Skip to main content

Home/ Chandler School/ Group items tagged Design

Rss Feed Group items tagged

Filter: All | Bookmarks | Topics Simple Middle
Gayle Cole

Nathan Heller: Is College Moving Online? : The New Yorker - 0 views

www.newyorker.com/...130520fa_fact_heller

MOOCs online learning HigherEd

shared by Gayle Cole on 04 Jun 13 - No Cached
  • Harvard’s first massive open online courses, or MOOCs—a new type of college class based on Internet lecture videos. A MOOC is “massive” because it’s designed to enroll tens of thousands of students. It’s “open” because, in theory, anybody with an Internet connection can sign up. “Online” refers not just to the delivery mode but to the style of communication: much, if not all, of it is on the Web. And “course,” of course, means that assessment is involved—assignments, tests, an ultimate credential. When you take MOOCs, you’re expected to keep pace. Your work gets regular evaluation. In the end, you’ll pass or fail or, like the vast majority of enrollees, just stop showing up.
  • in California, a senate bill, introduced this winter, would require the state’s public colleges to give credit for approved online courses. (Eighty-five per cent of the state’s community colleges currently have course waiting lists.) Following a trial run at San José State University which yielded higher-than-usual pass rates, eleven schools in the California State University system moved to incorporate MOOCs into their curricula.
  • the faculty at Amherst voted against joining a MOOC program.
  • ...1 more annotation...
  • “There is no pedagogical problem in our department that JusticeX solves,” the letter said.
  • Gayle Cole on 04 Jun 13
     
    shared by John Finch
Jill Bergeron

Why Cliques Form at Some High Schools and Not Others - The Atlantic - 0 views

www.theatlantic.com/...382570

diversity cliques

shared by Jill Bergeron on 25 Nov 14 - No Cached
    • Jill Bergeron
      Jill Bergeron on 25 Nov 14
       
      Amid diversity, students seek out similarities.
  • Most high schools segregate by "type," whether it's age, class, ethnic background, or volume of face makeup.
  • The way high schools are designed—their size, their level of diversity, and the way they treat students—can either drive students to segregate based on things like household income and race, or force them to build relationships that are more about their high school life than their socioeconomic backgrounds.
  • ...3 more annotations...
  • In short, the natural instinct for teenagers to separate themselves into clusters and hierarchies is weakened when schools force kids to partner with peers they wouldn't otherwise want to be around to see first-hand the benefits of unlikely friendships.
  • "Larger schools that offer more choice and variety are the most likely to form hierarchies and cliques and self-segregation,” said McFarland, a professor of education at Stanford Graduate School of Education. "In smaller schools, and in smaller classrooms, you force people to interact, and they are less hierarchical, less cliquish, and less self-segregated.”
  • Schools that grouped students by academics and created other ways to force kids with different backgrounds to cooperate (whether in clubs or on sports teams) were less ruled by segregation and hierarchy. "In classrooms with assigned seating, you’re forced to sit next to someone whom you wouldn’t otherwise interact, and that tends to break down the tendency to segregate by background,” McFarland said.
Scott Nancarrow

Toxic Stress and SPD, Dr. Jamie Chaves, OTD, OTR/L, SWC - Dr. Jamie Chaves, OTD, OTR/L - 0 views

sites.google.com/...toxic-stress-and-spd

OT stress sensory processing differentiation

shared by Scott Nancarrow on 08 Sep 16 - No Cached
  • Stress isn’t necessarily a bad thing—it can mobilize us and allow us to function well.
  • our bodies and brains are designed to handle small amounts of stress.
  • “toxic stress” and it has a myriad of negative implications for the body, brain, emotions, and relationships. Examples include inattention, poor emotional control, decreased memory, difficulty learning, poor frustration tolerance, irritable bowel syndrome, and even a compromised immune system.
  • ...8 more annotations...
  • children with SOR experience a stress response on a more frequent and more intense basis.  And, they can remain in elevated states of stress for longer periods of time than neurotypical children.
  • what happens when we cannot habituate to the unimportant sensory stimuli
  • Our brain must integrate all of this input in order to determine the most important stimuli or information to attend to in order to socially engage and function in the situation. This requires our brainstem to receive all the sensory information from our nerves and our amygdala, and to interpret whether or not the sensory information is a threat.  When the brain works the way it’s supposed to, sensory stimuli that is not important is filtered out
  • After several exposures to those negative situations the brain begins to anticipate the threat, thereby heightening the stress response even more. They cannot be “talked through” the situation or “reasoned with” because access to the higher, thinking, cognitive cortex has been blocked by the stress response.
  • Because it is impossible to control all sensory-related aspects of the environment, children with SOR can present as highly anxious, controlling, withdrawing, or with acting out behaviors-- all of which are responses to repeated, elevated stress
  • Children must be in a state of regulation, or optimal arousal, or what we can call “tolerable stress” before they have the capacity to learn, develop new skills, and try novel activities.
  • Changing the way the neurological system responds to incoming sensory stimuli, however, takes time—usually 6-12 months of ongoing therapy. In the meantime, it is important that parents, educators, relatives, and other professionals recognize that acting out behaviors may actually be a sensory-related stress response, and the child may need support, soothing through co-regulation, and intervention instead of behavioral interventions or punitive responses.
  • Caregivers and professions can also be more aware of scenarios that cause stress in children with sensory overresponsiveness and take steps to decrease the intensity of those sensory experiences to prevent a toxic stress load.  
  • Scott Nancarrow on 08 Sep 16
     
