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Luke Fellows

Poetry Out Loud | OER Commons - 3 views

    • Luke Fellows
       
      Could possibly use these to place actor in position of character: "How would you say this poem if you felt...bullied, pressured, etc."
    • Luke Fellows
       
      Add questions for character analysis: "What do you think the character was thinking when they spoke the poem?" "What do you imagine when you hear it?"
    • alexandra m. pickett
       
      nice!
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    For "Voice" module
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    I really like this one these are very famous people. How will you use these videos in your online course?
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    Diana, In my voice module I use a poem as a way to have students show vocal expression. thought these might work as good examples.
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    Luke Great site, I got chills listening to Emily Dickenson. Thanks for finding this. Excellent learning tool for your class. I hope you get to use it.
ian august

You Media-poetry contest - 0 views

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    teen in the you media, digital media project in chicago reads a poem he wrote about the poor state of the education system as he sees it in chicago
Lisa Martin

10 uses for Voki - 0 views

  • 3. For shy students use to read haiku's or other poetry aloud - or really any (short) writing
    • Lisa Martin
       
      Not sure how I feel about not encouraging shy students to speak.
  • My ELL students can use it to help them with pronunciation of vocabulary
    • Lisa Martin
       
      I like the idea of ELL students being able to independently work on pronunciation in an interactive way.
  • After biography unit, have them create a character that tells facts about their researched person
    • Lisa Martin
       
      Having to create a character about someone they have learned about would be a good way for them to really think about who that person was and explain that in a short amount of time, focusing on only important information. What a fun way for students to learn from each other!
Tina Bianchi

Words & Place - 3 views

    • Tina Bianchi
       
      Provides a glimpse into Southwestern Native American culture
    • alexandra m. pickett
       
      How will you use this resource in your course, tina?
    • Tina Bianchi
       
      Right now I see it as a supplemental resource for getting a glimpse into the very important aspect of Native culture which is oral storytelling. Somewhere along the way we'll look at oral tradition and I imagine there may be at least one student who will pursue the topic in their research.
  • The speakers also talk about the relation of their oral tradition to their native communities. Five programs are recorded in native Indian languages with English subtitles so that students have an opportunity to experience the beauty and complexity of these languages.
    • Tina Bianchi
       
      Students who choose some aspect of Native American culture (oral traditions of storytelling, for example) could benefit from seeing/hearing songs and stories relayed in native language
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  • Andrew Natonabah Through a unique blend of imagery and sound, this website captures the complex oral traditions of Native American communities in the American Southwest. Songs are sung and stories told within the landscapes which inspired them.
Heather Kurto

The Myth of Learning Styles - 0 views

  • . While many of those scientists seek to discover general principles of learning, we all acknowledge that there are differences among students. Understanding these differences and applying that understanding in the classroom can improve everyone's education
  • First, whether we call it talent, ability, or intelligence, people vary in their capacity to learn different areas of content
  • Second, and often intertwined with ability, students differ in their interests. If a student loves the piano, or basketball, or chess, or the biology of frogs, that student will no doubt learn material related to that subject faster than another one who does not share that fascination.
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  • Third, students differ in their background knowledge, and that difference influences their learning
  • Many students will report preferring to study visually and others through an auditory channel. However, when these tendencies are put to the test under controlled conditions, they make no difference—learning is equivalent whether students learn in the preferred mode or not
  • The emphasis on learning styles, we think, often comes at the cost of attention to these other important dimension
  • just as our social selves have personalities, so do our memories.
  • Finally, some students have specific learning disabilities, and these affect their learning in specific ways.
  • The proof that the learning-styles theorist must find is that for some sort of content—whether it be math, poetry, or dodgeball—changing the mode of presentation to match the learning styles helps people learn. That evidence has simply not been found.
  • While such evidence of learning styles would serve as a proof that they exist, the lack of evidence does not prove definitively that they do not exist
  • Teachers should take into account the differences in learners' abilities. And adjusting a lesson not just to be appropriately pitched at the students' level of ability but to take into account their background knowledge and interests is surely an important first step in fostering learning.
  • if a student believes she is a visual learner and therefore disengages and daydreams when a lecturer turns off the PowerPoint and tells a story, this will prevent her from learning the concept through a compelling narrative. And while these beliefs may not have as direct an impact on performance reviews as they do in K-12 settings, a belief in learning styles occasionally shows up in student evaluations of teaching:
  • (can the auditory learner learn geography through hearing it? Can the visual learner become better at music by seeing it?)
  • Third, learning-styles theory has succeeded in becoming “common knowledge.” Its widespread acceptance serves as an unfortunately compelling reason to believe it
  • econd, learning-styles theory is sometimes offered as a reason to include digital media in the classroom.
  • . We shouldn't congratulate ourselves for showing a video to engage the visual learners or offering podcasts to the auditory learners. Rather, we should realize that the value of the video or audio will be determined by how it suits the content that we are asking students to learn and the background knowledge, interests, and abilities that they bring to i
  • Assessment of student interest can also be a useful tool for deciding how to approach the material in a given class
  • Students differ in their abilities, interests, and background knowledge, but not in their learning styles. Students may have preferences about how to learn, but no evidence suggests that catering to those preferences will lead to better learning. As college educators, we should apply this to the classroom by continuing to present information in the most appropriate manner for our content and for the level of prior knowledge, ability, and interests of that particular set of students.
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    Great article for all teachers. Thank you!
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