Skip to main content

Home/ Literacy with ICT/ Group items tagged student

Rss Feed Group items tagged

John Evans

25 Teaching Tools To Organize, Innovate, & Manage Your Classroom - 2 views

  •  
    "Over the years, many of us have personally experienced the growth of technology in today's classrooms. Instead of taking notes, students are now occupied by surfing the Internet, scrolling through Facebook, and messaging their friends on their smart phones, tablets, and laptops. Instead of focusing on the instruction, teachers are constantly required to interrupt class in order to remind those students again and again, that class time is for learning, not texting. However, as today's students are using more technological devices, it is imperative that teachers have access to the resources to keep pace with the growing tech culture. The use of smart phones, tablets, and other tech items in the classroom do not necessarily have to have a negative impact on student achievement. On the contrary, the increasing accessibility and growth of technology presents teachers with the unique opportunity to take advantage of those once distracting gadgets, and use them to facilitate academic achievement in new and innovative ways. In this capacity, teachers do not need to be constantly fighting for student attention, but can freely accept it, by introducing a new educational environment that will automatically encourage student participation. Below are some resources that teachers may find useful when attempting to implement technology into their classrooms, separated by 5 common areas that are increasingly important for teachers, and for an effective learning environment-Organization, Project Based Learning, Class Management, Presentations, and Assessment. "
John Evans

To Boost Higher-Order Thinking, Try Curation | Cult of Pedagogy - 2 views

  •  
    "Higher-level thinking has been a core value of educators for decades. We learned about it in college. We hear about it in PD. We're even evaluated on whether we're cultivating it in our classrooms: Charlotte Danielson's Framework for Teaching, a widely used instrument to measure teacher effectiveness, describes a distinguished teacher as one whose "lesson activities require high-level student thinking" (Domain 3, Component 3c). All that aside, most teachers would say they want their students to be thinking on higher levels, that if our teaching kept students at the lowest level of Bloom's Taxonomy-simply recalling information-we wouldn't be doing a very good job as teachers. And yet, when it's time to plan the learning experiences that would have our students operating on higher levels, some of us come up short. We may not have a huge arsenal of ready-to-use, high-level tasks to give our students. Instead, we often default to having students identify and define terms, label things, or answer basic recall questions. It's what we know. And we have so much content to cover, many of us might feel that there really isn't time for the higher-level stuff anyway. If this sounds anything like you, I have a suggestion: Try a curation assignment."
John Evans

Driving Questions Part 1: Building Student Inquiry in Project Based Learning and STEM |... - 2 views

  •  
    "Welcome to this first post in a series that promotes student inquiry in PBL and STEM. This series is dedicated to helping educators create a student-centered Driving or Investigative Question… which is so important in STEM and PBL. You will discover multiple resources and ideas in this series, along with some great ideas for finding student success in student owned inquiry. In this first post, I would like to build the idea of what makes a Driving or Investigative Question important in student centered learning, and how it can uncover important standards. "
John Evans

Adventures in Library: Portable Green Screens in the Library - 2 views

  •  
    "Earlier in the school year my students created whole-class videos using our large green screen studio. While I assigned students a variety of tasks (director, camera operator, acting coach), my students spent the majority of their time on the carpet as an audience member. At the end of these units I wondered how we could increase student ownership of the production. Could I have my students create a green screen movie without having to play the audience member for large portions of the time? Could they be empowered to create a movie independently of the teacher? Could this be done by kindergartners and first graders? For most of the school year I struggled with these questions. That was until I met Brenda Windsor and Mary O'Neil of Trumbull, CT at the Fairfield University "Education Technology Collaboration Day" in March.  Brenda and Mary presented on how they have incorporated green screens in the classroom, and shared the idea of using a pizza box to make a miniature portable studio. Here is a link to the video they created.  From that moment, I was on a mission to have my K-2 students write, direct, film & star in their own collaborative group mini green screen movies. "
John Evans

Once Reviled in Education, Wikipedia Now Embraced By Many Professors | EdSurge News - 3 views

