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Human rights groups have urged video-conferencing company Zoom to scrap research on integrating emotion recognition tools into its products, saying the technology can infringe users' privacy and perpetuate discrimination

"If Zoom advances with these plans, this feature will discriminate against people of certain ethnicities and people with disabilities, hardcoding stereotypes into millions of devices,"

The company has already built tools that purport to analyze the sentiment of meetings based on text transcripts of video calls

After being awarded a grant, Aralia Systems teamed up with Machine Vision Lab in what seems like a massive invasion of your privacy beyond "in the name of security." Building on existing cinema anti-piracy technology, these companies plan to add the ability to harvest your emotions. This is the part where it seems that filmgoers should be eligible to charge movie theater owners. At the very least, shouldn't it result in a significantly discounted movie ticket?  Machine Vision Lab's Dr Abdul Farooq told PhysOrg, "We plan to build on the capabilities of current technology used in cinemas to detect criminals making pirate copies of films with video cameras. We want to devise instruments that will be capable of collecting data that can be used by cinemas to monitor audience reactions to films and adverts and also to gather data about attention and audience movement. ... It is envisaged that once the technology has been fine tuned it could be used by market researchers in all kinds of settings, including monitoring reactions to shop window displays."  

The 3D camera data will "capture the audience as a whole as a texture."

the technology will enable companies to cash in on your emotions and sell that personal information as marketing data

Her prediction: Companies will soon sell robots designed to baby-sit children, replace workers in nursing homes, and serve as companions for people with disabilities. All of which to Turkle is demeaning, "transgressive," and damaging to our collective sense of humanity. It's not that she's against robots as helpers—building cars, vacuuming floors, and helping to bathe the sick are one thing. She's concerned about robots that want to be buddies, implicitly promising an emotional connection they can never deliver.

y: We are already cyborgs, reliant on digital devices in ways that many of us could not have imagined just a few years ago

"We are hard-wired that if something meets extremely primitive standards, either eye contact or recognition or very primitive mutual signaling, to accept it as an Other because as animals that's how we're hard-wired—to recognize other creatures out there."

‘technological sadness’ – the default mental state of the online billions

If only my phone could gently weep. McLuhan’s ‘extensions of man’ has imploded right into the exhausted self.

Social reality is a corporate hybrid between handheld media and the psychic structure of the user. It’s a distributed form of social ranking that can no longer be reduced to the interests of state and corporate platforms. As online subjects, we too are implicit, far too deeply involved

Thanks to Fahrenheit 451, now required reading for every American middle-schooler, Bradbury is generally thought of as a writer of novels, but his talents—particularly his mastery of the diabolical premise and the brain-exploding revelation—are best suited to the short form.

The best stories have a strange familiarity about them. They're like long-forgotten acquaintances—you know you've met them somewhere before. There is, for instance, the tale of the time traveler who goes back into time and accidentally steps on a butterfly, thereby changing irrevocably the course of history ("A Sound of Thunder"). There's the one about the man who buys a robotic husband to live with his wife so that he can be free to travel and pursue adventure—that's "Marionettes, Inc." (Not to be confused with "I Sing the Body Electric!" about the man who buys a robotic grandmother to comfort his children after his wife dies.) Or "The Playground," about the father who changes places with his son so that he can spare his boy the cruelty of childhood—forgetting exactly how cruel childhood can be. The stories are familiar because they've been adapted, and plundered from, by countless other writers—in books, television shows, and films. To the extent that there is a mythology of our age, Bradbury is one of its creators.

"But Bradbury's skill is in evoking exactly how soul-annihilating that world is."    Of course, this also displays one of the key facts of Bradbury's work -- and a trend in science fiction that is often ignored. He's a reactionary of the first order, deeply distrustful of technology and even the notion of progress. Many science fiction writers had begun to rewrite the rules of women in space by the time Bradbury had women in long skirts hauling pots and pans over the Martian landscape. And even he wouldn't disagree. In his famous Playboy interview he responded to a question about predicting the future with, "It's 'prevent the future', that's the way I put it. Not predict it, prevent it."

experts predicted networked artificial intelligence will amplify human effectiveness but also threaten human autonomy, agency and capabilities

most experts, regardless of whether they are optimistic or not, expressed concerns about the long-term impact of these new tools on the essential elements of being human. All respondents in this non-scientific canvassing were asked to elaborate on why they felt AI would leave people better off or not. Many shared deep worries, and many also suggested pathways toward solutions. The main themes they sounded about threats and remedies are outlined in the accompanying table.