    Brief blog post by Dr. Chaves (who works at the Center for Connection in Pasadena) on the topic of Sensory and Stress. Heavy on the language of Occupational Therapy, but good perspective for anyone and everyone
Jill Bergeron

The 'Maker' Movement Is Coming to K-12: Can Schools Get It Right? - Education Week - 0 views

www.edweek.org/...ovement-is-coming-to-k-12.html

makermovement maker makered

shared by Jill Bergeron on 03 Oct 16 - No Cached
  • For all the excitement, though, there are also hurdles. One of the biggest: "Maker education" itself is a highly squishy concept. In general, the term refers to hands-on activities that support academic learning and promote experimentation, collaboration, and a can-do mindset. But in practice, educators use "making" to describe everything from formal STEM (science, technology, engineering, and math) curricula to project-based classroom lessons to bins of crafting materials on a shelf in the library.
  • Should making happen primarily in a dedicated space or inside every classroom? And is the purpose of maker education to help students better learn the established curriculum or to upend traditional notions of what counts as real learning?
  • The whole point of maker education, Turner said, is to find new ways to engage students, especially those who have struggled to find a comfortable place inside school. It's a belief increasingly borne out by research. Academics have consistently found that making "gives kids agency" over their learning in ways that traditional classes often don't, said Erica Halverson, an associate professor of curriculum and instruction at the University of Wisconsin-Madison. There's also mounting evidence that making is a good way to teach academic content. "The fear out there is that schools have to choose between making and academic work, but empirically that turns out not to be true," Halverson said.
  • ...4 more annotations...
  • New attention is being paid to designing spaces that are welcoming for girls, students of color, and immigrant and refugee students.
  • At its root, the trend is being fueled by widespread fatigue with high-stakes standardized testing. The administration of President Barack Obama has also provided a policy boost, giving strong backing to STEM and computer science education and the redesign of schools. The sudden affordability of technologies such as 3-D printers, sensors, microprocessors, and laser cutters have exponentially expanded access to the tools for making. And, perhaps most importantly, the maker movement has also tapped into a deep desire among many educators to return to the type of instruction that drew them to teaching in the first place.
  • Meaningful change takes time, the superintendent said, and it can't be mandated from above.
  • Efforts to bring maker education into schools might be messy and uneven. But so far, at least, the process has often been characterized by enthusiasm and growth. Ultimately, Moran said, isn't that the point?
Jill Bergeron

The Marshall Memo Admin - Issues - 0 views

www.marshallmemo.com/issue.php

leadership pedagogy new teacher improved teaching assessment Reflection Learning critical thinking problem solving emotional labor balance work-life balance longevity

