Opinion | A Photographer's Dark Vision of the South - The New York Times - 0 views
-
her photographs capture both the isolation and the beauty of the rural South: the dirt roads without a soul in sight, the creeks and rivers that curve away into even greater isolation, the trees choked by moss and vines, the gravestones and makeshift memorials barely visible through the trees.
-
The landscapes in these photographs are not so much threatening as bereft of protection. Entering such beautiful spaces is always a risk for a woman alone — not because of anything inherently dangerous about a mist-drenched stream or a bamboo-clotted riverbank or even a rocky waterfall, but because bucolic settings aren’t always as empty as they seem. And nobody would hear you scream if danger has followed you into the woods — or if danger is already there, just waiting for you to arrive.
-
Our deep woods are lovely, our still waters restful, but the Southern landscape has never been a safe place for a woman alone. It has never been a safe place for a Black man alone. It has never been a safe place for L.G.B.T.Q. people of any race or gender. To enter an isolated place alone has always been to take a risk, and we have known that all our lives.
- ...1 more annotation...