CONCERNS Human agency: Individuals are  experiencing a loss of control over their lives Decision-making on key aspects of digital life is automatically ceded to code-driven, "black box" tools. People lack input and do not learn the context about how the tools work. They sacrifice independence, privacy and power over choice; they have no control over these processes. This effect will deepen as automated systems become more prevalent and complex. Data abuse: Data use and surveillance in complex systems is designed for profit or for exercising power Most AI tools are and will be in the hands of companies striving for profits or governments striving for power. Values and ethics are often not baked into the digital systems making people's decisions for them. These systems are globally networked and not easy to regulate or rein in. Job loss: The AI takeover of jobs will widen economic divides, leading to social upheaval The efficiencies and other economic advantages of code-based machine intelligence will continue to disrupt all aspects of human work. While some expect new jobs will emerge, others worry about massive job losses, widening economic divides and social upheavals, including populist uprisings. Dependence lock-in: Reduction of individuals’ cognitive, social and survival skills Many see AI as augmenting human capacities but some predict the opposite - that people's deepening dependence on machine-driven networks will erode their abilities to think for themselves, take action independent of automated systems and interact effectively with others. Mayhem: Autonomous weapons, cybercrime and weaponized information Some predict further erosion of traditional sociopolitical structures and the possibility of great loss of lives due to accelerated growth of autonomous military applications and the use of weaponized information, lies and propaganda to dangerously destabilize human groups. Some also fear cybercriminals' reach into economic systems.

Most people probably don’t think that broader, structural issues to do with politics and the economy have anything to do with their emotional health and wellbeing, but they do. We’ve known for a long time that inequality causes a wide range of health and social problems, including everything from reduced life expectancy and higher infant mortality to poor educational attainment, lower social mobility and increased levels of violence. Differences in these areas between more and less equal societies are large, and everyone is affected by them.

inequality eats into the heart of our immediate, personal world, and the vast majority of the population are affected by the ways in which inequality becomes the enemy between us. What gets between us and other people are all the things that make us feel ill at ease with one another, worried about how others see us, and shy and awkward in company—in short, all our social anxieties

An epidemic of distress seems to be gripping some of the richest nations in the world

The idea would be that not only do you have a multigenerational project of building a new world, but obviously the human civilization occupying it would also be new. And culturally and politically, it would be an achievement that would have no reason to stick with old forms from the history of Earth. It’s a multigenerational project, somewhat like building these cathedrals in Europe where no generation expects to end the job. By the time the job is near completion, the civilization operating it will be different to the one that began the project.

what the Mars scenario gave me – and gives all of humanity – is the idea that the physical substrate of the planet itself is also a part of the project, and it’s something that we are strong enough to influence. Not create, not completely control, not completely engineer because it’s too big and we don´t have that much ability to manipulate the large systems involved, nor the amount of power involved. But we do have enough to mess things up and we do have enough to finesse the system.This, I think, was a precursor to the idea of the Anthropocene. The Anthropocene is precisely the geological moment when humanity becomes a geological force, and it’s a science-fiction exercise to say that 50 million years from now, humanity’s descendants, or some other alien civilization, will be able to look at Earth and say: “This is when humanity began to impact things as much as volcanos or earthquakes.” So it’s a sci-fi story being told in contemporary culture as one way to define what we are doing now. So, that was what my Mars project was doing, and now we are in the Anthropocene as a mental space.

if humanity’s impact on the Earth is mostly negative in ecological terms, if you mark humanity’s impact as being so significant that we have produced a new geological age, then we have to think differently in our attitudes towards what we are doing with our biophysical substrate. And one of the things I think the Anthropocene brings up is that the Earth is our body, and we can finesse it, we can impact it, we can make ourselves sick.

In 1919, a British writer named Rose Macaulay published What Not, a novel about a dystopian future—a brave new world if you will—where people are ranked by intelligence, the government mandates mind training for all citizens, and procreation is regulated by the state.You’ve probably never heard of Macaulay or What Not. However, Aldous Huxley, author of the science fiction classic Brave New World, hung out in the same London literary circles as her and his 1932 book contains many concepts that Macaulay first introduced in her work. In 2019, you’ll be able to read Macaulay’s book yourself and compare the texts as the British publisher Handheld Press is planning to re- release the forgotten novel in March. It’s been out of print since the year it was first released.

The resurfacing of What Not also makes this a prime time to consider another work that influenced Huxley’s Brave New World, the 1923 novel We by Yvgeny Zamyatin. What Not and We are lost classics about a future that foreshadows our present. Notably, they are also hidden influences on some of the most significant works of 20th century fiction, Brave New World and George Orwell’s 1984.

In Macaulay’s book—which is a hoot and well worth reading—a democratically elected British government has been replaced with a “United Council, five minds with but a single thought—if that,” as she put it. Huxley’s Brave New World is run by a similarly small group of elites known as “World Controllers.”

The effectiveness of psychographic targeting is one bet being made by an increasing number of media companies when it comes to interrupting your viewing experience with advertising messages.

“Across the board, articles that were in top emotional categories, such as love, sadness and fear, performed significantly better than articles that were not.”

ESPN and USA Today are also using psychographic rather than demographic targeting to sell to advertisers, including in ESPN’s case, the decision to not show you advertising at all if your team is losing.