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Weiye Loh

Skepticblog » Why are textbooks so expensive? - 0 views

  • In some cases, the costs are driven up because the market has gotten highly competitive with more and expensive features, like pricey full color throughout, and lots of ancillaries (website for the book, CD-ROM of Powerpoints or images, study guide for students, instructor’s guide, test banks, and many other extras). In the high-volume markets, like the introductory courses taken by hundreds of non-majors, these silly extras seem to make a big difference in enticing faculty to change their preferences and adopt a different book, so publishers must pull out all the stops on these expensive frills or lose in a highly competitive market. And, like any other market, the cost per unit is a function of how many you sell. In the huge introductory markets, there are tens of thousands of copies sold, and they can afford to keep their prices competitive but still must add every possible bell and whistle to lure instructors to adopt them. But in the upper-level undergraduate or the graduate courses, where there may only be a few hundred or a few thousand copies sold each year, they cannot afford expensive color, and each copy must be priced to match the anticipated sales. Low volume = higher individual cost per unit. It’s simple economics.
  • the real culprit is something most students don’t suspect: used book recyclers, and students’ own preferences for used books that are cheaper and already marked with someone else’s highlighter marker!
  • As an author, I’ve seen how the sales histories of textbooks work. Typically they have a big spike of sales for the first 1-2 years after they are introduced, and that’s when most the new copies are sold and most of the publisher’s money is made. But by year 3  (and sometimes sooner), the sales plunge and within another year or two, the sales are miniscule. The publishers have only a few options in a situation like this. One option: they can price the book so that the first two years’ worth of sales will pay their costs back before the used copies wipe out their market, which is the major reason new copies cost so much. Another option (especially with high-volume introductory textbooks) is to revise it within 2-3 years after the previous edition, so the new edition will drive all the used copies off the shelves for another two years or so. This is also a common strategy. For my most popular books, the publisher expected me to be working on a new edition almost as soon as the previous edition came out, and 2-3 years later, the new edition (with a distinctive new cover, and sometimes with significant new content as well) starts the sales curve cycle all over again. One of my books is in its eighth edition, but there are introductory textbooks that are in the 15th or 20th edition.
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  • For over 20 years now, I’ve heard all sorts of prophets saying that paper textbooks are dead, and predicting that all textbooks would be electronic within a few years. Year after year, I  hear this prediction—and paper textbooks continue to sell just fine, thank you.  Certainly, electronic editions of mass market best-sellers, novels and mysteries (usually cheaply produced with few illustrations) seem to do fine as Kindle editions or eBooks, and that market is well established. But electronic textbooks have never taken off, at least in science textbooks, despite numerous attempts to make them work. Watching students study, I have a few thoughts as to why this is: Students seem to feel that they haven’t “studied” unless they’ve covered their textbook with yellow highlighter markings. Although there are electronic equivalents of the highlighter marker pen, most of today’s students seem to prefer physically marking on a real paper book. Textbooks (especially science books) are heavy with color photographs and other images that don’t often look good on a tiny screen, don’t print out on ordinary paper well, but raise the price of the book. Even an eBook is going to be a lot more expensive with lots of images compared to a mass-market book with no art whatsoever. I’ve watched my students study, and they like the flexibility of being able to use their book just about anywhere—in bright light outdoors away from a power supply especially. Although eBooks are getting better, most still have screens that are hard to read in bright light, and eventually their battery will run out, whether you’re near a power supply or not. Finally, if  you drop your eBook or get it wet, you have a disaster. A textbook won’t even be dented by hard usage, and unless it’s totally soaked and cannot be dried, it does a lot better when wet than any electronic book.
  • A recent study found that digital textbooks were no panacea after all. Only one-third of the students said they were comfortable reading e-textbooks, and three-fourths preferred a paper textbook to an e-textbook if the costs were equal. And the costs have hidden jokers in the deck: e-textbooks may seem cheaper, but they tend to have built-in expiration dates and cannot be resold, so they may be priced below paper textbooks but end up costing about the same. E-textbooks are not that much cheaper for publishers, either, since the writing, editing, art manuscript, promotion, etc., all cost the publisher the same whether the final book is in paper or electronic. The only cost difference is printing and binding and shipping and storage vs. creating the electronic version.
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    But in the 1980s and 1990s, the market changed drastically with the expansion of used book recyclers. They set up shop at the bookstore door near the end of the semester and bought students' new copies for pennies on the dollar. They would show up in my office uninvited and ask if I want to sell any of the free adopter's copies that I get from publishers trying to entice me. If you walk through any campus bookstore, nearly all the new copies have been replaced by used copies, usually very tattered and with broken spines. The students naturally gravitate to the cheaper used books (and some prefer them because they like it if a previous owner has highlighted the important stuff). In many bookstores, there are no new copies at all, or just a few that go unsold. What these bargain hunters don't realize is that every used copy purchased means a new copy unsold. Used copies pay nothing to the publisher (or the author, either), so to recoup their costs, publishers must price their new copies to offset the loss of sales by used copies. And so the vicious circle begins-publisher raises the price on the book again, more students buy used copies, so a new copy keeps climbing in price.
Weiye Loh

