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Weiye Loh

Skepticblog » Why are textbooks so expensive? - 0 views

  • In some cases, the costs are driven up because the market has gotten highly competitive with more and expensive features, like pricey full color throughout, and lots of ancillaries (website for the book, CD-ROM of Powerpoints or images, study guide for students, instructor’s guide, test banks, and many other extras). In the high-volume markets, like the introductory courses taken by hundreds of non-majors, these silly extras seem to make a big difference in enticing faculty to change their preferences and adopt a different book, so publishers must pull out all the stops on these expensive frills or lose in a highly competitive market. And, like any other market, the cost per unit is a function of how many you sell. In the huge introductory markets, there are tens of thousands of copies sold, and they can afford to keep their prices competitive but still must add every possible bell and whistle to lure instructors to adopt them. But in the upper-level undergraduate or the graduate courses, where there may only be a few hundred or a few thousand copies sold each year, they cannot afford expensive color, and each copy must be priced to match the anticipated sales. Low volume = higher individual cost per unit. It’s simple economics.
  • the real culprit is something most students don’t suspect: used book recyclers, and students’ own preferences for used books that are cheaper and already marked with someone else’s highlighter marker!
  • As an author, I’ve seen how the sales histories of textbooks work. Typically they have a big spike of sales for the first 1-2 years after they are introduced, and that’s when most the new copies are sold and most of the publisher’s money is made. But by year 3  (and sometimes sooner), the sales plunge and within another year or two, the sales are miniscule. The publishers have only a few options in a situation like this. One option: they can price the book so that the first two years’ worth of sales will pay their costs back before the used copies wipe out their market, which is the major reason new copies cost so much. Another option (especially with high-volume introductory textbooks) is to revise it within 2-3 years after the previous edition, so the new edition will drive all the used copies off the shelves for another two years or so. This is also a common strategy. For my most popular books, the publisher expected me to be working on a new edition almost as soon as the previous edition came out, and 2-3 years later, the new edition (with a distinctive new cover, and sometimes with significant new content as well) starts the sales curve cycle all over again. One of my books is in its eighth edition, but there are introductory textbooks that are in the 15th or 20th edition.
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  • For over 20 years now, I’ve heard all sorts of prophets saying that paper textbooks are dead, and predicting that all textbooks would be electronic within a few years. Year after year, I  hear this prediction—and paper textbooks continue to sell just fine, thank you.  Certainly, electronic editions of mass market best-sellers, novels and mysteries (usually cheaply produced with few illustrations) seem to do fine as Kindle editions or eBooks, and that market is well established. But electronic textbooks have never taken off, at least in science textbooks, despite numerous attempts to make them work. Watching students study, I have a few thoughts as to why this is: Students seem to feel that they haven’t “studied” unless they’ve covered their textbook with yellow highlighter markings. Although there are electronic equivalents of the highlighter marker pen, most of today’s students seem to prefer physically marking on a real paper book. Textbooks (especially science books) are heavy with color photographs and other images that don’t often look good on a tiny screen, don’t print out on ordinary paper well, but raise the price of the book. Even an eBook is going to be a lot more expensive with lots of images compared to a mass-market book with no art whatsoever. I’ve watched my students study, and they like the flexibility of being able to use their book just about anywhere—in bright light outdoors away from a power supply especially. Although eBooks are getting better, most still have screens that are hard to read in bright light, and eventually their battery will run out, whether you’re near a power supply or not. Finally, if  you drop your eBook or get it wet, you have a disaster. A textbook won’t even be dented by hard usage, and unless it’s totally soaked and cannot be dried, it does a lot better when wet than any electronic book.
  • A recent study found that digital textbooks were no panacea after all. Only one-third of the students said they were comfortable reading e-textbooks, and three-fourths preferred a paper textbook to an e-textbook if the costs were equal. And the costs have hidden jokers in the deck: e-textbooks may seem cheaper, but they tend to have built-in expiration dates and cannot be resold, so they may be priced below paper textbooks but end up costing about the same. E-textbooks are not that much cheaper for publishers, either, since the writing, editing, art manuscript, promotion, etc., all cost the publisher the same whether the final book is in paper or electronic. The only cost difference is printing and binding and shipping and storage vs. creating the electronic version.
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    But in the 1980s and 1990s, the market changed drastically with the expansion of used book recyclers. They set up shop at the bookstore door near the end of the semester and bought students' new copies for pennies on the dollar. They would show up in my office uninvited and ask if I want to sell any of the free adopter's copies that I get from publishers trying to entice me. If you walk through any campus bookstore, nearly all the new copies have been replaced by used copies, usually very tattered and with broken spines. The students naturally gravitate to the cheaper used books (and some prefer them because they like it if a previous owner has highlighted the important stuff). In many bookstores, there are no new copies at all, or just a few that go unsold. What these bargain hunters don't realize is that every used copy purchased means a new copy unsold. Used copies pay nothing to the publisher (or the author, either), so to recoup their costs, publishers must price their new copies to offset the loss of sales by used copies. And so the vicious circle begins-publisher raises the price on the book again, more students buy used copies, so a new copy keeps climbing in price.
Weiye Loh

The Icelandic publisher that only prints books during a full moon - then burns them | B... - 0 views