shared by Jill Bergeron on 04 Oct 16 - No Cached
  • In This Issue: 1. Four secrets of peak performance 2. “Emotional labor” on the job 3. Getting students thinking at higher levels 4. Student work analysis to improve teaching, assessment, and learning 5. Elements of the Haberman principal interview
  • “The key to resilience is trying really hard, then stopping, recovering, and then trying again… Our brains need a rest as much as our bodies do… The value of a recovery period rises in proportion to the amount of work required of us.”
  • the best long-term performers tap into positive energy at all levels of the performance pyramid.” Here are the four levels:
  • ...36 more annotations...
  • being able to mobilize energy when it’s needed – depends on two things: (a) alternating between intense work and recovery; and (b) developing regular rituals to build in recovery.
  • For those of us who are not professional athletes, regular workouts each week, coupled with good nutrition and sleep, make a major difference in work productivity and enjoyment.
  • Positive emotions have a remarkable impact on reducing physiological stress, whereas negative emotions, even simulated, increase stress. The key, psychologists have found, is to “act as if.”
  • Here are some workplace conditions that increase emotional labor: -   A mismatch between your personality and what’s expected on the job; -   A misalignment of values, especially if what you’re asked to do is in conflict with what you believe; -   A workplace culture in which particular ways of expressing emotion are endorsed, or not endorsed.
  • The key to improving cognitive work is focus, say Loehr and Schwartz. A big part of that is managing down-time – knowing the body’s need for breaks every 90-120 minutes – and using meditation and visualization.
  • Practiced regularly, meditation quiets the mind, the emotions, and the body, promoting energy recovery.” Experienced meditators need considerably less sleep and have enhanced creativity and productivity.
  • Spiritual capacity – By this, Loehr and Schwartz mean “the energy that is unleashed by tapping into one’s deepest values and defining a strong sense of purpose.”
  • Sometimes, when we’re doing work that isn’t in synch with how we feel, we have to put on our professional game face. That effort is known among psychologists as “emotional labor” – remaining energetic and upbeat despite a bad night’s sleep,
  • framing his response in positive language.
  • If you’re in a job that’s meaningful and largely aligned with your values, the best way to reduce emotional labor, says David, is to substitute surface acting with what she calls “deep acting.” Some tips:             • Remind yourself why you’re in the job you’re in.
  • Explore “want to” versus “have to” thinking. What aspects of the job energize you? How can other aspects be made more efficient and pleasant?
  • Do some job crafting. Can you and your boss tweak the work so it’s of greater value to you and the organization? Or is there a new project that would be fun and productive?
  • “Drill-and-practice is boring. But thinking, for most students most of the time, is actually fun.”
  • four strategies to engage students in higher-order thinking:             • Open questions – Every lesson should have two or three of these to highlight key content and thinking skills.
  • Wait time is important. Think time, no hands up, is a good admonition. “If you don’t provide enough wait time, you’ll get either no responses or surface-level responses,
  • In all-class discussions, teachers should resist the temptation to comment themselves, instead asking specific follow-up questions to get other students involved.
  • All too many student projects are simple regurgitation,
  • Students thinking, not just retelling
  • The way out of this dynamic is posing a thought-provoking problem
  • Another approach is asking “what if” and “what else” questions to push students to expand or elaborate on what they’re studying
  • Self-assessment – “Students who can self-assess are poised to be life-long learners,” says Brookhart. “They are poised to use self-regulation strategies and to be their own best coaches as they learn. They are able to ask focused questions when they don’t understand or when they’re stuck.”
  • Teach students to self-assess with rubrics. It’s important that the rubric goes beyond the basic level and stipulates higher-level criteria like stating a position, defending one’s reasoning, using supportive details.
  • Use confidence ratings. For example, students might be asked to use the “fist of fives” on their chest to indicate how confident they are that they understand a particular term or concept
  • Have students co-create success criteria. Studying material with which students are familiar, they can jointly create what the teacher and students will look for in their work.
  • consultant Karin Hess suggests analyzing student work in three layers: first describing the student work we actually see (or what students tell about it); then interpreting what the evidence might mean (specific to the intended purpose); and then evaluating what next steps should be taken. Hess outlines how the process of analyzing student work can be helpful to teaching and learning:
  • • Purpose #1: Improving the quality of tasks/prompts and scoring guides – Piloting tasks and looking at student work helps to clarify prompts, make tasks accessible and engaging for all students, trim unnecessary components, modify the wording of scoring rubrics, and tweak questions so they will measure deeper thinking.
  • Students can use assessment evidence to set and monitor progress, reflect on themselves as learners, and evaluate the quality of their own work. “Valuing both one’s struggles and successes at accomplishing smaller learning targets over time has proven to have a profound influence on deepening motivation, developing independence as a learner, and building what we have come to know as ‘a growth mindset,’”
  • Purpose #3: Monitoring progress over time – A good pre-assessment focuses on the core learning or prerequisite skills that students will need to build on, and teachers can sort and work with students according to what they need to learn to be successful in the unit.
  • Purpose #2: Making key instructional decisions – Observing and taking notes on students’ responses to this task gave teachers two specific teaching points.
  • What does the student know now that he or she didn’t know how to do as well on the first task? What were the areas of improvement?
  • Which piece of work comes closest to the expectations? What’s the evidence?
  • Purpose #4: Engaging students in peer- and self-assessment – One approach is having students look at two pieces of work by other students side by side and asking them (for example): -   What does each student know and understand and where might they improve?
  • Purpose #5: Better understanding how learning progresses over time – Many skills, concepts, and misconceptions revealed in student work analysis are not explicitly addressed in curriculum standards. Looking at students’ learning trajectories in interim assessments and student work can guide teachers in the next step that students at different levels of progress need to take. • Purpose #6: Building content and pedagogical expertise –
  • it is analyzing evidence in student work that causes teachers to reflect on how students learn and how to make their instructional and assessment practices more effective.”
  • “students who engage with rich, strategically-designed tasks on a regular basis learn that finding the answer is not as personally meaningful as knowing how to apply knowledge in new situations and explain the reasoning that supports their thinking.”
  • 13 dimensions of school leadership
  • Jill Bergeron on 04 Oct 16
     
