Group items tagged

"We're rich in data-but the returns are diminishing rapidly, because after a certain point the more information you have, the harder it becomes to extract meaning from it. Ironically, an excess of information resists analysis and comprehension in much the same way a lack of it does. As a result, the more that new technology floods our world with complex information, the more we end up calling on a much older field of human endeavor, one that has always been devoted to making complexity comprehensible and extracting meaning from chaos, namely, art. "

" The mentors seemed to effortlessly navigate the onslaught of information and identify the most pertinent information and then tweet it or post it in a way that was intriguing to the reader.  I want to be able to do this!!! I think the ultimate thing the availability of all the information does is make one appreciate the importance of being a student of life and to never stop seeking ways to grow.  Therein lies the modeling and mentorship of the digital age professor!"

"When you look around an office, nine times out of 10 you can tell if it was designed for fear. How does fear manifest in space? High walls. No windows. Closed spaces. By extracting management from the doers and makers of the company, there's plausible deniability. When conversation is inhibited by high-walled cubicles, information is controlled. And to effectively instill fear in office culture, you have to control information. You have to make sure teams are segmented into departments, information is transmitted linearly and power is centralized."

"Christine Greenhow, an assistant professor of education at Michigan State University, argues that using informal social-media settings to carry on debates about science can help students refine their argumentative skills, increase their scientific literacy, and supplement learning in the classroom."

Maxine Greene (1995) writes:

"The role of the imagination is not to resolve, not to point the way, not to improve.  It is to awaken, to disclose the ordinarily unseen, unheard, and unexpected" (p. 28)

In this age of constant information and busy lives, it's difficult to get teachers and parents to read large amounts of research, or to understand the importance of boycotts, resolutions or petitions. The information we wish to share regarding the ill purpose and effects of corporate ownership of education must be expressed using all of the senses, in our bodied actions-instantaneously and with the emotion it warrants. As Nick Sousanis considers, we have to remember that conception (i.e as what we believe, what we think of as "real") largely comes through our perception (i.e what we see with our eyes and how we construct meaning).

Greene writes that through the "art of knowing"-"The experience and knowledge gained  by this way of knowing opens new modalities for us in the lived world; it brings us in touch with our primordial landscapes, our original acts of perceiving" (p. 149).

We need to redesign the social landscape with new images, new stories, new ways of understanding what corporate reform "is" and how it works.  What we need is action-creative action collectively inspired in local communities and through national organizing-to UNFLATTEN our worlds.

"What PLNs can I use to connect with other educators like me? One of the coolest things about PLNs, Connectivism, and learning online is that there are always tons of opportunities for informal, collective learning experiences drawn from a variety of experiences and vantage points. Put simply, we have the opportunity to tap into fountains of learning and information when we chose, or when our interests and time permit."

"I'd say the biggest observation I've come across in the last couple weeks, is that the online co-learning model breaks down the barriers of the traditional teacher/student relationship. Collaborating, sharing, and building ideas and understanding through open discuss instead bland lecture (here's the information, learn it, regurgitate it for a test). Creating the open platform to express ideas, and then expand upon them with easy reference to the information on the web (i.e., youtube videos, spotify, etc.). The responsibility then lies with each of us (student and teacher) to clearly express our meaning, intention, interpretation, and understanding of material, and back it up with an openness to build on criticism, and defend our viewpoint. And as we've discussed, they, the students, have full ownership of their work, so they may use it for future reference, when needed. In a way, it's like what Beethoven, Debussy, and punk rock have done with music. Each in their own right said, screw the "rules" I'm going to create the music I feel is necessary. The music inside me." h/t to Joyce

This could be a checklist for ALL professional development across education and, I suspect, other fields as well. Personalized, customized, sustained.

"Meet Diigo Outliner - the best way to structurally organize your information and thoughts "

Example of how algorithms feed information bubbles, likely contributing to divisiveness.

Interesting to see how journalists are sometimes leading in presenting serious information in original, creative, engaging ways.

"Another way to look at Wikipedia's influence: Wikipedia reaches almost one-third of the total mobile population each month, according to Knight's analysis, which used data from the audience-tracking firm Nielsen. "

"Very much like the hyphen that Butler and Spivak question, the hyperlink forms new connections, informs unexpected encounters, and formulates narratives and metaphors where none might have existed."

Via Stephen Downes's recent post; a nice accessible summary discussion for non-techies about how technology is changing teaching. Good teaching resource, I think.

"The personal blog is an important, under-respected art form. While blogs as a medium are basically just the default format for sharing timely information or doing simple publishing online, the personal blog is every bit as important an expressive medium as the novel or the zine or any visual arts medium. As a culture, we don't afford them the same respect, but it's an art form that has meant as much to me, and revealed as many truths to me, as the films I have seen and the books I have read, and I'm so thankful for that."

"In 1998, a National Science Foundation report made a remark that begins to hit the mark a little closer: "It is important to understand how individuals assess their own knowledge of these subjects. For many purposes … it is the individual's self-assessment of his or her knowledge that will either encourage or discourage a given behavior." This starts to tear down the wall of judging people based on how "well-informed" or "attentive" they are (terms that permeate these statistics reports) to science, and instead places more significance on an individual's assessment of themselves. To go further, I'd argue that "knowledge" isn't as telltale of a measurement as "experience"."

The Web promised openness. Open access. Open knowledge. A wide open space for creativity. Collaboration. Distribution. Instead what we have today is a mass of information silos and content farms. What we have today, if we're honest with ourselves, are old hierarchies hard-coded onto new ones.

Bet you never thought of the adjective "cool" when writing your syllabus. In case you want to start, this syllabus is very cool. I will be following this class as they publish their writing openly. I am optimistic that the teaching & learning will be pretty cool.

" This course is not one in which an instructor feeds you information and you regurgitate it for a good grade. You (the student) and I (the instructor) are almost certainly going to disagree on some things, and that's just fine (see the Grading section below). It's probably easiest to think of this course as a small, independent publication/think tank focused on the concept of 'cool'. Your job is to look carefully and thoughtfully at the world around you, and produce a series of essays that would help a potential reader understand your stance on what 'cool' means to you. You'll be using the process of writing and editing to help you define, and refine, that stance for yourself. You're also responsible for helping your fellow writers do the same. " h/t Stan