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The conservation of Mayan wall paintings at the archaeological site of Calakmul (Mexico) will be one on the subjects touched upon by Piero Baglioni (based at the University of Florence) in his invited lecture at the 3rd European Chemistry Congress in Nürnberg in September. In a special issue of Chemistry-A European Journal, which contains papers by many of the speakers at this conference, he reports on the latest developments on the use of humble calcium and barium hydroxides nanoparticles as a versatile and highly efficient tool to combat the main degradation processes that affect wall paintings. La Antigua Ciudad Maya de Calakmul is located in the Campeche state (Mexico) and is one of the most important cities of the Classic Maya period (AD 250-800). The excavation of this site (set up in 1993) involves, under the supervision of the archaeologist Ramon Carrasco, archaeologists, architects, engineers, conservators and epigraphists, besides other specialists. Since 2004, the Center for Colloid and Surface Science (CSGI) at the University of Florence (CSGI), and currently directed by Piero Baglioni, has been an active partner, being involved in the study of the painting technique and in the development of nanotechnology for the consolidation and protection of the wall paintings and limestone.

Not so long ago, artists routinely made their own paints using all sorts of odd ingredients: clay, linseed oil, ground-up insects—whatever worked. It was a crude and rather ad hoc process, but the results were used to create some of the greatest paintings in the world. Today I and other scientists are developing our own special paints. We’re not trying to compete with Vermeer or Gauguin, though. We hope to create masterpieces of a more technical nature: optoelectronic components that will make for better photovoltaic cells, imaging sensors, and optical communications equipment. And we’re not mixing and matching ingredients quite so haphazardly. Instead, we’re using our blossoming understanding of the world of nanomaterials to design the constituents of our paints at the molecular level.

No, we're not talking about a Wonder Woman-type of invisible plane, but rather one that becomes very difficult to detect with radar. The Israel-based Ynetnews is reporting that an Israeli company called Nanoflight has successfully run a test on dummy missiles that were painted with the nano-enabled coating and have shown that radar could not pick them up as missiles.

The fortress-like Coptic monastery of St Anthony the Great stands at an oasis spring in the Red Sea Mountains, 155 km (100 miles) south east of Cairo. It was founded in the mid-4th century, on Saint Anthony's burial site. He, along with St Pachomius (the first monk to organise hermits into groups) were two of the first exponents of Christian monasticism, which originated in the Egyptian desert. The Coptic orthodox monastery, presided over by an abbot, is the oldest Christian monastery in the world. The church is one of Egypt's great treasures - some of the wall paintings here date from the 6th and the 9th centuries, and among them is a picture of the founder, St Anthony himself. He lived in a tiny cave, high above the desert, for 40 years soon after AD 300, and the monastery - really a city in the desert - was built in the 360s. Amazingly, the monks who live here still speak Coptic, a language directly descended from the language of the ancient Egyptians.

Every few years, we're wowed by news of some jaw-dropping sum paid for a previously unknown painting or drawing by a famous artist. But how can a buyer truly be sure that a piece is a legitimate creation of, say, Leonardo or Gauguin? Mathematicians at Dartmouth College, in Hanover, N.H., may have the answer. They recently presented a computer-based statistical analysis technique which they say will help art historians and conservators discover even the most skilled forgery. Their method, called sparse coding, learns what characterizes the artist's style at a level of detail that is practically imperceptible to the eye of even the most experienced appraiser. It works by examining small patches of a picture and breaking them down to a set of essential elements.