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ivan alba

Educational Videos and Games for Kids about Science, Math, Social Studies and English - 142 views

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    Short video clips on a variety of subjects.
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    I've only checked out part of the science section but this is a nice little resources so far. 
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    Free videos, lessons, games and quizzes for K-12.
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    Educational videos, lessons, and games for K-12 school kids. Kids learn best by 'seeing' the real world. So, here's the best collection of FREE online educational videos, lessons, quizzes, games, and puzzles
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    resources on topics - youtube views are cleaned up so they are viewed in the site.
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    organizes resources, videos and games. contains game-making utility (Flash-based?) and presentation utility
Kalin Wilburn

Forvo: the pronunciation guide. All the words in the world pronounced by native speakers - 55 views

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    The thing that worries most non-specialists teaching language is pronouncing words correctly from a book. This is where Forvo is is priceless. Native speaker users and the site itself have uploaded audio clips of word for us non native speakers to copy. The site has 250+ languages uploaded. I tested the Mandarin section, as I understand that, and it was faultless. An amazing resource. http://ictmagic.wikispaces.com/Languages%2C+Culture+%26+International+Projects
Paul Bogush

Browse Content by SOL | Classroom Clips - 54 views

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    SIte to upload class videos
Stan Golanka

Reading and the Web - Texts Without Context - NYTimes.com - 49 views

  • It’s also a question, as Mr. Lanier, 49, astutely points out in his new book, “You Are Not a Gadget,” of how online collectivism, social networking and popular software designs are changing the way people think and process information, a question of what becomes of originality and imagination in a world that prizes “metaness” and regards the mash-up as “more important than the sources who were mashed.”
    • Stan Golanka
       
      Core discussion topic? From this, I see a few discussion issues: 1. Do we prize "mash-ups" more than original work? Who is "we" in this? 2. If the answer to #1 is "yes," then the next question is: is this good or bad? 3. Finally, if the answer is "bad" to #2, what place do "mash-ups" have, and how do we help our students see the value in original work?
  • Web 2.0 is creating a “digital forest of mediocrity” and substituting ill-informed speculation for genuine expertise;
    • Stan Golanka
       
      How do teachers help students rise above this "digital forest of mediocrity"?
  • Mr. Johnson added that the book’s migration to the digital realm will turn the solitary act of reading — “a direct exchange between author and reader” — into something far more social and suggested that as online chatter about books grows, “the unity of the book will disperse into a multitude of pages and paragraphs vying for Google’s attention.”
    • Stan Golanka
       
      If Johnson's predictions are true, is this necessarily bad? How much of this concern is "nostalgia"? What would be lost from an academic p.o.v, and what migh be gained?
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  • Instead of reading an entire news article, watching an entire television show or listening to an entire speech, growing numbers of people are happy to jump to the summary, the video clip, the sound bite — never mind if context and nuance are lost in the process; never mind if it’s our emotions, more than our sense of reason, that are engaged; never mind if statements haven’t been properly vetted and sourced.
    • Stan Golanka
       
      Should teachers "fight" this, or embrace it? Can summaries/sound bites ever be appropriate for academic discussions?
  • And online research enables scholars to power-search for nuggets of information that might support their theses, saving them the time of wading through stacks of material that might prove marginal but that might have also prompted them to reconsider or refine their original thinking.
  • Digital insiders like Mr. Lanier and Paulina Borsook, the author of the book “Cyberselfish,” have noted the easily distracted, adolescent quality of much of cyberculture. Ms. Borsook describes tech-heads as having “an angry adolescent view of all authority as the Pig Parent,” writing that even older digerati want to think of themselves as “having an Inner Bike Messenger.”
    • Stan Golanka
       
      Can teachers moderate this attitude? Does our (adults) use/non-use of technology help breed this attitude?
  • authors “will increasingly tailor their work to a milieu that the writer Caleb Crain describes as ‘groupiness,’ where people read mainly ‘for the sake of a feeling of belonging’ rather than for personal enlightenment or amusement. As social concerns override literary ones, writers seem fated to eschew virtuosity and experimentation in favor of a bland but immediately accessible style.
    • Stan Golanka
       
      Does this ring true to educators? Are social concerns and literary conerns opposites? How does web publishing affect "literary" publishing, as opposed to "non-literary" publishing?
  • However impossible it is to think of “Jon & Kate Plus Eight” or “Jersey Shore” as art, reality shows have taken over wide swaths of television,
Elizabeth Hobbs

