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John Evans

A Great Tool to Help Students Appropriately Attribute Flickr Images ~ Educational Techn... - 0 views

www.educatorstechnology.com/...eat-tool-to-help-students.html

flickr cc attribution flickrcc

shared by John Evans on 13 Apr 14 - No Cached
Ali Rizvi liked it
  • John Evans on 13 Apr 14
     
    "Flickr CC Attribution Helper is a great tool that students can use to accurately format the attribution of Creative Commons Licensed images found on Flickr. With this handy app installed on their bookmarks bar, students will be able to properly attribute Flickr creative commons photos with a single cut and paste. Another good thing about Flickr CC Attribution Helper is that it shows users whether a picture is licensed under a Creative Commons or not."
John Evans

Molly Kleinman » Blog Archive » CC HowTo #1: How to Attribute a Creative Comm... - 0 views

mollykleinman.com/...creative-commons-licensed-work

copyright creativecommons kleinman cc MY SY

shared by John Evans on 27 Jan 09 - Cached
  • Here are a few examples: An Ideal Attribution This video features the song “Play Your Part (Pt.1)” by Girl Talk, available under a Creative Commons Attribution-Noncommercial license. © 2008, Greg Gillis. A Realistic Attribution Photo by mollyali, available under a Creative Commons Attribution-Noncommercial license. A Derivative Work Attribution This is a video adaptation of the novel Down and Out in the Magic Kingdom by Cory Doctorow, available under a Creative Commons Attribution-Noncommercial-Share Alike license. Copyright © 2003 Cory Doctorow.
John Evans

Practical Ed Tech Tip of the Week - Image Attribution Helper | Practical Ed Tech - 0 views

practicaledtech.com/...-week-image-attribution-helper

ed tech tech image attribution helper

shared by John Evans on 12 May 14 - No Cached
  • John Evans on 12 May 14
     
    "When I don't have an image of my own to use and cannot find a public domain image to use in a presentation I turn to searching for Creative Commons-licensed images on Flickr. Alan Levine developed a browser bookmarklet that helps me quickly formatting Creative Commons licensed images found on Flickr. To use the Flickr CC Attribution Helper drag the bookmarklet to your browser's bookmarks bar. (If you're using Chrome, you may have to go into the settings and select "always show bookmarks bar" before dragging the bookmarklet into your browser). Then whenever you're viewing an image on Flickr you can click the bookmarklet to get a pop-up window (make sure your browser allows pop-ups) containing the properly formatting attribution information. "
John Evans

How to Search and Attribute Open Source Images the Right Way - 1 views

globaldigitalcitizen.org/h-attribute-open-source-images

how to search open source source images

shared by John Evans on 26 Aug 16 - No Cached
  • John Evans on 26 Aug 16
     
    "You'll find plenty of open source images if you know where to look. If you're a content creator, you already know that high-quality images make posts more enticing to readers. The Internet is chock-full of digital images, but which ones are free to use? You can start with looking at the 15 Best Sites for Open Source Images. Finding them is only the first step. You also need to know how to properly attribute them, and give credit to the image's copyright holder. Let's take a look at some of the best places to find open source images, and how to attribute them appropriately."
John Evans

OpenAttribute - 3 views

openattribute.com/first-run-firefox

openattribute firefox chrome addon creativecommons attribution

shared by John Evans on 28 Feb 11 - No Cached
  • John Evans on 28 Feb 11
     
    Once you've installed the Open Attribute add on, which makes it ridiculously simple to copy and paste a properly formatted attribution for Creative Commons licensed work on the web.
Cally Black

ImageCodr: Easy Attribution for Flickr CC Photos | Bright Ideas - 0 views

slav.global2.vic.edu.au/...tribution-for-flickr-cc-photos

creative commons flickr photos attribution

shared by Cally Black on 01 Nov 12 - No Cached
  • Cally Black on 01 Nov 12
     
    "Correctly citing an image with a Creative Commons licence can be a tricky task for both educators and their students. ImageCodr is a website that aims to help by providing a generator that will construct attributions for Flickr Creative Commons photos that can be embedded into blogs and websites."
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 7 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Best Practice Fair Use literacy CC copyright guide guidelines

shared by Clint Hamada on 07 Apr 10 - Cached
  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

Making GREAT Makerspaces - Worlds of Learning - 5 views

worlds-of-learning.com/...making-great-makerspaces

maker education makerspaces makered making worlds learning

shared by John Evans on 12 Feb 17 - No Cached
  • John Evans on 12 Feb 17
     
    "My work with schools across the Nation on planning and creating makerspaces has proven to me that while anyone can create a makerspace, there are distinct differences between makerspaces and GREAT makerspaces.  GREAT makerspaces are unique to your school community, vibrant for now, and sustainable into the future. Recently on Instagram, I had a series of 7 posts in which I highlighted what I feel are the 7 attributes of a GREAT makerspace.  These attributes are meant to serve as a guide for school districts and educators as they plan makerspaces for their school communities. They are as follows:"
John Evans

