Group items tagged

How the library guides image searches . . .

"Obfuscation: A User's Guide for Privacy and Protest is an important and straight to the point book that reminds us that, ultimately, we're up against intimidating asymmetries of power and knowledge. Stronger actors -whether they are corporations, governmental bodies or influential people- have better tools at their disposal if they want to hide something. What we have is obfuscation. It might require time, money, efforts, attention but it gives us some leverage as well as some measures of resistance and dignity. "

"Students appreciated the MOOC's ability to support structured, self-paced learning. Students often watched the short (10-to-15-minute) lecture videos at double speed with the captions turned on, at times that fit the students' schedules. Students described Andrew Ng as a highly effective lecturer, which added to the value of the lecture videos. Students did not actively participate in the discussion forums provided by the MOOC, choosing instead to use each other and Professor Fisher as resources when they needed help with the material. Occasionally, a student with a specific question would check to see if that question had already been asked and answered in the forums. It often was, and so the forums were a study resource for the students even if they didn't post to the forums themselves. Doug's students appreciated the in-class active learning facilitated by the "flipped" approach. By shifting explanatory lectures outside of class, class time was made available for more discussion, interaction, and application of that material. The students described Doug's role as "facilitator," guiding class discussions and making sure that every student understood the material. The biggest challenge identified by the students was a misalignment between the MOOC material and the additional readings Doug provided. These readings took the students beyond the introductory ideas presented in the MOOC, focusing on recent and seminar research in the field. The readings weren't designed for novices in the field, as Andrew Ng's lecture videos were, and they required "a different kind of learning," as one student put it. Nor did the readings always build on the week's MOOC content in clear ways."

1. For complex written assignments that require synthesis of material from the entire semester, divide the assignment into phases and have students submit interim deliverables for feedback. 2. Use rubrics to guide student activity on the discussion board as well as in written assignments. 3. For courses that teach dense, technical material, self-check quizzes can be very effective to oblige students to complete the required reading and help them (and instructors) gauge their understanding of the material. 4. Make use of synchronous technologies, where appropriate. Many of the challenges instructors face when teaching online are the result of the distant, asynchronous nature of most online learning. Web conferencing and telephone conferencing can help "close the gap" that asynchronous communication introduces. 5. Explore the use of peer-assessment strategies to foster community development and give students chances to learn through analyzing and critiquing the work of others. Rubrics are a must for this kind of activity. 6. Look for appropriate opportunities to address the entire class so as to reduce the time spent giving the same feedback to multiple students. After a big assignment, post an announcement summarizing some of the trends in the submissions, along with recommendations for next steps. Maintain a "Q&A" discussion board to which students can post questions for everyone to see. Monitor the board regularly, but also urge students to assist one another when appropriate.

"Guidelines for designing teaching and learning for a digital age The book examines the underlying principles that guide effective teaching in an age when everyone,and in particular the students we are teaching, are using technology. A framework for making decisions about your teaching is provided, while understanding that every subject is different, and every instructor has something unique and special to bring to their teaching."

This has some real potential. h/t Stan

Interesting guide to picking an interactive storytelling tool that might be an interesting model for some of our stuff in OLE and beyond.

" In such times Dada objects amuse everybody, and since these objects are (mostly) made collectively, they are a strong community bond. Amusement (of oneself and others) and the making of art communities are the goals of Dada. Dada is a priori against everything, including goals and itself, but this creative negation is very amusing and is meant to be shared. For one whole century, Dada has delighted in uncovering and using contradictions, paradoxes, and negations, the most important of which are: 1. most people read signs, Dadas make signs, and 2. most people are scared of scary faces, Dada makes scary faces." "

"Dr. Moorman conducted a study focused on what meaning VTS had for students exploring how they used VTS in patient care.  Guided by a series of 3 questions, a facilitator chose a work of art and asked students the following questions: 'What is going on in this painting?' 'What are you seeing that makes you say that?' (requiring students to give visual evidence), and 'What more can you find?' (requiring them to look again and scaffold off of others' comments).  Students found their observational skills improved and that they were more open to hearing other's opinions.  They found that they were more likely to give detail to back up observations in their clinical situations and listen to others during report. They also found they used the same line of questioning that the facilitator used when they were seeking more information during clinical rotations during patient care.    "

We had a faculty member who took our students to the VMFA every year for this exercise. The students loved it. I didn't understand its point at the time, but this makes a great deal of sense.

It's obviously not enough to throw animation at our web page elements and hope it improves our conversion rate. That would be silly. Like every other aspect of design, what kinds of animation you use, and when you use them, must be carefully considered.

"bring about these changes in students. Hence it is clear that a statement of objectives in terms of content headings…is not a satisfactory basis for guiding the further development of the curriculum. The most useful form for stating objectives is to express them in terms which identify both the kind of behavior to be developed in the student and the … area of life which this behavior is to operate." pp. 45-7."

BeeLine Reader makes reading faster and easier by using a color gradient that guides your eyes from the end of one line to the beginning of the next. With BeeLine Reader, you can finish your work faster-and with less eyestrain.

"This article is significantly longer than previous installments. It features 4 interactive slideshows, each introducing a new tool as well as related concepts around it. In one way, it's just another math guide, but going much deeper. In another, it's a thesis on everything I know about animating. Their intersection is a handbook for anyone who wants to make things move with code, but I hope it's an interesting read even if that's not your goal."

One thought on "How does it feel to think?"

Profile photo of Yin Wah Kreher Yin Wah Kreher
January 19, 2015 at 3:45 pm Edit

I don't think in music. It's fascinating that you can identify a particular tune that guides (facilitates?) thinking. When I need heavy mental effort, I need total silence. :-) It's interesting how different people think and feel when they think. Like you, I've never thought about my feelings when I think. It's after thinking that I may feel various emotions, or not. Feel free to drop by my thoughts on this. I wrote a post on it: http://justywk.blogspot.com/2014/06/thought-vectors-how-thinkaholic-feels.html

"Field Notes for 21st Century Literacies: A Guide to New Theories, Methods, and Practices for Open Peer Teaching and Learning is intended to assist anyone embarking on open teaching. It offers foundational methods, examples, and explanatory theories for how to set up the practices of a class, how to determine guiding principles, how to theorize what you are doing in the classroom, how to design the class, how to include multimedia elements and approaches such as games, and how to ensure that you have designed a class for inclusion, not exclusion. Finally, the openness of the learning should continue even after the book is published/goes public, and the chapters in the "Invitations" section offer advice on how to extend your open practices to the world beyond the classroom. This is by no means the only way to set up peer-to-peer teaching, but it is an account of the way we have done it, with as much detail as possible to encourage others to try, in whatever way suits their community and purposes."

Maybe this is a framework/concept for doing some of the ALT Lab documentation. It mixes tutorial/tool guide/example in a way that works pretty well.

I like this concept we can show examples of various interesting things faculty are doing and explain the creation process. That way faculty work is always at the forefront of what we do

A wave of change aims to produce young doctors who are better prepared to meet the demands of the nation's changing health-care system - using team based learning, more interactive and hands-on learning opportunities, etc. Great quote from the article: "We've replaced 'the sage on the stage' with 'the guide on the side,' "

Some useful image repositories