    The first four articles have to do with building a better teacher and leader. The last article looks at educational leadership and the qualities that support it.
Jill Bergeron

Science Curriculum Summarys - 0 views

www3.barringtonschools.org/...Curriculum%20August%202014.pdf

curriculum design curriculum summary

shared by Jill Bergeron on 04 Oct 16 - No Cached
  • Jill Bergeron on 04 Oct 16
     
    This document contains curriculum summaries, essential questions, concepts and skills as well as common assessments.
Jill Bergeron

Making Compassion the Fifth C of Learning - The Learner's Way - 0 views

thelearnersway.net/...compassionthefifthc

compassion pillars of character character design thinking empathy 21st century skills

shared by Jill Bergeron on 16 Aug 16 - No Cached
  • Critical thinking, communication, collaboration, and creativity are vital and each plays an important role in allowing us to manage the complexity of modern day life. Beyond being relevant to success in the classroom the Four C’s are the foundations of life-long learning but I question if alone they are enough. I believe we must include a fifth; compassion.
Jill Bergeron

Disseminating Displays by @mrnickhart - UKEdChat.com - 0 views

ukedchat.com/...inating-displays-by-mrnickhart

empathy displays posters curation room design

shared by Jill Bergeron on 21 Sep 16 - No Cached
  • Displays should serve three functions.  Firstly, they should act as memory prompts for the knowledge, concepts, and ways of communicating and thinking that children are currently learning or have been learning. 
  • displays should set a standard for the extent of knowledge and the quality of work expected of children. 
  • Thirdly, they should make the classroom an inviting place that stimulates interest in the subject content to be learned
  • ...1 more annotation...
  • With the sheer amount of content that children are expected to learn, it can be tempting to plaster every inch of wall space with some sort of display.  This is a mistake.  Children can only attend to so much from the environment around them before working memory is overloaded.
  • Jill Bergeron on 21 Sep 16
     
    Practical advice on using displays in the classroom.
Jill Bergeron

Seven ways to give better feedback to your students | Teacher Network | The Guardian - 0 views

www.theguardian.com/...tter-feedback-to-your-students

feedback assessment

shared by Jill Bergeron on 21 Nov 16 - No Cached
  • too much praise can convey a sense of low expectation and, as a result, can be demotivating.
  • Teenagers care a lot about what their peers think of them. Constructive feedback given in front of others, even if it is well-intended, can be read as a public attack on them and their ability. This can lead to students developing a fear of failure and putting up a front.
  • This is similar to the technique he calls the whisper correction – the feedback technically takes place in public, but the pitch and tone of voice is designed to be heard only by the individual receiving it.
  • ...6 more annotations...
  • A recent study found that being positively compared to others can lead to narcissistic behaviour. This sort of comparison can also reduce motivation and result in lower confidence, emotional control, academic performance and increased anxiety.
  • The more detailed and specific your feedback is, the better, to remove any ambiguity. Rather than “good work”, say “The way you did X was really good.”
  • Praising effort instead of intelligence increases intrinsic motivation and provides a template for students to follow next time.
  • In this study, 86% of children who had been praised for their natural ability asked for information about how their peers did on the same task. Only 23% of children who had been praised for effort asked for this type of feedback, with the vast majority of them asking for feedback about how they could do better.
  • But you should aim for a combination of open and closed questions in your feedback, along with statements. Closed statements are useful for conveying key information and keeping the conversation focused.
  • Any feedback that doesn’t lead to a change in behaviour change is redundant – there must be a point to it. What do you want them to do differently? What are they going to do after the conversation to improve? The more detailed and specific the action points, the better.
  • Jill Bergeron on 21 Nov 16
     
    This article gives tangible tips on how to improve feedback to students.
Jill Bergeron