Where Edtech Can Help: 10 Most Powerful Uses of Technology for Learning - InformED : - 2 views

www.opencolleges.edu.au/...ses-of-technology-for-learning

edtech learning uses technology

shared by John Evans on 02 Mar 15 - No Cached
  • John Evans on 02 Mar 15
     
    "Regardless of whether you think every infant needs an iPad, I think we can all agree that technology has changed education for the better. Today's learners now enjoy easier, more efficient access to information; opportunities for extended and mobile learning; the ability to give and receive immediate feedback; and greater motivation to learn and engage. We now have programs and platforms that can transform learners into globally active citizens, opening up countless avenues for communication and impact. Thousands of educational apps have been designed to enhance interest and participation. Course management systems and learning analytics have streamlined the education process and allowed for quality online delivery. But if we had to pick the top ten, most influential ways technology has transformed education, what would the list look like? The following things have been identified by educational researchers and teachers alike as the most powerful uses of technology for learning. Take a look. 1. Critical Thinking In Meaningful Learning With Technology, David H. Jonassen and his co-authors argue that students do not learn from teachers or from technologies. Rather, students learn from thinking-thinking about what they are doing or what they did, thinking about what they believe, thinking about what others have done and believe, thinking about the thinking processes they use-just thinking and reasoning. Thinking mediates learning. Learning results from thinking. So what kinds of thinking are fostered when learning with technologies? Analogical If you distill cognitive psychology into a single principle, it would be to use analogies to convey and understand new ideas. That is, understanding a new idea is best accomplished by comparing and contrasting it to an idea that is already understood. In an analogy, the properties or attributes of one idea (the analogue) are mapped or transferred to another (the source or target). Single analogies are also known as sy
John Evans

Public Domain & Creative Commons Content - Finding Public Domain & Creative Commons Ima... - 3 views

guides.library.harvard.edu/finding_images

creative commons public domain copyright publicdomain image attribution harvard law school

shared by John Evans on 27 May 14 - No Cached
  • John Evans on 27 May 14
     
    "This guide will help you find and correctly attribute public domain and Creative Commons images for your project or presentation."
John Evans

These Are The 16 Attributes of The Modern Educator ~ Educational Technology and Mobile ... - 1 views

www.educatorstechnology.com/...butes-of-modern-educators.html

modern educator attributes infographic

shared by John Evans on 31 Dec 14 - No Cached
  • John Evans on 31 Dec 14
     
    "As teachers and educators, we are constantly required to review, evaluate and renew our teaching strategies to align them with  the cultural, technological and pedagogical ethos of the era we are living in. In today's era, the digital component is at the foreground which obviously calls for a new mindset, a novel conceptual framework that views technology not as an end itself but solely a mean to an educational end. It is a truism that digitally has opened a new horizon of unprecedented learning opportunities and experiences  but we can only tap into its full educational potential when we equip ourselves with the proper mindset: a growth and open mindset that as much as it adapts it also disrupts the century-old orthodoxies underlying teaching and learning practice. Teaching is a dynamic concept which is constantly evolving and expanding and that is why teachers and educators are forever learners. Engaging in such a life-long learning journey entails that teachers develop a set of robust thinking habits that allow them to fit in the rapidly evolving educational landscape.These habits are, according to Reid Wilson, what make the profile of a modern educator. Below is an awesome visual created by Wilson featuring some of the characteristics of a modern teacher which I want to bring to your attention. Have a look and share with us what you think of it. Enjoy"
John Evans

Warning! Plagiarism Is On The Rise! - 4 views

www.avatargeneration.com/...ning-plagiarism-is-on-the-rise

plagiarism warning infographic

shared by John Evans on 16 Dec 12 - No Cached
  • John Evans on 16 Dec 12
     
    "EasyBib, an information literacy platform that provides citation, note taking, and research tools have created this helpful infographic on plagiarism. "Plagiarism, source attribution and critical thinking are among some of the real problems that our educators and students face. We put together this infographic to shed light on the matter, to underscore why librarians are needed more than ever, and to show what EasyBib is doing about it.""
John Evans

5 Reasons The iPad Will Stay The King of the Classroom - Edudemic - 0 views

edudemic.com/...ipad-king-of-classroom

ipad ipaded classroom

shared by John Evans on 03 Jan 13 - No Cached
  • John Evans on 03 Jan 13
     
    "The biggest and most oft-heard criticism of the iPad usually revolves around it not behaving like a desktop PC or laptop. The people making this complaint are simply missing the point. Apple aren't trying to make a laptop replacement, why would they? They make a couple of extremely good ones! The iPad is a new kind of device that asks you to think and work differently. The fact that it isn't a laptop, to me, is its greatest attribute:"
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