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Most people probably don’t think that broader, structural issues to do with politics and the economy have anything to do with their emotional health and wellbeing, but they do. We’ve known for a long time that inequality causes a wide range of health and social problems, including everything from reduced life expectancy and higher infant mortality to poor educational attainment, lower social mobility and increased levels of violence. Differences in these areas between more and less equal societies are large, and everyone is affected by them.

inequality eats into the heart of our immediate, personal world, and the vast majority of the population are affected by the ways in which inequality becomes the enemy between us. What gets between us and other people are all the things that make us feel ill at ease with one another, worried about how others see us, and shy and awkward in company—in short, all our social anxieties

An epidemic of distress seems to be gripping some of the richest nations in the world

Dystopian parables like “The Walking Dead,” where zombies rule the earth, are an increasingly fashionable genre of entertainment, but the degree of apocalyptic pessimism is very different depending on the size of the screen.The dividing line between television and movies seems to be class conflict.Television shows posit a hideous future with a silver lining; survivors, good or bad, are more or less equals. Movies like “Divergent,” “Snowpiercer” and “Elysium” foresee societal divisions that last into Armageddon and beyond and that define a new, inevitably Orwellian world order that emerges from the ruins of civilization.

Movies project a morose, scary future where man is his own worst enemy, whereas television can’t entirely suppress a smile.There is something positive about the end of the world on shows like “The Walking Dead,” and “Z Nation” on Syfy and “The Last Ship,” on TNT. True, civilization as we know it is gone, but so is social stratification. Survivors don’t group into castes according to birth, race, income or religion. People of all kinds bond with whomever seems friendly, or at least unthreatening.

Dystopian movies based on young-adult novels understandably focus on the oppression of young adults, but in “Divergent” and “The Hunger Games,” a despotic elite divides the little people into cliques, only there is no prom in sight.Engels wrote about “contests between exploiting and exploited, ruling and oppressed classes.” He meant in the movies. On TV, all men are equal and equally at peril in the apocalypse.

Strong leader Senator Jellison (who is white) then asks former Shire founder Hugo Beck what went wrong, and Beck says his fellow hippies just never realized how great technology and laissez-faire economics were, and now all his old friends are dining on human flesh under the thumb of a scary black communist.

Today, Lucifer’s Hammer reads as a depiction of a post-apocalyptic war between Trump counties and Clinton counties, simultaneously promising American renewal even as it depicts unavoidable catastrophe. The comet acts as a cleansing, wiping away so much dead wood of civilization. (Feminism, too, comes in for repeated knocks.)

SDI was only one part of a larger right-wing techno-futurist project. SDI historian Edward Linenthal cites a 1983 interview with Newt Gingrich in which the young conservative Congressman predicted that SDI would not just destroy Russia’s Communists but liberalism, too. SDI would be “a dagger at the heart of the liberal welfare state” because it destroys “the liberal myth of scarcity,” leaving only “the limits of a free people’s ingenuity, daring, and courage.”

The human capability for information processing is limited, yet there is an accelerating change in the development and deployment of new technology. This relentless wave upon wave of new information and technology causes an overload on the human mind by eventually flooding it. The resulting acopia -- inability to cope -- has to be solved by the use of ever more sophisticated information intelligence. Extrapolating these capabilities suggests the near-term emergence and visibility of self-improving neural networks, "artificial" intelligence, quantum algorithms, quantum computing and super-intelligence. This metamorphosis is so much beyond present human capabilities that it becomes impossible to understand it with the pre-conceptions and conditioning of the present mindset, societal make-up and existing technology

The Bio-Info-Nano Singularity is a transcendence to a wholly new regime of mind, society and technology, in which we have to learn to think in a new way in order to survive as a species.

What is globalized human society going to do with the mass of unemployed human beings that are rendered obsolete by the approaching super-intelligence of the Bio-Info-Nano Singularity?

Thanks to Fahrenheit 451, now required reading for every American middle-schooler, Bradbury is generally thought of as a writer of novels, but his talents—particularly his mastery of the diabolical premise and the brain-exploding revelation—are best suited to the short form.

The best stories have a strange familiarity about them. They're like long-forgotten acquaintances—you know you've met them somewhere before. There is, for instance, the tale of the time traveler who goes back into time and accidentally steps on a butterfly, thereby changing irrevocably the course of history ("A Sound of Thunder"). There's the one about the man who buys a robotic husband to live with his wife so that he can be free to travel and pursue adventure—that's "Marionettes, Inc." (Not to be confused with "I Sing the Body Electric!" about the man who buys a robotic grandmother to comfort his children after his wife dies.) Or "The Playground," about the father who changes places with his son so that he can spare his boy the cruelty of childhood—forgetting exactly how cruel childhood can be. The stories are familiar because they've been adapted, and plundered from, by countless other writers—in books, television shows, and films. To the extent that there is a mythology of our age, Bradbury is one of its creators.