Lesson: Mitosis & Meiosis on the Table - 93 views

  • y (lab) is designed to help students to learn the critical distinctions between what happens to chromosomes during mitosis vs meiosis. Students manipulate pipe-cleaner chromosomes on a template showing stages of
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    Elizabeth, I do a similar activity with my students, and this year we are using a flip video camera to create a movie of the phases. Students will move the chromosomes, narrate from a summary script that they have written for each phase, and then put the clips together to make the video. They love to watch and listen to their explanations, and the videos can be used as a review.
Mark McDonough

Diigo 101 - Student Learning with Diigo - 110 views

  • Diigo is much more than a simple web annotation or social bookmarking tool. It is an online research and collaborative research tool that integrates tags, digital highlights, interactive sticky notes, captured snapshots, and group-based collaboration, allowing a whole new process of online information management, learning, and teaching in the 21st Century.
    • terenceonline
       
      Good Summary of Diigo
  • My Network is a new Diigo social features that adds to the product's strength. My Network creates a "content-centric social network," in which people are connected by what they clip, tag, and highlight. Users will be able to collaborate with other users based not on who is a friend to whom, but rather by who is interested in what. My network delivers web content specifically tailored to a user interests and shows users with similar interest. Participation in a larger network is made possible with its community features that connects users with people with common interests; thus, building global communities around topics and knowledge, tags, and sites.
  • Digest of Internet Information, Groups and Other Stuff (Diigo) is a powerful free social bookmarking website with annotating capabilities.
    • Mark McDonough
       
      Bold the first letters of the Diigo acronym: Digest, Internet, Information, ...
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    Diigo is much more than a simple web annotation or social bookmarking tool. It is an online research and collaborative research tool that integrates tags, digital highlights, interactive sticky notes, captured snapshots, and group-based collaboration, allowing a whole new process of online information management, learning, and teaching in the 21st Century. 
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    This is a great resource on Diigo and how to use.
Brian C. Smith

Lee Kolbert: We Can Do Better Than Matt Damon - 1 views

  • What bothers me is that he was rude to the reporter and her cameraman when they were trying to engage him in a conversation.
    • Brian C. Smith
       
      Get passed it.  This isn't an elementary school conversation and we don't know the context before the question was asked.  Let's not forget that reporters provoke to get the sound bite.  
  • But it's a little muddy now because Matt was rude. And we applauded.
    • Brian C. Smith
       
      Please.  We don't know the context based on the clip we all viewed.  I think this absolutely adds to the conversation.  
  • the folks at Education Nation are holding an essay contest
    • Brian C. Smith
       
      How, uh... educational of them.
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  • Enter the essay contest and if you win, they will fly you out to NYC in September to attend the Teacher Town Hall
    • Brian C. Smith
       
      Another Race to the Top! 
    • Brian C. Smith
       
      Where were all the other educators at the Save Our Schools March?  I am guilty, and feel guilty for having not attended, but really, where were we all?   No, Matt Damon isn't, and shouldn't be our poster child for education reform.  You cannot fault him for representing us and using a naughty word.  Instead of poo-pooing Matt, I applaud his courage to do so, to tell it like it is, and for defending our profession.  I will not put him on a pedestal as if he speaks for me as one of my own, however, he did defended teachers. I appreciate that, a lot.   Don't make this more than what it is, even if you think he did it in a shitty way.  
Karen Balnis

Another Look at the Weaknesses of Online Learning - Innovations - The Chronicle of Higher Education - 86 views