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    For Tunglið, how you publish is as important as what you publish. Named after the Icelandic word for the moon, the tiny publisher prints its books in batches of 69 on the night of a full moon. So far, so weird. But keen readers must also buy their books that same night, as the publisher burns all unsold copies. Weirder still. Why? While most books can survive centuries or even millennia, Tunglið - as its two employees tell me - "uses all the energy of publishing to fully charge a few hours instead of spreading it out over centuries … For one glorious evening, the book and its author are fully alive. And then, the morning after, everyone can get on with their lives."
Bri Zabriskie

Five Tools For Self-Publishing Your eBook - eBookNewser - 1 views

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    places to publish and formats they accept. Derrick take a look.
Gideon Burton

Indie - About | Kirkus Book Reviews - 0 views

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    Now self-published authors can get their books reviewed through Kirkus (for $425). This could certainly help give legitimacy to self-published works. I would worry about how they select reviewers for the book, and it would be curious to see reactions from those who have used the service.
Nyssa Silvester

Publishers need to diversify to win the battle against Angry Birds that they have alrea... - 0 views

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    Competition for our attention spans across different varieties of media was not something I had even considered when I started my research on the publishing industry, but it is relevant now that we can be doing so much.
Nyssa Silvester

The Business Rusch Publishing Series | Kristine Kathryn Rusch - 0 views

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    For anyone who wants to get an extended analysis about the effects of the Digital Age on publishing, this is a great place to start if you have the time.
Nyssa Silvester

Things Publishers Fear | Green Lamp Media - 0 views

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    Another blog about the change in publishing with the rise of ebooks.
Gideon Burton

Publishing Guide - eBooks - Authorhouse.com - 1 views

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    An online publisher
Sam McGrath

Amazon.com: Kindle Direct Publishing: Help - 2 views

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    Amazon's guidlines for publishing images in the kindle format.
Gideon Burton

Journal of Interactive Technology and Pedagogy - 1 views

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    A potential outlet for publishing material related to writing about literature in the digital age.
Stacie Farmer

Texas School Board Set to Vote Textbook Revisions - NYTimes.com - 0 views

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    "By sheer force of its population size, Texas has long held outsize influence on national textbook publishers, some of whom sent curriculum writers to take notes in the boardroom. That influence has waned somewhat in recent years, with the digital age allowing editors to tailor versions of their textbooks to individual states. " Is the ability to "tailor versions of their textbooks to individual states" going to affect the way students are learning? How effective is this really?
Katherine H

pdf of The English literature researcher in the age of the Internet - 2 views

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    This article talks about the effects that the Internet is having on English professors and researchers. It mentions the increased research and publishing possibilities, the opportunities provided by email, and the opinions of academics - many of whom were reluctant to accept these new technologies as equal to traditional methods.
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    Hopefully the link works - I'm not sure since it's a download of the pdf.
Derrick Clements

Audio Book Sales Climb In Spite Of Competition : NPR - 0 views

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    I thought of us when I heard this on NPR - it's a great discussion about the value of audio book among book formats, and it raises interesting points about varying level of production quality among audio books. Did you know there's an Audio Publishing Association?  That gives out Audie Awards, the Oscar-equivalent for audio books?  Cool stuff.
Aly Rutter

LDS eBooks - 1 views

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    Opportunities to publish online literature to an LDS audience
Gideon Burton

Cheap E-Books Crowd Best Sellers - WSJ.com - 0 views

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    The economics of eBooks favors low price and changes who it is that can make a splash in publishing
Ashley Nelson

Discussion: Should Young Writers be Published? - 1 views

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    I found this interesting discussion about young writers and if they should be published or not. It kind of goes along with Fanfiction and the writers that are on there.
Derrick Clements

Writing about Literature in the Digital Age - 2 views

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    Our eBook is published! Here is a possible website we can use as home base.
Weiye Loh

The Mechanic Muse - What Is Distant Reading? - NYTimes.com - 1 views

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    We need distant reading, Moretti argues, because its opposite, close reading, can't uncover the true scope and nature of literature. Let's say you pick up a copy of "Jude the Obscure," become obsessed with Victorian fiction and somehow manage to make your way through all 200-odd books generally considered part of that canon. Moretti would say: So what? As many as 60,000 other novels were published in 19th-century England - to mention nothing of other times and places. You might know your George Eliot from your George Meredith, but you won't have learned anything meaningful about literature, because your sample size is absurdly small. Since no feasible amount of reading can fix that, what's called for is a change not in scale but in strategy. To understand literature, Moretti argues, we must stop reading books.
Krista S

The Rumors Are True: We Spend More And More Time Online - 0 views

  • Survey results published by Harris Interactive suggest that adult Internet users are now spending an average of 13 hours a week online. About 14% spends 24 or more hours a week online, while 20% of adult Internet users are online for only two hours or less a week.
Weiye Loh

Do writers need paper? « Prospect Magazine - 0 views

  • The digitisation of the reading experience itself is the least radical aspect of this process. Although a minority of titles offer sounds and images, most e-books ape their paper counterparts. Even on an advanced device like the iPad, the best reading applications emphasise clarity and clutter-free text. What’s truly new is the shift in power that the emerging order represents.
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    Do writers need paper?
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