The Icelandic publisher that only prints books during a full moon - then burns them | B... - 0 views

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    For Tunglið, how you publish is as important as what you publish. Named after the Icelandic word for the moon, the tiny publisher prints its books in batches of 69 on the night of a full moon. So far, so weird. But keen readers must also buy their books that same night, as the publisher burns all unsold copies. Weirder still. Why? While most books can survive centuries or even millennia, Tunglið - as its two employees tell me - "uses all the energy of publishing to fully charge a few hours instead of spreading it out over centuries … For one glorious evening, the book and its author are fully alive. And then, the morning after, everyone can get on with their lives."
Derrick Clements

Audio Book Sales Climb In Spite Of Competition : NPR - 0 views

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    I thought of us when I heard this on NPR - it's a great discussion about the value of audio book among book formats, and it raises interesting points about varying level of production quality among audio books. Did you know there's an Audio Publishing Association?  That gives out Audie Awards, the Oscar-equivalent for audio books?  Cool stuff.
Rachael Schiel

Online Book Clubs and web-based Book Discussion - 0 views

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    General ideas and links for people interested in online book discussion. Isn't the idea of a book club, though, to get people to meet each other, not just discuss literature? If you've only met someone digitally, is it really possible to consider their literature biases and personal interpretation of the books you are reading?
Weiye Loh

Battle of the Book | Conservation Magazine - 1 views

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    So, how many volumes do you need to read on your e-reader to break even? With respect to fossil fuels, water use, and mineral consumption, the impact of one e-reader payback equals roughly 40 to 50 books. When it comes to global warming, though, it's 100 books; with human health consequences, it's somewhere in between. All in all, the most ecologically virtuous way to read a book starts by walking to your local library. ♣
Neal C

Want Smart Kids? Here's What to Do - Percolator - The Chronicle of Higher Education - 0 views

shared by Neal C on 28 May 10 - Cached
  • Thus it seems that scholarly culture, and the taste for books that it brings, flows from generation to generation largely of its own accord, little affected by education, occupational status, or other aspects of class
    • Neal C
       
      Books matter...physical, tangible things
  • I wonder what e-book readers like the Kindle will mean to these statistics. On the plus side, a lot of e-books are free and those that aren't are often discounted, so a family with a Kindle might be able to afford more books (assuming they can pony up for the device). But the books aren't as easy to share and you probably don't want your 5-year-old dribbling juice onto your fancy expensive gadget.
    • Neal C
       
      Does online competency indicate to children the same priority on education or scholarship?
  • Want Smart Kids? Here's What to Do Buy a lot of books.
    • Neal C
       
      Want smart kids? Get books, not the internet (at least until someone does a similar study on the internet).
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  • onducted over 20 years, in 27 countries, and surveyed more than 70,000 people. Resea
Weiye Loh

Book Lovers Fear Dim Future for Notes in the Margins - NYTimes.com - 1 views

  • Marginalia was more common in the 1800s. Samuel Taylor Coleridge was a prolific margin writer, as were William Blake and Charles Darwin. In the 20th century it mostly came to be regarded like graffiti: something polite and respectful people did not do. Paul F. Gehl, a curator at the Newberry, blamed generations of librarians and teachers for “inflicting us with the idea” that writing in books makes them “spoiled or damaged.”
  • Studs Terkel, the oral historian, was known to admonish friends who would read his books but leave them free of markings. He told them that reading a book should not be a passive exercise, but rather a raucous conversation.
  • marginalia enriched a book, as readers infer other meanings, and lends it historical context. “The digital revolution is a good thing for the physical object,” he said. As more people see historical artifacts in electronic form, “the more they’re going to want to encounter the real object.”
Gideon Burton

