Simon Heffer Battles Historians about the First World War | New Republic - 0 views
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Now no one is alive who served in the trenches or on a dreadnought, and the reliance is entirely upon documents, there can be, paradoxically, far more rigour in the analysis, as sources are tested against each other, and the unreliability of active memory ceases to intrude.
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Few historians have the range of specialisms needed, at least in the depth to which each is required, to tell the whole story,
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First, an understanding of the history of power, international relations since (at least) the Congress of Berlin and of European diplomacy is required to illuminate the catastrophe of August 1914.
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knowledge of the political heritage and divisions in certain countries that played a leading role in the drama
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The historiography of the war began when the war did. On the most basic level there was a running commentary in the press. Further up the scale of debate and analysis, Oxford University Press quickly published Why We Are At War
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there is the question of life away from the front. The political pressures and civilian unrest that led to the dissolution of first the Romanov, and then the Hohenzollern, the Habsburg and the Ottoman empires in 1917-18 say as much about the effect of the war and its pervasive influence in the ensuing decades as the final outcome itself.
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Second, one needs the skills of the advanced military historian not simply to outline strategy and tactics after war breaks out, and to recount the movements of troops and the joining of battle, but also to link these with the political direction (or, sometimes, lack of it) of the chancelleries of Europ
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The book went through several editions in the first few months of the conflict as governments made available correspondence and documents that presented each nation’s justification for its course of action – Britain’s Blue Book, the German White Book, the Russian Orange Book and the Belgian Grey Book.
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Of the general histories still read today the first truly rigorous one that probed more deeply was Captain Basil Liddell Hart’s. He was a veteran of the Somme; his The Real War was published in 1930 and is still in print today under the title History of the First World War.
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Wars are fought in cabinet rooms as well as on battlefields, and Repington’s eyewitness accounts of both make his book an essential source today. He was also the man who first used the term “the First World War”, in September 1918: not so much to coin a phrase to describe a conflict involving international empires and, since the previous year, America, but to warn that there might one day be a second one.
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The modern school of First World War history has its origins in the 1960s, at around the time of the 50th anniversary of the conflict. It is from this time onwards that popular history – that is, books written with the intention of being read by an intelligent general public, rather than just a small circle of elevated academics – begins to evolve to its present sophisticated state, and standards of scholarship rise considerably
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the new vogue for popular history of the First World War began with a book that displays none of these qualities – Alan Clark’s The Donkeys, published in 1961.
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Sir Michael Howard called it “worthless” as history because of its “slovenly scholarship”. Unlike later historians, Clark did not attempt to explore whether there might be two sides to the story of apparently weak British generalship.
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The book is a clever piece of propaganda and manipulation of (usually) the truth, and its revisionism created an entirely new view of the war and how it was fought. It is, however, a view that more reputable historians have sought to correct for the past half-century.
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The BBC’s landmark documentary series of 1964, entitled The Great War, stimulated great interest in the subject, not least because of the realisation that the generation that survived it was beginning to die. The series filmed numerous veterans and prompted a vogue for oral history; the Imperial War Museum undertook an enormous, and hugely valuable, project. For the rest of that generation’s life oral history was given more emphasis than documentary records
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In America, Barbara Tuchman’s The Guns of August had appeared in 1962. George Malcolm Thomson covered similar ground in his highly acclaimed The Twelve Days, published in 1964, a detailed account of the diplomatic activity between 24 July and 4 August 1914.
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A J P Taylor, the highest-profile historian of the time, published in 1969 War by Timetable, which argued that the mobilisation timetables of all the great powers – whose generals had prided themselves on being able to mobilise faster than their potential enemies – led to an inevitable drift towards a war no one actually wanted.
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led to the birth of the two rival schools of thought that have dominated the study of the war in recent years: one that says Germany was hell-bent on world domination, the other that says the war happened by accident.
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In 1998 two serious British historians of different generations published authoritative histories of the conflict. Sir John Keegan’s The First World Warwas based almost entirely on secondary sources, but written with a measured expertise that made it the perfect entry-level guide to the fighting, taking into account almost all of the scholarship since 1914
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Professor Niall Ferguson’sThe Pity of War was a different beast; a more political book, making greater use of primary sources, and offering a more controversial judgement: that the kaiser had not wanted war, and Britain’s security did not rely on Germany’s defeat.
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The next great landmark of British war studies – and in one respect the most frustrating – was the first volume of Sir Hew Strachan’s The First World War, published in 2001
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The anniversary has prompted not just more publications, but also a renewed argument about the necessity of fighting such a horrendous conflict.
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In a magisterial review in the Times Literary Supplement last autumn of Sir Max’s and two other books – Professor Margaret MacMillan’s bizarrely titled but widely acclaimed The War That Ended Peace and Brigadier Allan Mallinson’s 1914: Fight the Good Fight – William Philpott, professor of the history of warfare in the world-renowned war studies department at King’s College London, drew some distinctions between rigorous and populist histor
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Of all the recent works of history, one stands far above all others, and should be regarded as an indispensable read for anyone who wishes to understand why the war happened: Christopher Clark’s Sleepwalkers, published in 2012
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relying on a grasp of the main languages involved and a serious study of foreign archives, Clark gets to the heart of the two principal questions: why Gavrilo Princip felt moved to shoot Franz Ferdinand and his wife when they went to Sarajevo on 28 June 1914, and why the ensuing quarrel could not be contained to one between Austria-Hungary and Serbia. After much inquiry, presentation of evidence and discussion, he reaches a judgement: that the kaiser didn’t want war, and that a war occurred was largely down to the bellicosity, incompetence and weaknesses of others.
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I suspect that Clark’s view will gain more adherents, not least as a more nuanced and thoughtful understanding of this abominable conflict becomes more possible now that those who remember it are dead