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Phil Taylor

Newseum | Today's Front Pages | Map View - 5 views

www.newseum.org/...flash

shared by Phil Taylor on 18 Feb 10 - Cached
  • Phil Taylor on 18 Feb 10
     
    "The Newseum displays these daily newspaper front pages in their original, unedited form. Some front pages may contain material that is objectionable to some visitors. Viewer discretion is advised."
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 7 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Best Practice Fair Use literacy CC copyright guide guidelines

shared by Clint Hamada on 07 Apr 10 - Cached
  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

Best Free iPad App of the Week: The Daily's Pro Football Guide 2011 - iPad Insight - 2 views

ipadinsight.com/...dailys-pro-football-guide-2011

iPad free app daily pro football guide insight math

shared by John Evans on 18 Sep 11 - No Cached
  • John Evans on 18 Sep 11
     
    "This week's pick is one for the NFL fans - The Daily's Pro Football Guide 2011. As the name just might suggest, it's from The Daily, the first ever iPad-only newspaper."
John Evans

NPR for Audio Informational Text | Class Tech Tips - 1 views

classtechtips.com/...r-for-audio-informational-text

npr audio text class tech tech tips

shared by John Evans on 14 Nov 14 - No Cached
  • John Evans on 14 Nov 14
     
    "There are lots of great apps for gathering information about current events and finding stories that are of high interest to your students.  NPR has an easy to navigate website and high quality iPad app that makes it easy to find articles and interviews.  In addition to accessing print content that you might find in other newspapers"
John Evans

Apple and accessibility: Helping students with dyslexia | iMore - 1 views

www.imore.com/hat-it-means-students-dyslexia

apple accessibility helping students dyslexia

shared by John Evans on 11 Aug 14 - No Cached
  • John Evans on 11 Aug 14
     
    "Can you imagine not being able to read printed words? What would your life be like if books, newspapers, websites, email, and even signs were all virtually incomprehensible to you? How would you get through the day? For up to one in five people like me with dyslexia these are not hypothetical questions, they are our reality. Yet, thanks to accessibility technologies built into Apple's iPhone, iPad, and Mac, it's a reality that can be challenged. Dyslexia makes reading a simple paragraph, let alone textbooks, a tedious and frustrating process. Spelling and written expression can also be very difficult. ( (Despite this, dyslexia does not impact intellectual ability. It doesn't cause people to read backwards or see words upside down. It does, however, make figuring out what sounds go with which letters difficult. Deciphering unfamiliar words on a page can be extremely difficult, if not impossible. ((So what do people who have dyslexia do when they encounter printed text? Some simply avoid it or give up. Others find methods to help them succeed."
John Evans

How do you keep up? Part 2: Scoop.it (and other newsy tools) for current awareness. - @... - 0 views

blogs.slj.com/...scoop-it-for-current-awareness

keeping up news sources joycevalenza

shared by John Evans on 06 Aug 14 - No Cached
  • John Evans on 06 Aug 14
     
    "In my last post I shared how presentation platforms/communities contribute to my professional learning, sharing, and growth. Search the Scoop.it community Also in my arsenal are tools that, in the old days, we would have called current awareness services. These curation tools allow you to follow others who share your interests and to push newsfeeds to your inbox after setting up a variety of search/interest parameters. Some push automatically; some allow you to hand-pick and annotate specific items from those feeds. Most also allow you to curate discoveries made on the fly through the use of a handy browser bookmarklet to facilitate clipping, scooping, pinning, bookmarking, etc. when you are not actually on the platform. These curated newspaper/magazine communities allow members to follow other members to facilitate discovery.  Again, it's all about the network.  Your discoveries will be as powerful and the people and organizations you chose to search and follow."
David McGavock

About this Blog « Media! Tech! Parenting! - 0 views

mediatechparenting.net/about

blog media tech parenting howto education technology literacy digitalcitizenship

shared by David McGavock on 28 May 12 - No Cached
  • David McGavock on 28 May 12
     
    If you are a parent, teacher, or other adult working with children, this blog aims to help you learn, as much as possible, about helping digital kids grow into thoughtful, collaborative, and savvy digital citizens. The blog's mission is to provide context for adults - defining and clarifying digital world issues, 21st Century learning challenges, and those virtual environments and devices that children take for granted. It's not really about technology anymore. Instead it's about lifelong learning, collaboration, problem solving, and flexibility. Media! Tech! Parenting! examines or reviews three or four items of digital news and information each week, surveying newspapers, blogs, research, and magazines, as well as the media, safety, and educational websites. Blog posts, as often as possible, provide links pointing readers toward the sites or publications covered in blog posts. I am Marti Weston, the principal blogger on Media!Tech!Parenting! In my professional life I focus on learning in a K-12 environment along with all the digital world issues that challenge teachers, students, and parents. With more than 30 years of teaching experience I also support parents by teaching three-five digital education classes, leading question and answer sessions, and maintaining current resources on the school's website. My professional work centers on four areas: Coaching teachers and helping them develop learning environments that are rich with 21st Century collaboration and problem solving. Helping students learn to use digital tools appropriately, understand their digital dossiers, and move - carefully - along the digital citizenship highway. Providing teachers, students and their parents added context that helps them evaluate media and learn more about how media affect their world, Offering parents information about the always changing, fast-paced virtual world and suggesting effective parenting skills and strategies that will help children grow into stro
John Evans