Indie - About | Kirkus Book Reviews - 0 views

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    Now self-published authors can get their books reviewed through Kirkus (for $425). This could certainly help give legitimacy to self-published works. I would worry about how they select reviewers for the book, and it would be curious to see reactions from those who have used the service.
Aly Rutter

Welcome to World Book Night - 1 views

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    This is the coolest idea! This group in the UK gave away 1 million books (25 titles) in March and these books are traveling the world.
Weiye Loh

Victorian Literature, Statistically Analyzed With New Process - NYTimes.com - 0 views

  • The titles of every British book published in English in and around the 19th century — 1,681,161, to be exact — are being electronically scoured for key words and phrases that might offer fresh insight into the minds of the Victorians.
  • This research, which has only recently become possible, thanks to a new generation of powerful digital tools and databases, represents one of the many ways that technology is transforming the study of literature, philosophy and other humanistic fields that haven’t necessarily embraced large-scale quantitative analysis.
  • There is also anxiety, however, about the potential of electronic tools to reduce literature and history to a series of numbers, squeezing out important subjects that cannot be easily quantified.
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  • Some scholars are wary of the control an enterprise like Google can exert over digital information. Google’s plan to create a voluminous online library and store has raised alarms about a potential monopoly over digital books and the hefty pricing that might follow. But Jon Orwant, the engineering manager for Google Books, Magazines and Patents, said the plan was to make collections and searching tools available to libraries and scholars free. “That’s something we absolutely will do, and no, it’s not going to cost anything,” he said.
  • Mr. Houghton sought to capture what he called a “general sense” of how middle- and upper-class Victorians thought, partly by closely reading scores of texts written during the era and methodically counting how many times certain words appeared. The increasing use of “hope,” “light” and “sunlight,” for instance, was interpreted as a sign of the Victorians’ increasing optimism.
Bri Zabriskie

The Adventures of Huckleberry Finn by Mark Twain - Books2Barcodes - 0 views

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    Probably the most interesting/ unique thing I've seen done with huck Finn so far is to turn the entire book into barcodes... Why? Who knows. But it is pretty cool, you gotta admit. 
Weiye Loh

Internet Archive starts backing up digital books on paper - 3 views

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    this is interesting but how do they KNOW what the "original copy" is. and I just submitted a random homework assignment as a "book" to IA as a test to see if we could upload a copy of our ebook that we wrote as a class for ENGL 295. Are they just going to store those "books" people randomly upload as well? Who determines what goes in the hardcopy archive?
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    That is sounds like it could be the headline for The Onion!
Weiye Loh

The Mechanic Muse - What Is Distant Reading? - NYTimes.com - 1 views

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    We need distant reading, Moretti argues, because its opposite, close reading, can't uncover the true scope and nature of literature. Let's say you pick up a copy of "Jude the Obscure," become obsessed with Victorian fiction and somehow manage to make your way through all 200-odd books generally considered part of that canon. Moretti would say: So what? As many as 60,000 other novels were published in 19th-century England - to mention nothing of other times and places. You might know your George Eliot from your George Meredith, but you won't have learned anything meaningful about literature, because your sample size is absurdly small. Since no feasible amount of reading can fix that, what's called for is a change not in scale but in strategy. To understand literature, Moretti argues, we must stop reading books.
Weiye Loh

Scientists find secret to writing a best-selling novel - Telegraph - 0 views

  • They found several trends that were often found in successful books, including heavy use of conjunctions such as “and” and “but” and large numbers of nouns and adjectives. Less successful work tended to include more verbs and adverbs and relied on words that explicitly describe actions and emotions such as “wanted”, “took” or “promised”, while more successful books favoured verbs that describe thought processes such as “recognised” or “remembered”.
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    "Scientists find secret to writing a best-selling novel Computer scientists have developed an algorithm which can predict with 84 per cent accuracy whether a book will be a commercial success - and the secret is to avoid cliches and excessive use of verbs"
Carlie Wallentine

E-book Sales Stats - 0 views

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    A short article about the rise of e-book sales.
Carlie Wallentine

Audio Book and Digital Era - 0 views

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    This article is very interesting, not only on audio books but just in digital media in general. A little old, but still good!
Gideon Burton

book stack (tagged) - 2 views

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    What's on your shelf? What if people tagged their books the way they tag photos of people on Facebook?
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    Isn't this sort of the same thing as goodreads but in a different visual format?
Katherine H

American Technological Sublime - Google Books - 1 views

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    The title says it all - the Sublimity of American modern technology. A really interesting spin on the sublime
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    Some fun with the technological sublime. Very closely related to the digital sublime.
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