Adobe Spark | Videos, images and stories made in minutes - 0 views

spark.adobe.com

adobe tech tools design Graphics presentations interactive posters

shared by Jill Bergeron on 03 Jun 16 - No Cached
  • Jill Bergeron on 03 Jun 16
     
    Adobe Spark Page is a tool for students to create a publish pages for the web. They can add text, images, links and video and customize the format. This is perfect for publishing reports, step by step guides or newsletters.
Jill Bergeron

6 Strategies for Differentiated Instruction in Project-Based Learning | Edutopia - 1 views

www.edutopia.org/...n-strategies-pbl-andrew-miller

differentiated instruction pbl project-based learning edutopia

shared by Jill Bergeron on 09 Jan 16 - No Cached
  • Project-based learning (PBL) naturally lends itself to differentiated instruction. By design, it is student-centered, student-driven, and gives space for teachers to meet the needs of students in a variety of ways. PBL can allow for effective differentiation in assessment as well as daily management and instruction.
  • Not all students may need the mini-lesson, so you can offer or demand it for the students who will really benefit.
  • Are you differentiating for academic ability? Are you differentiating for collaboration skills? Are you differentiating for social-emotional purposes? Are you differentiating for passions?
  • ...12 more annotations...
  • 2. Reflection and Goal Setting
  • Throughout the project, students should be reflecting on their work and setting goals for further learning. This is a great opportunity for them to set personalized learning goals and for you to target instruction specific to the goals they set.
  • 3. Mini-Lessons, Centers, and Resources
  • Perhaps you offer mini-lessons or center work to support your students' learning, or maybe you show students a variety of resources from which to learn, including videos, games, and readings.
  • 1. Differentiate Through Teams
  • 4. Voice and Choice in Products
  • Another essential component of PBL is student voice and choice, both in terms of what students produce and how they use their time.
  • "How can I allow for voice and choice here?"
  • 5. Differentiate Through Formative Assessments
  • as you check for understanding along the way, you can formatively assess in different ways when appropriate.
  • 6. Balance Teamwork and Individual Work
  • We want to leverage collaboration as much as content. However, there are times when individual instruction and practice may be needed. You need to differentiate the learning environment because some students learn better on their own, and others learn better in a team. In fact, we all need time to process and think alone just as much as we need time to learn from our peers. Make sure to balance both so that you are supporting a collaborative environment while allowing time to meet students on an individual basis.
  • Scott Nancarrow on 09 Jan 16
     
    Honestly, not too much new information for me in this article, but a well-summarized version of that information for sure; comments were actually what made this stand out for me...
  • Jill Bergeron on 24 May 16
     
    Andrew Miller offers up concrete examples of how teachers can differentiate through PBL. He includes: differentiation through teams, reflection and goal setting, mini-lessons, centers and resources, voice and choice in products, differentiation through formative assessments, and balancing teamwork with individual work.
Jill Bergeron

The Value of Guided Projects in Makerspaces | Renovated Learning - 0 views

renovatedlearning.com/...ue-guided-projects-makerspaces

projects maker makerspace makered maker movement pbl

shared by Jill Bergeron on 26 Jan 16 - No Cached
  • Working through guided projects can help students to develop the skills that they need to further explore creatively.  It’s true that some students can just figure it out, but most need that gentle push to get them started.
  • Following patterns to the letter when I first got started helped me to learn the skills that I needed to be creative in my knitting.
  • The problem comes when all we ever do are guided projects.  Sylvia Martinez and Gary Stager warn against the “20 identical birdhouses” style class projects, where there is zero creativity involved.  It’s very easy to fall into the trap of focusing too much on standards, rubrics and guided projects and zapping all the fun and creativity out, turning a makerspace into nothing more than another classroom.  It’s tempting for many educators to just print out a list of instructions, sit students down in front of a “maker kit” and check their e-mail while students work through the steps one by one.  This is obviously not what we want in our makerspaces.
  • ...3 more annotations...
  • Providing some limitations, guidelines, restrictions can actually make us more creative, as we have to figure out how to make things work with what we’re given.
  • Giving them a little bit of guidance and limitation still providing plenty of room for creativity and imagination.
  • We have to find a balance between open-ended, free range exploration and guided learning in our makerspaces.  It can be tricky to figure out sometimes, but it’s worth putting the effort in.  A well-crafted design challenge can inspire amazing creativity.  Free-range learning gives students opportunities for imaginative play.  Both are crucial for creating an environment where students can discover, learn and grow.
« First ‹ Previous 81 - 100 of 130 Next › Last »
Showing 20▼ items per page