shared by Karen Balnis on 28 Jul 11 - No Cached
  • have been lucky enough to have taught the full range of our freshman / sophmore undergraduate offerings as both an onsite and online instructor. While I have thoroughly enjoyed both formats - and very much so - I must admit that my experiences online have been *much* more positive than onsite instruction. Let me try and elucidate:1. While in the onsite classroom you have the opportunity to think on your feet and challenge and be experiential on your feet to reactions to the students who speak, in the online classroom, you are able to meet *every* class member and challenge their minds and ideas. The students who would normally be lost in a classroom of 35-40 are met and developed each day or week at their level and pushed to consider ideas they might not have considered. 2. I am able to reach the entire class through multimedia exhibits in each of the weekly units - journal articles, non-copyrighted film clips (and many from our university's purchased collection under an agreement for both onsite classroom and online classroom use), photography, art, patents, etc, that the students would not see - or would otherwise ignore - in an onsite classroom. We incorporate this information into our discussions and make it part of the larger whole of history.3. Each student and I - on the phone during office hours or in e-mail - discuss the creation of their term papers - and discuss midterm and final "anxiety" issues - and as they are used to the online format, and regular communication with me through the discussion boards, they respond much more readily than onsite students, whom I have found I have to pressure to talk to me. 4. I am able to accommodate students from around the country - and around the world. I have had enrolled in my class students from Japan, Indonesia, India, England - and many other countries. As a result, I have set up a *very* specific Skype address *only* for use of my students. They are required to set up the time and day with me ahead of time and I need to approve that request, but for them (and for some of my students scattered all over the state and US), the face time is invaluable in helping them feel "connected" - and I am more than happy to offer it. 5. As the software upgrades, the possibilities of what I can offer become more and more amazing, and the ease of use for both me - and for the students -  becomes astronomically better. Many have never known the software, so they don't notice it - but those who have taken online courses before cheer it on. Software does not achieve backwards. As very few of these issues are met by the onsite classroom, I am leaning more and more toward the online classroom as the better mode of instruction. Yes, there are times I *really* miss the onsite opportunities, but then I think of the above distinctions and realize that yes, I am where I should be, and virtually *ALL* the students are getting far more for their money than they would get in an onsite classroom. This is the wave of the future, and it holds such amazing promise. Already I think we are seeing clear and fruitful results, and if academics receive effective - and continuing - instruction and support from the very beginning, I cannot imagine why one would ever go back. The only reason I can think of *not* doing this is if the instructor has his or her *own* fear of computers. Beyond that - please, please jump on the bandwagon, swallow your fears, and learn how to do this with vigor. I don't think you will ever be sorry.PhD2BinUS
  • have been lucky enough to have taught the full range of our freshman / sophmore undergraduate offerings as both an onsite and online instructor. While I have thoroughly enjoyed both formats - and very much so - I must admit that my experiences online have been *much* more positive than onsite instruction. Let me try and elucidate:
  • While I have thoroughly enjoyed both formats - and very much so - I must admit that my experiences online have been *much* more positive than onsite instruction. Let me try and elucidate:
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    I am a graduate student at Sam Houston State University and before I started grad school I never had taken an online course before. My opinion then was that online courses were a joke and you couldn't learn from taking a course online. Now my opinion has done a complete 180. The teachers post numerous youtube videos and other helpful tools for each assignment so that anyone can successfully complete the assignment no matter what their technology skill level is. I do not see much difference between online and face-to-face now because of the way the instructors teach the courses.
Jac Londe

La création du système bancaire canadien - Les Archives de Radio-Canada - 0 views

  • La création du système bancaire canadien
  • Pour la majorité des gens, les banques forment un monde feutré, voire mythique, en partie car les transactions demeurent privées. L'architecture imposante des banques ou bien leurs coffres-forts fermés par d'indéchiffrables combinaisons entretiennent ce côté mystérieux et secret.
Martin Burrett

BBC - School Radio - Audio & sound clips - 78 views

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    The home page of the BBC's school radio for Primary Schools, full of podcasts and other audio resources for across the curriculum. http://ictmagic.wikispaces.com/Cross+Curricular
Steve Masyada

Teachinghistory.org - 20 views

shared by Steve Masyada on 03 Aug 11 - Cached
    • Steve Masyada
       
      Fantastic site with useful resources for every social studies teacher!
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    A history site from the US with lots of resources, video clips, lesson plans, maps and ideas. http://ictmagic.wikispaces.com/History
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    Great resource for teaching history.
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    Teachinghistory.org is designed to help K-12 history teachers access resources and materials to improve U.S. history education in the classroom.
Eric Postman

Working dog - Wikipedia, the free encyclopedia - 0 views

  • This working dog is a border collie mix. A working dog refers to a canine working animal, i.e., a type of dog that is not merely a pet but learns and performs tasks to assist and/or entertain its human companions, or a breed of such origin.
Justin Medved

The Answer Factory: Demand Media and the Fast, Disposable, and Profitable as Hell Media Model | Magazine - 24 views