  •  
    "A decade ago professors complained of a growing "epidemic" in education: Wikipedia. Students were citing it in papers, while educators largely laughed it off as inaccurate and saw their students as lazy, or worse. As one writing instructor posted to an e-mail list in 2005: "Am I being a stick-in-the-mud for for being horrified by students' use of this source?" How things have changed. Today, a growing number of professors have embraced Wikipedia as a teaching tool. They're still not asking students to cite it as a source. Instead, they task students with writing Wikipedia entries for homework, exposing the classwork to a global audience (and giving students an outside edit by an army of Wikipedia volunteers). There's even a new peer-reviewed academic journal about using Wikipedia in higher education."
John Evans

Teach Students to Track How Many Words They Read Per Minute Using Voice Typing and Goog... - 3 views

  •  
    "As elementary students learn how to read, teachers administer reading fluency tests and listen to students read passages. During these reading fluency tests, teachers listen for speed, accuracy, and expression. Nothing can replace this formal assessment, but it's helpful to teach students to track their words per minute between these reading fluency assessments. Tracking their words per minute can help students to appreciate that the more they practice reading a passage, the more words they will be able to read in a minute. In a coaching session with a second-grade teacher, I suggested we try using Voice Typing in Google Documents to help students track how many words they read in a minute. I hoped that giving them the tools to track their words per minute might motivate them to stay focused on the task of reading a challenging passage."
John Evans

5 core computational thinking skills that strengthen humanities skills | eSchool News - 1 views

  •  
    "Anyone who says you can't apply computational thinking and digital learning strategies to strengthen students' writing skills is wrong. To the contrary, this innovative learning style helps students hone critical-thinking skills across every discipline. In my classroom, I teach students computational thinking through free materials from Ignite My Future in School, a partnership between Tata Consultancy Services and Discovery Education. I especially enjoy using their Curriculum Connectors, online resources for teachers across disciplines to help their students apply computational thinking techniques. The core tenets of computational thinking are the building blocks that help my students become better learners and problem-solvers across every area of their work-from all areas of reading and language arts. Here's how five core computational thinking approaches help my students build stronger critical thinking and writing skills:"
John Evans

Free Technology for Teachers: Rivet - A Reading App from Google - 0 views

  •  
    "Rivet is a reading app from Area 120 (a Google property). The free app offers more than 2,000 books for students to read independently. The books are appropriate for students in Kindergarten through second grade (5-8 years old). All of the books provide audio support to students in the form of an option to tap on a word and hear it read aloud. When students tap on a word they will hear it read aloud and can then read a definition of the word. Students also have the option to practice saying the word aloud. When students say a word aloud they get instant feedback on their pronunciation of that that word."
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 8 views

  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

Essential Skeleton - An Excellent iPad App for Students | iPad Apps for School - 3 views

  •  
    "Essential Skeleton is a free iPad app that students studying the human skeletal system should download. The app puts a 3D skeleton on your students' iPads. Students can zoom-in, zoom-out, and rotate the skeleton 360 degrees. When students zoom-in and tap on a bone they will see its name in English and Latin, have the option to hear an audio pronunciation of the bone's name, learn about the connected bones, and write their own notes about the highlighted bone."
John Evans

The Student Guide to iPads - It's Great for Teachers Too | iPad Apps for School - 12 views

  •  
    "As intuitive as the iPad's user interface is, there are still some occasions on which students and teachers might get stuck. That's when a free iBook like The Student Guide to iPads & iOS 6 is good to have. The Student Guide to iPads & iOS 6, written by Jac de Haan, covers all of the basics that students and teachers need to know in order to use their iPads in school. "
John Evans

The Student Guide to iPads - It's Great for Teachers Too | iPad Apps for School - 4 views

  •  
    "As intuitive as the iPad's user interface is, there are still some occasions on which students and teachers might get stuck. That's when a free iBook like The Student Guide to iPads & iOS 6 is good to have. The Student Guide to iPads & iOS 6, written by Jac de Haan, covers all of the basics that students and teachers need to know in order to use their iPads in school. "
John Evans

Learning To Read: Three Free apps that help new readers learn sounds and letters - 0 views

