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paul lowe

Technology Tidbits: Thoughts of a Cyber Hero: Top 10 Sites for Digital Storytelling - 0 views

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    "Top 10 Sites for Digital Storytelling Digital Storytelling is the practice of telling stories w/ computer tools. Wikipedia explains teachers use digital storytelling for several reasons such as,"1) to incorporate multimedia into their curriculum and 2) Teachers can also introduce storytelling in combination with social networking in order to increase global participation, collaboration, and communication skills. Moreover, digital storytelling is a way to incorporate and teach the twenty-first century student the twenty-first century technology skills such as information literacy, visual literacy, global awareness, communication and technology literacy.""
paul lowe

Facilitating Storytelling on the Web - 0 views

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    "Now that we're certain of the value of storytelling, the pressing question that remains is how to tell stories on the web. I don't think that the existence of the story is in question-every product or service's value can be expressed as a story. The difficulty is in framing that story for the people that you know need to hear it. Take some time to remind yourself of that story: What was the problem that you set out to solve? How did you find the solution? Why is your solution special? Why are things different now that you've solved the problem? It's a simple structure, but often one that eludes marketers who are sometimes too close to their product or service to see the story clearly. Once you're clear on the story, there are two things to focus on next: (1) Writing the story, and (2) making sure that your website supports that story."
paul lowe

Web 2.0 Storytelling: Emergence of a New Genre (EDUCAUSE Review) | EDUCAUSE CONNECT - 0 views

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    A story has a beginning, a middle, and a cleanly wrapped-up ending. Whether told around a campfire, read from a book, or played on a DVD, a story goes from point A to B and then C. It follows a trajectory, a Freytag Pyramid-perhaps the line of a human life or the stages of the hero's journey. A story is told by one person or by a creative team to an audience that is usually quiet, even receptive. Or at least that's what a story used to be, and that's how a story used to be told. Today, with digital networks and social media, this pattern is changing. Stories now are open-ended, branching, hyperlinked, cross-media, participatory, exploratory, and unpredictable. And they are told in new ways: Web 2.0 storytelling picks up these new types of stories and runs with them, accelerating the pace of creation and participation while revealing new directions for narratives to flow.
paul lowe

Do you like telling stories? - 1 views

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    I like telling stories. What sort of stories do I like to tell? Stories about days at school, life in the ANZ Bank, stories my father told me, historic sagas and the like. lots of links to digital storytelling later down on the page
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    I like telling stories. What sort of stories do I like to tell? Stories about days at school, life in the ANZ Bank, stories my father told me, historic sagas and the like.
paul lowe

Social Media for Storytellers - 1 views

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    "A look at how social media can be used to extend stories and start conversations. For more visit http://WorkBookProject.com"
paul lowe

MediaStorm: Resources - Gear Guide - 0 views

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    There are a myriad of options out there right now when it comes to tools for multimedia storytelling. The combination of tools you use can be your greatest strength or your greatest weakness. The important thing is to find the right combination of gear that fits your style of shooting and allows you to tell the best story possible. Below is a list of tools that we may use a combination of on any given multimedia shoot. Again the importance is to find what combination works best for you. Multimedia tools are constantly evolving. There are many options on the market from which you can mix and match to best suit your needs. The following describes our current field production kit.
paul lowe

Bosnia: Uncertain Paths to Peace - 0 views

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    About the Project For four years, Bosnia and Herzegovina was torn by the bloodiest and most ruthless European conflict since World War II. Its capital, Sarajevo, was the focus of an epic siege. Its territory was riven into ethnic enclaves, and accounts of mass killing and rape shook the world's conscience. With the signing of the Dayton accords last December, Bosnia is emerging from that torment. Now it faces the challenge of reconstruction and reconciliation, of carrying out free elections and of bringing accused war criminals to justice. "Bosnia: Uncertain Paths to Peace" is both a photographic chronicle and a worldwide discussion of this crucial passage in Bosnia's struggle. An interactive photo essay by the French photojournalist Gilles Peress, with the photographer's narrative, documents the last weeks of the siege of Sarajevo in February and March, including the exodus of Serbs from the suburbs from which the siege had been mounted. A collection of forums for discussion, led by scholars, diplomats, artists, humanitarian leaders and other experts, will be active for one month, starting June 10, and open to contributions from the entire Internet community. Connections have been established in Sarajevo, at the war crimes tribunal in The Hague and at the United Nations to encourage participation by those closest to the Bosnian conflict and its resolution. And resources for context are available, including chronologies, maps, links to other Internet sites, a glossary and who's who, a reading list and recent coverage of the Bosnian events from The New York Times. We welcome your feedback about this project.
paul lowe

The Developers Logbook: Creating a Transmedia Symphony - 1 views

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    "Creating a Transmedia Symphony I re-read the article in Wired on transmedia today, and found it as good a read as the first time. Coming to the last paragraph I read Jeff Gomez's comment about transmedia and the birth of a new Mozart, "We are going to see visionaries who understand the value of each media platform as if it's a separate musical instrument, who'll create symphonic narratives which leverage each of these multimedia platforms in a way that will create something we haven't encountered yet." This rings true for me as an analogy of what many of us are trying to create. The question that popped up in my head was, however, "but hey, how do you create a "normal" symphony?". Lo and behold, a Google search later I found this wikihow on, yes, how to create a symphony. After reading it, the analogy rings truer still. So, to translate the creation of a "normal" symphony to the creation of a transmedia symphony, these would/could be the steps to take:"
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