"But Bradbury's skill is in evoking exactly how soul-annihilating that world is."    Of course, this also displays one of the key facts of Bradbury's work -- and a trend in science fiction that is often ignored. He's a reactionary of the first order, deeply distrustful of technology and even the notion of progress. Many science fiction writers had begun to rewrite the rules of women in space by the time Bradbury had women in long skirts hauling pots and pans over the Martian landscape. And even he wouldn't disagree. In his famous Playboy interview he responded to a question about predicting the future with, "It's 'prevent the future', that's the way I put it. Not predict it, prevent it."

experts predicted networked artificial intelligence will amplify human effectiveness but also threaten human autonomy, agency and capabilities

most experts, regardless of whether they are optimistic or not, expressed concerns about the long-term impact of these new tools on the essential elements of being human. All respondents in this non-scientific canvassing were asked to elaborate on why they felt AI would leave people better off or not. Many shared deep worries, and many also suggested pathways toward solutions. The main themes they sounded about threats and remedies are outlined in the accompanying table.

CONCERNS Human agency: Individuals are  experiencing a loss of control over their lives Decision-making on key aspects of digital life is automatically ceded to code-driven, "black box" tools. People lack input and do not learn the context about how the tools work. They sacrifice independence, privacy and power over choice; they have no control over these processes. This effect will deepen as automated systems become more prevalent and complex. Data abuse: Data use and surveillance in complex systems is designed for profit or for exercising power Most AI tools are and will be in the hands of companies striving for profits or governments striving for power. Values and ethics are often not baked into the digital systems making people's decisions for them. These systems are globally networked and not easy to regulate or rein in. Job loss: The AI takeover of jobs will widen economic divides, leading to social upheaval The efficiencies and other economic advantages of code-based machine intelligence will continue to disrupt all aspects of human work. While some expect new jobs will emerge, others worry about massive job losses, widening economic divides and social upheavals, including populist uprisings. Dependence lock-in: Reduction of individuals’ cognitive, social and survival skills Many see AI as augmenting human capacities but some predict the opposite - that people's deepening dependence on machine-driven networks will erode their abilities to think for themselves, take action independent of automated systems and interact effectively with others. Mayhem: Autonomous weapons, cybercrime and weaponized information Some predict further erosion of traditional sociopolitical structures and the possibility of great loss of lives due to accelerated growth of autonomous military applications and the use of weaponized information, lies and propaganda to dangerously destabilize human groups. Some also fear cybercriminals' reach into economic systems.

the media won’t give the same time of day or coverage to communities who are being targeted by hate violence. They are spending so much time humanizing white nationalists and humanizing white supremacy that in many ways the news media  routinely ignore the ubiquitous and every day hate that communities of color and other diverse communities experience in this country

a majority of white Americans feel they are victims of discrimination. What these white Americans have to do is unpack their own anxiety, discuss this rage, and understand that the project of civil rights, human rights, equality under the law are not an assault on their racial identity. I think for some white voters it is probably about what they perceive as waning demographic and economic power

The good news is I learned from my travels around the country that the survivors of hate, people who have lost so much, are not only rebuilding but they are coming forward and they are reclaiming their lives. These survivors are working with allies to stop the hatred, building community defense programs and are willing to engage in difficult conversations with people who see the world differently from them. And I think that is something to really admire. Given what’s transpired survivors of hate have every reason to turn their backs on this country.

Let Feminist Apparel be a cautionary tale: Brands don’t have the capacity for ideology beyond capitalism. There’s no such thing as a feminist company, and there never has been.

framing for-profit commerce as an act of charity or as a meaningful resistance to evil is no less absurd when someone else does it. Any entity lining its pockets by selling only the aesthetic of political action to those whose lives depend on the results of political action is malevolent and amoral, and it’s a practice in use to varying degrees by an ever-expanding number of companies

The politics of any company are bad. They’re not all bad in the same way — they exist on a continuum that extends roughly from “not purposely trying to make anyone’s life worse” to “defense contractor” — but the structure of capitalism means that they all need to pay their employees less than their labor is actually worth and find ways to separate consumers from more money than it actually costs to produce and distribute their product.

Eco sees in the imaginary a counterintuitive assurance of reality — fictional narratives, in a strange way, is the only place where we can become unmoored from our existential discomfort with uncertainty, for in fiction everything is precisely and unambiguously as it was intended

The possible world of narrative is the only universe in which we can be absolutely certain about something, and it gives us a very strong sense of truth. The credulous believe that El Dorado and Lemuria exist or existed somewhere or other, and skeptics are convinced that they never existed, but we all know that it is undeniably certain that Superman is Clark Kent and that Dr. Watson was never Nero Wolfe’s right-hand man, while it is equally certain that Anna Karenina died under a train and that she never married Prince Charming.

How and why do well-educated, well-intentioned scientists produce biased AI systems? Sociological theories of privilege provide one useful lens.

Their training data is biased. They are designed by an unrepresentative group. They face the mathematical impossibility of treating all categories equally. They must somehow trade accuracy for fairness. And their biases are hiding behind millions of inscrutable numerical parameters.

fairness can still be the victim of competitive pressures in academia and industry. The flawed Bard and Bing chatbots from Google and Microsoft are recent evidence of this grim reality. The commercial necessity of building market share led to the premature release of these systems.