  • Pieces are not dreamed up by trained editors nor commissioned based on submitted questions. Instead they are assigned by an algorithm, which mines nearly a terabyte of search data, Internet traffic patterns, and keyword rates to determine what users want to know and how much advertisers will pay to appear next to the answers.
  • To appreciate the impact Demand is poised to have on the Web, imagine a classroom where one kid raises his hand after every question and screams out the answer. He may not be smart or even right, but he makes it difficult to hear anybody else.
  • But what Demand has realized is that the Internet gets only half of the simplest economic formula right: It has the supply part down but ignores demand. Give a million monkeys a million WordPress accounts and you still might never get a seven-point tutorial on how to keep wasps away from a swimming pool. Yet that’s what people want to know.
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  • That’s not to say there isn’t any room for humans in Demand’s process. They just aren’t worth very much. First, a crowdsourced team of freelance “title proofers” turn the algorithm’s often awkward or nonsensical phrases into something people will understand: “How to make a church-pew breakfast nook,” for example, becomes “How to make a breakfast nook out of a church pew.” Approved headlines get fed into a password-protected section of Demand’s Web site called Demand Studios, where any Demand freelancer can see what jobs are available. It’s the online equivalent of day laborers waiting in front of Home Depot. Writers can typically select 10 articles at a time; videographers can hoard 40. Nearly every freelancer scrambles to load their assignment queue with titles they can produce quickly and with the least amount of effort — because pay for individual stories is so lousy, only a high-speed, high-volume approach will work. The average writer earns $15 per article for pieces that top out at a few hundred words, and the average filmmaker about $20 per clip, paid weekly via PayPal. Demand also offers revenue sharing on some articles, though it can take months to reach even $15 in such payments. Other freelancers sign up for the chance to copyedit ($2.50 an article), fact-check ($1 an article), approve the quality of a film (25 to 50 cents a video), transcribe ($1 to $2 per video), or offer up their expertise to be quoted or filmed (free). Title proofers get 8 cents a headline. Coming soon: photographers and photo editors. So far, the company has paid out more than $17 million to Demand Studios workers; if the enterprise reaches Rosenblatt’s goal of producing 1 million pieces of content a month, the payouts could easily hit $200 million a year, less than a third of what The New York Times shells out in wages and benefits to produce its roughly 5,000 articles a month.
  • But once it was automated, every algorithm-generated piece of content produced 4.9 times the revenue of the human-created ideas. So Rosenblatt got rid of the editors. Suddenly, profit on each piece was 20 to 25 times what it had been. It turned out that gut instinct and experience were less effective at predicting what readers and viewers wanted — and worse for the company — than a formula.
  • Here is the thing that Rosenblatt has since discovered: Online content is not worth very much. This may be a truism, but Rosenblatt has the hard, mathematical proof. It’s right there in black and white, in the Demand Media database — the lifetime value of every story, algorithmically derived, and very, very small. Most media companies are trying hard to increase those numbers, to boost the value of their online content until it matches the amount of money it costs to produce. But Rosenblatt thinks they have it exactly backward. Instead of trying to raise the market value of online content to match the cost of producing it — perhaps an impossible proposition — the secret is to cut costs until they match the market value.
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    This is facinating!!!
Cheryl Corte

Animoto - Education Video Slideshows - 88 views

    • Kalin Wilburn
       
      Create an unlimited amount of full length videos with a FREE educator plus account.
    • Neel Brown
       
      Kalin, I don't see how to sign up for the educator upgrade?
  • videos and presentations. It takes just minutes to create a video which can bring your lessons to life.
  • Animoto makes it easy to share your videos via email, on a blog/website, exported to YouTube, or downloaded to a computer for use in presentations.
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  • images, video clips, music and text.
    • dawhiting
       
      could students use to create quick "process" math videos?
    • Cheryl Corte
       
      Definitely. Choose the right template to build your math videos. Add music (background), Animoto does the rest. Sign-up for an Educators account to create Math videos throughout the year.
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    sign up for education account
  • ...1 more comment...
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    Neel, You must sign up for an educator account and they automatically give you an Educator Plus account for 184 days, along with a promo code that you can share with up to 50 other individuals (typically students), after the 184 days it only costs $5.00/month or $30/yr. They also offer a referral program so that you can earn an upgraded account for FREE but each referral has to become a paying subscriber.
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    I also am having trouble finding how to sign up for the educator.'s account. I follow the links but they do ot offer the educator option. Any ideas?
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    could student use free version to make quick videos - you only get 30 seconds for free ... but I think that would work toward being concise and planning ahead
Martin Burrett

Science.TV - 133 views

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    An excellent bank of videos and other resources on every topic of science. No sign in required to watch the videos. http://ictmagic.wikispaces.com/Science
Deborah Baillesderr

PBS LearningMedia - 73 views

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    Digital resources of all types from PBS; audio, video, images, games.
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    PBS LearningMedia™ is the go-to destination for instant access to tens of thousands of classroom-ready, digital resources including videos, games, audio clips, photos, lesson plans, and more!
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    PBS Learning Media offers more than 30,000 digital resources available for free to PreK-12 educators. 
Martin Burrett

Science | Interact with Your World - 1 views

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    Watch great science animations and other resource which have been especially designed for children. http://ictmagic.wikispaces.com/Science
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