  •  
    "Learning to read can be difficult. And teaching a group of students to read and write can be a daunting task - especially taking into consideration that each student may learn differently, and at a very different pace. Some students may have trouble matching sounds with letters and words, some with writing mechanics, others may have trouble concentrating in a traditional classroom setting. Having a few extra tools in the arsenal to have students using either in class or out of class can help to bring everyone up to speed or help any student to get a bit ahead."
John Evans

5 iPad Apps to Help Students and Teachers Collaborate | Jonathan Wylie: Instructional T... - 1 views

  •  
    "There are not an abundance of apps for the iPad that really encourage a worthwhile level of collaboration between students or between students and teachers. There are several that would allow students to share an iPad and work on something together on one iPad, but what if you want students to be working on their own iPads at school, at home, or at a time of their choosing? The following 5 apps are designed for just that, and help take advantage of the iPad as a collaborative tool."
John Evans

27 Ways To Increase Student Engagement In Learning - 9 views

  •  
    "Historically, student engagement has been thought of in terms of students "paying attention": raising hands, asking questions, and making eye contact. Of course, we know now that learning can benefit from learner self-direction and self-initiated transfer of thinking as much as it does simple "engagement" and participation. That being said, increasing engagement and sheer participation is not a wrong-headed pursuit in and of itself, and in pursuit of that is the following infographic from Mia MacMeekin: 27 ways to increase student engagement. 27 Ways To Increase Student Engagement In Learning"
John Evans

Broadcast students' learning live using Spreaker DJ. | Smarter Learning - 0 views

  •  
    "Spreaker DJ app is available for iPad, iPhone or Android devices and also available at www.spreaker.com . Spreaker transforms your device into a full-featured radio station, allowing you to mix your voice with your music library and a range of sound effects. Broadcast your lessons live or have students broadcast their learning by running their own radio station during the lessons. Students can create podcasts that could be listen to after the lesson as a form of revision or to review their learning. Students and teachers can easily share their shows via twitter, Facebook or email. Another excellent feature is the ability to chat to the DJs during the show and could be used as an excellent way to increase the interaction between students all over the world."
John Evans

Nineteen Ways for Students to Prepare for Flipped Classrooms - Flipped Learning Global ... - 2 views

  •  
    "In a flipped classroom, students typically interact with a short micro-video (flipped video) before class and then class time is transformed into an active place of engagement and learning. Some teachers think that students take to flipped learning quickly. However, since many students have been trained in how to learn passively, they need to have explicit instructions on how to learn differently in a flipped classroom. Below is a series of suggestions teachers may find helpful to hand out to students to prepare them for a flipped classroom."
John Evans

How to launch student innovation projects | - 2 views

  •  
    "Nicholas Provenzano puts the 'A' in STEAM education. As a high school English teacher who actively seeks new ways to enhance learning, he is often at the leading edge of trends in education and technology - from going paperless in the classroom, to creating a makerspace in the school library, to teaching STEAM skills through project-based learning. For his TED-Ed Innovation Project, Provenzano launched student innovation projects - in which students were given the opportunity to choose an interesting problem and solve it in an innovative way. The projects were then shared in the school's first ever STEAM competition. Here is Provenzano's recap of what worked best for his students - and how you can launch student innovation projects in your school:"
John Evans

4 Practices for Increasing Student Engagement | Edutopia - 0 views

  •  
    "Student engagement can be tough all year, but spring fever makes it a bit worse as the weather gets warmer and students' minds wander. After 15 years of teaching, I've learned that a teacher cannot rely on any single solution to keep kids focused on learning. There are so many different ways to get students' attention because there are so many different types of students. However, here are a few ways that have really made a difference in my classes."
John Evans

The iPad and Student Use « syded - 0 views

  •  
    "Students aren't daunted by the iPad interface. They may take time to experiment and understand steps required to produce an outcome, but they will persevere. Having observed students at different stages of learning, across many subjects, it has become clear that students aren't a barrier to learning with the iPad. If a process doesn't work for a student they will try something different. They collaborate with peers to produce quality work and will heed advice to move forward."
« First ‹ Previous 81 - 100 of 6183 Next › Last »
Showing 20 items per page