post-9/11 surveilling. 
  • it’s not just the government that is engaged in surveillance, but just as menacingly, corporations, private corporations, engage in huge amounts of surveillance on us. They give us cell phones that track every moment of where we are physically, and then provide that to law enforcement agencies without so much as a search warrant.  Obviously, credit card and banking transactions are reported, and tell anyone who wants to know everything we do. We talk about the scandal of the Bush eavesdropping program that was not really a government eavesdropping program, so much as it was a private industry eavesdropping program. It was done with the direct and full cooperation of AT&T, Sprint, Verizon and the other telecom giants. In fact, when you talk about the American Surveillance State, what you’re really talking about is no longer public government agencies. What you’re talking about is a full-scale merger between the federal government and industry. That is what the Surveillance State is
  • The principle being that there can be no human interaction, especially no human communication, not just for international between foreign nations but by America citizens on American soils that is beyond the reach of the U.S. government.
  • at exactly the same time that the government has been massively expanding its ability to know everything that we’re doing it has simultaneously erected a wall of secrecy around it that prevents us from knowing anything that they’re doing
  • government now operates with complete secrecy, and we have none
  • it makes people believe that they’re free even though they’ve been subtly convinced that there are things that they shouldn’t do that they might want to do
  • what has happened in the last three to four years is a radical change in the war on terror. The war on terror has now been imported into United States policy. It is now directed at American citizens on American soil. So rather than simply sending drones to foreign soil to assassinate foreign nationals, we are now sending drones to target and kill American citizens without charges or trial. Rather than indefinitely detaining foreign nationals like Guantanamo, Congress last year enacted, and President Obama signed, the National Defense Authorization Act that permits the detention -- without trial, indefinitely -- of American citizens on U.S. soil.
  • this is what the Surveillance State is designed to do.  It’s justified, in the name of terrorism, of course that’s the packaging in which it’s wrapped, that’s been used extremely, and in all sorts of ways, since 9/11 for domestic application. And that’s being, that’s happening even more. It’s happening in terms of the Occupy movement and the infiltration that federal officials were able to accomplish using Patriot Act authorities. It’s happened with pro-Palestinian activists in the United States and all other dissident groups that have themselves [dealt with] with surveillance and law enforcement used by what was originally the war on terror powers.
  • if the government is able to know what we speak about and know who we’re talking to, know what it is that we’re planning, it makes any kind of activism extremely difficult. Because secrecy and privacy are prerequisites to effective actions.
  • we are training our young citizens to live in a culture where the expect they are always being watched. And we want them to be chilled, we want them to be deterred, we want them not to ever challenge orthodoxy or to explore limits where engaging creativity in any kind. This type of surveillance, by design, breeds conformism.  That’s its purpose. that’s what makes surveillance so pernicious.
  • f you go and speak to communities of American Muslims is you find an incredibly pervasive climate of fear.
  • This climate of fear creates limits around the behavior in which they’re willing to engage in very damaging ways
  • governments, when they want to give themselves abusive and radical powers, typically first target people who they think their citizens won’t care very much about, because they’ll think they’re not affected by it
  • the psychological effects on East German people endure until today. The way in which they have been trained for decades to understand that there are limits to their life, even once you remove the limits, they’ve been trained that those are not things they need to transgress.
  • Rosa Luxembourg said, “He who does not move does not notice his chains.”
  • You can acculturate people to believing that tyranny is freedom, that their limits are actually emancipations and freedom, that is what this Surveillance State does, by training people  to accept their own conformity that they are actually free, that they no longer even realize the ways in which they’re being limited.
  • important means of subverting this one-way mirror that I’ve described is forcible, radical transparency. It’s one of the reasons I support, so enthusiastically and unqualafiably, groups like Anonymous and WikiLeaks. I want holes to be blown in the wall of secrecy.
  • There are things like the Tor project and other groups that enable people to use the internet without any detection from government authorities. That has the effect of preventing regimes that actually bar their citizens from using the Internet from doing so since you can no longer trace the origins of the Internet user. But it also protects people who live in countries like ours where the government is trying to constantly monitor what we do by sending our communications through multiple proxies around the world that can’t be invaded. There’s really a war taking place: an arms race where the government and these groups are attempting to stay one tactical step ahead of the other. In terms of ability to shield internet communications from the government and the government’s ability to invade them and participating in this war in ways that are supportive of the “good side” are really critical as is veiling yourself from the technology that exists, to make what you do as tight as possible.
Ed Webb

Face Recognition Moves From Sci-Fi to Social Media - NYTimes.com - 0 views

  • the democratization of surveillance — may herald the end of anonymity
    • Ed Webb
       
      Democratization means putting this at the command of citizens, not of unaccountable corporations.
  • facial recognition is proliferating so quickly that some regulators in the United States and Europe are playing catch-up. On the one hand, they say, the technology has great business potential. On the other, because facial recognition works by analyzing and storing people’s unique facial measurements, it also entails serious privacy risks
  • researchers also identified the interests and predicted partial Social Security numbers of some students.
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  • marketers could someday use more invasive techniques to identify random people on the street along with, say, their credit scores
  • “You might think it’s cool, or you might think it’s creepy, depending on the context,”
  • many users do not understand that Facebook’s tag suggestion feature involves storing people’s biometric data to re-identify them in later photos
  • Mr. Caspar said last week that he was disappointed with the negotiations with Facebook and that his office was now preparing to take legal action over the company’s biometric database. Facebook told a German broadcaster that its tag suggestion feature complied with European data protection laws. “There are many risks,” Mr. Caspar says. “People should be able to choose if they want to accept these risks, or not accept them.” He offered a suggestion for Americans, “Users in the United States have good reason to raise their voices to get the same right.”
Ed Webb

The Imagination Age: Surveillance Satire: A Cat Dumps a Woman in the Trash - 5 views

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    Well. That was hilarious and very random. I was really confused until I found the video it was making fun of. I think that what the UK woman did was disgusting but I'm not sure how I feel about this video in concerns with surveillance. I think that surveillance can be taken too far, but the camera the owners had installed was to keep their car from being stolen or broken into. Which seems to me like a fair reason to install a camera. So I'm not sure.
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