How to balance work with family life: a teacher's survival guide | Teacher Network | Th... - 1 views

www.theguardian.com/...balance-teacher-survival-guide

how to balance work family life teacher survival wellness guide the guardian

shared by John Evans on 26 Mar 15 - No Cached
  • John Evans on 26 Mar 15
     
    "Open any newspaper or turn on any TV and the chances are you will see a negative report on the state of teaching. From heavy workloads to rising stress levels, times are tough. But there's lots to feel positive about too: I love my job. And despite the fact my life should be a recipe for disaster - I have two young children and a husband who is training to be a teacher - it's actually not. I've worked hard to find some sort of work-life balance. It's not been easy and I don't always get things right. "
John Evans

The 3-Step Brainstorming Process 'The Onion' Uses to Come Up With So Many Hilarious Ide... - 1 views

www.inc.com/...art-brainstorming-process.html

brainstorming process onion ideas

shared by John Evans on 23 Apr 19 - No Cached
  • John Evans on 23 Apr 19
     
    "Since its humble beginnings as a crank newspaper put out by college students in 1988, satirical news source The Onion has been cracking Americans up with headlines like "Kitten Thinks of Nothing but Murder All Day" and "Black Man Given Nation's Worst Job" (to mark the inauguration of President Obama). How has it managed to come up with so many hilarious headlines for so many years? According to fascinating recent TED Ideas post by ex-Onion staffer Brian Janosch, the answer is a really, really good brainstorming technique -- one you can totally steal."
John Evans

Snapchat, Instagram, YouTube, Oh My! 4 Tools for Picting in the Classroom | EdSurge News - 1 views

www.edsurge.com/...s-for-picting-in-the-classroom

tools apps resources picting pictures classroom

shared by John Evans on 14 Nov 17 - No Cached
  • John Evans on 14 Nov 17
     
    "We've all heard it before: "A picture is worth a thousand words." That famous idiom (or is it a cliche?) first appeared in a 1911 newspaper and has been widely used since. In today's society, however, the phrase has taken on a whole new meaning. Using images instead of text to convey ideas-known as "picting"-is becoming the norm among today's digital-first students."
John Evans

Teaching Learners Digital Content Creation Skills - The Tech Edvocate - 2 views

www.thetechedvocate.org/igital-content-creation-skills

education technology content curation

shared by John Evans on 20 May 22 - No Cached
  • John Evans on 20 May 22
     
    "Content curation is nothing new and has always been a coveted skill. It has been this way for hundreds of years - think of art galleries, museums, or newspapers.  Educators, too, have always been curators- bringing together the most valuable materials to help their learners learn. However, in the past, this might have been limited to books, posters, concrete materials, guest speakers, etc. However, as of now, we are in a world of information overload. So, to help you hone your digital content curation skills, we decided to list some tips."
John Evans

Maintaining your ipad - The Punch - Nigeria's Most Widely Read Newspaper - 1 views

www.punchng.com/...maintaining-your-ipad

maintaining ipad

shared by John Evans on 29 Mar 13 - No Cached
  • John Evans on 29 Mar 13
     
    "The new iPad 4 / iPad 3 boasts a built-in, 42,5-watt-hour rechargeable, lithium-polymer battery sealed up in an aluminum-and-glass shell, hard to open for customers, while iPad mini / iPad 2 / iPad is less avid for power and content itself with the battery of 25 Wh. Apple claims that a properly maintained iPad battery is designed to retain up to 80 per cent of its original capacity at 1000 full charge and discharge cycles. So, the question is how to treat iPad battery to extend its life? Following are a few simple iPad tips, first five are the most important:"
John Evans

Best iPad Apps of 2012 | iPad Insight - 4 views

ipadinsight.com/...best-ipad-apps-of-2012

apps 2012 ipad bestof

shared by John Evans on 25 Dec 12 - No Cached
  • John Evans on 25 Dec 12
     
    "2012 has been another banner year for the iPad App Store. There are now more than 328,000 apps designed specifically for iPad available (as at 12/21/12) - very close to double the number that there were at this time last year. There are iPad apps for just about any use that can be imagined for them - from excellent business and productivity apps to iPad editions of leading newspapers and magazines, to amazingly capable apps for enhancing our photos and videos, to stellar apps for education and of course plenty of entertainment apps and great iPad games. "
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