Group items tagged

Google OS

Calendar, email, docs OS wonder what will come next

Great post in the consultation about the current NZ 3 strikes law.

Briefing on cloud computing in institutions

Mail merge template 

The autoCrat Script was written to be a multi-purpose document merge tool that allows you to take any personalized, row-based spreadsheet data and create, save, attach to email, and share templated documents. No scripting ability required to use.

New version of OffiSync that now supports real-time collaboration! (And thankfully you now download the entire installer.)

A wiki page on using Google Docs - still need to read!

Nice workflow: Googledocs-->Wordpress-->InDesign

Over 300 links to teaching continuity and related resources, nearly all from US universities.

"This page features innovative uses of online collaboration tools (OCTs) for teaching and course management. You can browse the full list or use the search criteria to find the examples most relevant to you. Click on any title for a full description or use the Links to watch short videos of faculty describing their teaching strategies and see examples. For a summary of practical recommendations for effectively implementing OCTs in one's teaching, see CRLT's Occasional Paper No. 31: Teaching in the Cloud: Leveraging Online Collaboration Tools to Enhance Student Engagement."

"A report summarising the experience of the University of Edinburgh of  offering our first 6 massive open online courses (MOOCs) in partnership with Coursera"

Article from John Egenes at Otago Uni on remix culture. "The internet and our digital convergence are rapidly transforming long-held views regarding the traditional relationship between performer and audience ("creator" / "consumer"). This change is giving a new voice to the audience, literally bringing them into the mix. With unprecedented access to the creative process, and with an audience for their creations, consumers of music are also its producers, and are reshaping concepts of creativity, individuality, and intellectual property. This paper examines fundamental shifts in the way the "Folk Process" works within this context. Remix culture, once a bastion of beat-driven dance mashups, is expanding to include all styles of music, film, theatre and art. I will argue that its long-term significance lies in the notion that it blurs lines between the traditionally separate roles of creator and consumer, and challenges long-held concepts of intellectual property and copyright. Over the protests of many traditional folk musicians and devotees, folk music is entering this new digital arena, where the Folk Process is changing from gradual to immediate, from slow to rapid, adapting to fit the new digital paradigm."