The way the market actually works is that you catch wind of a game through a friend or a website, and you eventually stumble upon its page on a digital distribution site like Steam or Good Old Games. You watch the trailer, look at the screenshots, maybe double-check its purported quality by reading Metacritic reviews (or just glancing at the game's damnable Metacritic score) ... and you imagine what the game might be like to play, and whether you'll enjoy it. You create a mental picture of that enjoyment you'll get from the game, and then you compare that to the asking price. If the asking price is aligned with the enjoyment you predict you'll get from the game (and everyone's equation for this is different), AND you have that money to fart away on entertainment, THEN you may just complete the purchase.
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in title, tags, annotations or urlCVG Blog: Next gen consoles: Five quantum leap features to expect - ComputerAndVideoGames.com - 4 views
Videogame Jobs: Expectation vs Reality - 1 views
Expectations, Network Effects and Platform Pricing (Andrei Hagiu & Hanna Hałaburda) - 1 views
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En los mercados con efectos de red, como los sistemas de videojuego, el valor del aumento de los usuarios de las plataformas depende de la cantidad de otros usuarios del mismo tipo que se unen a la misma plataforma (efectos directos de la red) o el número de usuarios de un tipo diferente que se unen (transversal grupo de red efectos).
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Gamasutra: Ryan Creighton's Blog - Truth in Advertising: Matching Your Game to Your Paying Players - 2 views
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If i were to approach this exercise completely cynically, i would continue to tweak and refine the page until i got the best potential conversion from my respondents, and then release Spellirium without making any changes to it. Because, speaking absolutely cynically, it doesn't actually matter if the game is good or bad - it only matters that people buy it. But that's not how Untold Entertainment rolls!
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Of course, i desperately do want to make a good game. So i'll use the Steam page mock-up and survey as a funnel to decide on my testers. Those respondents who report the highest interest in playing the game, and the highest likelihood of buying it, will test the game. At that point, it doesn't matter who is a "proper" word gamer and who isn't: what matters is that i have an obligation to the people who are excited about my game and who want to buy it. If those players struggle to make 3-letters words, and if those players expect long words to be rewarded over tricky words, then i will adjust the game for the sake of those players. Because those players are my paying audience - not some mythical "perfect" players that i've hand-picked to enjoy Spellirium the specific way i've configured it. The players choose my game - not the other way around.
Sony acts to boost PS Vita sales - 0 views
Otras aplicaciones para los videojuegos - 18 views
Influencias: El nacimiento de Dungeons and Dragons, Basado en la creación de un juego académico llamado Chainmail. Dungeon & Dragons es el primer RPG comercial, y la influencia directa de el géner...
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