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John Fenn

Explore The Pearl | The Official Site of Portland's Pearl District - 0 views

explorethepearl.com

pearl official site portland district art culture oregon

shared by John Fenn on 23 Apr 14 - No Cached
  • John Fenn on 23 Apr 14
     
    "Once known as the Industrial Triangle-filled with railroad yards and timeworn turn-of-the-century warehouses-the Pearl District today is an award-winning, internationally recognized leader in urban renewal, culture and "LEED" certified buildings. As one of the most desired neighborhoods in the country to call your home, work space, or playground, the Pearl is clear validation that high-quality, inner-city communities can revive from the ashes of urban decay. Often considered the "gold standard" of live, work and play mixed-use space, the Pearl District is proof that inner-city living at its finest can rise from the ashes of urban decay."
yz_jiaojiao

Contemporary Oregon Visions: Jo Hamilton and Irene Hardwicke Olivieri - 0 views

calendar.uoregon.edu/...n_and_irene_hardwicke_olivieri

arts culture community art creativity organization Eugene Oregon art_worlds

shared by yz_jiaojiao on 06 Jun 14 - No Cached
  • yz_jiaojiao on 06 Jun 14
     
    These two contemporary Oregon artists offer two substantially different but equally innovative approaches to figurative art. Hamilton, born in Glasgow, Scotland, in 1972, found her true home when she moved to Portland in 1996. After painting for almost twenty years, her artistic practice was transformed when she visited a non-traditional textile arts exhibition. From there she was inspired to fuse the two parts of her life that were closest to her-her daily urban environment and her grandmother's tradition of crochet. Often portraying friends and co-workers from her days in the food-service industry, Hamilton's work displays a whimsical and affectionate vision of working-class Portland. As her work has progressed, she has taken on other subjects as well, including mug shots from Multnomah County, industrial landscapes of Portland, and full-figure nudes.
John Fenn

Chicago's Opportunity Artist - NYTimes.com - 1 views

www.nytimes.com/...icagos-opportunity-artist.html

shared by John Fenn on 12 Mar 14 - No Cached
  • What’s far more interesting,” he says, “is what compels someone known for making art to want to do this and how savvy they have to be to get it done and what sort of difference it makes.
  • Gates sometimes describes his work as reimagining the possibilities of “black space.” Could a block of decaying two-flats well beyond the city’s cultural and economic hubs be converted to form a new creative cottage industry? Could artistic types be drawn there and made to think of themselves not as gentrifiers but as entrepreneurs with a stake in the African-American community?
  • Gates may be performing the archival functions of a major academic institution, the social programming and physical redevelopment of government (his team hired 14 guys from around Dorchester to carry out the gutting of the bank), but he’s doing this in a way that satisfies his own aesthetic appetite and follows the peculiar byways of his imagination
  • ...3 more annotations...
  • The art practice most akin to what Gates is doing, and to which he often refers, is Project Row Houses. In 1993, Rick Lowe and several other African-American artists renovated a string of abandoned shotgun-style homes in Houston’s Third Ward, turning them into artist residences, setting up community-arts programming and later opening transitional housing for single mothers. They based the enterprise on the German artist Joseph Beuys’s concept of social sculpture, the idea that a work of art could be a practical social action
  • Gates believes the “cross-training” has helped expand his thinking about what art is.
  • There are the teenagers on the block paid to clean up, the ex-con who began as a denailer of salvaged wood, Gates’s nephew apprenticing at the workshop. Rebuild Foundation, Gates’s studio and the University of Chicago Arts Incubator together have a full-time staff of 20 — most of them in their own right artists, curators, art historians — and those people manage others.
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